Jörg Widmann

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Jörg Widmann
Jörg Widmann.jpg
Jörg Widmann in 2006
Born (1973-06-19) 19 June 1973 (age 47)
Education
Occupation
  • Clarinetist
  • Composer
  • Conductor
  • Academic teacher
Organization
Awards
Websitewww.joergwidmann.com

Jörg Widmann (born 19 June 1973)[1] is a German composer, conductor and clarinetist. He lives and works in Berlin and Munich.[2] His music is in part inspired by Classical and Romantic composers. Widmann was in 2018 the third most performed contemporary composer. He was clarinet and composition professor in Freiburg and is composition professor at the Barenboim–Said Akademie.

Education and career[edit]

Widmann was born in Munich and first took clarinet lessons in 1980.[1] Four years later he became a composition student of Kay Westermann.[1] He later studied with Hans Werner Henze, Wilfried Hiller [de], Heiner Goebbels and Wolfgang Rihm.[3] As a clarinetist, he studied at the Hochschule für Musik und Theater München with Gerhard Starke and at the Juilliard School in New York City with Charles Neidich.[1] After graduating with a Master's from Munich in 1997, he furthered his studies at the Hochschule für Musik Karlsruhe.[3] From 2001 to 2015 he taught clarinet as a Professor at the University of Music Freiburg.[1] From 2009 to 2016 Widmann was a demi-Professor of Composition, succeeding Mathias Spahlinger, at the Institute for New Music at the University of Music Freiburg.[1][4][5] Since 2017 Widmann has been Principal Conductor and Artistic Partner (2011–2017: Principal Guest Conductor and Artistic Partner) of the Irish Chamber Orchestra.[6][7] Since 2017 Widmann holds the Edward-Said-Chair as Professor of Composition at the Barenboim–Said Akademie Berlin.[8]

Musical works and performances[edit]

Widmann has achieved success both as a clarinetist and as a composer. As a soloist, he has performed with major orchestras in Germany and abroad, including the Vienna Philharmonic Orchestra and Munich Philharmonic Orchestra, under conductors such as Valery Gergiev, Christoph von Dohnányi, Sylvain Cambreling and Kent Nagano. Widmann has premiered several clarinet concerti dedicated to him: in 1999 through "musica viva", he played Music for Clarinet and Orchestra by Wolfgang Rihm;[1] in 2006 with the WDR Symphony Orchestra, Cantus by Aribert Reimann;[1] and in 2015 "über" by Mark Andre at the Donaueschingen Festival.[9]

Widmann's compositions draw on different musical genres. For example, he has written a Trilogy for orchestra examining the projection of vocal forms of instrumental ensembles. The Trilogy consists of Lied (premiered in 2003 and recorded on CD by the Bamberg Symphony with Jonathan Nott), Chor (premiered in 2004 by the Deutsches Symphonie-Orchester Berlin with Kent Nagano) and Messe, premiered in June 2005 by the Munich Philharmonic under Christian Thielemann.[10] In 2007 Pierre Boulez and the Vienna Philharmonic premiered his orchestral work Armonica.[11] Widmann's core repertoire as clarinetist includes Boulez Dialogue de l'ombre double, which he performed on Boulez's 85th birthday in Paris.[12][13][14]

His early string quartets are of particular note among his chamber music: the First Quartet was written in 1997, and followed by Chorale Quartet and Hunting Quartet, premiered in 2003 by the Arditti Quartet. 2005 saw the first performances of the Fourth Quartet and Experiment on a Fugue (Fifth Quartet, with soprano), with Juliane Banse and the Artemis Quartet. These five one-movement quartets form a cycle.[15][16][17]

Widmann was Composer in Residence at the Salzburg Festival in 2004,[18] and at the Lucerne Festival in 2009,[19] where on 5 September 2009 he premiered Heinz Holliger's Rechant for solo clarinet.[20] On 13 August 2009, Holliger performed Widmann's oboe concerto, commissioned by the festival.[21] "Am Anfang" by Anselm Kiefer and Widmann was premiered in July 2009 as part of the 20th anniversary of the Opéra Bastille, in which Widmann acted as composer, clarinettist and made his debut as conductor.[14] Widmann's Free Pieces for Ensemble: Number X is used in Sophie Fiennes's documentary Over Your Cities Grass Will Grow (2010), about the postwar German artist Anselm Kiefer.[22] His sister[1] Carolin Widmann premiered his études IV-VI for violin (2004–2010) at the Wittener Tage für neue Kammermusik on 23 April 2010.[23] From 2009 to 2011 he was the Daniel R. Lewis Young Composer Fellow at the Cleveland Orchestra.[24][25] He performed his Fantasie for clarinet (1993) to celebrate Walter Fink's 80th birthday at the Rheingau Musik Festival on 16 August 2010 and in 2014 was the festival's Composer & Artist in Residence.[26][27] Widmann was the Tonhalle Orchester Zürich's Creative Chair in the 2015–16 season.[28][29]

On 9 September 2015, the Boston Symphony Orchestra and the Leipzig Gewandhaus Orchestra announced they were commissioning a work from Widmann as part of a planned collaboration by the two organizations beginning in the fall of 2017.[30] The Leipzig Gewandhaus Orchestra announced Widmann's appointment as its first-ever Gewandhauskomponist (Gewandhaus composer) for the 2017–18 season.[31]

Widmann's oratorio ARCHE had its world premiere on 13 January 2017 on the occasion of the opening festivities of the Elbphilharmonie in Hamburg. It was performed by the Hamburg Philharmonic State Orchestra conducted by Kent Nagano.[32][33][34] The Pierre Boulez Saal was opened on 4 March 2017 with a concert by Widmann, Daniel Barenboim, and Anna Prohaska.[35]

On 27 January 2018 Widmann and the Hagen Quartet performed his Clarinet Quintet, as part of a European tour, at Amsterdam's Muziekgebouw aan het IJ.[36] Partita, five reminiscences for large orchestra, commissioned by the Leipzig Gewandhaus Orchestra and the Boston Symphony Orchestra, was premiered in Leipzig on 8 March 2018 with Andris Nelsons conducting.[37]

Anne-Sophie Mutter is the dedicatee of String Quartet No. 6 (Study on Beethoven, 2019).[38][25] With this piece, Widmann began a new series of works in the genre.

Widmann held the 2019–20 Richard and Barbara Debs Composer's Chair at Carnegie Hall.[39][40][25] During the COVID-19 pandemic of 2020, he contributed to the online Festival of New Music with his composition empty space.[41][42][43] Barenboim and Emanuel Pahud curated the festival in the empty Pierre Boulez Saal.[41][44]

Music[edit]

In most of his compositions, Widmann is in musical dialogue with Classical-Romantic composers such as Schumann, Mozart, Beethoven, Schubert and Brahms.[45][46] He wrote musical tributes for these composers.[46] Widmann has written pieces without pitches and also purely tonal pieces.[47] The scores show extremely precise, well-considered structures and instructions.[48] He uses extended techniques.[49] He finds inspiration in literature, poems, paintings and sculptures[50] and uses frequently literary sources for his compositions, such as Matthias Claudius, Klabund, Heinrich Heine, Peter Sloterdijk, Clemens Brentano and Friedrich Schiller.[51][52]

According to Bachtrack, in 2018 Widmann was the third most performed contemporary composer, behind Arvo Pärt and John Williams.[53]

Awards[edit]

Memberships[edit]

Works[edit]

Widmann's works are published by Schott Music.[71]

  • Absences, Schuloper (1990)[72]
  • Kreisleriana, concert piece for violin and chamber orchestra (1993)[73]
  • Fantasie for clarinet solo (1993)[74][75]
  • First String Quartet (1997)[76][25]
  • Five Fragments for clarinet and piano (1997)[77][78]
  • Nachtstück (Nightpiece) for piano, clarinet and cello (1998)[79]
  • Fever Fantasy for piano, string quartet and clarinet (with bass clarinet) (1999)[78]
  • Implosion for orchestra (2001)[80][25]
  • Light Study I for orchestra (2001)[80]
  • ad absurdum for trumpet and small orchestra (2002)[81]
  • Free Pieces for ensemble (2002)[82]
  • Toccata for piano (2002)[83]
  • Second String Quartet (Chorale Quartet) (2003)[84]
  • Hall Study for piano (2003)[85]
  • Das Gesicht im Spiegel (The Face in the Mirror), opera in 16 scenes, libretto by Roland Schimmelpfennig (2003)
  • Third String Quartet (Hunting Quartet) (2003)[86][87][88]
  • Lied for orchestra (2003)[80]
  • Chor for orchestra (2004)[89]
  • Skeleton for percussion (2004)[90][88]
  • Light Studies (I-VI) for violin, viola, accordion, clarinet, piano and orchestra (2004)[81]
  • Fourth String Quartet (2005)[91]
  • Experiment on a Fugue (Fifth String Quartet with soprano) (2005)[78][92]
  • Messe for full orchestra (2005)[93][25]
  • Air for horn solo (2005)[24]
  • Labyrinth for 48 chordophones (2005)[89]
  • Elegy for clarinet and orchestra (2006)[81]
  • Echo-Fragments for clarinet and orchestral groups (2006)[87]
  • Second Labyrinth for orchestral groups (2006)[94]
  • Armonica for glass harmonica and orchestra (2007)[74]
  • Violin Concerto (2007)[95]
  • Con brio for orchestra (2008)[96][74][25]
  • Antiphon for orchestral group (2008)[94]
  • Oboe Concerto (2009)[97]
  • Flûte en suite for flute and orchestral groups (2011)[97]
  • Babylon, opera in 7 scenes, libretto by Peter Sloterdijk (2011–2012, rev. 2018)
  • Third Labyrinth for soprano and orchestral groups (2013–2014)
  • Trauermarsch (Funeral March) for piano and orchestra (2014)[98][25][99]
  • Viola Concerto (2015)[100][25]
  • Once upon a time..., five pieces in fairy-tale style for clarinet, viola and piano (2015)[101]
  • ARCHE, oratorio for soloists, choirs, organ and orchestra (2016)[25]
  • Sonatina facile for piano (2016)[102][103][104][105]
  • Clarinet Quintet (2017)
  • Partita, five reminiscences for large orchestra (2017–2018)[25]
  • Violin Concerto No. 2 (2018)[106][25][107]
  • Labyrinth IV for soprano and ensemble (2019)[108]
  • Study on Beethoven (String Quartet No. 6) (2019)[38][109][25]
  • String Quartet No. 7, 8, 9, 10 (Cavatina)[110] (Study on Beethoven II, III, IV, V) (2019/2020)
  • empty space for five players (2020)[111][112]
  • Zeitensprünge, 450 bars for orchestra (2019, rev. 2020)[113][114][115]

Discography[edit]

Recordings as clarinetist[edit]

Recordings as conductor[edit]

References[edit]

Citations[edit]

  1. ^ a b c d e f g h i Bruhn 2013, p. 9.
  2. ^ Rudiger, Georg (13 October 2017). "Es war einmal..." Badische Zeitung (in German). Freiburg. Retrieved 13 October 2017.
  3. ^ a b Fein 2005, pp. 13–34.
  4. ^ Adam, Johannes (4 November 2010). "Die erogenen Zonen der Musik". Badische Zeitung (in German). Freiburg. Retrieved 26 August 2017.
  5. ^ Jahrbuch der Hochschule für Musik Freiburg 2008/09 (PDF) (in German). Freiburg: Hochschule für Musik Freiburg. 2008. Retrieved 13 August 2017.
  6. ^ Bruhn 2013, p. 7.
  7. ^ Downey, Charles (21 November 2019). "Irish Chamber Orchestra and its enthusiastic conductor put on a show at the Library of Congress". The Washington Post. Washington. Retrieved 22 November 2019.
  8. ^ "Faculty members". Barenboim–Said Akademie. 2017. Retrieved 16 June 2017.
  9. ^ Benda, Susanne (30 January 2016). "Immer wieder über Grenzen gehen". Stuttgarter Nachrichten (in German). Retrieved 9 May 2018.
  10. ^ Bruhn 2013, pp. 15–16, 63–79.
  11. ^ Bruhn 2013, p. 18.
  12. ^ "Jörg Widmann: Wild und kontrolliert". musica viva (in German). 20 May 2019. Retrieved 9 October 2020.
  13. ^ "JÖRG WIDMANN – DIALOGUE DE L'OMBRE DOUBLE". Pierre Boulez Saal (in German). Retrieved 9 October 2020.
  14. ^ a b "Jörg Widmann – Biografie". Berliner Festspiele (in German). 28 November 2020. Retrieved 28 November 2020.
  15. ^ Nyffeler, Max (December 2009). "Und immer wieder das Streichquartett". neue musikzeitung (in German). Regensburg. Retrieved 1 September 2018.
  16. ^ Service, Tom (8 October 2012). "A guide to Jörg Widmann's music". The Guardian. London. Retrieved 1 September 2018.
  17. ^ Bruhn 2013, pp. 81–109.
  18. ^ Lack, Graham (2001). "Widmann, Jörg". Grove Music Online (8th ed.). Oxford University Press.
  19. ^ Liese, Kirsten (31 August 2009). "Das Wasser, der Regen, die Linde". Frankfurter Rundschau (in German). Frankfurt. Retrieved 6 August 2017.
  20. ^ Hagmann, Peter (8 September 2009). "Neue Musikalität und alter Kommerzialismus". Neue Zürcher Zeitung (in German). Zürich. Retrieved 6 August 2017.
  21. ^ Bruhn 2013, p. 19.
  22. ^ Bradshaw, Peter (13 October 2010). "Over Your Cities Grass Will Grow – review". The Guardian. London. Retrieved 5 September 2018.
  23. ^ "Freitag 23. April 2010" (in German). Wittener Tage für neue Kammermusik. 2010. Retrieved 16 August 2010.
  24. ^ a b Dempf, Linda; Seraphinoff, Richard (18 April 2016). Guide to the Solo Horn Repertoire. Indiana University Press. ISBN 9780253019356.
  25. ^ a b c d e f g h i j k l m Allen, David (20 March 2020). "A Composer Finds the Old in the New". The New York Times. New York City. Retrieved 20 March 2020.
  26. ^ Hauff, Andreas (8 September 2010). "Ehrungen und Raritäten. Die Endphase beim Rheingau-Musik-Festival". nmz online (in German). neue musikzeitung. Retrieved 15 July 2017.
  27. ^ Sternburg, Judith von (20 August 2014). "Romantik-Session". Frankfurter Rundschau (in German). Frankfurt. Retrieved 6 August 2017.
  28. ^ Batschelet, Sarah (8 July 2016). "Without dissonance, no harmonies: Jörg Widmann and Mozart in Zurich". bachtrack.com. Retrieved 6 August 2017.
  29. ^ Spinola, Julia (16 September 2015). "Im Dialog mit Eusebius". Neue Zürcher Zeitung (in German). Zürich. Retrieved 6 August 2017.
  30. ^ "The BSO Partnership with Leipzig's Gewandhausorchester". bso.org. Boston Symphony Orchestra. 9 September 2015. Retrieved 15 July 2017.
  31. ^ "Season 2017/2018: Inauguration of Andris Nelsons & 275th Anniversary of the Gewandhausorchester" (PDF). gewandhausorchester.de (Press release). 2017. Retrieved 8 October 2018.
  32. ^ Koch, Juan Martin (14 January 2017). "Mehrheitsfähiges aus dem Schiffsbauch: Zur Uraufführung von Jörg Widmanns Oratorium "Arche" in der Elbphilharmonie". nmz online (in German). neue musikzeitung. Retrieved 23 July 2017.
  33. ^ Thiel, Markus (15 January 2017). "Stapellauf fürs Themenfrachtschiff". Münchner Merkur (in German). München. Retrieved 21 July 2017.
  34. ^ Spinola, Julia (15 January 2017). "Materialschlacht an der Elbe". Süddeutsche Zeitung (in German). München. Retrieved 7 August 2017.
  35. ^ Swed, Mark (5 March 2017). "New Gehry concert hall in Berlin thrills with its sound — and its symbolism". Los Angeles Times. Los Angeles. Retrieved 16 November 2017.
  36. ^ Stapel, Joep (28 January 2018). "Eerste Strijkkwartetbiënnale opent opwindend". NRC Handelsblad (in Dutch). Amsterdam. Retrieved 29 January 2018.
  37. ^ Korfmacher, Peter (9 March 2018). "Widmanns Partita uraufgeführt". Leipziger Volkszeitung (in German). Leipzig. Retrieved 9 March 2018.
  38. ^ a b "Study on Beethoven". Schott Music. Mainz. 2019. Retrieved 5 February 2020.
  39. ^ "Jörg Widmann, 2019–2020 Richard and Barbara Debs Composer's Chair". Carnegie Hall. New York City. January 2019. Archived from the original on 18 April 2020. Retrieved 2 February 2019.
  40. ^ Cooper, Michael (30 January 2019). "Carnegie Hall's New Season: Here's What Our Critics Want to Hear". The New York Times. Retrieved 2 February 2019.
  41. ^ a b "BOULEZ, RIVET, WIDMANN – A FESTIVAL OF NEW MUSIC". Pierre Boulez Saal. Retrieved 13 July 2020.
  42. ^ Schreiber, Wolfgang (13 July 2020). "Intime Distanz". Süddeutsche Zeitung (in German). Munich. Retrieved 13 July 2020.
  43. ^ Drees, Stefan (14 July 2020). "Digitales "Festival of New Music" in Berlin als Talkshow mit Musikeinspielungen". neue musikzeitung (in German). Regensburg. Retrieved 14 July 2020.
  44. ^ Dervan, Michael (25 July 2020). "Jörg Widmann: Conductor of the Irish Chamber Orchestra, trying to fill the space". The Irish Times. Dublin. Retrieved 29 July 2020.
  45. ^ "Fleurs du mal". Schott Music. Mainz. 2010. Retrieved 8 March 2019.
  46. ^ a b Besthorn, Florian Henri (2019). "Jörg Widmann". KDG Online. Komponisten der Gegenwart.
  47. ^ Reider, Maxim (21 August 2019). "I write music that I have to write". The Jerusalem Post. Jerusalem. Retrieved 22 August 2019.
  48. ^ Kaiserkern, Babette (16 October 2020). "Jörg Widmann ist eine Ausnahmeerscheinung der Musik". Der Tagesspiegel (in German). Berlin. Retrieved 16 October 2020.
  49. ^ Bruhn 2013, p. 24.
  50. ^ Schwarz, Elisabeth (23 May 2018). "Jörg Widmann über sein Leben als Klarinettist und Komponist". Bachtrack (in German). Retrieved 24 October 2020.
  51. ^ "ARCHE (Score)". Schott Music. 2016. Retrieved 3 September 2017.
  52. ^ "Das heiße Herz". Schott Music. 12 December 2019. Retrieved 24 October 2020.
  53. ^ "Classical Music in 2018 – The year in statistics" (PDF). Bachtrack. 2019. Retrieved 10 January 2019.
  54. ^ a b c d Bruhn 2013, p. 10.
  55. ^ a b c d e Bayerische Akademie der Schönen Künste, Jahrbuch 21 (in German). Wallstein Verlag. 2007. p. 245. ISBN 9783835302471.
  56. ^ Balk 2007, p. 15.
  57. ^ "Claudio Abbado Composition Prize". berliner-philharmoniker.de. Berlin. 2017. Retrieved 24 October 2017.
  58. ^ "Jörg Widmann mit Stoeger Prize ausgezeichnet". neue musikzeitung (in German). Regensburg. 22 December 2009. Retrieved 28 July 2018.
  59. ^ "musikpreis des heidelberger frühling". heidelberger-fruehling.de (in German). Heidelberg. 2017. Retrieved 27 October 2017.
  60. ^ "Musikautorenpreis für Klaus Huber, Jörg Widmann, Deichkind und die Toten Hosen". neue musikzeitung. Regensburg. 26 April 2013. Retrieved 21 September 2019.
  61. ^ "Jörg Widmann erhält den Robert Schumann-Preis für Dichtung und Musik 2018". neue musikzeitung (in German). Regensburg. 21 September 2018. Retrieved 21 September 2018.
  62. ^ Wenda, Manuel (10 November 2018). "Robert Schumann-Preis für Dichtung und Musik an Jörg Widmann". Lampertheimer Zeitung (in German). Mainz. Retrieved 16 November 2018.
  63. ^ "Terminhinweis: Ministerpräsident Dr. Markus Söder verleiht Bayerischen Maximiliansorden" (Press release) (in German). Munich: Bayerische Staatsregierung. 11 December 2018. Retrieved 11 December 2018.
  64. ^ "ECHO-Nachfolge-Preis vergeben". fonoforum.de (in German). Euskirchen: Fono Forum. 3 September 2019. Retrieved 4 September 2019.
  65. ^ O'Reilly, Chris (3 September 2019). "Opus Klassik Awards 2019". prestomusic.com. Leamington Spa: Presto Classical. Retrieved 4 September 2019.
  66. ^ "Fellow Jörg Widmann". wiko-berlin.de. Wissenschaftskolleg zu Berlin. 2003. Retrieved 15 November 2019.
  67. ^ "Musik: Ordentliche Mitglieder". www.badsk.de. München: Bayerische Akademie der Schönen Künste. 2018. Retrieved 6 May 2018.
  68. ^ "Mitglieder Musik". Freie Akademie der Künste Hamburg. Hamburg. Retrieved 24 March 2019.
  69. ^ "Mitglieder". darstellendekuenste.de. Bensheim: Deutsche Akademie der Darstellenden Künste. Retrieved 9 September 2018.
  70. ^ "Prof. Jörg Widmann". Akademie der Wissenschaften und der Literatur. Mainz. 2018. Retrieved 22 September 2018.
  71. ^ Widmann 2012.
  72. ^ Fein 2005, pp. 6, 16f.
  73. ^ Fein 2005, pp. 19, 23, 25, 92.
  74. ^ a b c Woolfe, Zachary (15 April 2013). "On Clarinet, the Composer". The New York Times. New York City. Retrieved 22 August 2017.
  75. ^ Dierickx 2018, p. 102.
  76. ^ Bruhn 2013, p. 83.
  77. ^ Schleusener, Jan (20 July 1999). "Warten auf die erste Sinfonie". Die Welt (in German). Berlin. Retrieved 9 May 2018.
  78. ^ a b c Smith, Steve (6 May 2012). "Romantics Heated Up and Served". The New York Times. New York City. Retrieved 7 August 2017.
  79. ^ Widmann 2012, p. 24.
  80. ^ a b c Widmann 2012, p. 11.
  81. ^ a b c Widmann 2012, p. 18.
  82. ^ Widmann 2012, p. 15.
  83. ^ Besthorn 2014, pp. 81–86.
  84. ^ Bruhn 2013, p. 87.
  85. ^ Widmann 2012, p. 29.
  86. ^ Bruhn 2013, p. 90.
  87. ^ a b Service, Tom (13 March 2009). "The musical double-agent". The Guardian. London. Retrieved 19 September 2018.
  88. ^ a b Weininger, David (31 July 2015). "Time after time". The Boston Globe. Boston. p. G6. Retrieved 18 May 2020 – via Newspapers.com.
  89. ^ a b Widmann 2012, p. 12.
  90. ^ Widmann 2012, p. 22.
  91. ^ Bruhn 2013, p. 96.
  92. ^ Bruhn 2013, p. 99.
  93. ^ Lemke-Matwey, Christine (14 July 2005). "In Gottes Ohr". Die Zeit (in German). Hamburg. Retrieved 9 May 2018.
  94. ^ a b Widmann 2012, p. 13.
  95. ^ Theurich, Werner (18 May 2013). "Die Fidel im Fitness-Test". Der Spiegel (in German). Hamburg. Retrieved 6 August 2017.
  96. ^ Tommasini, Anthony (14 January 2011). "Beethoven's Varied Descendants". The New York Times. New York City. Retrieved 18 August 2017.
  97. ^ a b Widmann 2012, p. 19.
  98. ^ Hanssen, Frederik (20 December 2014). ""Trauermarsch" von Jörg Widmann – Neue Musik mit viel Gefühl". Der Tagesspiegel (in German). Berlin. Retrieved 13 August 2017.
  99. ^ Weininger, David (8 October 2016). "A dialogue between past and present". The Boston Globe. Boston. p. B8. Retrieved 18 May 2020 – via Newspapers.com.
  100. ^ Braunmüller, Robert (2 March 2016). "Antoine Tamestit über das Viola-Konzert von Jörg Widmann". Abendzeitung (in German). München. Retrieved 7 August 2017.
  101. ^ Willson, Flora (5 January 2018). "Jörg Widmann: the musical anarchist who brings a hefty dose of sheer joy". The Guardian. London. Retrieved 8 January 2018.
  102. ^ Loomis, George (4 April 2017). "Uchida Points Up Composer's Other Gift: The Clarinet". Classical Voice America. Retrieved 18 July 2017.
  103. ^ Grella, George (3 April 2017). "Beautiful playing by Widmann, Uchida makes for a memorable recital at Zankel Hall". New York Classical Review. Retrieved 9 February 2019.
  104. ^ Chlosta, Simon (7 February 2017). Programmheft Uchida Widmann (PDF) (booklet). Hamburg: Elbphilharmonie. Retrieved 9 February 2019.
  105. ^ Wasserman, Abby (13 January 2019). "Khozyainov's brilliant pianism in Mill Valley Recital". Classical Sonoma. Retrieved 9 February 2019.
  106. ^ "Violin Concerto No. 2". Schott Music. Mainz. 2018. Retrieved 11 July 2019.
  107. ^ Garud, Doreen (21 March 2020). "Für diese Musik braucht man Neugier". Nürtinger Zeitung (in German). Nürtingen. Retrieved 21 March 2020.
  108. ^ "Labyrinth IV". Schott Music. Mainz. 2019. Retrieved 11 July 2019.
  109. ^ "NEW MUSIC TUESDAY: Composer Jörg Widmann – String Quartet No. 6 'Study on Beethoven' [WORLD PREMIERE]". theviolinchannel.com. New York City: The Violin Channel. 3 March 2020. Retrieved 5 March 2020.
  110. ^ "Cavatina". schott-music.com.
  111. ^ "Jörg Widmann". boulezsaal.de.
  112. ^ Hagedorn, Volker (12 August 2020). "Das Jahrhundertwerk muss überleben". Die Zeit (in German). Hamburg. Retrieved 13 August 2020.
  113. ^ "Zeitensprünge". Schott Music. Retrieved 5 September 2020.
  114. ^ Amling, Ulrich (13 September 2020). "450 Jahre Staatskapelle Berlin Gefeiert wird im kleinen Kreis". Der Tagesspiegel (in German). Berlin. Retrieved 13 September 2020.
  115. ^ Felber, Gerald (13 September 2020). "Kreuz und quer durch die Jahrhunderte". Berliner Zeitung (in German). Berlin. Retrieved 13 September 2020.
  116. ^ Dierickx 2018, p. 138.
  117. ^ Dierickx 2018, p. 139.
  118. ^ a b Dierickx 2018, p. 141.
  119. ^ a b Dierickx 2018, p. 140.
  120. ^ a b c d Dierickx 2018, p. 142.
  121. ^ Whitehouse, Richard (16 May 2018). "Widmann Viola Concerto (Tamestit)". Gramophone. Retrieved 2 March 2019.
  122. ^ a b c Dierickx 2018, p. 143.
  123. ^ Buchbinder, Rudolf (2020). "The leitmotif of my life". buchbinder.net. Schwerin. Retrieved 22 April 2020.
  124. ^ "Ein Märchen für unsere Zeit". crescendo.de (in German). Munich: Crescendo. 11 October 2018. Retrieved 11 October 2018.
  125. ^ "Die OPUS KLASSIK-Preisträger 2018". crescendo.de (in German). Munich: Crescendo. 11 October 2018. Retrieved 25 January 2019.
  126. ^ "ICMA Winners 2019". ICMA. 2019. Retrieved 17 January 2019.
  127. ^ "Palmarès des Diapason d'or 2018, Musique de chambre, Es war einmal... (Once Upon a Time...)". Presto Classical. 2018. Retrieved 13 August 2019.
  128. ^ Goertz, Wolfram (18 October 2020). "Brahms-Sonaten mit Widmann und Schiff". Rheinische Post. Düsseldorf <language=de. Retrieved 18 October 2020.
  129. ^ Dervan, Michael (2 June 2016). "Mendelssohn: Symphonies Nos 1 & 4 (Italian) / Jörg Widmann: Ad absurdum album review". The Irish Times. Dublin. Retrieved 2 March 2019.

Bibliography[edit]

Writings[edit]

External links[edit]