James Blood Ulmer
This biography of a living person needs additional citations for verification. (August 2015) (Learn how and when to remove this template message)
|James Blood Ulmer|
Ulmer, performing at the Moers Festival, 2012
|Birth name||Willie James Ulmer|
|Also known as||Damu Mustafa Abdul Musawwir|
February 8, 1940|
St. Matthews, South Carolina
|Genres||Jazz, harmolodics, free funk, blues, electric blues|
James "Blood" Ulmer (born February 8, 1940) is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His distinctive guitar sound has been described as "jagged" and "stinging". Ulmer's singing has been called "raggedly soulful".
- 1 Biography
- 2 Discography
- 2.1 As leader
- 2.2 As sideman
- 2.3 As guest (1 or 2 cuts)
- 2.4 TV appearances
- 3 References
- 4 External links
Willie James Ulmer was born in St. Matthews, South Carolina. He began his career playing with various soul jazz ensembles, first in Pittsburgh, Pennsylvania, from 1959–1964, and then in the Columbus, Ohio region, from 1964–1967. He first recorded with organist Hank Marr in 1964 (released 1967). After moving to New York in 1971, Ulmer played with Art Blakey's Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.
In the early 1970s, Ulmer joined Ornette Coleman; he was the first electric guitarist to record and tour extensively with Coleman. He has credited Coleman as a major influence, and Coleman's strong reliance on electric guitar in his fusion-oriented recordings owes a distinct debt to Ulmer.
His appearance on Arthur Blythe's two consecutive Columbia albums, Lenox Avenue Breakdown and Illusions, was followed by Ulmer's signing to that label. That resulted in three albums: Free Lancing, Black Rock, and 1983's Odyssey, which was the inaugural release of his Odyssey The Band with drummer Warren Benbow and violinist Charles Burnham, a trio that has continued to perform and record to this day. It was described at the time as "avant-gutbucket", leading writer Bill Milkowski to describe the music as "conjuring images of Skip James and Albert Ayler jamming on the Mississippi Delta."
He formed a group called the Music Revelation Ensemble circa 1980, initially co-led with David Murray for the first decade, that lasted into the mid-90s. Later recorded incarnations of the group featured either Arthur Blythe, Sam Rivers, Pharoah Sanders or John Zorn on saxophones. In the 1980s he co-led, with saxophonist George Adams, the Phalanx quartet.
Ulmer has recorded many albums as a leader, including a recent quartet of acclaimed blues-oriented records produced by Vernon Reid: Memphis Blood, No Escape from the Blues, Bad Blood in the City, and the solo guitar & vocals album Birthright.
In a 2005 Down Beat interview, Ulmer opined that guitar technique had not advanced since the death of Jimi Hendrix. He stated that technique could advance "if the guitar would stop following the piano," and indicated that he tunes all of his guitar strings to A.
In 2009, Ulmer started his own label, American Revelation, which has released four CDs to date; all are available only from his website, or at his shows.
- Revealing (Recorded 1977; In + Out, 1990)
- Tales of Captain Black (Artists House, 1978)
- Are You Glad to Be in America? (Rough Trade, 1980)
- Free Lancing (Columbia, 1981)
- Black Rock (Columbia, 1982)
- Live at the Caravan of Dreams (Caravan of Dreams, 1985)
- America - Do You Remember the Love? (Blue Note, 1987)
- Blues Allnight (In + Out, 1989)
- Black and Blues (DIW, 1990)
- Blues Preacher (DIW/Columbia, 1992)
- Harmolodic Guitar with Strings (DIW, 1993)
- Live at the Bayerischer Hof (In + Out, 1994)
- Music Speaks Louder Than Words (DIW, 1995)
- Forbidden Blues (DIW, 1996)
- Blue Blood (Innerhythmic, 2001)
- Memphis Blood: The Sun Sessions (Label M, 2001)
- No Escape from the Blues: The Electric Lady Sessions (Hyena, 2003)
- Birthright (Hyena, 2005)
- Bad Blood in the City: The Piety Street Sessions (Hyena, 2007)
- Blues Legacy: Solo Live (American Revelation, 2009)
- Live: Black Rock Reunion (American Revelation, 2010)
- In and Out (In + Out, 2010)
With Music Revelation Ensemble
- No Wave (Moers Music, 1980)
- Music Revelation Ensemble (DIW, 1988)
- Elec. Jazz (DIW, 1990)
- After Dark (DIW, 1992)
- In the Name of... (DIW, 1994)
- Knights of Power (DIW, 1996)
- Cross Fire (DIW, 1997)
With New Jazz Art Quartet with John Hicks, Reggie Workman, Rashied Ali
- Live at Birdland 2000 (American Revelation, 2009)
With Odyssey the Band
- Odyssey (Columbia, 1983); released under Ulmer's name
- Part Time (Rec. live at Montreux Jazz Festival 1983; Rough Trade, 1984); released under Ulmer's name alone
- Reunion (Knitting Factory, 1997)
- Back in Time (Pi, 2005)
- Blues Odyssey (American Revelation Music, 2009)
- George Adams-James Blood Ulmer Quartet – Jazzbühne Berlin Vol. 12 (Rec. live 1985 in East-Berlin by GDR Broadcast; Repertoire, 1990)
- Got Something Good for You (Moers Music, 1985)
- Original Phalanx (DIW, 1987)
- In Touch (DIW, 1988)
With Third Rail
- South Delta Space Age (Antilles, 1995)
- Blue Blood (Innerhythmic, 2001); released under Ulmer's name alone
With Rodolphe Burger
- Blood & Burger: Guitar Music (Wagram/Dernière Bande, 2003)
With members of Rip Rig + Panic
- James Blood Ulmer: "Eye Level" / "Blues Don't Fail Me Now" (12" single, Rough Trade, 1984)
- Hank Marr: Sounds from the Marr-ket Place (King, 1967, rec.1964)
- John Patton: Accent on the Blues (Blue Note, 1969)
- John Patton: Memphis to New York Spirit (Blue Note, 1970)
- Larry Young: Lawrence of Newark (Perception, 1973)
- Rashied Ali Quintet: Rashied Ali Quintet (Survival, 1973)
- Arthur Blythe: Lenox Avenue Breakdown (Columbia, 1979)
- Arthur Blythe: Illusions (Columbia, 1980)
- David Murray: Children (Black Saint, 1984)
- David Murray: Recording N.Y.C. 1986 (DIW 802, 1986)
- Grant Calvin Weston with James "Blood" Ulmer and Jamaaladeen Tacuma: Dance Romance (In + Out, 1988)
- Jayne Cortez & the Firesplitters: Borders of Disorderly Time (Bola Press, 2003)
- Hakim Jami Revelation Ensemble: Revealing (Reparation, 2003)
- James Carter Organ Trio with Special Guests: Out of Nowhere (Half Note, 2004)
- Frank Wright: Blues for Albert Ayler (ESP, 2012)
As guest (1 or 2 cuts)
- Joe Henderson: Multiple (Milestone, 1973)
- Jamaaladeen Tacuma: Show Stopper (Gramavision, 1982–83)
- Karl Berger: Conversations: Duets With.. (In + Out, 1994)
- Riot: The Privilege of Power (Epic, 1990)
- The Roots: Phrenology (Geffen/MCA, 2002)
- James Carter: Out of Nowhere (Half Note, 2005)
- World Saxophone Quartet: Political Blues (Justin Time, 2006)
- Juma Sultan's Aboriginal Music Society: Whispers from the Archive (Porter, 2012)
- SOLOS: The Jazz Sessions (Bravo! Canada, 2004)
- "James Blood Ulmer". TrouserPress.com. Retrieved 2015-08-02.
- Eagle, Bob; LeBlanc, Eric S. (2013). Blues - A Regional Experience. Santa Barbara: Praeger Publishers. p. 129. ISBN 978-0313344237.
- "Boston's Own Debbie And Friends Among The 8th Annual Independent Music Awards Vox Populi Winners". PRLog. Retrieved 2015-08-02.
-  Archived April 12, 2009, at the Wayback Machine.
- Micallef, Ken (December 2005). "James 'Blood' Ulmer: Blues Album of the Year (Birthright)". Down Beat. Elmhurst, IL: Maher. 72 (12): 62. ISSN 0012-5768.