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An insult is an expression, statement (or sometimes behavior) which is disrespectful or scornful. Insults  may be intentional or accidental. An insult may be factual, but at the same time pejorative, such as the word "inbred".
Lacan considered insults a primary form of social interaction, central to the imaginary order - 'a situation that is symbolised in the "Yah-boo, so are you" of the transitivist quarrel, the original form of aggressive communication'.[clarification needed]
Erving Goffman points out that every 'crack or remark set up the possibility of a counter-riposte, topper, or squelch, that is, a comeback'. He cites the example of possible interchanges at a dance in a school gym:
- A one-liner: Boy: "Care to dance?" Girl: "No, I came here to play basketball" Boy: "Crumbles"
- A comeback: Boy: "Care to dance?" Girl: "No, I came here to play basketball" Boy: "Sorry, I should have guessed by the way you're dressed".
Backhanded compliments 
Backhanding is slapping someone using the back of the hand instead of the palm—that is generally a symbolic, less forceful blow. Correspondingly, a backhanded (or left-handed) compliment, or asteism), is an insult that is disguised as, or accompanied by, a compliment, especially in situations where the belittling or condescension is intentional.
Examples of backhanded compliments include:
- "I did not expect you to ace that exam. Good for you.", which could impugn the target's success as a fluke.
- "That skirt makes you look far thinner.", insinuating hidden fat.
- "I wish I could be as straightforward as you, but I always try to get along with everyone.", insinuating an overbearing attitude.
- "I like you. You have the boldness of a much younger woman.", insinuating decline with age.
The flyting was a formalized sequence of literary insults: 'invective or flyting, the literary equivalent of the spell-binding curse, uses similar incantatory devices for opposite reasons, as in Dunbar's Flyting with Kennedy '.
'A little-known survival of the ancient "flytings," or contests-in-insults of the Anglo-Scottish bards, is the type of xenophobic humor once known as "water wit" in which passengers in small boats crossing the Thames...would insult each other grossly, in all the untouchable safety of being able to get away fast'.
Samuel Johnson once triumphed in such an exchange: 'a fellow having attacked him with some coarse raillery, Johnson answered him thus, "Sir, your wife, under pretence of keeping a bawdy-house, is a receiver of stolen goods"'.
Various typologies of insults have been proposed over the years. Ethologist Desmond Morris, noting that 'almost any action can operate as an Insult Signal if it is performed out of its appropriate context - at the wrong time or in the wrong place' - classes such signals in ten 'basic categories: 1. Disinterest Signals...2. Boredom Signals...3. Impatience Signals...4. Superiority Signals...5. Deformed-compliment Signals...6. Mock-discomfort Signals...7. Rejection Signals....8. Mockery Signals...9. Symbolic Insults...10. Dirt Signals'.
Elizabethans took great interest in such analyses, distinguishing out, for example, the 'fleering frump...when we give a mock with a scornful countenance as in some smiling sort looking aside or by drawing the lip awry, or shrinking up the nose'. Shakespeare himself set up an insult-hierarchy of seven-fold 'degrees. The first, the Retort Courteous; the second, the Quip Modest; the third, the Reply Churlish; the fourth, the Reproof Valiant; the fifth, the Countercheck Quarrelsome; the sixth, the Lie with Circumstance; the seventh, the Lie Direct'.
What qualifies as an insult is also determined both by the individual social situation and by changing social mores. Thus on the one hand the insulting 'obscene invitations of a man to a strange girl can be the spicy endearments of a husband to his wife'; on the other hand, the male gaze may be insulting in and of itself to a feminist, whereas a post-feminist might note how 'his eyes took me in...[but] at least he didn't look at me offensively; and believe me, if you're a woman who works in a bar, you can tell the difference between an evaluation and an eye fuck'.
|Wikiquote has quotations related to: Insults|
- Thomas Conley: Toward a rhetoric of insult. University of Chicago Press, 2010, ISBN 0-226-11478-3.
- Croom, Adam M. "Slurs." Language Sciences, Volume 33, Number 3, May 2011, pp. 343-358. Published by Elsevier.
- Erving Goffman, Relations in Public (Penguin 1972) p. 214
- De Vos, George (1990). Status inequality: the self in culture. p. 177.
- Jacques Lacan, Écrits: A Selection (1997) p. 138
- Goffman, p. 215-6
- Mad, quoted in Goffman, p. 216
- "Backhanded — Definition of Backhanded at Dictionary.com:". Dictionary.reference.com. Archived from the original on 11 February 2010. Retrieved 2010-01-27.
- Burbach, Cherie. "Backhanded Compliment. About Relationships. n.d.". about.com. Retrieved 2 January 2015.
- Desmond Morris, The Naked Ape Trilogy (London 1994) p. 241
- Emma Renold, Girls, Boys, and Junior Sexualities (2005) p. 130
- Northrop Frye, Anatomy of Criticism (Princeton 1973 )p. 270
- G. Legman, Rationale of the Dirty Joke Vol I (1973) p. 177
- James Boswell, The Life of Samuel Johnson (Penguin 1984) p. 269
- Desmond Morris, Manwatching (London 1987) p. 186-192. ISBN 9780810913103
- George Puttenham in Boris Ford ed., The Age of Shakespeare (1973) p. 72=3
- Peter Alexander ed., William Shakespeare: The Complete Works (London 1962) p. 282
- Erving Goffman, Relations in Public (1972) p. 412
- Charlaine Harris, Dead as a Doornail (London 2009) p. 26
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