Into the Pandemonium
|Into the Pandemonium|
|Studio album by|
|Released||1 June 1987|
|Studio||Horus Sound Studio, Hannover, Germany|
|Celtic Frost chronology|
|Singles from Into the Pandemonium|
|Collector's Guide to Heavy Metal||7/10|
The album is more varied than Celtic Frost's past LPs, with unlikely covers (Wall of Voodoo's "Mexican Radio"), emotionally charged love songs, the album's recurring industrial-influenced rhythmic songs of demons and destruction, traditional Frost-styled songs about dreams and fear, and a dark, classical piece with female vocals.
The album is vastly different from the band's previous work which cemented its late 1980s avant-garde metal term; it is also a departure from the style found on the band's previous albums, Morbid Tales and To Mega Therion that Celtic Frost had become known for. However, it does have the recurring symphonic elements found on previous albums. The album has a more classic heavy metal style within the songs with elements of industrial, classical, gothic rock and doom metal.
Some of the lyrics are silently borrowed from other sources. For example, significant portions of Inner Sanctum are directly quoted from Emily Brontë poems, while the lyrics to "Tristesses de la lune" are borrowed from the poem of the same name in Charles Baudelaire's Les Fleurs du mal. The lyrics to "Sorrows of the Moon" are an English translation of the same.
The track "Rex Irae" is the opening part of Celtic Frost's requiem; the third, concluding part of which, "Winter (Requiem, Chapter Three: Finale)" can be heard on 2006's Monotheist. The second part of the requiem was never released by the band. Thomas Gabriel Fischer has performed the whole piece, with the long missing second part ("Grave Eternal"), at Roadburn 2019 with Triptykon along with the Metropole Orkest. A registration of this performance has been released.
|1.||"Mexican Radio" (Wall of Voodoo cover)||Marc Moreland, Stan Ridgway||3:28|
|2.||"Mesmerized"||Martin Eric Ain, Thomas Gabriel Warrior||3:24|
|3.||"Inner Sanctum"||Warrior, Ain||5:14|
|4.||"Sorrows of the Moon"||Ain||3:04|
|6.||"Caress into Oblivion"||Warrior||5:10|
|7.||"One in Their Pride"||Warrior||2:50|
|8.||"I Won't Dance"||Warrior||4:31|
|9.||"Rex Irae (Requiem)"||Warrior||5:57|
|4.||"Tristesses de la Lune"||2:58|
|5.||"Babylon Fell (Jade Serpent)"||4:18|
|6.||"Caress into Oblivion (Jade Serpent II)"||5:10|
|7.||"One in Their Pride" (Porthole Mix)||2:50|
|8.||"I Won't Dance (The Elders' Orient)"||4:31|
|9.||"Sorrows of the Moon"||3:04|
|10.||"Rex Irae (Requiem)"||5:57|
|12.||"One in Their Pride" (Re-entry Mix)||5:52|
1999 remastered CD edition bonus tracks
|13.||"In the Chapel, in the Moonlight"||Billy Hill||2:04|
|14.||"The Inevitable Factor"||Warrior, Ain, Reed St. Mark||4:38|
|15.||"The Inevitable Factor" (Alternate Vox)||Warrior, Ain, St. Mark||4:38|
- Celtic Frost
- Thomas Gabriel Warrior – vocals, guitars, synthesizers, effects
- Martin Eric Ain – bass, effects, backing vocals
- Reed St. Mark – drums, percussions, synthesizers, effects, backing vocals
- Additional musicians (CD editions)
- Manü Moan – vocals (track 4)
- Andreas Dobler – guitars (tracks 9, 10, 14, 15)
- Lothar Krist – orchestral arrangements, conductor (tracks 4, 10, 11)
- Malgorzata Blaiejewska Woller, Eva Cieslinski – violins (tracks 4, 10, 11)
- Wulf Ebert – cello (tracks 4, 10, 11)
- Gypsy- viola (tracks 4, 10, 11)
- Anton Schreiber – French horn (tracks 10, 11)
- Thomas Berter – backing vocals (track 1)
- Claudia-Maria Mokri – backing vocals (tracks 2, 5, 10)
- H.C. 1922 – backing vocals (track 8)
- Marchain Regee Rotschy – backing vocals (track 13)
- Celtic Frost – producers
- Jan Nemec – engineer, sample editing (tracks 7, 12)
Reaction and legacy
"Inner Sanctum" was featured in the 2009 video game Grand Theft Auto IV: The Lost and Damned.
- Rivadavia, Eduardo. "Celtic Frost: Artist Biography". Allmusic. Retrieved 1 November 2014.
On To Mega Therion, Warrior had begun experimenting with different musical styles (especially classical music and electronica), leading certain journalists to describe the band's direction as 'avant-garde' metal. Released in 1987, Into the Pandemonium would substantiate these claims and then some, introducing an unconventional collision of death metal brutality and symphonic overtones on its way to becoming one of the classic extreme metal albums of all time.
- Davies, Hywel; Dome, Malcolm; Goodman, Eleanor; Chantler, Chris; Gordon, Connie; Grady, Spencer; Rees, Adam; Selzer, Jonathan (17 November 2021). "The 25 best symphonic metal albums". Metal Hammer. Future plc. Retrieved 2 January 2022.
- Chantler, Chris. "10 essential goth metal albums". Louder Sound. Retrieved 1 November 2020.
- Raggett, Ned. "Celtic Frost Into the Pandemonium review". AllMusic. Rovi Corporation. Retrieved 24 December 2011.
- Popoff, Martin (1 November 2005). The Collector's Guide to Heavy Metal: Volume 2: The Eighties. Burlington, Ontario, Canada: Collector's Guide Publishing. p. 68. ISBN 978-1894959315.
- "Tracks Sampled in One in Their Pride by Celtic Frost". Retrieved 1 May 2022.
- Hatfield, C. W. The Complete Poems of Emily Jane Brontë, page 54. Columbia University Press, 1941.