|Born||December 5, 1939|
|Died||January 20, 2018(aged 78)|
|Known for||Abstract painting|
|Awards||National Medal of Arts|
Whitten was born in 1939 in Bessemer, Alabama. Planning a career as an army doctor, Whitten entered pre-medical studies at Tuskegee Institute from 1957 to 1959. He also traveled to nearby Montgomery, Alabama to hear Martin Luther King Jr. speak during the Montgomery bus boycott and was deeply moved by his vision for a changed America.
In 1960, Whitten went to Southern University in Baton Rouge, Louisiana to begin studying art and became involved in Civil Rights demonstrations there. Whitten participated in a march from downtown Baton Rouge to the state capitol. Whitten's artist ability led him to be in charge of producing the signs and slogans to be used at that demonstration.
Whitten believed strongly about Martin Luther King Jr.'s nonviolent approach. However, witnessing the violent reactions from the segregationist made him realize that if he remained in the South he would turn violent himself. Angered by the violent resistance to change he experienced he moved to New York City in 1960. He enrolled immediately at the Cooper Union in the fall of 1960, graduating with a bachelor's degree in fine art in 1964. Afterwards he remained in New York as a working artist, heavily influenced by the abstract expressionists then dominating the art community, especially Willem de Kooning and Romare Bearden.
Shortly after graduating from Cooper Union, Whitten had the opportunity to meet other black artists which included, Jacob Lawrence and Norman Lewis, while he remained in New York to start his art career.
Whitten's art style was known to be abstract but he liked to refer to his art as art with truth and soul. A large number of Whitten's artwork was inspired by his own experiences during the Civil Rights Movement. Whitten concluded that slavery obstructed the culture of people of color. Therefore, Whitten believed that it was his destiny to restore the culture through his pieces.
Whitten's paintings dated back to as early as the 1960s. A large portion of Whitten's artwork had a feathery, soft effect which Whitten discovered was desirable by placing a nylon mesh fabric over his wet acrylic paintings. Whitten also used a T-shaped tool, which he would call the "developer". Whitten would move the T-shaped tool across the surface of his art in one single motion. This technique was used to represent one point being related to another.
One of Whitten's most famous pieces of work are his Black Monolith Series. Most of the work in this series was a homage or tribute to black activist, politicians and artists. The two known works from this series includes Whitten's, Black Monolith III for Barbara Jordan, 1998 and the author of Invisible Man, Black Monolith II for Ralph Ellison, 1994.
Whitten's work was featured in the Annual Exhibition of Contemporary American Painting at the Whitney Museum of American Art in 1972. The Whitney mounted a solo exhibition of his paintings in 1974. He has also had individual shows at numerous private galleries and universities, including a 10-year retrospective in 1983 at the Studio Museum in Harlem and an exhibition of memorial paintings in 2008 at the Atlanta Contemporary Arts Center in Atlanta, Georgia.
Whitten spent long portions of the summer in Crete, where he had a studio and made sculptures.
Throughout his career, Whitten concerned himself with the techniques and materials of painting and the relationship of artworks to their inspirations. At times he has pursued quickly-applied gestural techniques akin to photography or printmaking. At other times the deliberative and constructive hand is evident. The New York Times labeled him the father of a "new abstraction".
When the terrorist attacks on the World Trade Center occurred, Whitten was at his studio on Lispenard Street in Tribeca. In the following years, he constructed a monumental painting, with ashes embedded into it, as a memorial of the day.
In 2014, a retrospective exhibition was organized by The Museum of Contemporary Art in San Diego. The exhibition traveled to the Wexner Center for the Arts in 2015 and to the Walker Art Center in Minneapolis from September 13, 2015 to January 24, 2016  As part of his Walker engagement, Whitten wrote an Artist Op-Ed on racism and "the role of art in times of unspeakable violence."
In 2018, a retrospective "Odyssey: Jack Whitten Sculpture 1963-2016" was organized around the time of his passing and opened at the Baltimore Museum of Art from April 22, 2018 — July 29, 2018. The exhibition traveled to the Metropolitan Museum of Art in New York from September 6–December 2, 2018 and the Museum of Fine Arts, Houston from March 3–May 27, 2019. In 2019, the first solo exhibition in a European institution was shown at Hamburger Bahnhof - Museum für Gegenwart - Berlin.
- Washington Post, Jack Whitten
- "President Obama to Award National Medals of Arts | NEA". www.arts.gov. Retrieved 2016-09-22.
- Greenberger, Alex (2018-01-21). "Jack Whitten, Beloved Painter of Abstract Cosmologies, Dies at 78". ARTnews. Retrieved 2018-01-22.
- Steven Otfinoski (14 May 2014). African Americans in the Visual Arts. Infobase Publishing. pp. 222–. ISBN 978-1-4381-0777-6.
- Katy Siegel (2006). High Times, Hard Times: New York Painting, 1967-1975. Independent Curators International. ISBN 978-1-933045-39-9.
- Mobile Museum of Art; Huntsville Museum of Art (1 March 1995). Alabama impact: contemporary artists with Alabama ties. Mobile Museum of Art.
- Sung, Victoria. "Stories of the Soul: A Farewell to Jack Whitten". Walker Art. Retrieved May 7, 2019.
- DeBerry, Linda. "An Interview with artist Jack Whitten". Crystal Bridges Museum of American Art. Retrieved May 7, 2019.
- Smee, Sebastian (January 22, 2018). "Jack Whitten: once neglected artist lately the toast of the art world". Washington Post. Washington DC. Retrieved January 22, 2018.
- Sung, Victoria. "Stories of the Soul: A farewell to Jack Whitten". Walker Art. Retrieved May 7, 2019.
- DeBerry, Linda. "An interview wit artist Jack Whitten". Crystal Bridge Museum of American Art. Retrieved May 7, 2019.
- "Black Monolith III for Barbara Jordan". The MET. Retrieved May 7, 2019.
- "Black Monolith II (For Ralph Ellison)". Brooklyn Museum. Retrieved May 7, 2019.
- Elisabeth Kley, "Jack Whitten | FROM GARBAGE TO GEMS" ArtNet, 2011.
- Mary Abbe, "Unmasked: All-American art of Jack Whitten opens at Walker Art Center", StarTribune, September 14, 2015.
- DeBerry, Linda. "An interview with artist Jack Whitten". Crystal Bridge Museum of American Art. Retrieved May 7, 2019.
- "JACK WHITTEN: FIVE DECADES OF PAINTING: Saturday, Sep 20, 2014-Sunday, Jan 04, 2015 at MCASD La Jolla", Museum of Contemporary Art San Diego.
- "Jack Whitten: Five Decades of Painting, May 16, 2015–Aug 2, 2015", Wexner Center for the Arts.
- "Jack Whitten: Five Decades of Painting", Walker.
- Jack Whitten, "A Circle of Blood", Sightlines, Walker, December 3, 2015.
- DeBerry, Linda. "An interview with artist Jack Whitten". Crystal Bridges Museum of American Art. Retrieved May 7, 2019.
- Goldsmith, Kenneth (Summer 1994), "Jack Whitten[permanent dead link]", Bomb Magazine.
- Storr, Rober (September 2007), "Jack Whitten with Robert Storr", Brooklyn Rail
- Ostrove, Saul (April 2008), "Process, Image and Elegy"[permanent dead link], Art in America.
- Fox, Catherine (April 26, 2008), "Close to history: Alabama-born artist who boarded a bus to New York in 1960 makes a triumphant return to the South", Atlanta Journal-Constitution
- Moyer, Carrie (October 2009), "Jack Whitten", The Brooklyn Rail
- Jack Whitten at the MoMa PS1 (May 24—October 15, 2007)