Flag of Iran
|Name||The Three-Coloured Flag|
|Use||National flag and ensign|
|Proportion||4:7 (see below)|
|Adopted||7 October 1907 (original version, 1:3 ratio)|
1964 (4:7 ratio)
29 July 1980 (current version)
|Design||A horizontal tricolor of green, white and red with the National Emblem in red centred on the white band and the Takbir written in the Kufic script in white, repeated 11 times along the bottom edge of the green band and 11 times along the top edge of the red band, for a total of 22 times on the fringe of the bands.|
|Designed by||Hamid Nadimi|
Variant flag of Islamic Republic of Iran
|Adopted||7 October 1907 (original version, 1:3 ratio)|
1964 (4:7 ratio)
|Design||A horizontal tricolor of green, white and red.|
The flag of Iran (Persian: پرچم ایران, romanized: Parcame Irân, pronounced [pʰæɾˌtʃʰæme ʔiːˈɾɒːn]), also known as the Three-Coloured Flag (پرچم سه رنگ ایران, Parcame se rang Irân [pʰæɾˌtʃʰæme se ræŋ ʔiːˈɾɒːn]), is a tricolour comprising equal horizontal bands of green, white and red with the national emblem ("Allah") in red centred on the white band and the takbir written 11 times in the Kufic script in white, at the bottom of the green and the top of the red band.
This flag was adopted on 29 July 1980, as a reflection of the changes brought about by the Iranian Revolution of 1979, which resulted in the replacement of 2,500 years of continuous Persian monarchy with an Islamic Republic under the Grand Ayatollah Ruhollah Khomeini, the leader of the revolution, supported by a wide range of Islamist organizations and student movements. In opposition to the current regime in Iran, a number of Iranian exiles (particularly in Los Angeles) continue to use the Iranian tricolor with the Lion and Sun at the center.
- 1 Flag description
- 2 History
- 3 Gallery
- 4 See also
- 5 References
- 6 External links
The parliament of Iran, per the 1980 constitution, changed the flag and seal of state insofar as the Lion and Sun were replaced by the red emblem in the centre of the flag. Designed by Hamid Nadimi, and officially approved by Parliament and the Leader Grand Ayatollah Khomeini on 9 May 1980, this emblem is a highly stylised composite of various Islamic elements: a geometrically symmetric form of the word Allah ("God") and overlapping parts of the phrase lā ʾilāha ʾillā l-Lāh, (There is no God Except Allah), forming a monogram in the form of a tulip it consists of four crescents and a line. The four crescents read from right to left; the first crescent is the letter aleph, the second crescent is the first laam; the vertical line is the second laam, and the third and fourth crescents together form the heh. Above the central stroke is a tashdid (a diacritical mark indicating gemination) resembling "W". The tulip shape of the emblem as a whole memorialises those who have died for Iran and symbolises the values of patriotism and self-sacrifice, building on a legend that red tulips grow from the shed blood of martyrs. This emblem is somewhat similar to the Khanda but has no relation to Sikhism and its meaning to that religious community.
Written in white and repeated eleven times on the inner edges of each the green and the red band is the phrase Allahu Akbar (Allah is the greatest) in a stylised version of the kufic script. This symbolises the calls of Allahu Akbar on the night of 22 Bahman (11 February 1979) when the national radio of Iran broadcast: "From Tehran, the voice of the Islamic Republic of Iran" and marked the unofficial beginning of the Islamic Republic (with the official day being 2 May). This writing renders the flag non-reversible.
In the Iranian culture, it symbolises growth, happiness, unity, nature, vitality and the Iranian languages. Historically, a green and white flag in a triangular form used to be the flag of the Persians (Pars).
The traditional colour of white symbolizes freedom, because white represents blankness and it is free to carry anything on it.
It stands for martyrdom. In the Iranian culture, it symbolises bravery, fire, life, love, warmth, and sophistication. Historically, a red and white flag in a triangular form used to be the flag of the Medes (Mada).
Cyrus the Great, a Persian, defeated his grandfather Astyages, the High Judge (King) of the Medes, and founded Iran by uniting the Persians and the Medes. The Iranian flag (which was later designed under Darius I the Great) symbolised this unity and victory (green above white and red) as the flag of the people of Iran.[need quotation to verify]
Physical requirements for the Iranian flag, the exact shape of the emblem, and a compass-and-straightedge construction are described in the national Iranian standard ISIRI. The flag's aspect ratio is explicitly set at 4:7 in the standard; however, constructing the flag using the compass-and-straightedge construction results in an irrational aspect ratio of 1 : 75/(7√ − 15) or approximately 1:1.7477 (i.e. 4:6.9908).
Flags, standards, and banners have always been important national and imperial symbols for Iranians, both in war and peace. Xenophon reports that Cyrus the Great's standard was a golden eagle with spread wings, mounted on a long shaft.
The best-known symbol of Iran in recent centuries has been the Lion and Sun motif, which is a graphic expression of the astrological configuration of the sun in the sign of Leo, although both celestial and animal figures have long and independent histories in Iranian heraldry. Late in the nineteenth century the Lion and Sun motif was combined with an earlier scimitar motif and superimposed on a tricolour of green, white, and red. With minor modifications, this remained the official flag until the revolution of 1979.
The oldest flag found in Iran is the Bronze Age Shahdad Standard, found in Shahdad, Kerman Province, dating back to c. 2400 BCE, made of bronze. It features a seated man and a kneeling woman facing each other, with a star in between. This iconography can be found in other Bronze Age pieces of art in the area as well.
The Old Persian word for "banner, standard" was drafša- (Avestan drafša-, Middle Persian drafš, cognate with Sanskrit drapsá-). Xenophon in Cyropaedia (7.1.4) describes the standard of Artaxerxes II at Cunaxa as "a golden eagle, with outspread wings, borne aloft on a long spear-shaft". Since the flag being described is different from the flag made by Cyrus the Great, it may be a later version.
According to Herodotus (9.59), each Persian army division had its own standard, and "all officers had banners over their tents" (Xenophon, 8.5.13). One such banner, a square plaque in saltire, is depicted on a Greek vase, the so-called "Douris cup" held by the Louvre. A similar design is known from an Urartian bronze disk from Altıntepe. Similar square plaques on poles are known from six of the audience scenes of the Throne Hall relief at Persepolis. The Alexander Mosaic of Pompeii, a Roman-era copy of a Hellenistic painting dated c. 320 BCE, also shows the royal Persian standard., depicted as a rectangular plaque, possibly originally in purple, with a dark red border with yellow dots. In the field, a golden bird is only partially preserved. The "Persian bird" has variously been interpreted as a cock, an eagle or a falcon; the "royal falcon" of Persia (varəγna) represented farr or "glory", while the eagle was associated with the Achaemenid dynasty itself.
A square tile representing a miniature (12 cm2) banner was discovered at Persepolis in 1948. The tile is made of Egyptian blue frit and likely represents Egyptian Horus, but in the Persian context suggests local association with the Avestan varəγna or the royal eagle of the Achaemenids.
In Sassanid times the imperial flag was a leather rectangle covered with a thin layer of silk ornamented with jewels, with a four-pointed star at the centre, indicating the four corners of the world. This is the same star referred to as Akhtare Kaviani ("the Kaviani star") by Ferdowsi in the epic Shahnameh (Book of Kings). The flag was larger than the original Derafsh Kaviani apron and suspended from a lance, the point of which appeared above it. Attached to the lower edge were tassels of yellow, magenta, and scarlet, with large pendant jewels. The flag was destroyed by invading Muslim Arabs after their decisive defeat of the Sassanids.
The Turkic Ghaznavid dynasty were invested in promoting Iranian culture. They are known to have displayed a number of heraldic emblems that harked back to pre-Islamic Iran, including the Sun and Lion motif, as well as the Griffin motif. Their banners appear to have shown chequered motifs.
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The Safavid Dynasty (1501–1736) used three green flags, each with a different emblem. Ismail I, the first Safavid king, designed a green flag with a golden full moon. In 1524 Tahmasp I replaced the moon with an emblem of a sheep and sun; this flag was used until 1576. It was then that Ismail II adopted the first Lion and Sun device, embroidered in gold, which was to remain in use until the end of the Safavid era. During this period the Lion and Sun stood for two pillars of the society: the state and religion. Although various alams and banners were employed by the Safavids (especially during the reign of the first two kings), by the time of Shah Abbas I the Lion and Sun symbol had become one of the most popular emblems of Iran.
The Safavid interpretation of this symbol is believed to have been based on a combination of historical legends like the Shahnameh, stories of prophets, and other Islamic sources. For the Safavids the king (shah) had two functions: he was both a ruler and a holy personage. This double role was considered the patrimony of the Iranian kings, derived from Jamshid, mythical founder of the ancient Persian kingdom, and Ali, the first Shi'a Imam. Jamshid was associated with the sun and Ali with the lion (from his epithet "Lion of God"). The correspondence may originally have been based on a learned interpretation of the Shahnameh references to "the Sun of Iran" and "the Moon of the Turanians". Since the crescent moon had been adopted as the dynastic (and ultimately national) emblem of the Ottoman sultans, who were the new sovereigns of Rum, the Safavids of Iran, needing to have a dynastic and national emblem of their own, chose the Lion and Sun motif. The sun had further important meanings for the Safavid world, where time was organized around a solar calendar, in contrast to the Arabo-Islamic lunar system. In the zodiac the sun is linked to Leo; for the Safavids the Lion and Sun symbol conveyed the double meaning of the royal and holy figure of the shah (Jamshid and Ali), the auspicious astrological configuration bringing the cosmic pair and the earthly—king and imam—together.
Regarding the Safavid understanding of the Lion and Sun motif, Shahbazi suggests that "the Safavids had reinterpreted the lion as symbolizing Imam ʿAlī and the sun as typifying the 'glory of religion', a substitute for the ancient farr-e dīn." They reintroduced the ancient concept of God-given glory (farr) to justify their rulership, attributing these qualities to Ali while tracing the king's genealogy through the Shia Fourth Imam's mother to the royal Sassanian house.
The Afsharid dynasty (1736–1796) had two royal standards, one with red, white, and blue stripes and one with red, blue, white, and yellow stripes. Nader Shah's personal flag was a yellow pennant with a red border and a lion and sun emblem in the centre. All three of these flags were triangular in shape.
Navy Admiral flag being a white ground with a red Persian Sword in the middle.
The "Ya Karim" flag, which was a pun on Karim Khan Zand's name, and Al-Karim (the generous), which was one of the Islamic names of God
Early Qajar dynasty
Fat′h Ali Shah adopted a lion emblem on a plain red field as his war flag. The main emblem was a lion couchant in front of a sun, but a design featuring a lion passant holding a sword was also in use. There was a green version of the flag for peacetime and a white version for diplomatic purposes.
Under Nasser al-Din Shah, the principal flag was white with a green border on three sides and a lion and emblem in the centre. There was also a naval ensign which had a red and green border and a civil ensign which looked the same as the naval ensign but without the lion and sun in the middle.
The first version of the modern Iranian tricolour was adopted in the wake of the Iranian Constitutional Revolution of 1906. The Supplementary Fundamental Laws of 7 October 1907 described the flag as a tricolour of green, white, and red, with a lion and sun emblem in the middle. A decree dated 4 September 1910 specified the exact details of the emblem, including the shape of the lion's tail ("like an italic S") and the position and the size of the lion, the sword, and the sun.
During this period, the colours of the flag were very pale, with the red appearing closer to pink in practice. There were three variants of the flag in use. The state flag was a tricolour with the lion and sun emblem in the centre. The national flag and civil ensign was a plain tricolour with no emblem. The naval ensign and war flag was similar to the state flag, but the emblem was surrounded by a wreath and surmounted by a crown. All three flags had a 1:3 ratio.
The flag was modified twice during the Pahlavi era. In 1933, the colours of the flag were darkened and the design of the emblem was changed. The sun's facial features were removed and the Kiani Crown on the naval ensign was replaced with the Pahlavi Crown. In 1964, the ratio was changed from 1:3 to 4:7 and the emblem on the naval ensign was shrunk to fit entirely within the white stripe.
Following the Iranian Revolution, the Interim Government of Iran removed the crown from the naval ensign. The old state and national flags remained unchanged until 29 July 1980, when the modern Iranian flag was adopted.
|Naval ensign||National flag||State flag|
The new Iranian government viewed the Lion and Sun symbol as representing the "oppressive Westernising monarchy" that had to be replaced, despite the emblem's traditional Shi'a meanings and the lion's association with Ali, the first Imam of the Shi'a. For that reason, the name of the Red Lion and Sun Society was changed to Red Crescent Society.
Currently, the Lion and Sun flag is used by Iranian communities in exile as a symbol of opposition to the Islamic Republic, similar to most Vietnamese expatriates' use of the South Vietnamese flag. Some political groups in Iran, including monarchists and the People's Mujahedin, continue to use it as well. In Los Angeles, California and other cities with large Iranian expatriate communities, the Lion and Sun, as a distinguishing marker, appears on Iranian flags and souvenirs to an extent that far surpasses its display during the years of monarchy in its homeland, where the plain tricolour was usually used.
Supporters of Hassan Rouhani with Islamic Republican flags plastered.
Child with the Islamic Republic flag during the 38th anniversary of the Iranian Revolution.
Soldiers in the parade with the series of Imperial flags during the 2,500 year celebration of the Persian Empire.
Children during the occasion of Mid-Sha'ban waving the Islamic Republic and the Syrian Arab Republic flags at the Khavaran Cultural Center in Tehran.
Ayatollah Ali Khamenei inspecting troops with the Islamic Republic military colors during a special ceremony.
Mohammad Bagheri speaking with the Islamic Republic and military flags at the background.
- Emblem of Iran
- Imperial Standards of Iran
- Lion and Sun
- Flag of Kurdistan
- Flag of Tajikistan
- List of flags used by Iranian peoples
- Flag pictured here and here.
- Constitution of the Islamic Republic of Iran: Chapter II, Article 18: "The official flag of Iran is composed of green, white and red colours with the special emblem of the Islamic Republic, together with the motto (Allahu Akbar)."
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- Koch, Heidemarie 1989: Persepolis. Theran Yasavoli
- ISIRI 1 (in Persian), 1st revision. Retrieved 19 June 2012
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- George Henry Preblem, The Symbols, Standards, Flags, and Banners of Ancient and Modern Nations, The Flag Research Center (1980).
- E. Pottier, Douris, London, 1909, p. 105 fig. 20, Plate XXV.b
- O. A. Taşyürek, "Darstellungen des urartischen Gottes Haldi," in: S. Şahin, E. Schwertheim, J. Wagner (eds.), Studien zur Religion und Kultur Kleinasiens. Festschrift für Friedrich Karl Dörner, Leiden, 1978, p. 942 fig. 7; pl. CCXVIII/4-5.
- E. F. Schmidt, Persepolis I, III, Chicago, 1953, 1970., p. 166, pls. 98, 99, 123.
- T. Hölscher, Griechische Historienbilder des 5. und 4. Jahrhunderts v. Chr., Würzburg, 1973, pp. 122–69, 270–88.
- Aelian, De Natura Animalium 12.21 has a legend of Achaemenes having been raised by an eagle. Ezra (18:13) has "Eagle of the East" in reference to Cyrus.
- Īrān-Bāstān Museum, Tehran, no. 2436; Sāmī, Persepolis, tr. R. Sharp, Shiraz, 1970, fig. facing p. 100; H. Luschey, "Ein königliches Emblem," AMI 5, 1972, pp. 257–60.
- A. Shapur Shahbazi, DERAFŠ, Encyclopedia Iranica (1994, 2011).
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- K. Farrokh, The Lion and Sun Motif of Iran: A brief Analysis (2009), citing S. Nafisi, Derafsh-e Iran va Shir o Khoshid [The Banner of Iran and the Lion and the Sun]. Tehran: Chap e Rangin (1949), pp. 45, 48–58; G.H. Yusofi, Farrokh e Sistani. Mashad, (1962), p. 422.
- based on the History of Rashid-al-Din Hamadani, see Rice, D. T., & Gray, B., The Illustrations of the “World History” of Rashīd al-Dīn, Edinburgh (1967), plates 38, 44, 57, 60.
- "Flags of the World: Persia (Iran) from XVI to XVIIIth century". Retrieved 11 November 2010.
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- "Flags of the World: Iranian Empire (Qajar dynasty, 1905–1925)". Retrieved 10 November 2010.
- Iran Constitution of 1906.
- Najmabadi, Afsaneh (2005), Women with Mustaches and Men without Beards: Gender and Sexual Anxieties of Iranian Modernity, University of California Press, p. 86
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- The Flag Bulletin, XX (3), The Flag Research Center, May – June 1981, ISSN 0015-3370,
The development of new symbols in Iran was a slow process. Monuments and other visible expressions of imperial power, especially those associated personally with the deposed shah, were quickly eliminated; the imperial crown immediately disappeared from the war flag and ensign. Nevertheless other flags continued in use – the civil flag and ensign (plain green-white-red stripes) and the state flag and ensign (the same stripes with the lion and sun in the center). The lion and sun also continued as the state arms
- Babayan, Kathryn (2002), Mystics, Monarchs, and Messiahs: Cultural Landscapes of Early Modern Iran, Harvard College, p. 491, ISBN 0-932885-28-4
- (Najmabadi 2005, pp. 87–8)
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