In the Line of Fire

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In the Line of Fire
An older man running alongside a limousine
Theatrical release poster
Directed byWolfgang Petersen
Written byJeff Maguire
Produced byJeff Apple
Starring
CinematographyJohn Bailey
Edited byAnne V. Coates
Music byEnnio Morricone
Production
companies
Castle Rock Entertainment
Apple-Rose Productions
Distributed byColumbia Pictures
Release date
  • July 9, 1993 (1993-07-09)
Running time
128 minutes
CountryUnited States
LanguageEnglish
Budget$40 million[1][2]
Box office$187 million[3]

In the Line of Fire is a 1993 American political action thriller film directed by Wolfgang Petersen and starring Clint Eastwood, John Malkovich and Rene Russo.[4] Written by Jeff Maguire, the film is about a disillusioned and obsessed former CIA agent who attempts to assassinate the President of the United States and the Secret Service agent who tracks him. Eastwood's character is the sole active-duty Secret Service agent who is still remaining from the detail that had guarded John F. Kennedy in Dallas, Texas, at the time of his assassination in 1963. The film also stars Dylan McDermott, Gary Cole, John Mahoney, and Fred Dalton Thompson.

In the Line of Fire was co-produced by Columbia Pictures and Castle Rock Entertainment, with Columbia handling distribution. The film was a critical and commercial success, it grossed $187 million against a $40 million production budget and earned three nominations at the 66th Academy Awards.

Plot[edit]

Secret Service agents Frank Horrigan and Al D'Andrea meet with members of a counterfeiting group at a marina. The group's leader, Mendoza, tells Horrigan that he has identified D'Andrea as an undercover agent, and forces him to prove his loyalty by putting a gun to D'Andrea's head and pulling the trigger. When the gun just clicks, Horrigan then shoots and kills Mendoza's men, identifies himself as an agent, and arrests Mendoza.

Horrigan investigates a complaint from a landlady about an apartment's absent tenant, Joseph McCrawley. He finds a collage of photographs and newspaper articles on famous assassinations, a model-building magazine, and a Time cover with the President's head circled. When Horrigan and D' Andrea return with a search warrant, only one photograph remains, which shows a much younger Horrigan standing behind John F. Kennedy in Dallas in 1963. Horrigan is the only remaining active agent who was guarding the President that day, and he is wracked with guilt over his failure to react quickly enough to the first shot, shielding Kennedy from the subsequent fatal bullet, which could have saved the President's life. This guilt drove Horrigan to drink excessively; and eventually his family left him.

Horrigan receives a phone call from McCrawley, who calls himself "Booth". He tells Horrigan that, like John Wilkes Booth and Lee Harvey Oswald, he plans to kill the President, who is running for reelection and is making many public appearances around the country. Horrigan, despite his age, asks to return to the Presidential Protective Detail, where he begins a relationship with fellow agent Lilly Raines.

Booth continues to call Horrigan as part of his "game," even though he knows that his calls are being traced. He mocks Horrigan's failure to protect Kennedy but calls him a "friend". Booth escapes Horrigan and D'Andrea after one such call from Lafayette Park, but unknowingly leaves fingerprints in the process. The FBI matches the prints, but because the person's identity is classified, they cannot disclose it to the Secret Service. The FBI does notify the CIA.

At a campaign event in Chicago, Booth pops a decorative balloon. Horrigan, who has a cold, mistakes the pop for a gunshot. Because of this error, he is removed from the protective detail by White House Chief of Staff Harry Sargent and head of security detail Bill Watts, but he is left in charge of the Booth case. Horrigan and D'Andrea learn from the CIA that Booth is Mitch Leary, a former assassin who has suffered a mental breakdown and is now a "predator". Leary, who has already killed several people as he prepares for the assassination, uses his model-making skills to build a zip gun out of composite material to evade metal detectors and hides the cartridges and springs in a rabbit's foot keyring.

D'Andrea confides to Horrigan that he is going to retire immediately because of nightmares about the Mendoza incident, but Horrigan is able to dissuade him from doing so. After Leary taunts Horrigan about the President facing danger in California, Horrigan and D' Andrea chase him across Washington rooftops, where Leary shoots and kills D'Andrea but saves Horrigan from falling to his death as he clings to the side of the building. Horrigan asks Raines to reassign him to the protective detail when the President visits Los Angeles, but a television crew films him mistaking a bellboy at the hotel for a security threat, and Watts and Sargent once again force Horrigan to leave the detail.

Horrigan connects Leary to a bank employee's murder and determines that Leary, who has made a large campaign contribution, is among the guests at a campaign dinner at the hotel. He sees the President approaching Leary and jumps into the path of the assassin's bullet, saving the President's life. As the Secret Service quickly removes the President, Leary uses Horrigan – who is wearing a bulletproof vest – as a hostage to escape to the hotel's external elevator. Horrigan uses his earpiece to tell Raines and sharpshooters where to aim; although they miss Leary, Horrigan defeats him, leaving him hanging from the edge. Though Horrigan attempts to save him, Leary commits suicide by letting go and falling to his death.

Horrigan, now a hero, retires, as his fame makes it impossible for him to do his job. He and Raines find a farewell message from Leary on Horrigan's answering machine. Horrigan and Raines leave the apartment and visit the Lincoln Memorial, the site of the first time they had gotten together off-duty.

Cast[edit]

Production[edit]

The climax of the film occurs at the Bonaventure Hotel, Los Angeles

Producer Jeff Apple began developing In the Line of Fire in the mid-1980s. He had planned on making a movie about a Secret Service Agent on detail during the Kennedy assassination since his boyhood. Apple was inspired and intrigued by a vivid early childhood memory of meeting Vice President Lyndon B. Johnson in person, surrounded by Secret Service Agents with earpieces in dark suits and sunglasses. The concept later struck Apple as an adolescent watching televised replays of the assassination of President John F. Kennedy. In 1991, writer Jeff Maguire came aboard and completed the script that would become the movie.[5] In April, 1992, Castle Rock bought the script for $1.4 million.[6]

Eastwood and Petersen offered the role of Leary to Robert De Niro, who turned it down due to scheduling conflicts with A Bronx Tale.[7]

Filming began in late 1992 in Washington, D.C.[1] Scenes in the White House were filmed on an existing set, while an Air Force One interior set had to be built at a cost of $250,000.[1]

A subplot of the film is the President's re-election campaign. For the scenes of campaign rallies, the filmmakers used digitally altered footage from the campaign events of President George H.W. Bush and then-Governor Bill Clinton.[1][2]

The movie also inserted digitized images from 1960s Clint Eastwood movies into the Kennedy assassination scenes. As Jeff Apple described it to the Los Angeles Times, Clint "gets the world's first digital haircut".[2]

In an interview with Larry King, President Bill Clinton praised the film. Unsure if this endorsement would help or hurt the film, Peterson decided against using his quotes to market the film.[8][9]

Release[edit]

In the Line of Fire was released in United States theaters in July 1993. It was one of the first films to have a trailer for the film made available online. Offered via AOL, the trailer was downloaded 170 times in a week and a half.[10]

Box office[edit]

The film earned $15 million in its opening weekend.[11] It earned over $102 million in North America and $85 million in other territories, for a total of $187,343,874 worldwide,[3] against a budget of approximately $40 million.[2]

Critical response[edit]

On Rotten Tomatoes it has a "Certified Fresh" 96% rating based on 71 reviews, with an average rating of 7.80/10. The site's consensus states: "A straightforward thriller of the highest order, In the Line of Fire benefits from Wolfgang Petersen's taut direction and charismatic performances from Clint Eastwood and John Malkovich."[12] On Metacritic it has a score of 74 out of 100 based on reviews from 16 critics, indicating "generally favorable reviews".[13] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[14]

Vincent Canby of The New York Times wrote: "It's movie making of the high, smooth, commercial order that Hollywood prides itself on but achieves with singular infrequency."[15] Roger Ebert gave the film three and a half stars out of four, writing: "Most thrillers these days are about stunts and action. In the Line of Fire has a mind."[16] Kenneth Turan of the Los Angeles Times called the film "crisply entertaining". He praised the casting, "Malkovich’s insinuating, carefully thought out delivery is in the same way an ideal foil for Eastwood’s bluntly straightforward habits", and Eastwood "every part of this film trades so heavily on Eastwood’s presence that it is impossible to imagine it with anyone else in the starring role."[5][17]

Accolades[edit]

66th Academy Awards[edit]

47th BAFTA Awards[edit]

  • Nominated: Best Actor in a Supporting Role (John Malkovich)
  • Nominated: Best Editing (Anne V. Coates)
  • Nominated: Best Original Screenplay (Jeff Maguire)

Other Awards[edit]

References[edit]

Citations
  1. ^ a b c d Hughes, p.80
  2. ^ a b c d Galbraith, Jane (July 11, 1993). "A look inside Hollywood and the movies 'Line of Fire' Gives Crowd Control a New Meaning". Los Angeles Times. Retrieved February 13, 2021. special effects on the film, and were estimated to cost as much as 10% of the movie’s $40-million production budget
  3. ^ a b "In the Line of Fire (1993) - Financial Information". The Numbers (website).
  4. ^ Eller, Claudia (July 13, 1993). "In the Line of Fire: Whose Movie Is It, Anyway?". Los Angeles Times. Retrieved December 27, 2010.
  5. ^ a b Turan, Kenneth (July 9, 1993). "'Fire' lines up a worthy villain for Clint". Los Angeles Times. Retrieved February 23, 2021.
  6. ^ Claudia Eller (13 July 1993). "'In the Line of Fire': Whose Movie Is It, Anyway? : Movies: Columbia Pictures bankrolled the Castle Rock production, but there is disagreement over just how much creative credit the studio can claim". Los Angeles Times.
  7. ^ Crocker, John (22 September 2011). "MOVIE FEATURE: 10 THINGS YOU DIDN'T KNOW ABOUT... ROBERT DE NIRO". Red Bull. Archived from the original on May 30, 2015. Retrieved 15 June 2015.
  8. ^ a b "The 50 greatest heroes and the 50 greatest villains of all time" (PDF). American Film Institute. Archived from the original (PDF) on August 7, 2011. Retrieved March 13, 2012.
  9. ^ "CLINTON GETS CLIPPED AS FILM CRITIC". The Buffalo News. July 25, 1993. I thought Eastwood was terrific. . . . I liked the movie very much. . . . I think it was as realistic as it could be and still be a real rip-roaring thriller.
  10. ^ Rothman, Matt (July 20, 1993). "Studios go on-line to woo audiences". Daily Variety. p. 3. Retrieved February 3, 2021.
  11. ^ "Movie Weekend Gross Screens/Avg. Weeks (National ranking)..." Los Angeles Times. 15 July 1993.
  12. ^ "In the Line of Fire (1993)". Rotten Tomatoes. Fandango Media. Retrieved February 4, 2021.
  13. ^ "In the Line of Fire". Metacritic.
  14. ^ "CinemaScore". Archived from the original on 2018-12-20.
  15. ^ Canby, Vincent (9 July 1993). "Review/Film: In The Line of Fire; Eastwood Slips Easily Into Town (Published 1993)". The New York Times.
  16. ^ Ebert, Roger (July 9, 1993). "In the Line of Fire". Chicago Sun-Times. Retrieved March 13, 2012.
  17. ^ McCarthy, Todd (6 July 1993). "In the Line of Fire". Variety.
Bibliography

External links[edit]