|Born||Isabelle Yasmina Adjani
27 June 1955
After success in the Comédie-Française, Adjani gained further fame in 1975 for her lauded performance as Adele Hugo in The Story of Adele H., which earned the then 20-year-old her first Academy Award nomination for Best Actress, making her the youngest nominee ever at the time. She won the first of a record five César Awards for Best Actress for the 1981 film Possession. Her subsequent wins were for One Deadly Summer (1983), Camille Claudel (1988), La Reine Margot (1994) and Skirt Day (2009). Her 1988 Best Actress Academy Award nomination for Camille Claudel made her the first French actress to receive two nominations.
Adjani won the 1981 Cannes Film Festival Best Actress Award for both Possession and Quartet, and received the 1989 Berlin Film Festival Best Actress Award for Camille Claudel. In 2010, she was made a Chevalier de la Légion d'honneur and in 2014, a Commandeur of the Ordre des Arts et des Lettres.
Early life and education
She was born in the 17th arrondissement of Paris to a German Catholic mother from Bavaria and an Algerian Muslim father from Iferhounène, Kabylie. Emma Augusta Schweinberger (died February 2007), called "Gusti", met her father Mohammed Adjani near the end of World War II, when he was in the French Army. They married and she returned with him to Paris, not speaking a word of French.
She asked him to take Cherif as his first name as it sounded more "American". Mohammed Cherif Adjani had been a soldier in the French Army from the age of 16 in World War II. Isabelle grew up bilingual, speaking French and German fluently, in Gennevilliers, a northwestern suburb of Paris, where her father worked in a garage. She said her parents used their ethnic and cultural differences against each other in arguments. After winning a school recitation contest, Adjani began acting by age of twelve in amateur theater. She successfully passed her baccalauréat and was auditing classes at the University of Vincennes in 1976.
At the age of 14, Adjani starred in her first motion picture, Le Petit bougnat (1970). She first gained fame as a classical actress at the Comédie française, which she joined in 1972. She was praised for her interpretation of Agnès, the main female role in Molière's L'École des femmes. She soon left the theatre to pursue a film career.
After minor roles in several films, she enjoyed modest success in the 1974 film La Gifle (The Slap), which François Truffaut saw. He immediately cast her in her first major role in his The Story of Adèle H. (1975) which he had finished writing five years prior. Critics praised her performance, with the American critic Pauline Kael describing her acting talents as "prodigious". Only 19 when she made the film, Adjani was nominated for the Best Actress Oscar and quickly received offers for roles in Hollywood films, such as Walter Hill's 1978 crime thriller The Driver. She had previously turned down the chance to star in films like The Other Side of Midnight. She had described Hollywood as a "city of fiction" and said, "I'm not an American. I didn't grow up with that will to win an award." Truffaut on the other hand said, "France is too small for her. I think Isabelle is made for American cinema." She agreed to make The Driver because she was an admirer of Hill's first film Hard Times. Adjani said:
I think he is wonderful, very much in the tradition of Howard Hawks, lean and spare. The story is contemporary but also very stylized, and the roles that Ryan and I play are like Bogart and Bacall. We are both gamblers in our souls and we do not show our emotions or say a lot. For us, talk is cheap. I am really quite a mysterious girl in this film, with no name and no background. And I must say that it is restful not to have a life behind me; this way, I don't have to dig deep to play the part. All I know is that life for me is gambling and I am a loser. I have what people call a poker face.
The film was seen more than 1.1 million times in Adjani's native France but did not do as well in the US.
She played Lucy in the German director Werner Herzog's 1979 remake of Nosferatu which was well-received critically and performed well at box offices in Europe. Roger Ebert loved the film, calling Herzog's casting of Adjani one of his "masterstrokes" in the film. He wrote that she "is used here not only for her facial perfection but for her curious quality of seeming to exist on an ethereal plane." The cast and the crew filmed both English- and German-language versions simultaneously upon request of 20th Century Fox, the American distributor. as Kinski and Ganz could act more confidently in their native language.
In 1981, she received a double Cannes Film Festival's Best Actress award for her roles in the Merchant Ivory film Quartet, based on the novel by Jean Rhys, and in the horror film Possession (1981). The following year, she received her first César Award for Possession, in which she had portrayed a woman having a nervous breakdown. In 1983, she won her second César for her depiction of a vengeful woman in the French blockbuster One Deadly Summer.
That same year, Adjani released the French pop album Pull marine, written and produced by Serge Gainsbourg. She starred in a music video for the hit title song, "Pull Marine", which was directed by Luc Besson.
In 1988, she co-produced and starred in a biopic of the sculptor Camille Claudel. She received her third César and second Oscar nomination for her role in the film, which was also nominated for an Academy Award for Best Foreign Language Film. Following this recognition, she was chosen by People magazine as one of the "50 Most Beautiful People" in the world.
She received her fourth César for the 1994 film Queen Margot, an ensemble epic directed by Patrice Chéreau. She received her fifth César for Skirt Day (2009), the most that any actress has received. The film features her as a middle school teacher in a troubled French suburb who takes her class hostage when she accidentally fires off a gun she found on one of her students. It was premiered on the French Arte channel on 20 March 2009, attaining a record 2.2 million viewers) and then in movie theaters on 25 March 2009.
She has been vocal against anti-immigrant and anti-Algerian feeling in France.
In 1979, she had a son, Barnabe Nuytten, with the cinematographer Bruno Nuytten, whom she later persuaded to direct her in Camille Claudel. From 1989 to 1995, she had a relationship with Daniel Day Lewis, who left before the birth of their son, Gabriel-Kane Day-Lewis, in 1995. Day-Lewis, who goes by the name of Gabe Day as of 2013, is an aspiring hip-hop artist.
In addition to specific awards for particular films, Adjani was made a Chevalier de la Légion d'honneur on 14 July 2010 for her artistic contributions.
- Brennan, Sandra. "Isabelle Adjani". Allmovie. Retrieved 6 July 2009.
- People Magazine. "Isabelle Adjani Has the Face That's Launching a Thousand Scripts". Retrieved 23 March 2012.
- Love Film. "French Heartbreakers". Retrieved 23 March 2012.
- Chantal, Thompson; Phillips, Elaine (2012), "Trois grandes stars françaises: Isabelle Adjani", Mais Oui!, Volume 1, Cengage Learning, p. 13, ISBN 1-111-83582-9
- Auzias, Dominique; Labourdette, Jean-Paul (2006), "Les comediens: Isabelle Adjani", Hauts de Seine, Petit Futé, p. 35, ISBN 2-7469-1351-8
- The Middle East Quarterly. "Islam in France: The French Way of Life Is in Danger". Retrieved 13 August 2014.
- Isabelle Adjani : « Mon père, kabyle, s'était engagé dans l'armée française à 16 ans, et c'est en remontant d'Italie jusqu'en Bavière à la fin de la seconde guerre mondiale qu'il rencontre et séduit ma mère » Interview with Isabelle Adjani, Télérama, 31 March 2009
- « Allemande rencontrée en Bavière qu'épousa à la fin de la Seconde Guerre mondiale Mohammed Adjani, soldat kabyle de l'armée française », Jean de La Guérivière, Amère Méditerranée: Le Maghreb et nous, Seuil, 2004, p.391
- "Ma mère était bavaroise. Elle se sentait très mal en France, où elle était arrivée sans parler un mot de français. Elle ne supportait pas que son mari soit algérien. Elle disait qu'il était d'origine turque et je le croyais. Entre mes parents, il y avait un racisme conjugal. Ma mère traitait mon père de crouille et mon père lui répondait : Sale boche. Il s'appelait Mohammed mais ma mère l'avait obligé à changer de prénom. Sur notre boîte aux lettres, il y avait: Cherif Adjani. Mamère trouvait que ça faisait américain.", Adjani la vérité, Interview Isabelle Adjani, Le Nouvel Observateur, 1985
- "Isabelle Adjani". Yahoo! Movies. Retrieved 6 July 2009.
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- Applefield, David (November 2001). "Isabelle Adjani". Paris Voice.
- Isabelle Adjani at the Internet Movie Database
- Pauline Kael Reviews at the Wayback Machine (archived October 22, 2009), Retrieved on 8 September 2008.
- Kael, Pauline (1980). When The Lights Go Down. Henry Holt & Co. ISBN 0-03-042511-5.
- At the Movies: "Isabelle Adjani Finds Poker Easy; Cheating Takes Practice" Flatley, Guy. New York Times (1923-Current file) [New York, N.Y] 12 Aug 1977: C7.
- Ebert, Roger (24 October 2011). "Nosferatu the Vampyre Movie Review (1979)". Chicago Sun-Times. Sun-Times Media Group. Retrieved 3 November 2013.
- "Nosferatu". horrordvds.com. Retrieved 2008-05-29.
- "La journée de la jupe".
- "The 50 Most Beautiful Woman in Film". Retrieved 16 January 2014.
- "Adjani traite le pape de "peste blanche"". 20 Minuten. 25 March 2009.
- Watson, Shane (15 August 2004). "The dumping game". The Times (UK). Retrieved 19 June 2007.
- "Légion d'honneur : Aubrac, Bouygues, Pérol, Adjani, Bolling parmi les promus", Le Monde, 14 juillet 2010
- "Berlinale: 1989 Prize Winners". berlinale.de. Retrieved 10 March 2011.
- Adjani, Isabelle (1980). Isabelle Adjani in : Jean-Luc Douin (Hrsg.): Comédiennes aujourd'hui : au micro et sous le regard. Paris: Lherminier. ISBN 2-86244-020-5
- Austin, Guy (2003). Foreign bodies: Jean Seberg and Isabelle Adjani, S. 91–106 in: ders., Stars in Modern French Film. London: Arnold. ISBN 0-340-76019-2
- Austin, Guy (2006). Telling the truth can be a dangerous business : Isabelle Adjani, race and stardom, in : Remapping World Cinema : Identity, Culture and Politics in Film, herausgegeben von Stephanie Dennison und Song Hwee Lim, London: Wallflower Press. ISBN 1-904764-62-2
- Halberstadt, Michèle (2002). Adjani aux pieds nus – Journal de la repentie. Paris: Editions Calmann-Lévy. ISBN 2-7021-3293-6
- Roques-Briscard, Christian (1987). La passion d'Adjani, Lausanne et al.: Favre. ISBN 2-8289-0279-X
- Zurhorst, Meinolf (1992). Isabelle Adjani. Ihre Filme – Ihr Leben. Heyne Film – und Fernsehbibliothek, Band 163. München: Heyne. ISBN 3-453-05238-2
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