Insane Woman (La Monomane de l'envie)
|Location||Musée des Beaux-Arts de Lyon, Lyon|
Mental aberration and irrational states of mind could not fail to interest artists against Enlightenment rationality. Géricault, like many of his contemporaries, examined the influence of mental states on the human face and shared the belief, common in his time, that a face more accurately revealed character, especially in madness and at the moment of death. He made many studies of the inmates in hospitals and institutions for the criminally insane, and he studied the heads of guillotine victims.
Géricault's Insane Woman, her mouth tense, her eyes red-rimmed with suffering, is one of several portraits he made of the mentally ill that have a peculiar hypnotic power. These portraits present the physical facts with astonishing authenticity, especially in contrast to earlier idealized commissioned portraiture.
- "Théodore Géricault, La Monomane de l’envie, dit aussi La Hyène de la Salpêtrière" (in French). Musée des Beaux-Arts de Lyon. Retrieved 19 March 2010.
Media related to La Folle, ou la Monomane de l'envie (Gericault) at Wikimedia Commons