Jason Moran (musician)
Moran in Aarhus, Denmark
January 21, 1975 |
Houston, Texas, United States
Moran recorded first with Greg Osby and debuted as a band leader with the 1999 album Soundtrack to Human Motion. Since then, he has released eight other albums—with his trio The Bandwagon, solo or leading other ensembles—and appeared in about 30 albums as a sideman. He has garnered much critical acclaim and won a number of awards for his playing and compositional skills, which combine elements of post-bop and avant-garde jazz, blues, classical music, stride piano, and hip hop, among others.
Moran was born in Houston, Texas, and grew up in the Pleasantville neighborhood of Houston. His high middle-class parents, Andy, an investment banker, and Mary, a teacher, encouraged his musical and artistic sensibilities at the Houston Symphony, museums and galleries, and through a relationship with John T. Biggers and a collection of their own. Moran began training at classical piano playing, in Yelena Kurinets' Suzuki method music school, when he was six. However, his father's extensive record collection (around 10,000 in 2004), varied from Motown to classical to avant-garde jazz.
As a boy he developed a preference for hip hop music over the piano until, at the age of 13, he first heard the song "′Round Midnight" by Thelonious Monk at home, and switched his efforts to jazz. Monk's childlike melodies, with their many silent spaces, struck him as relatively easy to play and not overly ornate, while the rhythms were reminiscent of hip hop songs, and the harmonies unorthodox. Both jazz and hip hop were part of Houston's skateboarding scene in which he was involved.
He attended Houston's High School for the Performing and Visual Arts (HSPVA), graduating in 1993 from the jazz program headed by Robert Morgan. In his senior year, he was student director of the school's jazz combo and part of the Texas high school all-state jazz ensemble.
He then enrolled at the Manhattan School of Music, from which he would graduate in 1997 with a BM degree, to study with pianist Jaki Byard. The next year he participated in Betty Carter's Jazz Ahead exclusive workshop, composing the piece "Make a Decision" for the final concert.
In 1997, when Moran was a senior at Manhattan School of Music, he was invited to join the band of saxophonist Greg Osby for a European tour, following a conversation that lingered mostly on older piano jazz, and no audition. Osby liked his playing, and Moran continued to play with Osby's group upon their return to the United States, making his first recorded appearance on Osby's 1997 Blue Note album Further Ado. He would subsequently appear on several other Osby albums, and Osby would introduce him to avant-garde pianists Muhal Richard Abrams and Andrew Hill.
His stint with Osby led Moran to sign a contract of his own with Blue Note. His debut Soundtrack to Human Motion was released in 1999. Moran was joined on the album by Osby, drummer Eric Harland (a classmate of Moran's at the Manhattan School, and the one who recommended him to Osby), vibraphonist Stefon Harris and acoustic bassist Lonnie Plaxico.
Moran's next album, 2000's Facing Left (after a work by Egon Schiele), featured a trio that formed out of Osby's group, New Directions: Moran, bassist Tarus Mateen and drummer Nasheet Waits. Compositions were some of Moran's and some by Mateen, Duke Ellington, Björk and Byard. The trio, which came to be known as The Bandwagon, was joined by saxophonist and pianist Sam Rivers for their next album, Black Stars, which appeared in 2001. Black Stars was included in NPR's "The 50 Most Important Recordings of the Decade."
That same summer he appeared in the Montreal International Jazz Festival, first partnering with Lee Konitz, and then with the trio. In 2004 he played on Don Byron's Ivey-Divey. The Ivey-Divey Trio (sometimes a quartet) toured for a number of years, from the Monterey Jazz Festival 2004 to Montreal's Jazz Festival in 2006 to WinterJazzFest in 2009.
Moran's 2005 album Same Mother, an exploration of the blues, brought guitarist Marvin Sewell into the Bandwagon mix.
Moran's 2006 release, Artist in Residence, included a number of selections from different works commissioned by museums, all of which premiered in 2005: "Milestone" is centered on a visual work by Adrian Piper from the Walker Art Center; "The Shape, the Scent, the Feel of Things" was incorporated into a preexisting installation of that name by artist Joan Jonas; and "RAIN", inspired by ring shouts from African American slaves, is a recording of The Bandwagon with guests Marvin Sewell, Ralph Alessi and Abdou Mboup. Critical reception to Artist in Residence has been arguably colder that to his other releases.
Moran's IN MY MIND, premiered in 2007, is a multimedia presentation inspired by Thelonious Monk's 1959 "large band" concert at The Town Hall in New York City. It utilises filmed and taped material of Monk's rehearsal, found in the archive of W. Eugene Smith, and video art by David Dempewolf. A text-laden painting from Glenn Ligon extracted the words "In My Mind" - which Monk says on one of Smith's tapes - as did Moran, incorporating the soundbite into the set. The program is played by The Big Bandwagon: the trio with a largely changeable five piece horn section. The New York Times wrote, "It had a magical balance of theory and intuition, and the crowd stayed fully with it." The February 2009 installation is the subject of a documentary film of the same name.
In April 2007 Moran took the piano in Charles Lloyd's New Quartet, succeeding Geri Allen. He was the last member to join the group, which keep touring (As of 2014[update]), recorded one studio album and two live ones. Moran and Lloyd recorded a duo album, Hagar's Song, in 2013.
"Live: Time" is a 2008 complement to the Philadelphia Museum of Art exhibition on The Quilts of Gee's Bend. Cane was written for classical wind quintet Imani Winds - among them Moran's college classmate Toyin Spellman. It premiered in October 2008, and appeared in their album Terra Incognita in 2010; it relates to Marie Thérèse Metoyer and Moran's family history in Natchitoches, Louisiana. "Refraction" is a ballet Moran scored and accompanied for Alonzo King LINES Ballet in 2009. Four independent short films and a feature documentary appeared in the 2000s with soundtracks by Moran (see below). In addition, he collaborated with Ligon on 2008's The Death of Tom: an abstract, conceptual, video artwork. Reflecting their shared historical interests, Moran contributed a score based on the song "Nobody" by Bert Williams. The work is in the MoMA collection, but he played to it again in a screening in 2011.
The album Ten, released in 2010, marked a ten-year interval from the Bandwagon's debut, Facing Left. It features "Blue Blocks" off the Philadelphia Museum commission, "RFK in the Land of Apartheid," from an original score to a documentary film of the same name, and "Feedback Pt. 2", an homage to Jimi Hendrix's performance at the 1967 Monterey Pop Festival. Monk's "Crepuscule with Nellie" was recorded at the IN MY MIND tour. Ten also contains a composition by Moran and Andrew Hill, and others by Leonard Bernstein, Jaki Byard, Conlon Nancarrow and Bert Williams. The Downbeat 2010 critics' poll voted Ten "Jazz Album of the Year", while also voting Moran "Pianist of the Year" and "Jazz Artist of the Year." The New York Times chose Ten among 2010 top 10 pop and jazz albums.
Since 2011 Moran has been performing the show "Fats Waller dance party", originally commissioned by Harlem Stage. It became the basis of a 2014 release, All Rise: A Joyful Elegy for Fats Waller, dedicated to Fats Waller and the form of popular entertainment that jazz was in his days. Participants in the fluid roster have included singers Meshell Ndegeocello, in a co-leader position, and Lisa E. Harris, drummer Charles Haynes' ensemble with trumpeter Leron Thomas and trombonist Josh Roseman, saxophonist Steve Lehman and bassist Mark Kelly.
Moran's composition, "Slang", was commissioned for the 2011 Other Minds Festival in San Francisco. In the May 2012 Whitney Biennial, Alicia Hall Moran and Jason curated BLEED, a week-long event that involved many artists and artisans, and aimed to expose artistic processes to the point "it has to be scary". Later that year a new performance with Joan Jonas, Reanimation was first staged in dOCUMENTA (13). In the summer of 2013 and the next, Moran accompanied, with The Bandwagon and guest Jeff Parker, skateboarding shows in SFJAZZ Center.
In April 2014 Moran and Imani Winds premiered Jump Cut Rose, which he wrote for the quintet and a piano, In May, Looks of A Lot, a theatrical co-production with Theaster Gates on the theme of Chicago artistic history premiered in the city's Symphony Center; participants included The Bandwagon, the Kenwood Academy Jazz Band, Ken Vandermark and Katie Ernst, bassist and vocalist. The same month, the Bandwagon played their composition, "The Subtle One", to a ballet adaptation by Ronald K. Brown. In September he appeared trice in the Monterey Jazz Festival: Leading a Fats Waller Dance Party, in a one-piano duo with Robert Glasper, and with Charles Lloyd New Quartet.
Besides recordings under his own name, Moran has recorded with a range of other musicians including Greg Osby, Steve Coleman, Charles Lloyd, Cassandra Wilson, Joe Lovano, Christian McBride, Von Freeman, Francisco Mela, and Don Byron. He also performed with Ravi Coltrane, Marian McPartland, Lee Konitz, Wayne Shorter (as substitute), Robert Glasper, violinist Jenny Scheinman, The Bad Plus, guitarist Mary Halvorson and trumpeter Ron Miles, drummer Herlin Riley, Dave Holland (Overtone Quartet), and Bill Frisell.
Teaching and organization
Moran has been on the faculty of the New England Conservatory of Music since 2010, where he coaches two ensembles, teaches lessons, and gives masterclasses. At the Kennedy Center he has been the musical adviser for jazz since 2011, and artistic director for jazz since 2014, occupying the position of Billy Taylor. Focused on attracting larger and younger audience, he created at Kenndy the Crossroads Club.
Apart from these positions, Moran has organized events such as "713-->212: Houstonians in NYC" in January 2011 and Very Very Threadgill, a two-day festival dedicated to Henry Threadgill, his "favorite composer", in September 2014.
Moran and his family manage the granting of "Moran Scholarship Award", first set in 1994 for jazz students at HSPVA. In 2005 they set in Houston The Mary Lou Chester Moran Foundation, for similar purposes.
Closing 2010, Francis Davis wrote in Village Voice: "... Moran's only competition in the Fifth Annual Village Voice Jazz Critics' Poll was Jason Moran. Ten, his first trio album in seven years, won Album of the Year in a landslide, but that’s not all. The pianist figured prominently on the runner-up, Rudresh Mahanthappa and Bunky Green’s Apex, and Charles Lloyd’s Mirror, which finished fourth ... Add Paul Motian’s Lost in a Dream ... that gives the 2010 MacArthur Fellow four appearances in the Top 10"
JazzTimes' 2011 Expanded Critics' Poll voted Moran second place "Artist of the Year", and first place "Pianist of the Year"; the Charles Lloyd New Quartet, "Acoustic Group of the Year" and The Bandwagon fifth place in that category. In 2013, the New Quartet was second place in its category and Moran, second in pianists.
Moran has won a number of awards, including The Jazz Journalists Association's "Up-n-Coming Jazz Musician" award in 2003. The Down Beat critics poll voted him Rising Star Jazz Artist, Rising Star Pianist, and Rising Star Composer for three years straight (2003–05). In 2005, Moran was also named Playboy magazine's first "Jazz Artist of the Year". In 2007, Moran was named a USA Prudential Fellow by United States Artists. In 2010, he was named a MacArthur Fellow.
Another full-length documentary, Grammar about "jazz through Jason Moran" and genre boundaries, is in the making, after first director Radiclani Clytus had found funding in a 2012 kickstarter campaign.
Moran married Alicia Hall Moran, a mezzo-soprano singer and artistic collaborator, in 2003. They live in Harlem and have twins. He has an older brother and a younger. Two of his cousins, Tony and Michael Llorens, toured with Albert King playing piano and drums, and were recorded on In Session. His uncle Joe is a painter.
- Soundtrack to Human Motion (1999)
- Facing Left (2000)
- Black Stars (2001)
- Modernistic (2002)
- The Bandwagon: Live at the Village Vanguard (2003) Jazz Times: 3rd best release
- Same Mother (2005)
- Artist in Residence (2006)
- Ten (2010) JazzTimes: Critics Poll best release
- All Rise: A Joyful Elegy for Fats Waller (2014)
- Two Three Time (2002)
- best original score, First Run Film Festival
- Five Deep Breaths (2003)
- All We Know of Heaven (2004)
- best original score, First Run Film Festival
- Stutter (2007)
- RFK in the Land of Apartheid (2009)
- Selma (2014)
With Ralph Alessi
With Don Byron
With Scott Colley
With Steve Coleman and Five Elements
With Bunky Green
With Stefon Harris
With Charles Lloyd
With Christian McBride
With Francisco Mela
With Paul Motian
With Greg Osby
With Eric Revis' 11:11
With Jenny Scheinman
With Christophe Schweizer, Full Circle Rainbow
With Walter Smith III
With Brett Sroka
With Otis Taylor
With Henry Threadgill
With Trio 3
With Cassandra Wilson
- Russonello, Giovanni (2012-12-10). "Jason Moran: "To Connect to Every Moment"". JazzTimes.
- Kevin Le Gendre. "Jason Moran Ten Review". BBC.
- Brett Campbell (2014-06-04). "Imani Winds and Jason Moran: Minimally Inspired, Major Imprint". San Francisco Classical Voice. Retrieved October 22, 2014.
- Steve Dollar (2010-06-22). "Jason Moran and the Bandwagon: Ten".
- David Theis (2004-06-06). "Jazzman returns for a high school reunion". Houston Chronicle.
- Nate Chinen (September 2003). "Jason Moran: Out Front". JazzTimes.
- Gehrke, Karl (2006-10-04). "Walker images reside in Jason Moran's jazz". Minnesota Public Radio.
- Thomas Conrad (2012-01-18). "Jason Moran takes the Before & After Test". JazzTimes.
- "Jason Moran, Interview + Performance [stream]". Studio 360. Kurt Andersen. 2010-07-02.
- Sara Fishko (2008-10-15). "Moran On Monk: Finding Rhythm And Space". NPR / WNYC. Retrieved December 3, 2014.
- Scheinin, Richard (2013-05-02). "Jason Moran's new trick: skateboarding at SFJazz". San Jose Mercury News.
- "Jason Moran presents Bandwagon & live skateboarding". SFJAZZ. Retrieved 8 November 2014.
- "Distinguished HISD Alumni". Houston Independent School District. Retrieved 8 November 2014.
- Jarenwattananon, Patrick (2010-10-21). "What Were They Like in High School? Today's Jazz Stars As Teens". A Blog Supreme. NPR. Retrieved 8 November 2014.
- "All-state history roster of 1993". Texas Music Educators Association. Retrieved 8 November 2014.
- Becca Pulliam (December 16, 2011). "Jason Moran, Curator [stream]". A Blog Supreme. NPR. Retrieved November 27, 2014.
- Paul Pennington (2013-08-09). "Jason Moran: The Modern Maestro". iRock Jazz. Retrieved 8 November 2014.
- "Bio". jasonmoran.com.
- Blumenfeld, Larry (2005-05-19). "Jason Moran: Jazz with a Southern Accent". Wall Street Journal. ISSN 0099-9660. Retrieved 8 November 2014.
- Jarenwattananon, Patrick (November 13, 2009). "Jazz and the 50 Most Important Albums of 2000-2009". NPR. Retrieved November 26, 2014.
- Patrick Jarenwattananon. "Jason Moran and the Bandwagon: Live at the Village Vanguard". NPR. Retrieved 2010-09-30.
- Virginia Schaefer (2003-10-06). "Lee Konitz Concerts at the Montreal Jazz Festival". Allaboutjazz.com. Retrieved 8 November 2014.
- Bill Milkowski (2003-07-08). "Montreal International Jazz Festival 2003". JazzTimes.
- "Artist: Jason Moran". Festival International de Jazz de Montréal. Retrieved 8 November 2014.
- Nate Chinen (2007-08-24). "Jazz Listings". The New York Times. Retrieved 2014-11-22.
- "Performances [archives]". Don Byron.
- 2009 NYC WinterJazzFest Artist Bios, archived from the original on 2013-12-06, retrieved 2014-11-23
- Barnes, Lucinda. "Joan Jonas: The Shape, the Scent, the Feel of Things". University of California, Berkeley Art Museum. Retrieved 8 November 2014.
- See for example Himes, Geoffrey (2007-02-23). "JASON MORAN "Artist in Residence" Blue Note". The Washington Post. Retrieved 8 November 2014.
- Virginia A. Schaefer. "Jason Moran, "In My Mind: Monk at Town Hall 1959"". JazzTimes. Retrieved 2014-10-14.
- Geoffrey Himes (October 2010). "Jason Moran: In All Languages". JazzTimes. Retrieved November 26, 2014.
- Martin Johnson (2009-02-22). "Jason Moran Reimagines Thelonious Monk's 1959 Town Hall Concert". New York Magazine. Retrieved December 3, 2014.
- Ben Ratliff (March 1, 2009). "Music Review - 'In My Mind - Monk at Town Hall, 1959' - Fifty Years Later, Two Different Takes on Thelonious Monk's Historic Town Hall Appearance". The New York Times. Retrieved November 23, 2014.
- Ryel-Lindsey, Arthur (2010-04-11). "Full Frame Documentary Film Festival 2010: In My Mind (Gary Hawkins)". Slant Magazine. Retrieved 8 November 2014.
- "2014 Showcase Artist : Charles Lloyd". Monterey Jazz Festival. Retrieved 1 December 2014.
- John Kelman (February 26, 2007). "Portland Jazz Festival Day 3: February 18, 2007". Allaboutjazz.com. Retrieved November 25, 2014.
- Past Appearances [Reuben Rogers] (PDF), December 2010, retrieved 2014-11-25
- Nate Chinen (2009-09-10). "An Experienced Leader Brings Out a Collectivist Spirit". The New York Times. Retrieved 8 November 2014.
- Scheinin, Richard (2012-02-25). "Review: Bassist Dave Holland's Overtone Quartet: Four personalities, one fixed point". San Jose Mercury News. Retrieved 8 November 2014.
- "Art After 5 Premieres a New Composition by Jazz Pianist Jason Moran Inspired by the Quilts of Gee's Bend". Philadelphia Museum of Art. 2008-12-01. Retrieved 2014-10-14.
- Alec Wilkinson (2013-03-11). "Jazz Hands, How Jason Moran bends the rules".
- Terra Incognita at AllMusic
- Joao Marcos Coelho. "Imani Winds / Excellence marks the concert of American quintet in festival.". O Estado de S. Paulo. Retrieved October 21, 2014 – via ImaniWinds.com (translated).
- Mike Telin. "Imani Winds: Tuesday Musical Series...". Cleveland Classical. Retrieved October 21, 2014 – via ImaniWinds.com.
- "Refraction". Alonzo King LINES Ballet.
- Jason Rabin (2011-03-22). "Jason Moran Plays With Abstract Expressionism". JazzTimes. Retrieved December 4, 2014.
- "Jason Moran Builds a Bigger Bandwagon". Chicago Reader. 2014-05-28. Retrieved 8 November 2014.
- "MoMA - The Collection. The Death of Tom, 2008". MoMA. Retrieved December 4, 2014.
- "On The Death of Tom, with Glenn Ligon, Jason Moran, and Terrance McKnight [audio stream: music and discussion]". Whitney Museum of American Art. March 23, 2011. Retrieved December 4, 2014.
- John Fordham (2010-08-19). "Jason Moran: Ten | CD review | Music". London: The Guardian. Retrieved 2010-09-30.
- "Album review: Jason Moran's 'Ten' | Pop & Hiss | Los Angeles Times". Latimesblogs.latimes.com. 2010-06-21. Retrieved 2010-09-30.
- "Jason Moran: Ten Blue Note, CD review". London: Telegraph. 2010-08-20. Retrieved 2010-09-30.
- Larry Shore. "Film credits".
- Ron Wynn (September 2010). "Jazz Reviews: Ten Jason Moran and the Bandwagon". JazzTimes.
- David Adler (2010-06-12). "Jason Moran: Ten (2010)". Allaboutjazz.com.
- Kevin Whitehead (2010-06-10). "Jason Moran, 'Ten' years later". NPR. Retrieved 8 November 2014.
- "59th Annual Critics Poll [cover]" (pdf). Down Beat. August 2011. Retrieved 8 November 2014.
- Nate Chinen (2010-12-19). "Top 2010 Pop and Jazz – Jason Moran, Kanye West / Renewal, the Sensual and Fraught Candor". The New York Times. Retrieved 8 November 2014.
- Beuttler, Bill (2014-04-07). "Concert Review: Jason Moran's Fats Waller Dance Party". JazzTimes. Retrieved 8 November 2014.
- "Other Minds Festival: OM 16: Panel Discussion & Concert 3". Other Minds/radiOM. 2011. Retrieved 8 November 2014.
- Ben Ratliff (2012-05-14). "Art, Ancestry, Africa: Letting It All Bleed". The New York Times. Retrieved 8 November 2014.
- "dOCUMENTA (13)". Retrieved 8 November 2014.
- ""Reanimation" Jason Moran with Joan Jonas". Luhring Augustine. Retrieved 8 November 2014.
- Gillian Young (2013-11-22). "Glacial Pace: Joan Jonas's "Reanimation"". Art in America. Retrieved 8 November 2014.
- Scheinin, Richard (2013-05-05). "Review: Jason Moran's jazz/skateboarding duet". San Jose Mercury News. Retrieved 8 November 2014.
- "Imani Winds, Jason Moran to debut original piece at the Hop". The Dartmouth. 2014-04-02.
- Howard Reich (2014-10-01). "Kenwood's Journey". Chicago Tribune. Retrieved 8 November 2014.
- Alex Marianyi. "Jason Moran Live with Theaster Gates - 5/30/2014". nextbop.com. Retrieved 8 November 2014.
- Burke, Siobhan (2014-06-04). "A Premiere for Ronald K. Brown's Evidence at the Joyce". The New York Times. Retrieved 2014-11-24.
- "Ronald K. Brown / Evidence Dance Company & Jason Moran & The Bandwagon • 'The Subtle One'". Duke Performances. Retrieved 1 December 2014.
- "57th Annual Monterey Jazz Festival an Outstanding Success". Monterey Jazz Festival. Retrieved November 23, 2014.
- "Jason Moran". Monterey Jazz Festival. 2014.
- Dan McClenaghan (2002-11-16). "Von Freeman: The Improvisor (2002)". Allaboutjazz.com. Retrieved 8 November 2014.
- Rochester, 2002: 
- Monterey, 2004: "Piano legend McPartland: Cool jazz still hot". CNN. September 15, 2004. Retrieved November 23, 2014. "The Monterey Jazz Festival Collection". "47th Annual Monterey Jazz Festival Lineup Announced". j-notes.com. April 6, 2004.
- "Summertime", from 85 Candles at AllMusic
- Thomas Conrad (2005-05-17). "Umbria Jazz Melbourne 05". JazzTimes. Retrieved 8 November 2014.
- Ben Ratliff (2011-12-15). "Pistol Annies, YOB, Deaf Center, Paul Simon / Packing Heat and Singing Sweetly [2011 top ten albums]". The New York Times. Retrieved 2014-12-03.
- Micallef, Ken (2014-01-10). "Glasper, Moran Stride into the Spotlight at Winter Jazzfest Blue Note Tribute". Down Beat. Retrieved 2014-10-14.
- "Jenny Scheinman: Live At The Village Vanguard". NPR / WBGO. October 29, 2008. Retrieved November 3, 2014.
- "Video: Full Concerts From Jason Moran, The Bad Plus, More". A Blog Supreme. NPR. 2010-11-30.
- "Old Hand Tries New Approach to Jazz Festival". The New York Times. 2010-02-24. Retrieved 8 November 2014.
- Fred Kaplan (2012-06-25). "Jason Moran". Stereophile. Retrieved 8 November 2014.
- Zora Wrightson, Erica (2010-04-14). "Live review: Bill Frisell, Jason Moran and Kenny Wollesen at Largo". LA Weekly. Retrieved 8 November 2014.
- Pressley, Nelson (2014-05-06). "Kennedy Center upgrading Jason Moran to artistic director for jazz with 3-year renewal". The Washington Post. ISSN 0190-8286. Retrieved 2014-10-14.
- "Robert Morgan and Houston's Jazz Legacy, at 92YTriBeCa". New York Times. 2011-01-17. Retrieved 8 November 2014.
- Alex Rodriguez (2011-01-13). "Jason Moran Presents "713 --> 212: Houstonians in NYC"". WBGO. Retrieved 8 November 2014.
- A webcast of Moran and Glasper, playing with a double trio ("Houstonians in NYC: audio streams". Joshua Jackson.), was mentioned in a New York Times' albums of the year list by Ben Ratliff: ref.
- Kurt Gottschalk (2014-10-07). "Henry Threadgill: Very Very Threadgill 2014". Allaboutjazz.com. Retrieved October 22, 2014.
- Nate Chinen (2014-09-28). "Henry Threadgill Festival at Harlem Stage". The New York Times. Retrieved October 21, 2014.
- "NCCS Organization Profile – Mary Lou Chester Moran Foundation". National Center for Charitable Statistics.
- "The Mary Lou Chester Moran Foundation". texascorporates.com. Retrieved 8 November 2014.
- "Jason Moran, Restless & Revolutionary". International Musician. American Federation of Musicians. Retrieved 8 November 2014. For the date July 2013 see "Jazz Injustice: A History" by Todd Bryant Weeks: 
- Francis Davis (December 29, 2010). "Jason Moran Tops Himself". The Village Voice. Retrieved November 26, 2014.
- "Jazz Articles: The 2011 Expanded Critics' Poll". Jazztimes. Retrieved November 27, 2014.
- "Jazz Community: The 2013 Expanded Critics' Poll". Jazztimes. Retrieved November 27, 2014.
- "Jason Moran – Fellow Profile". Usafellows.org. Retrieved 8 November 2014.
- "Jason Moran – MacArthur Foundation". MacArthur Foundation. 2010-01-25. Retrieved 2010-09-30.
- Jarenwattananon, Patrick (2010-09-28). "Jason Moran Named MacArthur Fellow". A Blog Supreme. NPR. Retrieved 2010-09-30.
- "Jason Moran - AIR, as well as saxophone legend Charles Lloyd, set to perform at Moldejazz 2013". Molde Jazz. Retrieved 2014-11-24.
- "Grammar". Retrieved 8 November 2014.
- Giovanni Russonello (2014-09-15). "Jason Moran, Meshell Ndegeocello find their own way to honor Fats Waller". The Washington Post. Retrieved 8 November 2014.
- Matt Schudel (2011-12-27). "He's Jazzed". Washington Post. Retrieved 8 November 2014.
- Albert King With Stevie Ray Vaughan – In Session at Discogs
- "Jazz Departments: Top 50 CDs of 2003". Jazztimes. Retrieved November 27, 2014.
- "The Year '04 in Review: Top 50 CDs". JazzTimes.
- The editors noted: "Drummer Eric Harland, bassist Reuben Rogers and, perhaps most important, the pianist Jason Moran may technically qualify as sidemen here, but they function as anything but." "2008 Year in Review: Top 50 CDs". Jazztimes. 2009. Retrieved November 26, 2014.
- "Critics' Picks: Top 50 CDs". Jazztimes. 2011. Retrieved November 26, 2014.
- "Jazz Departments: The Top 50 Releases of 2011". Jazztimes. Retrieved November 28, 2014.
- John Fordham (2013-07-25). "Trio 3 + Jason Moran: Refraction – Breakin' Glass – review". The Guardian. Retrieved 8 November 2014.
- "2008 Year in Review: Top 50 CDs". Jazztimes. 2009. Retrieved November 26, 2014.
- Official Jason Moran website
- Artist page at Blue Note Records
- page at Kennedy Center
- Faculty page at New England Conservatory
- MacArthur Fellow page
- Artist page at Luhring Augustine Gallery
- Jason Moran (musician) discography at Discogs
- Jason Moran at Jazz Discography Project
- Jason Moran at the Internet Movie Database