It's Only Rock 'n Roll
|It's Only Rock 'n Roll|
|Studio album by The Rolling Stones|
|Released||16 October 1974|
|Recorded||25 November – 21 December 1972, 13–24 November 1973, 14–28 January, 10–15 April, 20–25 May 1974|
|Producer||The Glimmer Twins|
|The Rolling Stones chronology|
|Singles from It's Only Rock 'n Roll|
It's Only Rock 'n Roll is the twelfth British and fourteenth American studio album by The Rolling Stones, released in 1974. It was the last Rolling Stones album for guitarist Mick Taylor and the songwriting and recording of the album's title track had a connection to Taylor's eventual replacement, Ronnie Wood. It also marked the 10th anniversary since the band's debut album. The album has a firmer rock sound than the band's previous album, the more funk- and soul-inspired Goats Head Soup. The album reached #1 in the US and #2 in the UK.
Work began on It's Only Rock 'n Roll following the Rolling Stones' fall 1973 European tour. Production began in November at Munich, Germany's Musicland Studios. According to guitarist Keith Richards, "We were really hot (off the road) and ready just to play some new material."
The album was at first developed as a half-live, half-studio production with one side of the album featuring live performances from the Stones' European tour while the other side was to be composed of newly recorded cover versions of the band's favourite R&B songs. Covers recorded included a take of Dobie Gray's "Drift Away", Shirley & Company's "Shame, Shame, Shame", and The Temptations' "Ain't Too Proud to Beg". Soon the band began working off riffs by Richards and new ideas by Mick Jagger and the original concept was scrapped in favour of an album with all-new material. The cover of "Ain't Too Proud to Beg" was the only recording to make the cut, while the "Drift Away" cover is a popular bootleg.
It's Only Rock 'n Roll marked the Stones' first effort in the producer's chair since Their Satanic Majesties Request, and the first for Jagger and Richards under their pseudonym "The Glimmer Twins". On the choice to produce, Richards said at the time:
"I think we'd come to a point with Jimmy (Miller) where the contribution level had dropped because it'd got to be a habit, a way of life, for Jimmy to do one Stones album a year. He'd got over the initial sort of excitement which you can feel on Beggars Banquet and Let It Bleed. Also, Mick and I felt that we wanted to try and do it ourselves because we really felt we knew much more about techniques and recording and had our own ideas of how we wanted things to go. Goats Head Soup hadn't turned out as we wanted to - not blaming Jimmy or anything like that... But it was obvious that it was time for a change in that particular part of the process of making records."
Starting with this release, all future Rolling Stones albums would either be produced by them or in collaboration with an outside producer.
Most of the album's backing tracks were recorded first at Musicland; solo vocals were recorded later by Jagger, about whom Richards would say, "he often comes up with his best stuff alone in the studio with just an engineer."
The song "Luxury" showed the band's growing interest in reggae music, while "Till the Next Goodbye" and "If You Really Want to Be My Friend" continued their immersion in ballads. Seven of the album's ten songs crack the four-minute mark, a feature that would come to be disparaged during the rising punk rock scene of the late 1970s.
Ronnie Wood, a longtime acquaintance of the band, began to get closer to the Rolling Stones during these sessions after he invited Mick Taylor to play on his debut album, I've Got My Own Album to Do. Taylor spent some time recording and hanging out at Wood's house The Wick. By chance, Richards was asked one night by Wood's wife at the time, Krissy, to join them at the guitarist's home. While there, Richards recorded some tracks with Wood and quickly developed a close friendship, with Richards going as far as moving into Wood's guest room. Jagger soon entered the mix and it was here that the album's lead single and title track, "It's Only Rock 'n Roll (But I Like It)", was first recorded. Wood worked closely on the track with Jagger, who subsequently took the song and title for their album. The released version of this song features Wood on twelve-string acoustic guitar.
It's Only Rock 'n Roll was Mick Taylor's last album with the Rolling Stones, and he played on just seven of the ten tracks (he did not play on tracks 2, 3, and 6). Similar to receiving no writing credits on the Stones' previous album, Goats Head Soup, Taylor reportedly had made songwriting contributions to "Till the Next Goodbye" and "Time Waits for No One", but on the album jacket, all original songs were credited to Jagger/Richards. Taylor said in 1997:
"I did have a falling out with Mick Jagger over some songs I felt I should have been credited with co-writing on It's Only Rock 'n Roll. We were quite close friends and co-operated quite closely on getting that album made. By that time Mick and Keith weren't really working together as a team so I'd spend a lot of time in the studio."
Taylor's statement contradicts Jagger's earlier comment concerning the album. Jagger stated in a 1995 Rolling Stone interview about "Time Waits for No One" that Taylor "maybe threw in a couple of chords".
Alongside the usual outside contributors, namely Billy Preston, Nicky Hopkins and unofficial member Ian Stewart, Elton John sideman Ray Cooper acted as percussionist for the album. Several songs were finished songs and overdubs and mixing were performed at Jagger's home, Stargroves, in the early summer of 1974.
Release and reception
|The Great Rock Discography||6/10|
|The Rolling Stone Album Guide|||
|Virgin Encyclopedia of Popular Music|||
In July, the lead single, "It's Only Rock 'n Roll (But I Like It)", was released, and despite the familiar sound, it surprised many by failing to reach the top 10 in the US (although it did reach the top 10 in the UK). With its sing-along chorus, it has become a staple at Rolling Stones concerts. The B-side "Through the Lonely Nights" dates back to the previous year's Goats Head Soup sessions. A cover of "Ain't Too Proud to Beg", originally a 1966 hit by The Temptations, was released as the second single in the US only, where it also became a top 20 hit. Its parent album appeared in October with brisk initial sales, reaching number two in the UK (breaking a string of number-one albums that stretched back to 1969's Let It Bleed) and number one in the US, where it eventually went platinum.
Reviews were largely positive, with Jon Landau calling It's Only Rock 'n Roll "one of the most intriguing and mysterious, as well as the darkest, of all Rolling Stones records." However rock critic Lester Bangs disparaged the album in The Village Voice, much like Goats Head Soup, saying, "The Stones have become oblique in their old age, which is just another word for perverse except that perverse is the corniest concept extant as they realized at inception... Soup was friendly and safe. I want the edge and this album doesn't reassure me that I'll get it, what a curious situation to be stuck in, but maybe that's the beauty of the Stones, hah, hah, kid? This album is false. Numb. But it cuts like a dull blade. Are they doing the cutting, or are we?"
Author James Hector added that It's Only Rock 'n Roll was a definitive turning point for the band. "The album marked the band's decisive entry into a comfortable living as rock's elder statesmen. From this point on, their youth culture importance vanished, and there would be few musical surprises in the future." Hector concluded with "On It's Only Rock 'n Roll, the band had become what they imagined their mass audience desired them to be. They were wrong."
Instead of immediately touring to promote the album, the band decided to head back into the Munich studios to record the next album, to Mick Taylor's disappointment and subsequent resignation from the band. A tour didn't happen until the following summer in the US, the "Tour of the Americas '75", with future member Ronnie Wood taking Taylor's place on guitar.
The title track became a permanent staple of the band's live setlist, but the other songs have only been performed occasionally or not at all.
In order to promote the album, music videos were filmed for several of the songs. The most commonly seen video from the album was the video for "It's Only Rock 'n Roll (But I Like It)", featuring the band (in sailor suits) playing in a tent, which gradually fills with soap bubbles (Taylor is featured in the video but did not actually play on the recorded cut). Videos were also filmed for "Ain't Too Proud to Beg" and "Till The Next Goodbye".
Two different versions of "Luxury" exist. A shorter version of 4:30 is included on the early CD version from 1986, while the version of 5:01 was originally released on vinyl in Europe, and on the 1994 and 2009 CD remasters. The difference is the shorter version starts the fadeout 30 seconds earlier, and thereby missing the short guitar solo at the end.
One of the Rolling Stones' largest fan clubs goes by the name "It's Only Rock 'n Roll", though its members typically refer to it as "IORR".
All songs by Mick Jagger and Keith Richards, except where noted.
|1.||"If You Can't Rock Me"||3:46|
|2.||"Ain't Too Proud to Beg" (Norman Whitfield/Eddie Holland)||3:30|
|3.||"It's Only Rock 'n Roll (But I Like It)" (Inspiration by Ronnie Wood)||5:07|
|4.||"Till the Next Goodbye"||4:37|
|5.||"Time Waits for No One"||6:37|
|7.||"Dance Little Sister"||4:11|
|8.||"If You Really Want to Be My Friend"||6:16|
|9.||"Short and Curlies"||2:43|
|"Through the Lonely Nights"||4:07||It's Only Rock 'N Roll B side|
- The Rolling Stones
- Mick Jagger – lead and backing vocals; guitar on "It's Only Rock and Roll"; electric guitar on "Fingerprint File"
- Keith Richards – electric and acoustic guitar, backing vocals; bass guitar on "If You Can't Rock Me"
- Mick Taylor – electric, acoustic, twelve–string acoustic and slide guitar, backing vocals; synthesizer on "Time Waits for No One", congas on "Dance Little Sister"; bass guitar on "Fingerprint File"
- Bill Wyman – bass guitar; synthesizer on "Fingerprint File"
- Charlie Watts – drums
- Additional personnel
- Nicky Hopkins – piano on "Till the Next Goodbye", "Time Waits for No One", "Luxury", "If You Really Want to Be My Friend", and "Fingerprint File"
- Billy Preston – piano on "If You Can't Rock Me", "Ain't Too Proud to Beg", "Fingerprint File", clavinet on "Ain't Too Proud to Beg", "Fingerprint File", organ on "If You Really Want to Be My Friend"
- Ian Stewart – piano on "It's Only Rock 'n Roll", "Dance Little Sister" and "Short and Curlies"
- Ray Cooper – percussion
- Blue Magic – backing vocals on "If You Really Want to Be My Friend"
- Charlie Jolly – tabla on "Fingerprint File"
- Ed Leach – cowbell on "Ain't Too Proud to Beg"
- Basic track on "It's Only Rock 'n Roll (But I Like It)"
- Kenney Jones – drums
- Willie Weeks – bass guitar
- David Bowie – backing vocals
- Ronnie Wood – twelve–string acoustic guitar, backing vocals
- Recording engineers – Andy Johns and Keith Harwood
- Overdub engineer – George Chkiants
- Mixing engineer – Keith Harwood, "Fingerprint File" mixed by Glyn Johns
- Designed and painted by Guy Peellaert
- 1994 remaster by Bob Clearmountain
Walls and Bridges by John Lennon
|Billboard 200 number-one album
23–29 November 1974
Greatest Hits by Elton John
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- Bangs, Lester (October 31, 1974). "It's Only the Rolling Stones". The Village Voice. Retrieved 26 November 2012.
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- It's Only Rock 'n Roll on Billboard
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