J. P. Chandrababu
|J. P. Chandrababu|
Casual Poster of CB
5 August 1927|
|Died||8 March 1974
Chennai, Tamil Nadu, India
|Occupation||Comedian, actor, director, playback singer, singer and dancer|
|Spouse(s)||Sheila (m. 1958; div. 1958)|
Joseph Panimayadas Rodriguez Chandrababu (1927–1974) was a Tamil film comedian, actor, director, singer and dancer, whose Chaplinesque style on-screen movements and singing style made him popular from the late 1940s to the early 1970s. His style has also been likened to that of Jerry Lewis. He had a mastery of the Madras Bashai, a dialect unique to the Madras region His slapstick style of comedy has been emulated by subsequent actors, such as Prabhu Deva in Kaadhalan movie. Many of his songs have remained popular.
There is confusion regarding his full name. His last name has been variously given as Chandrababu, Rodriguez and Fernando, whilst his middle name has been shown as Panimayadas or Pichai, and his first as Joseph or Jacob. His father was Joseph Pichai Rodriguez and his mother Roselin Fernando.
Chandrababu was born to a Christian family in 1927 at Tuticorin, India. His father, a freedom fighter, ran a paper called Sudhandhira Veeran which, along with the family assets, was seized by the British government in 1929 when he was arrested for participating in the satyagraha movement. He and the family were exiled to Colombo, Sri Lanka on his release[when?], where his father worked for a Tamil newspaper. Chandrababu was educated at St. Joseph's College, Colombo and Aquinas College prior to his family moving once more, this time to Chennai in 1943. Here they lived in Triplicane, where his father worked for the Dinamani newspaper.
Chandrababu was very passionate about acting despite opposition from his family members. His friend Ganapathy was the only person who motivated his acting skills. From his childhood, he was an expert in singing and whenever he got together with his friends or family, Chandrababu was asked to sing. He had spent many days starving himself and searching for a chance in films. In 1952, he attempted suicide by ingesting copper sulphate crystals in the canteen of Gemini Studios. He had written a suicide note explaining his reasons, which included that he had been unable to meet the director S. S. Vasan, and that his body was to be handed over to B. S. Ramaiah, the director of his only film at that date. Suicide was a criminal offence and so he was arrested. But when his case came to trial the judge asked him to prove his acting ability. Chandrababu rendered a Shakespearean monologue that so impressed the judge that he was not jailed.
Sri Lanka had a very western outlook in those times and Chandrabubu picked up on western styles of singing and dancing while there. In these early years Chandrababu made acquaintances of the actors Sriram, B. R. Panthulu and, through them, T. R. Mahalingam. They appreciated his talent in singing and mimicry of Hollywood stars such as Charles Boyer. He made his debut with a small role in the 1947 film Dhana Amaravathi but struggled thereafter to obtain parts.
One of those who had assisted him in being taken to hospital at the time of his attempted suicide was Gemini Ganesan. When Vasan came to know of this episode he gave Chandrababu a small role in the 1952 film Moondru Pillaigal, which impressed Vasan so much that he predicted a successful career. for him.
Chandrababu also filmed Chinnadurai and Mohanasundaram in the same year. In Chinnadurai, produced and directed by T. R. Mahalingam, he sang the song Poda Raja Podi Nadaya, the first time that yodelling had been heard in an Indian film. It is claimed that, as of 2009, he remained the only person capable of yodelling in south Indian cinema,. Chandrababu loved western music and learned the art of yodelling by listening to singers such as Gene Autry and Hank Williams.
When A. V. Meiyappan filmed Sahodari, he found that it lacked an ingredient that would ensure box office success. Chandrababu was called and after watching the film he added a comedy track for himself, wrote it and also sang the song Naan oru muttalunga, converting the film into a hit.
It was Chandrababu who first spoke and popularised the Madras Baashai in films. He learned this dialect from the rickshaw pullers and street vendors near his home in Triplicane and later in Mir Sahib Pet.
Chandrababu also established himself as a good singer. He was a playback singer rendering voice for himself in films. He lent his voice for S. Balachander for the song Kalyanam Kalyanam... Ullasamagave Ulagathil in Penn and for Sivaji Ganesan for the song Jolly Life Jolly Life in Kalyanam Panniyum Brammachari .
He sang under almost all of the music directors of the 1950s till the 1960s namely T. G. Lingappa, G. Govindarajulu Naidu, S. V. Venkatraman, R. Sudharsanam, Viswanathan Ramamoorthy, G. Ramanathan, S. M. Subbaiah Naidu, S. Rajeswara Rao, T. R. Papa and K. V. Mahadevan.
He sang along duets mostly with K. Jamuna Rani and L. R. Eswari. Other singers include A. G. Rathnamala, Jikki, A. P. Komala, T. M. Soundararajan, P. B. Sreenivas, A. L. Raghavan, P. Suseela, P. Leela, Soolamangalam Rajalakshmi and Manorama.
Chandrababu first met Sheila at her residence and subsequently marriage was arranged in 1958. Famous film personalities and politicians including chief minister Kamaraj attended their marriage. The initial days of married life had gone well. One day Sheila confessed that, she was not living a truthful life with him and had been raped while unconscious by someone. Later she fell in love with another person. After learning this, Chandrababu was heartbroken and ended up in a confused state. In the subsequent days, she attempted suicide which was foiled by Chandrababu. Considering Sheila's fortune, they divorced formally. He continued to offer support to her until she left for London. After a few days, she married a doctor in London with the acceptance of Chandrababu by a letter communication. In a business mired by sycophancy, he chose not to mince his words and this restricted his opportunities from the 1960s onward. After this, he had decided to take a temporary break from his film career, and he went to Delhi without informing even his close friends. He spent those days consuming alcohol. Later he restarted his career in the industry despite his failed love and marriage.
Chandrababu directed the film Maadi Veettu ezhai with M. G. Ramachandran as hero. Eventually, he failed on this venture as Ramachandran did not cooperate with him. The film was also dropped. The reasons for Ramachandran's non-cooperation is well explained by script writer Aroordhas, in his 2002 memoirs Naan Muham Paartha Cinema Kannadigal. It's because Chandababu became abusive towards Ramachandran's elder sibling M. G. Chakrapani.
His last work was to direct and act in Thattungal Thirakkappadum, which was highly acclaimed for its cinematography but was not a box office success. Due to the loss in the film Maadi Veettu Ezhai, he spent his last days penniless. Later he died on 8 March 1974.
Popular Tamil songs
The following are some of Chandrababu's songs that have remained popular:
|1951||Mohanasundaram||Hello My Dear Darling Hello My Rose Charming||T. G. Lingappa|
|1951||Mohanasundaram||Inbam Konjum Velai||T. G. Lingappa||Jikki|
|1952||Andhaman Kaidhi||I love you..I love you.. Aasaiyanene Un Mele||G. Govindarajulu Naidu||A. G. Rathnamala|
|1952||Chinnadhurai||Poda Raja Podi Nadayaa||T. G. Lingappa|
|1953||Kangal||Aalu Ganam Aanal Moolai Gaali||S. V. Venkatraman|
|1954||Kalyanam Panniyum Brammachari||Jolly Life Jolly Life||T. G. Lingappa||playback for Sivaji Ganesan|
|1954||Penn||Kalyanam Kalyanam... Ullasamagave Ulagathil||R. Sudharsanam||playback for S. Balachander|
|1955||Gulebagavali||Paraanda Mannar Ellam.... Achi Nimirndha Vandi||Viswanathan-Ramamoorthy||A. G. Rathnamala|
|1955||Maman Magal||Gova Mambazhame Malgova Mambazhame||S. V. Venkatraman|
|1956||Marma Veeran||O Aiyaa O Ammaa||S. Vedha||K. Rani|
|1957||Mahadhevi||Un Thirumugathey Oru Mugama||Viswanathan-Ramamoorthy||A. G. Rathnamala|
|1957||Mahadhevi||Thanthanaa Thaalam Poduvom||Viswanathan-Ramamoorthy||A. G. Rathnamala|
|1957||Pudhaiyal||Unakkaga Ellam Unakkaga||Viswanathan-Ramamoorthy|
|1957||Pudhaiyal||Hello My Dear Ramy||Viswanathan-Ramamoorthy||A. L. Raghavan|
|1957||Pudhumai Pithan||Araichi Mani.... Thillaana Paatu Paadi Kullathaara||G. Ramanathan||Jikki|
|1957||Pathini Dheivam||Aathukku Paalam Avasiyam||Viswanathan-Ramamoorthy||T. M. Soundararajan|
|1957||Manamagan Thevai||Bambara Kannale||G. Ramanathan|
|1957||Samaya Sanjeevi||Paper Paper||G. Ramanathan|
|1958||Padhi Bhakti||Rock Rock Rock||Viswanathan-Ramamoorthy||V. N. Sundharam|
|1958||Padhi Bhakti||Indha Thinnai Paechu Veeranidam||Viswanathan-Ramamoorthy||T. M. Soundararajan|
|1958||Padhi Bhakti||Kosari Kosari||Viswanathan-Ramamoorthy|
|1958||Kaathavaraayan||Jigu Jigu Jigu||G. Ramanathan||Jikki|
|1958||Kathavarayan||Thanthaane Thane Thanthaane||G. Ramanathan|
|1958||Nadodi Mannan||Thadukkaadhe Ennai Thadukkaadhe||S. M. Subbaiah Naidu||K. Jamuna Rani|
|1959||Sahodari||Naan Oru Muttalunga||R. Sudharsanam|
|1959||Pandi Thevan||Nee Adinal||T. G. Lingappa||K. Jamuna Rani|
|1959||Pandi Thevan||Solluradha Solliputten||T. G. Lingappa|
|1959||Naan Sollum Ragasiyam||Vilaiyaadu Raajaa Vilaiyaadu||G. Ramanathan||A. P. Komala|
|1959||Maragadham||Kunguma Poove Konjum Puraave||S. M. Subbaiah Naidu||K. Jamuna Rani|
|1960||Kavalai Illaadha Manithan||Pirakkum Podhum Azhukindraai||Viswanathan-Ramamoorthy|
|1960||Kavalai Illaadha Manithan||Kavalai Illaadha Manithan||Viswanathan-Ramamoorthy|
|1960||Petra Manam||Paadi Paadi Paadi||S. Rajeswara Rao||Soolamangalam Rajalakshmi|
|1961||Sri Valli||Aiyo Machaan Mannaaru||G. Ramanathan|
|1961||Kumara Raja||Aan Ondru Aada Penn Ondru Paada||T. R. Papa||P. Leela|
|1961||Kumara Raja||Onnume Puriyalae Ulagathile||T. R. Papa|
|1961||Kumara Raja||"Moodinaalum Thiranthaalum"||T. R. Papa||K. Jamuna Rani|
|1961||Kumara Raja||Ennai Paartha Kannu||T. R. Papa||K. Jamuna Rani|
|1962||Paadha Kaanikkai||Kadhal Embathu Edhu Varai||Viswanathan-Ramamoorthy||P. B. Sreenivas, P. Suseela & L. R. Eswari|
|1962||Paadha Kaanikkai||Thaniyaa Thavikkira Vayasu||Viswanathan-Ramamoorthy|
|1962||Annai||Butthiyulla Manidharellaam||R. Sudharsanam|
|1962||Policekaaran Magal||Porandhalum Aambalaiya Porakka Koodadhu||Viswanathan-Ramamoorthy||L. R. Eswari|
|1962||Bandha Pasam||Eppo Vachikkalaam Eppadi Vachikkalaam||Viswanathan-Ramamoorthy|
|1962||[Senthamarai]||Thangadhamma Thangadhu Samsaram Thangadhu||Viswanathan-Ramamoorthy||K. Jamuna Rani|
|1963||Kadavulai Kanden||Konjam Thallikanum||K. V. Mahadevan||K. Jamuna Rani|
|1963||Kadavulai Kanden||Ungal Kaigal Uyarattum||K. V. Mahadevan||P. B. Sreenivas|
|1963||Yaarukku Sondham||Ennai Theriyalaiyaa||K. V. Mahadevan|
|1963||Yaarukku Chondham||Oho Meri Bul Bul||K. V. Mahadevan||K. Jamuna Rani|
|1964||Aandavan Kattalai||Sirippu Varudhu Sirippu Varudhu||Viswanathan-Ramamoorthy|
|1966||Thattungal Thirakkappadum||Kanmani Pappa||M. S. Viswanathan|
|1967||Valiba Virundhu||Ondra Kannu Doriya||R. Sudharsanam||K. Jamuna Rani|
|1968||Nimirnthu Nil||Pudichalum Pudhicha Puliyankomba Pudicha||L. R. Eswari|
|1972||Needhi||Engaladhu Boomi||M. S. Viswanathan||T. M. Soundararajan, P. Suseela & Manorama|
- Guy, Randor (25 September 2009). "Actor with mercurial feet". The Hindu. Retrieved 2011-03-26.
- Aranthai Narayanan: Thamil Cinemavin Kathai, New Century Book House, Chennai, 2002 2nd edition, pp 279–280.
- Aroordhas: Naan Muham Paartha Cinema Kannadigal, Kalaignan Pathipakam, Chennai, 2002, pp 184–201.
- Vamanan: Thirai Isai Alaigal, part 1, Manivasagar Pathipakam, Chennai, 2004 2nd edition, pp 595–605.
- "The agony and ecstasy of being - Chandrababu". Southside. 2007. Archived from the original on 2009-12-27.
- Guy, Randor (2 October 2009). "A voice that mesmerised". The Hindu. Retrieved 2011-03-26.
- Kolappan, B. (17 January 2013). "The tragic story of a comedian, J.P. Chandrababu". The Hindu.