|Country of origin||United States|
|Location||Santa Monica, California|
Interscope was founded in 1989 by Jimmy Iovine and Ted Field as a $20 million joint venture with Time Warner's Atlantic Records. At the time, it differed from most record companies by giving decision-making authority to its A&R staff, and allowing artists and producers complete creative control. It had its first hit records less than a year after it was founded and achieved profitability in 1993.
In 1992, Interscope acquired the exclusive rights to market and distribute the hardcore rap label Death Row. Albums by Death Row artists included rappers Tupac Shakur, Dr. Dre, and Snoop Dogg were at the center of the mid-'90s gangsta rap controversy. As a result, Time Warner severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115 million in 1995. In 1996, 50% of the label was acquired by the MCA Music Entertainment Group for a reported $200 million.
- 1 History
- 1.1 1989–1995: Origins, early success, and joint ventures
- 1.2 1995-2000: Gangsta rap controversy, acquisition by MCA, Aftermath and Shady
- 1.3 2000–2010: Departure of Field, DreamWorks, Cherrytree Records and Beats
- 1.4 2010–Present: Lady Gaga, Madonna, departure of Iovine and appointment of John Janick
- 2 Criticisms and controversy
- 3 Legal issues
- 4 Current artists
- 5 Associated labels and imprints
- 6 Formerly associated labels and imprints
- 7 Artists
- 8 See also
- 9 References
- 10 External links
1989–1995: Origins, early success, and joint ventures
In 1989, Ted Field began to build Interscope Records as a division of his film company, Interscope Communications. To run it, he hired John McClain, who had played a central role in Janet Jackson's success at A&M Records, and Tom Whalley, who had been the head of A&R at Capitol Records. Separately, Iovine, who had produced records by U2, Bruce Springsteen, and John Lennon, among others, was trying to raise money to start a label. "I thought, 'Music is going to change,'" Iovine said in 1997. "'Young bands aren't going to be asking for me.' But I love working with the new thing. I always liked the part of the business that's the first time you hear something, and I knew I wasn't in that business anymore."
Iovine and Field were introduced by Paul McGuinness, then U2's manager. After a series of negotiations led by David Geffen, they came to an agreement, and in 1990, Interscope Records was founded as a joint venture with Atlantic Records. In a 1997 article in Rolling Stone, David Wild wrote: "Interscope's start-up coincided with a period of incredible change in the music world. Nirvana had ushered in the alternative revolution... While the major labels were packed with rosters full of expensive veteran artists who had to redefine themselves for a new rock era, Interscope was in the business of signing new artists and could – as Iovine puts it – 'move on a dime.'" 
Based in Westwood, California, Interscope was run by "music men". It was a departure from the music industry practices of the 1970s and 1980s, when labels traditionally appointed lawyers and promotion executives to senior positions. A founding tenet of the label was that artists would have complete creative control.
Interscope's first release was "Rico Suave" by Ecuadoran rapper Gerardo in December 1990; the single reached #2 on the Billboard Hot 100 charts in April 1991. Primus' Interscope debut was released in May, followed by Marky Mark and the Funky Bunch's Music for the People in July. It included the #1 single "Good Vibrations". Two days after first hearing his demo, Whalley signed Tupac Shakur, and in November 1991, Interscope released 2pacalypse Now, Shakur's studio debut.
Interscope began to develop a significant presence in the alternative genre in 1992. In addition to a second Primus album, the label released No Doubt's self-titled debut, Helmet's Meantime, 4 Non Blondes' Bigger, Better, Faster, More!, acquired and re-released Rocket From The Crypt's Circa: Now!, and, through a joint venture with TVT/Nothing Records, the Nine Inch Nails EP Broken. However, Interscope's success with alternative and rock music was eclipsed by controversy which began in September 1992, when Vice President Dan Quayle called on Interscope to withdraw 2pacalypse Now, stating that it was responsible for the death of a Texas state trooper, who was shot to death in April by a suspect who allegedly was listening to the album on the tape deck of a stolen truck when he was stopped by the officer. The trooper's family filed a civil suit against Shakur and Interscope, claiming the record's violence-laden lyrics incite "imminent lawless action." 
Earlier in 1992, Interscope negotiated a $10-million deal with Dr. Dre and Marion "Suge" Knight to finance and distribute their label, Death Row Records. It was initiated by McClain, who met Dre when he was recording his solo debut, The Chronic. Original plans had called for the album to be released through Sony, but Sony passed on The Chronic due to "the crazy things going on around Death Row" and the contractual status of Dr. Dre. After hearing the album Iovine agreed to put it out, although doing so required a complicated distribution agreement with Priority Records, Dre's label as a member of N.W.A. The Chronic was released in December 1992.
By the end of the following year, The Chronic had sold almost 3 million copies. Snoop Dogg's debut Doggystyle had sold more than 800,000 copies in its first week alone, and Primus and 4 Non-Blondes had released records which hit the US Top 20. In 1993, with an estimated gross of $90 million, Interscope became profitable ahead of projections.
Interscope further established its strength in the alternative and rock genres in 1994. A $2.5 million investment to establish a joint venture with Trauma Records yielded three #1 Modern Rock tracks and a platinum album with Bush's Sixteen Stone. The Nine Inch Nails album The Downward Spiral went to #2 on the US charts and was widely acclaimed. Marilyn Manson's Portrait of an American Family, The Toadies album Rubberneck and Helmet's Betty were commercially successful and critically embraced.
1995-2000: Gangsta rap controversy, acquisition by MCA, Aftermath and Shady
In May 1995, the controversy related to gangsta rap and explicit lyrics intensified as U.S. Senate Majority Leader Bob Dole accused Interscope of releasing music that glorified violence and degraded women. Among others, the label was criticized by William J. Bennett, a former Education Secretary, and C. DeLores Tucker, the chairwoman of the National Political Congress of Black Women. In September, Time Warner announced it would disassociate itself from Interscope by selling its half-interest in the company to Field and Iovine for $115 million. Ownership in Interscope was aggressively pursued by EMI, BMG, Polygram and MCA. On December 1, 1995, the Los Angeles Times noted that with five albums on that week's pop charts and sales of $350 million over the previous three years, "what may have been a smart move politically for Time Warner is now looking like a financial fiasco." In February, 1996, MCA Records—then owned by Seagram—bought 50% of Interscope for a reported $200 million. Under the agreement, Interscope retained complete creative control over the label's recordings. MCA was not required to distribute material that it deemed offensive.
Dre left Death Row in mid-1996 due to what was then reported as tension over the creative direction of the label, and founded Aftermath Entertainment, a new joint venture with Interscope. In November that same year, Aftermath debuted with the album Dr. Dre Presents the Aftermath. The Death Row deal remained in place until 1998, when Knight was imprisoned for parole violations.
In November 1996, with records by Bush, Snoop Dogg, No Doubt, and Tupac Shakur, Interscope became the first label in 20 years to hold the top 4 positions on the Billboard charts. Six additional Interscope releases were in the Top 100. The label was frequently criticized for overspending on artist acquisitions and joint ventures, however, with revenue for 1996 estimated at $250 million, it operated at a profit.
In 1996, MCA Music Entertainment was renamed Universal Music Group. In 1998, the Universal Music Group parent company Seagram acquired Polygram Records. MCA's Geffen Records and PolyGram's A&M Records were merged into Interscope, and in early 1999, Interscope Records began operating under the umbrella of Interscope Geffen A&M Records, with Iovine and Field serving as co-chairmen.
Iovine's assistant (and former intern) Dean Geistlinger saw Eminem perform at the Rap Olympics in Los Angeles in 1997 and passed Eminem's CD on to Iovine; Iovine, in turn, passed it on to Dre. In February 1999, Interscope and Aftermath released The Slim Shady LP.  The album entered the charts at #2, and won two Grammy Awards. Later in 1999 Eminem and his manager, Paul Rosenberg, founded Shady Records.
By the close of the decade, Interscope sales accounted for nearly one-third of Seagram's 27% share of the U.S. music market. Records by Eminem, Dre, Eve, Enrique Iglesias, Limp Bizkit, Nine Inch Nails, Blackstreet, Smash Mouth and others generated an estimated $40 million in profit during the final six months of 1999.
2000–2010: Departure of Field, DreamWorks, Cherrytree Records and Beats
Interscope/Shady released Eminem's The Marshall Mathers LP on May 23, 2000. The fastest-selling rap album in history, it sold 1.76 million copies in its first week. In October, Interscope began its relationship with U2 after it acquired the US rights to market and distribute the album All That You Can't Leave Behind. Iovine had been trying to sign U2 since 1990.
In 2001, Field resigned as co-chairman of Interscope to start a new label. Described as an amicable parting, Field said he was "anxious to become an entrepreneur again." An agreement with Universal allowed Field to resign a year before his contract was set to expire. Conversely, Whalley, Interscope's president since 1998, accepted the position of chairman of Warner Bros. Records in May 2000 and was not released from his Interscope contract until it expired in August 2001.
Interscope/Shady released The Eminem Show, in May 2002 and the soundtrack for Eminem's semi-autobiographical film 8 Mile in October; the two titles combined sold more than 11,000,000 records before the end of the year. In February 2003, Shady/Aftermath/Interscope had another record-breaking hit with Get Rich or Die Tryin', the debut album by 50 Cent. It sold 872,000 units in five days. In April, it was announced that 50 Cent would sign and develop artists for release on G-Unit Records, which would be marketed and distributed through Interscope.
In November 2003 Universal Music Group acquired DreamWorks Records and in 2004 it was merged into Interscope Geffen A&M. The DreamWorks A&R staff was retained, and the label's artists were divided between Geffen and Interscope. Among others, Interscope inherited Blink-182, The All-American Rejects, and Nelly Furtado.
In March 2005, Interscope launched Cherrytree Records with Martin Kierszenbaum, its head of international operations. Kierszenbaum, also a producer and A&R executive, focused initially on developing artists from outside the United States. Feist and Robyn were among Cherrytree's first artists.
Four of Interscope's releases were in the Top 10 of the year end sales charts in 2005: The Massacre (50 Cent) at #1, Encore (Eminem) at #2, Love.Angel.Music.Baby. (Gwen Stefani) at #6, and How to Dismantle an Atomic Bomb (U2) at #8. The Game's The Documentary appeared at #16, and The Black Eyed Peas album Monkey Business charted at #18.
In 2006, Dre and Iovine established Beats Electronics. Dre had been approached by his attorney to start a line of sneakers, and when he told Iovine about the idea, Iovine said: "You know speakers, not sneakers." 'Beats by Dr. Dre Studio Headphones' were introduced in January 2008 at the annual Consumer Electronics Show. "It took us two years to get them right, but when I heard I knew it was going to be big," Iovine said in 2010. "It's just like listening to a hit record." The marketing for Beats integrated endorsements from Interscope artists including Gwen Stefani, M.I.A. and Pharrell, Lady Gaga, and will.i.am. 
Lady Gaga's studio debut The Fame was released in August 2008; it was re-released with eight new songs as The Fame Monster in November 2009. Interscope held the top 4 positions on the 2009 year-end Hot 100 charts with The Black Eyed Peas' "Boom Boom Pow" (#1) and "I Gotta Feeling" (#4); Lady Gaga's "Poker Face" charted at #2 and "Just Dance" was at #3.
2010–Present: Lady Gaga, Madonna, departure of Iovine and appointment of John Janick
In June 2010 Eminem's Recovery entered the Billboard charts at #1, his sixth album to do so. Born This Way by Lady Gaga was released in May 2011, and debuted at #1 in 23 countries. In the US, with more than one million copies sold in its first week, it had the highest first-week album sales in five years. Four of the album's singles—"Born This Way", "Judas", "The Edge of Glory", and "You and I"—charted in the top ten of the Billboard Hot 100.
In October 2012, John Janick was named president and COO of Interscope Geffen A&M. The founder of Fueled By Ramen, Janick had previous success with artists including Jimmy Eat World, Fall Out Boy, Panic! at the Disco and Paramore. At the time of his appointment, it was reported that Iovine had chosen Janick as his eventual successor—Iovine's attention had increasingly turned to Beats, which dominated the headphone market with 2012 revenues of $512 million. In May 2014, following Apple's acquisition of Beats, Iovine resigned. As anticipated, Janick was named chairman and CEO of Interscope Geffen A&M.
Six Interscope releases appeared in the Billboard year end album charts in 2014: The Marshall Mathers LP 2 by Eminem, Ultraviolence by Lana Del Rey, V by Maroon 5, Native from OneRepublic, Lady Gaga's ARTPOP, and Oxymoron by Schoolboy Q. In December 2014 it was announced that Selena Gomez, previously signed to Hollywood Records, had signed with Interscope.
Imagine Dragons' Smoke and Mirrors debuted on the Billboard album charts at #1 in March 2015. A week after, Madonna's 13th studio album "Rebel Heart" was released and debuted at #2. A week later, Kendrick Lamar's album To Pimp A Butterfly appeared at #1, a position it held for two consecutive weeks. Lamar won five Grammys in 2016.
Criticisms and controversy
Several artists have criticized Interscope for delaying albums. In 2013, M.I.A. said her album Matangi was held because the label felt the record she turned in was "too positive" for her fans. In 2010, rapper Eve left Interscope after a three-year delay of her album Lip Lock. Blink-182, All Time Low, and 50 Cent have similarly criticized Interscope.
Nine Inch Nails
In 2007, Nine Inch Nails frontman Trent Reznor criticized Universal Music Group for the inflated price of Year Zero in Australia. In an interview with the Herald Sun in Melbourne, he said that an employee of UMG stated that NIN had "a core audience that's gonna buy whatever we put out, so we can charge more...True fans will pay whatever." Nine Inch Nails signed with Columbia Records in 2013.
In discussing his 2006 album The Captain & The Kid with Cameron Crowe in Rolling Stone, Elton John said: "I was so furious with Interscope Records because they put it out and they dropped it. I had meetings in the South of France, and I said, "I know this isn't a commercial album, I just want you to do your best," and they dropped it like a fucking turd. It's probably why I didn't make another solo record. It was pure heartbreak."
Kendrick Lamar and Top Dawg Entertainment
On March 15, 2015, rapper Kendrick Lamar's third studio album and second album for Interscope, To Pimp a Butterfly, was released on iTunes, Spotify and Google Play eight days ahead of its scheduled release date (March 23). The CEO of Top Dawg Entertainment, Anthony Tiffith, blamed Interscope for the album's unintentional release, and tweeted: "I would personally like to thank Interscope for fucking up our release. Somebody has got to pay for this mistake. #TOP!" The Tweet was later deleted. On the following day, the option to purchase the album was removed from iTunes. The album debuted at #1 when it was officially released.
On November 7, 2011, it was reported that the South African Rap/Rave group Die Antwoord were leaving Interscope Records over a dispute with the label wanting their second studio album "Tension" (stylized: Ten$ion) to be re-worked for "mainstream appeal", band frontwomen Yolandi Visser (¥o-Landi Vi$$er) also stated that the label was pushing the band "To be more generic...". Problems with the label first arose when the group decided the lead single for their second album would be "Fok julle naairs" (loosely translated to "Fuck you all"), the label perceived the single to be too controversial and then wanted the band to re-work the entire album. The high-profile split between the two was confirmed by the band in an online diary entry: "So we said, U know what, rather hang on to your money, buy yourself something nice, we gonna do our own thing. Bye bye". Following this, Die Antwoord contacted their lawyers and asked to sever all ties with the label and announced they would release the album independently through their own label Zef Recordz. Ten$ion was released through Zef Recordz to the iTunes store on January 29, and on CD February 7 of 2012.
In September 2011, it was reported by federal prosecutors that the Interscope Geffen A&M Records building was used by a drug-trafficking ring as a transport center. The Drug Enforcement Administration inspected the year-long case and stated that the Los Angeles offices of Interscope Records were used for pickups and deliveries of hundreds of kilograms of cocaine in 2010 and 2011. Rock-It Cargo, a shipping company which has an immense list of musical clients, shipped music cases that allegedly contained drugs to New York City studios.  Interscope Geffen A&M responded to the claims with a statement that read: “There is no evidence that any employee of UMG or Interscope Records had any involvement in the drug trafficking ring being prosecuted by that office, nor any knowledge of the contents of any of the packages that were purportedly shipped to its offices. Further, neither UMG nor Interscope Records are a subject or target of the investigation. UMG and Interscope will continue to cooperate with the United States Attorney’s Office regarding this matter.”
Trauma and JCOR
In 1997, Trauma filed a $100 million lawsuit against Interscope which charged the company with fraud and the unfulfillment of a two-year promise to assign No Doubt to Trauma’s roster. After a four-month dispute, the partnership was dissolved in an out-of-court agreement. Trauma principals reportedly received an additional $3 million; No Doubt remained with Interscope.
In 2002, JCOR founder Jay Faires filed a $30 million breach-of-contract suit which alleged that Interscope had withheld millions of dollars in an effort to drive it out of business. Interscope responded that JCOR had hid its true financial position at the time it signed its distribution contract and had attempted to use Interscope's money to finance its business.
- The 1975
- The All-American Rejects
- Aloe Blacc
- Band of Horses
- The Band Perry
- The Black Eyed Peas
- Carly Rae Jepsen
- Cashmere Cat
- Cedric Gervais
- Cœur de pirate
- Deap Vally
- DJ Snake
- Dr. Dre
- Ellie Goulding
- Frank Turner
- Goodbye June
- Gwen Stefani
- Imagine Dragons
- Ivy Levan
- Jack Garratt
- Jamie N Commons
- Jarryd James
- Jessie Ware
- K Camp
- K. Flay
- Kendrick Lamar
- La Roux
- Lady Gaga
- Lana Del Rey(US)
- Lauren Alaina
- Machine Gun Kelly
- Maroon 5
- Michael Kiwanuka
- Mike Will Made It
- No Doubt
- Phillip Phillips
- Pia Mia
- Playboi Carti
- Rae Sremmurd
- Robin Thicke
- The Rolling Stones (US)
- Ryn Weaver
- Schoolboy Q
- Selena Gomez
- Skylar Grey
- The Struts
- Tame Impala
- Tory Lanez
- U2 (US)
- X Ambassadors
- Yeah Yeah Yeahs
- Years & Years
- Young Rising Sons
- Thirty Seconds to Mars
Associated labels and imprints
- 19 Recordings (2011–present)
- 222 Records (2014–present)
- 4hunnid Records (2016–present)
- Aftermath Entertainment (1996–present)
- Bad Boy Records (2009–present)
- Darkroom Records (2016–present)
- Division1 (2013–present)
- Creative Arts Recordings (2016–present)
- Play The Beat Entertainment (2015–present)
- DGC Records (2007–present)
- Dreamville Records (2014–present)
- Geffen Records (2013–present)
- Hits Since '87 (2013—present)
- Insomniac Records (2014–present)
- Konichiwa Records (2007–present)
- EarDrummers Entertainment (2013–present)
- Mad Love Records (2014–present)
- N.E.E.T. Recordings (2008–present)
- Panda Funk (2015–Present)
- Qwest Records
- Shady Records (1999–present)
- Kidinakorner Records (2011–present)
- Streamline Records (2007–present)
- Tennman Records (2007–present)
- Will.i.am Music Group (2009–present)
- Zone 4 (2007–present) (distribution deal with Island Records)
Formerly associated labels and imprints
- A&M Octone Records (2007–2014)
- Atlantic Records (1989–1995; Distribution was ceased when MCA Inc. acquired the label's stake)
- eastwest Records (1989–1996; a subsidiary of Atlantic, distributed Interscope until MCA acquired the label)
- Cherrytree Records (2005–2016)
- SKG Music (1999–2004; merged into Geffen and Interscope)
- Death Row Records (1992–1997)
- El Cartel Records
- Star Trak Entertainment (2005–2015)
- Rockland Records (1998–2004)
- G-Unit Records (2003–2010)
- Mosley Music Group (2006–2014)
- Nothing Records (1992–2007)
- Ruff Ryders Entertainment (1999–2010)
- Trauma Records (1993–2004)
- DreamWorks Records
- "Labels: UME". Universal Music Group. Universal Music.
- Foege, Alec (December 3, 1995). "Shunned, Scorned, and Doing Quite Nicely". New York Times. Retrieved 19 September 2015.
- Hilburn, Robert and, Phillips, Chuck (October 24, 1993). "They Sure Figured Something Out : Jimmy Iovine and Ted Field have broken all the rules at Interscope Records". Los Angeles Times. Retrieved 1 August 2015.
- Fabrikant, Geraldine (February 22, 1996). "THE MEDIA BUSINESS;MCA Agrees to Buy Stake In Interscope Record Label". New York Times. Retrieved 1 August 2015.
- Christman, Ed (May 28, 2014). "John Janick Replaces Jimmy Iovine Atop Interscope Geffen A&M". Hollywood Reporter. Retrieved 23 September 2015.
- Wild, David (April 3, 1997). "Interscope Records: Inside the Hit Factory". Rolling Stone. Retrieved 15 September 2015.
- Philips, Chuck (March 26, 1998). "Back in the Club". Los Angeles Times. Retrieved 15 September 2015.
- Bailey, Diane (January 1, 2013). The Story of Interscope Records. New York: Mason Crest. p. 64. ISBN 1422221156. Retrieved 15 September 2015.
- "Interscope Records, Inc.: Private Company Information - Businessweek". Retrieved 2014-03-18.
- Monjauze, Molly and, Robinson, Staci (February 1, 2008). Tupac Remembered: Bearing Witness to a Life and Legacy. Becker & Meyer. ISBN 1932855769. Retrieved 16 September 2015.
- Broder, James (September 23, 1992). "Quayle Calls for Pulling Rap Album Tied to Murder Case". Los Angeles Times. Retrieved 17 September 2015.
- Westhoff, Ben (November 19, 2012). "The Making of the Chronic". LA Weekly. Retrieved 16 September 2015.
- Phillips, Chuck (March 22, 1996). "Rapper Dr. Dre to part ways with Death Row, start new record label". Los Angeles Times. Retrieved 17 September 2015.
- Hilburn, Robert and, Phillips, Chuck (September 29, 1995). "COMPANY TOWN : Q & A : Vocal Session : Interscope's Iovine Reflects on Time Warner Split". Los Angeles Times. Retrieved 17 September 2015.
- Markman, Rob (November 22, 2013). "20 Years Later, Snoop Dogg Has 'Never' Listened To Doggystyle". MTV. Retrieved 17 September 2015.
- Reilly, Patrick M. (April 10, 1997). "Dissonance Mars the Alliance Between Trauma and Interscope". Wall Street Journal. Retrieved 18 September 2015.
- Harris, Keith (April 17, 2014). "1994: The 40 Best Records From Mainstream Alternative's Greatest Year". Rolling Stone. Retrieved 18 September 2015.
- Landler, Mark (August 10, 1995). "Time Warner Seeks to Sell Stake in Gangsta Rap Label". New York Times. Retrieved 17 September 2015.
- Phillips, Chuck (December 1, 1995). "Company Town : 4 Music Companies Wooing Interscope : Recording: Time Warner's move to distance itself from the controversial label may prove to be politically savvy but financially disastrous". Los Angeles Times. Retrieved 18 September 2015.
- Phillips, Chuck (January 19, 1996). "MCA Offers $200 Million Acquire a 50% Stake in Interscope Records". Los Angeles Times. Retrieved 17 September 2015.
- Phillips, Chuck (October 13, 1996). "The Doctor, Unmasked". Los Angeles Times. Retrieved 19 September 2015.
- "Dr. Dre Biography". Rolling Stone. Rolling Stone.
- Strauss, Neil (January 28, 1998). "Rap Empire Unraveling As Stars Flee". Los Angeles Times. Retrieved 20 September 2015.
- Phillips, Chuck (November 28, 1996). "Interscope Is Golden on the Pop Chart". Los Angeles Times. Retrieved 19 September 2015.
- Neil, Strauss (December 21, 1998). "A Major Merger Shakes Up the World of Rock". New York Times. Retrieved 18 September 2015.
- Lockett, Dee (April 2, 2015). "7 Fun Facts We Learned From Eminem's Genius Annotations". New York Magazine. Retrieved 18 September 2015.
- Erlewine, Stephen Thomas. "The Slim Shady LP". All Music. All Music.
- Graham, Adam (November 20, 2014). "Eminem looks back, forward on 15 years of Shady Records". Detroit News. Retrieved 21 September 2015.
- Phillips, Chuck (December 14, 1999). "Interscope Emerges as Star Act for Seagram". Los Angeles Times. Retrieved 23 September 2015.
- Grahme, Charne (September 15, 2011). "10 RAPPERS IN THE GUINNESS BOOK OF WORLD RECORDS". Houston Press. Retrieved 21 September 2015.
- Pollack, Mark. "TED FIELD LEAVES INTERSCOPE". Hits Daily Double. Hits Magazine.
- Lieberson, Alison (February 3, 2001). "INTERSCOPE'S FIELD STRIKES OUT ON HIS OWN". New York Post. Retrieved 22 September 2015.
- Leeds, Jeff (August 14, 2001). "Whalley to Head Warner Bros. Record Label". Los Angeles Times. Retrieved 21 September 2015.
- "Eminem Ends Year On Top, But Album Sales Tumble". Billboard. January 3, 2003. Retrieved 21 September 2015.
- Kreps, Daniel (December 9, 2009). "Eminem and The Beatles: The Top-Selling Artists of the 2000s". Rolling Stone. Retrieved 21 September 2015.
- Baker, Ernst (March 27, 2014). "The 25 Biggest First-Week Album Sales in History". Complex. Retrieved 21 September 2015.
- "Interscope Gets On Board With 50 Cent's Label". Billboard. April 8, 2013. Retrieved 22 September 2015.
- Newman, Melinda (January 24, 2004). "DreamWorks Power Trio at Crossroads". Billboard. Retrieved 22 September 2015.
- Pilato, Bruce (April 29, 2015). "At 10-Years, Cherrytree Label Continues to Bear Fruit". Variety. Retrieved 22 September 2015.
- Leeds, Jeff (December 5, 2007). "As U.S. Pop Wanes Abroad, Talent Scout Looks Wide". New York Times. Retrieved 23 September 2015.
- "Year End Charts 2005". Billboard. Billboard. Retrieved 23 September 2015.
- Sanburn, Josh (January 16, 2013). "How Dr. Dre Made $300 Headphones a Must-Have Accessory". Time. Retrieved 23 September 2015.
- Boucher, Geoff (January 7, 2010). "A force in music turns to its sound". Los Angeles Times. Retrieved 24 September 2015.
- "Hot 100 Songs: Year End 2009". Billboard. Billboard. Retrieved 24 September 2015.
- Ramirez, Erica. "Eminem's 30 Biggest Songs". Billboard. Billboard. Retrieved 24 September 2015.
- Amter, Charlie (February 18, 2011). "Lady Gaga's 'Born This Way' Fastest Selling Single Ever on iTunes". The Hollywood Reporter. Retrieved 24 September 2015.
- Halperin, Shirley (2012-02-08). "Jimmy Iovine on Sound, Vision and Why He Signed Madonna and Van Halen (Q&A)". The Hollywood Reporter. Retrieved 2013-02-27.
- Gara, Tom (January 11, 2013). "Pop Quiz: What Is Beats By Dre's Market Share?". Wall Street Journal. Retrieved 24 September 2015.
- Aswad, Jem (October 3, 2012). "It's Official: John Janick Named President/COO of Interscope Geffen A&M". Billboard. Retrieved 24 September 2015.
- "John Janick to Succeed Jimmy Iovine as Chairman, CEO of Interscope Geffen A&M". Billboard. 2014-05-28. Retrieved 2014-07-29.
- Sisario, Ben (May 28, 2014). "Jimmy Iovine, a Master of Beats, Lends Apple a Skilled Ear". New York Times. Retrieved 28 August 2015.
- "Billboard Year End Album Charts 2014". Billboard. Billboard. Retrieved 26 September 2015.
- Peters, Mitchell (December 14, 2014). "Selena Gomez Officially Signs with Interscope". Billboard. Retrieved 26 September 2015.
- Caulfield, Keith (April 1, 2015). "Kendrick Lamar Spends Second Week at No. 1 on Billboard 200 Chart". Billboard. Retrieved 26 September 2015.
- Sheffield, Rob (February 16, 2016). "Grammys 2016: King Kendrick Lamar Steals the Show". Rolling Stone. Retrieved 12 September 2016.
- Makarechi, Kia (January 7, 2013). "M.I.A. Album Delayed Because Label Thinks It's Too Positive, Says Singer". Huffington Post. Retrieved 26 September 2015.
- Cline, Georgette (July 5, 2012). "Eve Reveals Frustrations With Interscope Records Over 'Lip Lock' Album Delay". The Boombox. Retrieved 26 September 2015.
- Carroll, Grace (October 24, 2012). "BLINK-182 SPLIT FROM MAJOR LABEL INTERSCOPE, NOW UNSIGNED". Gigwise. Retrieved 26 September 2015.
- "Q&A with Trent Reznor of Nine Inch Nails". Melbourne Herald Sun. May 12, 2007. Retrieved 26 September 2015.
- Spin Staff (August 19, 2013). "Trent Reznor on Nine Inch Nails' Columbia Signing: 'I'm Not a Major Label Apologist'". Spin. Spin. Retrieved 26 September 2015.
- "Elton John: My Life in 20 Songs".
- "AllHipHop >> TDE CEO Anthony "Top Dawg" Tiffith Blames Interscope For Kendrick Lamar's Album Leak". AllHipHop.com. 2015-03-15.
- "Kendrick Lamar 'To Pimp A Butterfly' Album Leaked By iTunes". Rapdose.com. Retrieved March 17, 2015.
- "Update: Kendrick Lamar's 'To Pimp a Butterfly' Gets Surprise Digital Release". Billboard. Retrieved March 17, 2015.
- "Die Antwoord leave Interscope, will release "TEN$ION" on their own new indie label". 7 November 2011.
- "Die Antwoord's Totally Insane Words of Wisdom - SPIN". 7 February 2012.
- "Did Die Antwoord Dump Interscope Records?".
- "Cocaine Ring Used Music Label To Ship Drugs Feds: "Pickups and deliveries" made from Interscope". The Smoking Gun. 15 September 2011. Retrieved 20 May 2015.
- Perpetua, Matthew (16 September 2011). "Feds: Drug Ring Used Major Record Label's Offices". Rolling Stone. Retrieved 20 May 2015.
- "Interscope Offices Used by Cocaine Ring, Federal Documents Say". Billboard. Billboard. Billboard Staff. 15 September 2011. Retrieved 20 May 2015.
- "Interscope responds to drugs network claims". Complete Music Update. Complete Music Update. CMU Editorial. 19 September 2011. Retrieved 20 May 2015.
- Phillips, Chuck (August 20, 1997). "Interscope, Trauma Settle Legal Disputes". Los Angeles Times. Retrieved 26 September 2015.
- Strauss, Neil (November 22, 2002). "The Media Business ; Lawsuit Spotlights Tensions Among Record Companies". New York Times. Retrieved 26 September 2015.
- "Artists" (Select "Artists" tab). Interscope Records. Retrieved March 11, 2013.
- "Introducing 6LACK, Your New Favourite Soulful Hip-Hop Artist • Howl & Echoes". 30 May 2016.
- Records, Interscope. "Cherrytree Records/Interscope Records Signs Coeur De Pirate (Heart Of A Pirate), Solo Project Of Award-Winning Singer-Songwriter/Pianist Béatrice Martin".
- . billboard.com. September 16, 2016 http://www.billboard.com/articles/columns/hip-hop/7511105/dj-mustard-yg-allies-dinner. Retrieved January 17, 2017. Missing or empty
- "Aftermath Entertainment". Interscope Records. Retrieved December 30, 2012.
- "Bad Boy Records". Interscope Records. Retrieved December 30, 2012.
- "Singer Tiara Thomas Signs to Division1/Interscope Records". Vibe. 2013-06-03. Retrieved 2014-03-18.
- "J. Cole "Revenge of the Dreamers" Mixtape, Announces Dreamville-Interscope Partnership". Complex. Retrieved 2014-03-18.
- "Pasquale Rotella's Insomniac & Interscope Geffen A&M Launch New Imprint (Exclusive)". billboard.com. May 13, 2014. Retrieved May 17, 2014.
- "Quincy Jones". Quincy Jones. 2013-09-25. Retrieved 2014-03-18.
- "Shady Records". Interscope Records. Retrieved December 30, 2012.
- "Streamline Records". Interscope Records. Retrieved December 30, 2012.
- "Tennman Records". Interscope Records. Retrieved December 30, 2012.
- "Will.i.am Music Group". Interscope Records. Retrieved December 30, 2012.
- "Zone 4". Interscope Records. Retrieved December 30, 2012.
- "A&M Octone Records". Interscope Records. Retrieved December 30, 2012.
- "DreamWorks Records - CDs and Vinyl at Discogs". Discogs.com. 2010-07-21. Retrieved 2014-03-18.
- "Death Row Records (2) - CDs and Vinyl at Discogs". Discogs.com. Retrieved 2014-03-18.
- "G-Unit Records". Interscope Records. Retrieved December 30, 2012.
- "Trauma Records (2) - CDs and Vinyl at Discogs". Discogs.com. Retrieved 2014-03-18.