I. L. Peretz
Isaac Leib Peretz (Polish: Icchok Lejbusz Perec, Hebrew: יצחק־לייבוש פרץ) (May 18, 1852 – 3 April 1915), also sometimes written Yitskhok Leybush Peretz, best known as I. L. Peretz, was a Yiddish language author and playwright from Poland. Payson R. Stevens, Charles M. Levine, and Sol Steinmetz count him with Mendele Mokher Seforim and Sholem Aleichem as one of the three great classical Yiddish writers. Sol Liptzin wrote: "Yitzkhok Leibush Peretz was the great awakener of Yiddish-speaking Jewry, and Sholom Aleichem its comforter... Peretz aroused in his readers the will for self-emancipation, the will for resistance..."
Peretz rejected cultural universalism, seeing the world as composed of different nations, each with its own character. Liptzin comments that "Every people is seen by him as a chosen people..."; he saw his role as a Jewish writer to express "Jewish ideals...grounded in Jewish tradition and Jewish history."
Unlike many other Maskilim, he greatly respected the Hasidic Jews for their mode of being in the world; at the same time, he understood that there was a need to make allowances for human frailty. His short stories such as "If Not Higher", "The Treasure", and "Beside the Dying" emphasize the importance of sincere piety rather than empty religiosity.
Born in the city of Zamość, Lublin Governorate, Congress Poland, and raised in an Orthodox Jewish home he gave his allegiance at age fifteen to the Haskalah, the Jewish enlightenment. He began a deliberate plan of secular learning, reading books in Polish, Russian, German, and French. He planned to go to the theologically liberal Rabbinical school at Zhytomyr, but concern for his mother's feelings got him to stay on in Zamość. He married, through an arranged marriage, the daughter of Gabriel Judah Lichtenfeld, whom Liptzin describes as a "minor poet and philosopher".
He failed in an attempt to make a living distilling whiskey, but began to write Hebrew language poetry, songs, and tales, some of them written with his father-in-law ; this collaboration, however, did not prevent his divorce in 1878, after which he promptly remarried (his second wife was Helena Ringelheim). At about the same time, he passed the examination to become a lawyer, a profession which he successfully pursued for the next decade, until in 1889 his license was revoked by the Imperial Russian authorities, on the basis of suspicion of Polish nationalist feelings. From then on he lived in Warsaw, where his income came largely from a job in the small bureaucracy of the city's Jewish community. There he founded Hazomir (The Nightingale), which became the cultural centre of pre-World War I Yiddish Warsaw.
His first Yiddish work appeared in 1888, notably the long ballad Monish, which appeared that year in the landmark anthology Folksbibliotek ("People's Library"), edited by Sholom Aleichem. This ballad tells the story of an ascetic young man, Monish, who unsuccessfully resists the temptress Lilith.
A writer of social criticism, sympathetic to the labor movement, he wrote stories, folk tales and plays. Liptzin characterizes him as both a realist and a romanticist, who "delved into irrational layers of the soul"... ; "an optimist who believed in the inevitability of progress through enlightenment", and who, at times, expressed this optimism through "visions of Messianic possibilities". Still, while most Jewish intellectuals were unrestrained in their support of the Russian Revolution of 1905, Peretz's view was more reserved, focusing more on the pogroms that took place within the Revolution, and concerned that the Revolution's universalist ideals would leave little space for Jewish non-conformism.
Much as Jacob Gordin influenced Yiddish theater in New York City in a more serious direction, so did Peretz in Eastern Europe. Israil Bercovici sees Peretz's works for the stage as a synthesis of Gordin and of the more traditional and melodramatic Abraham Goldfaden, an opinion which Peretz himself apparently would not have rejected: "The critics", he wrote, "the worst of them thought that M.M. Seforim was my model. This is not true. My teacher was Abraham Goldfaden."
Some of Peretz's most important works are Oyb Nisht Nokh Hekher ("If not Higher") and the short story "Bontshe Shvayg" ("Bontsche the Silent"). "Bontsche" is the story of an extremely meek and modest man, downtrodden on earth but exalted in heaven for his modesty, who, offered any heavenly reward, chooses one as modest as the way he had lived. While the story can be read as praise of this meekness, there is also an ambiguity in the ending, which can be read as showing contempt for someone who cannot even imagine receiving more.
Peretz's 1907 play A Night in the Old Marketplace has been adapted into a multimedia theatrical presentation, with music by Frank London and book and lyrics by Glen Berger, slated to open in 2007; the CD is already on sale. Set in a Jewish shtetl, the comedy presents the philosophical and theological questions of living and dying, in Peretz's typical style.
Peretz died in the city of Warsaw, Congress Poland, in 1915. There are streets in Warsaw, in Zamość and in Wrocław (also a square) named after him (ulica Icchaka Lejba Pereca in Polish). He was buried at the Okopowa Street Jewish Cemetery with a huge crowd, about 100 000 strong, attending the burial ceremony.
The American journalist Martin Peretz is one of his descendants. The French author Georges Perec was a distant relative. Peretz has other living descendants in his brother's line: physicians, teachers, attorneys, performers, all in the Tri-state area of New York City.
There are streets named after him in Israel in the following cities:
- Tel Aviv
- Hod Hasharon
- Bat Yam
- Kiryat Yam
- Givat Shmuel
- Peretz Square in Lower Manhattan
- Warsaw, Poland
Peretz wrote in both Hebrew and Yiddish. His work The Magician, found inspiration in the folklore of Hasidic Judaism. The story focuses around Elijah, who anonymously visits a poor couple and helps to make them rich. The 1917 edition was illustrated by Marc Chagall. Chagall did not know Peretz and did not read Peretz's work until he was commissioned to create the drawings.
- Der Nister
- PERETZ SQUARE - Historical Sign
- The Jewish History Channel: SERIES Sephard in Ashkenaz and Ashkenaz in Sephard. Of Yiddish and American writers
- Bellos, David. Georges Perec: A life in words. David R. Godine, 1993, p. 10.
- "The Magician". World Digital Library. 1917. Retrieved 2013-09-30.
- Bercovici, Israil, O sută de ani de teatru evreiesc în România ("One hundred years of Yiddish/Jewish theater in Romania"), 2nd Romanian-language edition, revised and augmented by Constantin Măciucă. Editura Integral (an imprint of Editurile Universala), Bucharest (1998). ISBN 973-98272-2-5. p. 116.
- Liptzin, Sol, A History of Yiddish Literature, Jonathan David Publishers, Middle Village, NY, 1972, ISBN 0-8246-0124-6. Page 56 et seq.
- Stevens, Payson R.; Levine, Charles M.; and Steinmetz, Sol The contributions of I.L. Peretz to Yiddish literature, 2002, on MyJewishLearning.com.
- My Jewish Learning: I.L. Peretz at www.myjewishlearning.com
|Wikiquote has quotations related to: I. L. Peretz|
- Literature by and about I. L. Peretz in University Library JCS Frankfurt am Main: Digital Collections Judaica
- Works by I. L. Peretz at Project Gutenberg
- Works by or about I. L. Peretz at Internet Archive
- Works by I. L. Peretz at LibriVox (public domain audiobooks)
- Yitskhok Leybush Peretz at Culture.pl