|Jatiya Sangsad Bhaban|
জাতীয় সংসদ ভবন
|Architectural style||Modern, Monumental|
|Address||Sher-e-Bangla Nagar, Dhaka, Bangladesh|
|Town or city||Dhaka|
|Owner||Government of Bangladesh (1982-present)|
|Floor area||200 acres (810,000 m2)|
|Design and construction|
Alam Syed Zahoor
Jatiya Sangsad Bhaban or National Parliament House, (Bengali: জাতীয় সংসদ ভবন Jatiyô Sôngsôd Bhôbôn) is the house of the Parliament of Bangladesh, located at Sher-e-Bangla Nagar in the Bangladeshi capital of Dhaka. Designed while the country was still part of Pakistan by architect Louis Kahn, the complex is one of the largest legislative complexes in the world, covering 200 acres (810,000 m2).
The building was featured prominently in the 2003 film My Architect, detailing the career and familial legacy of its architect, Louis Kahn. Robert McCarter, author of Louis I. Kahn, described the National Parliament of Bangladesh as one of the twentieth century's most significant buildings.
Construction began in October 1964 when Bangladesh was East Pakistan, ordered by Ayub Khan from the West Pakistan capital of Islamabad. Ayub believed constructing a modern legislative complex would placate Bengalis.
Jatiya Sangsad was designed by Louis Kahn. The government sought assistance from South Asian activist and architect Muzharul Islam who recommended bringing in the world's top architects for the project. He initially attempted to bring Alvar Aalto and Le Corbusier, who were both were unavailable at the time. Islam then enlisted Kahn, his former teacher at Yale.
Construction was halted during the 1971 Bangladesh Liberation War and was completed on 28 January 1982. Louis Kahn died when the project was approximately three-quarters completed and it continued under David Wisdom, who worked for Louis Kahn.
During the government term that took office on 28 October 2001, the Government communicated plans to "complete Louis Kahn's plans" by constructing residences for the Speaker and Deputy Speaker. According to some prominent architects, no such plan existed in the original design. Although the construction was started, it was halted and the issue is still unresolved.
History of use by Parliament
Ten Parliaments have used the Jatiya Sangsad Bhaban as the Parliament building:
- Second Parliament : 2 years 11 months (2 April 1979 – 24 March 1982)
- Third Parliament : 1 year 5 months (10 July 1986 – 6 December 1987)
- Fourth Parliament : 2 years 7 months (15 April 1988 – 6 December 1990)
- Fifth Parliament : 4 years 8 months (5 April 1991 – 24 November 1995)
- Sixth Parliament : 12 days (19 March 1996 – 30 March 1996)
- Seventh Parliament : 5 years (14 July 1996 – 13 July 2001)
- Eighth Parliament : 5 years (28 October 2001 – 27 October 2006)
- Ninth Parliament : 5 years (6 January 2009 – 24 January 2014)
- Tenth Parliament : 5 years (14 January 2014 - 7 January 2019)
- Eleventh Parliament : Running since 7 January 2019
Architecture and design
Louis Kahn designed the entire Jatiya Sangsad complex, which includes lawns, lake and residences for the Members of the Parliament (MPs). The architect's key design philosophy was to represent Bengali culture and heritage, while at the same time optimizing the use of space. The exterior of the building is striking in its simplicity, with huge walls deeply recessed by porticoes and large openings of regular geometric shapes. The main building, which is at the center of the complex, is divided into three parts – the Main Plaza, South Plaza and Presidential Plaza. An artificial lake surrounds three sides of the main building of Jatiya Sangsad Bhaban, extending to the Members of Parliament hostel complex. This skillful use of water to portray the riverine beauty of Bengal adds to the aesthetic value of the site.
Kahn's key design philosophy optimizes the use of space while representing Bengali heritage and culture. External lines are deeply recessed by porticoes with huge openings of regular geometric shapes on their exterior, shaping the building's overall visual impact.
In the architect Louis Kahn's own words:
In the assembly I have introduced a light-giving element to the interior of the plan. If you see a series of columns you can say that the choice of columns is a choice in light. The columns as solids frame the spaces of light. Now think of it just in reverse and think that the columns are hollow and much bigger and that their walls can themselves give light, then the voids are rooms, and the column is the maker of light and can take on complex shapes and be the supporter of spaces and give light to spaces. I am working to develop the element to such an extent that it becomes a poetic entity which has its own beauty outside of its place in the composition. In this way it becomes analogous to the solid column I mentioned above as a giver of light.
It was not belief, not design, not pattern, but the essence from which an institution could emerge...
The lake on three sides of the Bhaban, extending up to the Members' hostel adds to site's aesthetics and also portrays the riverine beauty of Bangladesh.
Bhaban (main building)
The Bhaban consists of nine individual blocks: the eight peripheral blocks rise to a height of 110' while the central octagonal block rises to a height of 155'. All nine blocks include different groups of functional spaces and have different levels, inter-linked horizontally and vertically by corridors, lifts, stairs, light courts, and circular areas. The entire structure is designed to blend into one single, non-differentiable unit, that appears from the exterior to be a single story.
The main committee rooms are located at level two in one of the peripheral blocks. All parliamentary functionaries, including Ministers and chairpersons of some Standing Committees, have offices in the Bhaban. The Parliament Secretariat also occupies offices in the same building.
The most important part of the Main Plaza is the Parliament Chamber, which can house up to 354 members during sessions. There are also two podia and two galleries for VIP visitors. The chamber has a maximum height of 117 ft (36 m) with a parabolic shell roof. The roof was designed with a clearance of a single story to let in daylight. Daylight, reflecting from the surrounding walls and octagonal drum, filters into the Parliament Chamber. The efficient and aesthetic use of light was a strong architectural capability of Louis Kahn.
The artificial lighting system has been carefully devised to provide zero obstruction to the entry of daylight. A composite chandelier is suspended from parabolic shell roof. This chandelier in turn consists of a metallic web, spanning the entire chamber, that supports the individual light fixtures.
Upper levels of the block (that contains the Chamber) contain the visitor and press galleries, as well as communication booths, all of which overlook the Parliament Chamber. The block also contains:
- at level one, a library;
- at level three, MPs' lounges; and
- at the upper level, party rooms.
The South Plaza faces the Manik Mia Avenue. It gradually rises to a 20' height and serves as a beautiful exterior as well as the main entrance (used by members during sessions) to the Parliament Building. It contains:
- controlling gates;
- a driveway;
- a main mechanical plant room;
- offices of maintenance engineers;
- equipment stores; and
- an open plaza with steps and ramps leading directly to the main building.
The Presidential Plaza lies to the North and faces the Lake Road. It functions as an intimate plaza for the MPs and other dignitaries. It contains marble steps, a gallery and an open pavement.
- Other information
- Completion date: 1982
- Function: civic
- Construction cost: US$32 million
Tourism and accessibility
Although entrance to the Bhaban, the Main Building, is limited to authorized members of Parliament and staff, the Jatiyo Sangshad complex is always open to visitors. North of the complex, across the Lake Road, is Crescent Lake and Chandrima Uddan. The two complexes together form a major attraction for tourists in Dhaka, especially during national holidays. The complexes are popular among joggers and skaters of Dhaka as well, since the complex is a popular walking route - which can be seen every morning and evening. The official Prime Minister's Residence is on the North West corner of the Mirpur Road and Lake Road crossing and is a five-minute walk from the Jatiya Sangsad Bhaban. The area is one of the higher security zones of Dhaka.
The Complex can be accessed using any of the four roads surrounding it, however, the Manik Mia Avenue and Lake Road are the easiest approaches.
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- McCarter, Robert (2005). Louis I. Kahn. London: Phaidon Press. p. 258,270. ISBN 0-7148-4045-9.
- "History and Building". Archived from the original on 22 May 2016. Retrieved 15 May 2016.
- "Jatiyo Sangsad Bhaban (National Parliament House), Bangladesh". londoni.co. 2014. Archived from the original on 4 March 2016. Retrieved 28 December 2015.
- "The Grand Architecture of Jatiyo Sangsad Bhaban – Bangladesh Blog – By Bangladesh Channel". bangladesh.com. Archived from the original on 30 April 2012. Retrieved 18 April 2012.
- Source: Louis I. Kahn. from Heinz Ronner, with Sharad Jhaveri and Alessandro Vasella Louis I. Kahn: Complete Works 1935–74. pp 236, 238.
- James-Chakraborty, Kathleen (2014). "Reinforced concrete in Louis Kahn's National Assembly, Dhaka: Modernity and modernism in Bangladeshi architecture". Frontiers of Architectural Research. 3 (2): 81–88. doi:10.1016/j.foar.2014.01.003.
- "History and Building". Bangladesh Parliament. Archived from the original on 22 May 2016. Retrieved 15 May 2016.
- "Jatiyo Sangsad Bhaban". checkonsite.com. Archived from the original on 25 March 2012. Retrieved 18 April 2012.
- McCarter, Robert . Louis I. Kahn. Phaidon Press Ltd, p. 512. ISBN 0-7148-4045-9.
- Wiseman, Carter . Louis I. Kahn: Beyond Time and Style: A Life in Architecture, New York: W.W. Norton. ISBN 0-393-73165-0.
- Bangladesh Parliament Legislative Information Centre
- ArchNet Entry Images, articles on the Jatiyo Sangshad Bhaban.
- Infographic of Jatiyo Sangshad Bhaban.
- Seven Wonders of the World, Architecture The Globe and Mail has named it as one of the seven architectural wonders of the world.