Jane Bowles (//; born Jane Sydney Auer; February 22, 1917 – May 4, 1973) was an American writer and playwright.
Born into a Jewish family in New York City on February 22, 1917, to Sydney Auer (father) and Claire Stajer (mother), Jane Bowles spent her childhood in Woodmere, New York, on Long Island. She'd had a bad knee from birth, which was later broken from falling off a horse when she was a teenager. After knee surgery, she developed tuberculous arthritis, and her mother took her to Switzerland for treatment, where she attended boarding school. She also attended Julia Richmond High School in New York and Stoneleigh school for girls in Greenfield, Massachusetts.
At this point in her life, she developed a passion for literature coupled with insecurities. She developed phobias of dogs, sharks, mountains, jungles, elevators, and being burned alive. During the mid-thirties she returned to New York, where she gravitated to the intellectual bohemia of Greenwich Village.
Bowles had a rich love life. In 1937, she met Paul Bowles and in following year (1938), they were married and went to a honeymoon in Central America. She visited lesbian bars while they traveled together in Paris. The marriage was a sexual marriage for about a year and a half. After the initial year, Jane and Paul were platonic companions. They both were bisexual, and mainly preferred to have sex outside of their marriage. They were unashamed of their bisexuality, and marriage allowed them to express it.
After this, Jane and Paul went to Mexico where Jane later met Helvetia Perkins, who became her lover.
In 1943 her novel Two Serious Ladies was published. The Bowleses lived in New York until 1947, when Paul moved to Tangier, Morocco; Jane followed him in 1948. While in Morocco, Jane had an intense and complicated relationship with a Moroccan woman named Cherifa. She also had a close relationship with torch singer Libby Holman who was attracted to both Jane and Paul, though Paul did not reciprocate.
In the Summer House
In the Summer House was her only full-length play. It was first performed in 1951 in the Hedgerow Theater in Moylan, Pennsylvania. The play opened on Broadway the Playhouse Theatre on December 29, 1953, with music by Paul Bowles, where it ran for two months to mixed reviews and low attendance. Around 1963, the play was revived.[where?] The play was revived again in 1993 at the Vivian Beaumont Theater with incidental music by Philip Glass. This revival received nominations for the 1994 Drama Desk Awards for outstanding director of a play, set design, and supporting actress (JoAnne Akalaitis, George Tsypin, and Frances Conroy, respectively).
The overarching plot is the comparison of an overbearing mother and gentle daughter and a gentle mother and an overbearing daughter. The plot is driven by character interaction and not action. It begins with a monolog by Ms. Gertude Eastman Cuevas, an isolated widow from southern California who marries a rich Mexican (with a singing and dancing comrades), who is oppressive towards her daughter. The other widow is Ms. Constable and her challenging daughter. The daughters are both unstable.
Miss Cuevas has a suitor which makes the mother feel like she needs to be more overbearing. The first act closes on Ms. Cuevas and her new husband reading newspaper silently.
Bowles, who was an alcoholic, suffered a stroke in 1957 at age 40. The stroke affected her sight and capacity to imagine, however, she pushed through her health issues and continued to write. Her health continued to decline, despite various treatments in England and the United States, until she had to be admitted to a clinic in Málaga, Spain, where she died in 1973.
- Bradshaw, Jon. (1985). Dreams that money can buy : the tragic life of Libby Holman. New York. pp. 260, 272. ISBN 0688011586. OCLC 11751839.
- Dillon 2015.
- "Jane Bowles, Libby Holman Reynolds and Barbara Hutton". The Authorized Paul Bowles Web Site. www.paulbowles.org.
- Rich, Nathaniel (May 30, 2013). "American Dreams, 1943: 'Two Serious Ladies' by Jane Bowles". The Daily Beast. Retrieved 2013-11-02.
- Bowles, Paul. "On Jane Bowles' Play In the Summer House". paulbowles.org. Retrieved 8 May 2020.
- Rich, Frank (August 2, 1993). "Review/Theater: In the Summer House; Mothers, Daughters and Tangled Emotions". The New York Times.
- "In the Summer House Broadway @ Vivian Beaumont Theater". Playbill.
- "In the Summer House". www.dramatists.com.
- "Extravagant Crowd | Jane Bowles". brbl-archive.library.yale.edu.
- "Last Tango in Tangier: Bob Spitz's Latest Book Dylan: A Biography Will Be Reprinted By W. W. Norton & Company Early Next Year". The New York Times. May 20, 1990.
Jane Bowles was often known for her strong beliefs in the importance of development and growth. As seen by one of her writings, "The challenges that you face when transitioning will allow you to grow, which may also lead to a more exciting view of the world"
- Jane Bowles Papers, 1966–1967 (37 items) are housed in the Special Collections Department of the University of Virginia Library.
- Millicent Dillon Papers, 1905–1990 are housed in the Harry Ransom Center at the University of Texas at Austin. Contains notebooks and manuscripts written by and about Jane Bowles.
- The Authorized Paul Bowles Web Site, the official Jane Bowles Web site.
- Works by or about Jane Bowles in libraries (WorldCat catalog)
- Jane Auer Bowles Collection at the University of Texas
- Jane Bowles at the Internet Broadway Database
- Sprague, Claire. "Jane Bowles", Jewish Women: A Comprehensive Historical Encyclopedia