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Chou at the Session of 2016 Autograph Session in Taiwan, Taipei, Kaohsiung, Taichung, July 2016
|Chinese name||周杰倫 (traditional)|
|Chinese name||周杰伦 (simplified)|
|Pinyin||Zhōu Jiélún (Mandarin)|
18 January 1979 |
Linkou District, Taipei County, Taiwan
|Other name(s)||President Chou (周董), Nan Quan (南拳)(high school pen name)|
|Voice type(s)||Tenor, Falsetto|
|Spouse(s)||Hannah Quinlivan (m. 2014)|
|Official website||JVR Music|
In 2000, Chou released his debut album, titled Jay (2000), under the record company Alfa Music. Since then his music has gained recognition throughout Asia, most notably in regions such as Taiwan, Mainland China, Hong Kong, Singapore, Malaysia, Indonesia, Korea, Japan and in the Asian communities of Western countries such as the United States and Australia. He has sold more than 30 million albums and has received numerous awards for his musical work. Chou has also written songs for other artists whilst working on his albums. In 2003, he was the cover story of Time magazine (Asia version), titled New King of Asian Pop, acknowledging his influence on popular culture. He has since held six world tours, performing in cities around the world to more than 10 million people.
Chou debuted his acting career in the film Initial D (2005); followed shortly by his role as the honorable son, Prince Jai, in the multi-nominated Mandarin Chinese epic, Curse Of The Golden Flower (2006). He has since ventured into many other movie projects, becoming known to western audiences when he made his Hollywood debut in 2011 with The Green Hornet, starring alongside Seth Rogen and Christoph Waltz. Chou also manages his own record and management company JVR Music.
- 1 Early life
- 2 Early career
- 3 Music career
- 4 Movie career
- 5 Other works
- 6 Accolades
- 7 Media and public relations
- 8 Personal life
- 9 Discography
- 10 Filmography
- 11 Notes
- 12 References
- 13 External links
Jay Chou grew up in Linkou, Taipei County in Taiwan. Both his parents were secondary school teachers: his mother, Yeh Hui-Mei (Chinese: 葉惠美; pinyin: Yè Huìměi), taught fine arts, while his father, Chou Yao-Chung (Chinese: 周耀中; pinyin: Zhōu Yàozhōng), is a biomedical researcher. His mother noticed his sensitivity to music and took him to piano lessons at the age of four. During his childhood, he was fascinated with capturing sounds and songs with his tape recorder, which he carried everywhere with him. In the third grade, he became interested in music theory and also started cello lessons. He was an only child and loved to play piano, imitate TV actors, and perform magic tricks. His favorite composer was, and still is to this day, Chopin. His parents divorced when he was 13 and he was teased by his classmates, which caused him to become reclusive and introverted. He had no friends and preferred to be alone, listening to music, contemplating and daydreaming. At Tamkang Senior High School, he majored in piano and minored in cello. He showed talent for improvisation, became fond of pop music and began to write songs.
Chou was conscripted for mandatory military service after graduating from high school with inadequate grades for university. However, a sports injury triggered by an unexplainable and severe back pain eventually led to the diagnosis of ankylosing spondylitis, a hereditary spine inflammation disease; and he was exempted from military service. Meanwhile, he found himself a job as a waiter.
Chou's mother initially aspired Chou to become a music teacher, while Chou remained relatively clueless on what to do with his life. Without his knowledge, a friend entered both their names in a talent show called Super New Talent King in 1998. Chou played the piano accompaniment for his friend, whose singing was described as "lousy". Although they did not win, the show's host Jacky Wu – an influential character in Taiwan's entertainment business – happened to glance at the music score and was impressed with its complexity. Wu then asked who wrote it, discovered Chou and hired him as a contract composer and paired him with the novice lyricist Vincent Fang. for his then record company Alfa Music. Chou then spent most of his time in Wu's studio learning music producing, sound mixing, recording and writing songs. Although he was trained in classical music, Chou combines Chinese and Western music styles to produce songs that fuse R&B, rock and pop genres. However Wu told Chou that he will help Chou to release an album after he wrote 100 songs and he will pick ten from there. Chou already had an arsenal of songs he wrote for others but had been rejected, so among those he chose 10 for his debut CD album Jay that was released in 2000. The album established his reputation as a musically gifted singer-songwriter whose style is a fusion of R&B, rap, classical music, and yet distinctly Chinese. His fame spread quickly in Chinese-speaking regions throughout Southeast Asia.
2000 to 2002
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Jay Chou launched his debut album Jay under Alfa Music in 2000. The album was promoted heavily by Jacky Wu in the entertainment shows he hosted. Jay also appeared in some of the shows himself. The debut album and Jay himself was marketed as a talented singer-composer album with a unique tune. With his collaboration with Vincent Fang and Vivian Hsu in the album, it also brought about a few hits.
After promoting the debut album shortly, Jay went into the studio for next 12 months to record and produce the next album Fantasy. This album released in September 2001 became a big hit and sold an estimated 2 million copies in Taiwan alone. Other than being a commercial success, the album also garnered Jay 5 awards out of being nominated 10 at the much-coveted 13th Golden Melody Awards in 2002. This established Jay in the music industry. Hits such as "簡單愛" (simple love) which brings out the simplicity of love in youth with a very catchy tune, "愛在西元前" which talks about love before B.C. won Chou the Best Composer award, and "開不了口" talks about a person leaving on a space mission while he didn't get to profess his love to his loved one. All these songs are Chou's signature songs and are being sung in concerts even till today.
Chou's music has been a much-discussed topic across Chinese regions, because it differed greatly from mainstream popular Chinese music released at that time. His pieces combine ancient themes with futuristic ones, even including things like space ships, all while employing graphic storytelling skills to evoke vivid imagery to his audience. His enunciation, or lack thereof, whether rapping or singing, was also critiqued when listeners often found that they could not decipher the words sung until they looked up the lyrics. Critics referred to his singing as "mumbling". This garnered a lot of attention and reporters often quiz Chou on his singing style. Chou defended this as his signature style to infuse the vocals with the music and "make it blend" well together. Another reason Chou came up with is that he wants the listeners to look at the lyrics because the lyrics written by Vincent Fang are very deep. Ironically, all the criticism garnered Jay a greater audience and more fans. Up till this point in time, his music is mainly within the R&B genre. This album is to be looked back, the most significant part of his career which catapulted Jay into stardom.
Chou followed the formula that works for his third album, with songs that invoke imagery, collaborating with lyricist Vincent Fang, "mumbling" singing and mainly R&B tunes. His third album The Eight Dimensions is still a commercial success. The singer has sold over 750,000 copies of his latest album in 2002, throughout the region. In the same year, Chou held his debut concert tour The One. There was also more crossover activity between Malaysia and Indonesia, as well as steadily increasing activity by Japanese acts in the region.
2003 to 2005
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In 2003, Chou released his fourth album Ye Hui Mei named after his own mother. After the release of this album, he attended the Golden Melody Awards for his previous album's nomination. The album The Eight Dimensions was nominated for 5 categories but won none. Chou didn't take this too lightly, as he wrote on his next album the song "外婆" that he actually takes the Golden Melody Awards too seriously. Ironically, his then-current album Ye Hui Mei will win a Golden Melody "Best Album of the year" award in 2004.
Ye Hui Mei was both a commercial and musical success. The album features songs on Mafia and drug lords "以父之名" which at first hearing was very unorthodox but it displays Jay's creative writing and producing ability. This album can be seen as Jay's second milestone because it gained extremely positive reaction from both critics of his music and supporters of his music. Jay also wanted to prove that he is a versatile artist and not only writes R&B songs, he ventured into more rock-flavoured tunes such as "晴天" which is one of the most played songs of the year. This song gained widespread popularity and high school students started learning guitar to play the drift of the song's intro.
In 2004, his album Common Jasmin Orange, released by Sony Music, excelled in the Greater China region. Despite overwhelming piracy in Taiwan-which has reduced the recording industry to 5 to 10 percent from its heyday-as a Taiwan singer, Jay produced an album that sold a record 300,000 copies. In Hong Kong, his album surpassed local albums with sales of 50,000 units. In China the official figure reached 2.6 million units, a stunning figure that no other Chinese artist has attained. The World Music Awards in September 2004 held in Las Vegas acknowledged him the most popular Chinese singer, based on sales.
In 2005, his album Chopin of November continued this record of success with sales of 2.5 million units in Asia.
A combination of Chinese style music and rap
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Chou's compositions are loosely categorized as pop music. While many of his works fall into contemporary R&B, rap, and rock genres, the term "Chou Style" (Chinese: 周氏風格; pinyin: zhōu shì fēnggé) has been popularized to describe his trademark cross-cultural music and his insistence on singing with slurred enunciation. Taipei Times once described the meaning of "Chou Style": "In what has become the archetypal Chou style, Taiwan's favorite son blends pop, rap, blues and a smorgasbord of esthetic elements of world music to create his dream-like never-never land..."
He regularly fuses traditional Chinese instruments and styles with R&B or rock to form a new genre called "Zhongguo feng" (simplified Chinese: 中国风; traditional Chinese: 中國風; pinyin: Zhōngguó fēng), which literally means "Chinese Style Music",[a] some of which are written in the Pentatonic Scale as opposed to the more common seven-note scale (Diatonic scale) to accentuate an oriental style. Besides his own culture, he also incorporated Spanish guitar in "Red Imitation" (Chinese: 紅模仿; pinyin: hóng mófǎng), American techno/electronica in "Herbalist's Manual" (Chinese: 本草綱目; pinyin: Běncǎo Gāngmù), rap with subtle classical music undertones in "Reverse Scales" (Chinese: 逆鱗; pinyin: nìlín), Blues style in "Free Tutorial Video" (Chinese: 免費教學錄影帶; pinyin: Mian Fei Jiao Xue Lu Ying Dai) and Bossanova style in "Rosemary" (Chinese: 迷迭香; pinyin: mídiéxiāng), to name a few. Sound effects from everyday life are frequently woven into his music, such as bouncing ping pong balls, touch tone phone dialing, helicopter blades, dripping rain, and radio static noise (Musique concrète).[b]
His formal musical training is evident by the use of classical textures in his compositions. For example, counterpoint was used in "Perfection" (Chinese: 完美主義; pinyin: wánměizhǔyì) and "Sorry" (Chinese: 對不起; pinyin: duìbuqǐ), while polyphony can be found in "The Wound That Ends War" (Chinese: 止戰之殤; pinyin: zhǐ zhàn zhī shāng) and "Twilight's Chapter Seven" (Chinese: 夜的第七章; pinyin: yè de dì-qī zhāng).
Chou's albums have been noted for the lack of change compared to his earlier works, yet he firmly stated that he will not alter his style: "They say I've been standing still ... but this is the music I want, and I don't see what I want by moving ahead." To demonstrate his point, he named his 2006 album Still Fantasy after his 2001 album Fantasy. His use of relaxed enunciation has been criticized as "mumbling" which he also insisted will not change; however, recently he has adopted clearer pronunciation for certain songs, particularly more traditional Chinese style songs, such as "Faraway" (Chinese: 千里之外; pinyin: qiānlǐ zhīwài) which features Fei Yu-ching and "Chrysanthemum Terrace" (Chinese: 菊花台; pinyin: júhuā tái).
Chou is considered more of a singer-composer than a lyricist. Several "regulars" write the lyrics for most of his music, but the content and style is unified with his own personality and image, covering a diverse range of topics and ideas. Vincent Fang accounts for more than half of the lyrics in his albums, helping to establish an important element in Chou's music: the use of meaningful, imagery- and emotionally rich lyrics, sometimes written in the form of ancient Chinese poetry with reference to Chinese history or folklore.[c] In addition to writing romantic hits,[d] he also touches on war, the Bible, sports, and martial arts.[e] Vivian Hsu is a singer herself and has helped with Chou's earlier hits.[f]
Chou himself has written lyrics for many ballads,[g] but has also discussed societal ills such as drug addiction in "Coward" (Chinese: 懦夫; pinyin: nuòfū) and loss of the rural countryside to urbanization in "Terrace fields" (Chinese: 梯田; pinyin: tītián). Domestic violence discussed in "Dad, I am back" (Chinese: 爸,我回來了; pinyin: bà, wǒ huílai le) received a great deal of commotion since he was the first to bring up this taboo subject in Sanscript music.
Chou’s parents divorced when he was 14 years old. According to Jay's accounts of his childhood in interviews, his father had subjected his mother to daily verbal and physical abuse, often witnessed by traumatized young Jay. Once grown and starting to realize fame among southeast Asian singers, his difficult childhood experiences influenced the young artist's penning of songs like "In the Name of Father" detailing the cruelty and brutality of the domestic violence he'd witnessed at his father's hand.
Chinese cultural elements
Chou leads a new trend of music which combines western musical elements and Chinese literature terms. Because of this unique combination, he makes distinction between himself and other musicians by leading a "China Wind" in Asian music history. The success of his Western-Chinese musical combination is built on his marketing strategies and the musical elements involved in his works.
In early 21st century, the People's Republic of China was in an economic transition model. The new generation was looking for a consumption pop culture which would reflect individual uniqueness in the social circumstance.
Jay has successfully employed the strategy of singing nationalistic songs for the purpose of generating airtime on CCTV. They have achieved this by fitting in with the mainland's political and cultural agenda of celebrating traditional Chinese values and thereby promoting themselves to massive audiences.
The traditional Chinese cultural elements involved in Chou's music contribute to his status in Asian popular music culture. The blowing "China Wind" in his music leads a new trend of Chinese pop music which involves a vast amount of traditional Chinese components, rather than simply following Western music format. Chou's China Wind is highlighted in his lyrics and the use of traditional musical instruments in his music. Lyricist Vincent Fang has worked with Jay Chou since 2000. Fang's work is featured by addressing Chinese traditional elements, such as poetry and Confucianism. His representative work "Chrysanthemum Terrace" (Chinese:菊花台, pinyin: juhua tai), released in 2006, shows a vast amount of cultural elements. In this work, Fang puts images which indicate certain traditional ideas to build an ancient monarchy setting. He uses chrysanthemum as a metaphor of love. In the line "Chrysanthemums broken, scattered across the floor, your smile has faded" (Chinese: 菊花殘 滿地傷 你的笑容已泛黃).
He performs in a rhythm and blues style, but within this western form, he has inserted Chinese melodies, themes, and rhythms. His song Dong Feng Po (East Wind, 2003) features a typical Chinese melody performed in R&B style; its instrumentation also creates a Chinese atmosphere with a Chinese pipa. In the lyrics, Jay expresses sadness and loneliness subtly, similar to traditional Chinese poetry.
Chou also uses traditional musical instruments, combining traditional Chinese elements of music with Western pop.
Chou began as a songwriter for other singers and continued this area of work even after he debuted his own career in singing. He has composed frequently for Jolin Tsai, Landy Wen, and occasionally for other singers such as Coco Lee, S.H.E, Vivian Hsu, Leehom Wang, Will Liu, Valen Hsu, and Hong Kong pop stars Edmond Leung, TPE48, Jordan Chan, Edison Chen, Karen Mok, Leo Ku, Eason Chan, and Joey Yung, as well as a one-time collaboration with Howard Su. He has also written for singers outside of his generation – over one dozen songs for his mentor Jacky Wu, later also for Taiwanese singer Jody Chiang, and Hong Kong singers Jacky Cheung, Andy Lau, Aaron Kwok, and Kenny Bee.
He initiated the band Nan Quan Mama in 2004, selecting band members and overseeing their album production. The group has been noted for sounding too similar to their mentor; as a result, Chou has reduced his involvement in the band, but continues to help increase their exposure to mass audiences by inviting them as guests performers for his own concerts and music videos.
He has performed live duets with Landy Wen, Jolin Tsai, and former girlfriend news anchor Patty Hou, but only two studio recordings of duets have been formally placed in his own albums: "Coral Sea" (Chinese: 珊瑚海; pinyin: shānhú hǎi) in 2005 with Lara Veronin (of Nan Quan Mama) and "Faraway" (Chinese: 千里之外; pinyin: qiānlǐ zhīwài) in 2006 features Fei Yu-ching, who began his career in the 1970s.
Besides working with singers, Chou's longest-running collaboration is with lyricist Vincent Fang, as they both started their careers in the music field in 1998. The compilation album Partners (Chinese: 拍檔; pinyin: pāi dàng) featured 12 songs, each consisting of Chou's musical and Fang's lyrical compositions. Fang has written the words to more than 40 of Chou's songs, was the chief editor of Chou's book Grandeur de D Major (Chinese: D調的華麗; pinyin: D diào de huálì), and is now Chou's business partner (together with Chou's manager JR Yang) for the record company JVR Music.
Jay Chou collaborated with Kobe Bryant on "The Heaven and Earth Challenge"(天地一鬥) in order to "promote youth creativity, as well as an upcoming slam-dunk competition in China." The song was released at a press conference before the NBA All-Star Game on 20 February 2011.
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Jay held his first series of five solo concerts, titled Fantasy Concert (范特西演唱會), with the first stop on 11 January 2001 at Taoyuan Arena, Taiwan. Followed by two shows at the Hong Kong Coliseum, one in Malaysia and ended in Singapore on 10 February 2002. His second concert tour, The One Concert (The One 演唱會) commenced on 28 September 2002 at Taipei Municipal Stadium, followed by 11 stops and ended at Shenzhen Stadium, China on 3 January 2004.
Two more series of world tours followed: Incomparable Concert (無與倫比演唱會) in 2004 and Jay Chou 2007, Las Vegas, Toronto and Vancouver. In 2010, to celebrate Jay's 10-year career in the entertainment industry, he embarked on his fifth series of concert tour titled, New Era World Tour (超時代演唱會), with the first stop of three concerts from 11 to 13 June 2010 at Taipei Arena, followed by 40 stops ending from 17 to 18 December 2011 at Kaohsiung Arena.
He has kicked off his World Tour, "Opus Jay World Tour" starting with Shanghai as its first stop from 17 to 19 May 2013. Due to success of his "Opus Jay World Tour" concerts, Jay Chou announced a sequel to the concert, titled "Opus II Jay World Tour". The first stop of this new world tour opened in the same city as its preceding world tour (Shanghai) on 2 May 2014, with more stops opening in same destinations. Some of the confirmed destination includes Singapore, Malaysia,and Hong Kong.
- World tours/Live (DVD) album releases
- 2001 – Fantasy Concert (范特西演唱會)
- 2002 – The One Concert (The One 演唱會) – Jay Chou The One Concert Live
- 2004 – Incomparable Concert (無與倫比演唱會) – Incomparable Jay Concert Live
- 2007 – Jay Chou World Tours (世界巡迴演唱會) – Jay Chou 2007 the World Tours Concert Live
- 2010 – New Era World Tour (超時代演唱會) – Jay Chou 2010 The Era World Tours Concert Live
- 2013 – Opus Jay World Tour Concert Live (魔天倫演唱會) – Jay Chou 2013 Opus Jay World Tour Concert Live
Chou formally entered the film industry in 2005 with the release of the movie Initial D (頭文字Ｄ). He has since acted in three other movies, directed one film and more than a dozen music videos. Chou, who once said "I live because of music", ventured into movies because he felt the need for a new challenge. As fans have grown concerned that movies will compromise his music career, Chou has repeatedly reassured that movies are a source of inspiration and not a distraction; at the same time, he realizes the need to balance both careers and maintain his place in the music field to garner the continued support of fans.
Entry into acting was an unexpected move for Chou. His high school English teacher thought he was capable of very few facial expressions, and the director of Hidden Track (2003, a movie in which Chou had a cameo role) said that his strong individualistic personality will not make him a good actor. In 2005, Chou's first role as the lead actor in Initial D served two purposes: to launch his acting debut, and to increase his exposure to Japanese audiences. This film is based on the Japanese comic Initial D, where Chou played Takumi Fujiwara, a gifted touge racer who is quiet and rarely shows expression. Some reviewers criticized his bland acting while others felt he performed naturally, but only because the character's personality closely mirrored his own. His performance in Initial D won him Best Newcomer Actor in Golden Horse Awards and Hong Kong Film Awards. Chou's second film was Curse of the Golden Flower (2006). As a supporting character, he drew much of the attention of Chinese reporters; Chou's involvement in this movie was announced in its own press conference, separate from the meeting held for Chow Yun-fat, Gong Li, and the other actors. Chou portrayed Prince Jai, the ambitious second eldest prince and general of the Imperial army whose personality epitomizes Xiao (孝), the Chinese virtue of filial piety. In this internationally released film, North American audiences saw Chou for the first time. According to Chinese movie critics, comments about his acting ranged from "lacks complexity" to "acceptable," but was critically praised by Western reviewers. His performance in Curse of the Golden Flower was nominated Best Supporting Actor in the Hong Kong Film Awards. In the 2008 film Kung Fu Dunk, Chou portrayed a kung fu student and dunking prodigy, and the film earned over ¥100 million (US$14.7 million).
Chou portrayed Kato in The Green Hornet, directed by Michel Gondry and released in January 2011, after Hong Kong actor Stephen Chow withdrew from the project; the film grossed over $228 million worldwide. MTV Networks' NextMovie.com named him one of the "Breakout Stars to Watch for in 2011".
In May 2011, Chou started filming for a new movie, The Viral Factor directed by Dante Lam and starred various well known artistes such as Nicholas Tse. The movie was released in theatres over Asia on 17 January 2012. With most of the scenes shot in the Middle Eastern and Southeast Asian countries, earlier filming process has been slightly disrupted due to political conflicts in the Middle East.
Chou acquired his first directing experience in 2004 through music videos. He initially experimented with a song by the group Nan Quan Mama titled "Home" (Chinese: 家; pinyin: jiā) where he was involved throughout the entire process from research to editing. After learning the difficulties of being a director, he refused to direct again even at the request of his record company. However, his interest resurfaced again as he directed music videos for 4 of the 12 songs in own album November's Chopin in 2005, and later television advertisements. By 2006, he had taken responsibility for the storyboard, directing, and editing of music videos for all his songs. It is unclear how the public appraises his work, since music videos are rarely the subject of critical review; however, director Zhang Yimou said that Chou's directing abilities may surpass his own in the future, after viewing several of Chou's music videos.
In February 2007, Chou began directing his first film Secret. The script written by Chou was inspired by his relationship with a high school girlfriend, with a plot focused on music, love, and family. He stars as the lead actor of the film with Gwei Lun-Mei as the female lead, and Hong Kong veteran actor Anthony Wong as Chou's father. Despite previous experience in filming music videos, Chou admits that movies are more challenging due to storyline and time constraints. This movie was released in July 2007.
In 2013, Jay Chou released his second directorial film, a musical drama titled The Rooftop. It generated a more muted response compared to his directorial debut, the box office receipts in mainland China, on the other hand were positive.
Book: Grandeur de D Major
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Chou published his first book titled Grandeur de D Major (simplified Chinese: D调的华丽; traditional Chinese: D調的華麗; pinyin: D diào de huálì) on 25 November 2004.[j] This 200-page book features a prologue written by his family, friends, and co-workers; the main section is a compilation of his personal attitudes, philosophies, and recollections of childhood experiences along with pictures from his music videos, many of which have never been released; and lastly, a list of the artist's major awards, musical and lyrical compositions, and discography. For the usually low-profile singer, this book revealed his personality and convictions that has served as the basis of his musical and public image. He demonstrated a strong appreciation of family values with an especially deep connection with his mother and maternal grandmother. His confidence and dedication towards music is evident as he dedicated 2 out of 7 chapters to music: the current state of the industry, his composition methodology, and the importance of individualism to his success in music. This pride is contrasted against his modesty and self-assessed naïveté about many aspects in life, particularly regarding relationships and marriage.
Chou has been a spokesperson for popular brands such as Pepsi (2002–2007), Panasonic (2001–2005), Motorola (since 2006), M-Zone/China Mobile (since 2003), Levi's (2004–2005), Deerhui (sporting goods, since 2003), Metersbonwe Group (casual wear, since 2003), Colgate (2004–2005), popular computer game Warcraft III: Reign of Chaos (2002), and science and nature magazine National Geographic (2005). To maximize the celebrity branding effect, advertisements are nearly always linked to his music and TV commercials are occasionally directed by him. He acted as the tourism ambassador for Malaysia in 2003. In April 2008, Jay signed with Sprite and collaborated with artistes such as Angela Chang and JJ Lin in commercials. He also did a Sprite commercial with Kobe Bryant and specially wrote a song named "天地一斗 (Battle of the Incomparable)" featuring Kobe Bryant for the commercial. In June 2011, Jay expanded his area of endorsement into the field of technology, becoming the designer and spokesperson of the "N43SL Jay Chou Edition" laptop of ASUS Computers. The laptop is most notable for its lid design, sound system, start-up and shut-down tones, and a unique "J" font for its key. All of which, except for the sound system, are designed and composed by Jay himself.
Jay has donated a remarkable amount after the 921 earthquake in 2011.
Jay has been the spokesperson for "Angle Hart Foundation" since 2012, a non-profit charity for children with intellectual disability. In 2013, he hosted a voluntary concert for them.
In 2014, Jay accepted the Ice Bucket Challenge from Andy Lau, and also donated NT$100,000 to Taiwanese ALS Foundation, and also donated NT$2 million in the aftermath of 2014 Kaohsiung gas explosions. He also attended the charity event from Fubon Charity Foundation, and has been the ambassador for the charity, which helps school children with disabilities, hardship or giving children living in poverty a scholarship for their education. He had already donated NT$970 million in the last 5 years, sponsoring over 300 of the thousand benefactors, and would extend the offer by 5 years, and opened 300 more scholarships, and donated a lump sum of NT$10.8 million in the next 5 years worth NT$2.16 million each year. In June, 2014, he also went on tour with Will Liu to visit many schoolchildren in remote areas of Taiwan. Jay's second tour is scheduled in August 2015, two months after he officially became the spokesperson for the scholarship plan.
From the launch of his music career in 2000, Chou has won singer-songwriter and producer awards in Asia. The highly coveted Golden Melody Awards in Taiwan[i] awarded "Best Album" for his debut CD Jay (2000) in 2001, and five awards (including "Best Album", "Best Composer", and "Best Producer") in the following year for the album Fantasy (2001). However, failure to win "Best Album" for three consecutive years has left him disheartened with award ceremonies. Although he continues to win more than 20 awards per year from various organizations in Asia, Chou has stated he will rely more on album sales as an indicator of his music's quality and popularity. In 2004, 2006, 2007 and 2008, he was awarded Best-Selling Chinese Artist by World Music Awards for the albums Common Jasmin Orange, Still Fantasy and On the Run.
Jay Chou scored strong radio and video airplay in Italy with his track "Nunchucks", in 2002
Chou dominated the 12th annual Channel V Music Awards ceremony, which was held 11 January 2006 at Queen Elizabeth Stadium in Hong Kong. In the Taiwan/Hong Kong category, the Sony BMG Hong Kong-signed artist was named best male singer, most popular male singer and best singer/songwriter. Chou also collected the best music video award and received one of the best song of the year awards, both for "Night Song."
Taiwanese vocalist Jay Chou was named best Asian artist at the eighth annual CCTV/MTV Music Awards, held 12 October 2006 at the Beijing Exhibition Centre Auditorium.
Five Chinese musicians gained exposure for their participation in events associated with the 2008 Olympic Games in Beijing,China, including Jay Chou.
Media and public relations
Despite living under continual media scrutiny, Chou's public image has changed little over the years as he emphasizes individuality as his "personal philosophy". In his music, this is also evident as he fuses Chinese and Western styles and explores topics unconventional for a pop singer, which have been described as "authentic" and "revolutionary". The media describes a hard-working perfectionist with clear self-direction who is occasionally regarded as competitive and a "control freak". There is a misunderstanding about his nickname "President Chou" (Chinese: 周董; pinyin: Zhōu dǒng), used by both the press and fans to underscore his domineering personality and impact on Asian music, but also points at his musical talent. It also points to the fact that he is the CEO, spokesperson and chairperson of his many business ventures like clothing lines and his own talent agency (JVR Music). Yet the origin of this nickname emerges from his fever of collecting antiques as the word "董" comes from "antique" in Chinese (古董), and according to JJ Lin, they both like to collect and drive antique cars (古董車). When he initiated Nan Quan Mama (南拳媽媽), it was also based on his pen name is his high school years, and the band's name was also dedicated to his mother. In fact, Nanquan is an actual style of martial arts from the south of Yangtze river. As Jay was influenced by action movies, he also wrote songs about martial arts, even when he has no formal training in any martial arts discipline. Outside of music, Chou is reported as shy, quiet, modest, and views filial piety as "the most important thing". In-line with his aim to present a positive image, he is a non-smoker, non-drinker, and does not go to nightclubs. Government officials and educators in Asia have awarded him for his exemplary behaviour, designated him a spokesperson in the youth-empowerment project "Young Voice" in 2005 and an anti-depression campaign in 2007, His lyrics for two songs[h] has been incorporated into the school syllabus to inspire motivational and filial attitudes. In November 2007, Chou was criticized for attending the funeral of Taiwanese gang leader Chen Chi-li to console Chen's son Baron Chen, whom Chou met while filming Kung Fu Dunk. In 2011 Chou performed on the New Year's Gala program on China's Central Television.
Response to the news media and paparazzi
As with other stars, Chou has expressed a strong dislike of the paparazzi. In the early years of his career, unwanted attention by the media was usually dealt with by avoidance. In-line with his quiet nature, he frequently wore baseball caps and hoods while lowering his head and evading eye contact during interviews. In recent years however, he has been less passive about the invasion of his privacy. To discourage the paparazzi from taking unsolicited pictures, Chou is known to photograph the paparazzi that follow him. He openly calls the paparazzi "dogs" and tabloids "dog magazines", as shown in his lyrics for Besieged From All Sides (Chinese: 四面楚歌; pinyin: sìmiànchǔgē). The media have also accused Chou of evading compulsory military service by feigning to suffer from ankylosing spondylitis. Later that year he was acquitted after providing the relevant medical records and letters from the army confirming a lawful exemption from draft dated before the start of his music career.
Despite constant harassment and stalking by the media, he does acknowledge that not all media attention is unwelcome. Coverage by international journals and news agencies such as Time, The Guardian, and Reuters help ascertain his influence on mainstream culture. An editorial written by Kerry Brown of Chatham House named Chou as one of the 50 most influential figures in China, one of only three singers on a list dominated by politicians and corporate owners. At the end of 2009, he was included on JWT's annual list of 100 Things to Watch in 2010.
It is difficult to estimate the size and global spread of Chou's fanbase. Jay's fanbase originated from Taiwan and grew extensively to other Mandarin-speaking regions. The Chinese-speaking populations of China, Hong Kong, Macau, Singapore, and Malaysia make up a significant percentage of Chou's fans. Despite rampant piracy issues in this region of Asia, particularly in China, every album Chou has released so far has surpassed 2 million sales. According to Baidu, the most popular internet search engine in China, Chou is the number one searched male artist in 2002, 05, 06 and 07.
Currently, Chou remains largely unknown outside of Asia, except in cities with large Chinese speaking immigrant populations such as Los Angeles, New York, San Francisco, Seattle, Vancouver, Toronto, Sydney, Melbourne, Adelaide and Brisbane. He has held concerts in major venues such as the Acer Arena (Sydney – 3 July 2009), HP Pavilion at San Jose (San Jose – 31 December 2010), Los Angeles Memorial Sports Arena (Los Angeles – 8 January 2011), MGM Grand (Las Vegas – 25 December 2002), Rogers Arena (Vancouver – 23 December 2010), Shrine Auditorium (Los Angeles – 18 December 2004), Galen Center (Los Angeles – 24 December 2007) and the Air Canada Centre (Toronto – 18 December 2008). His intention to increase his prominence in the Western world beyond Chinese audiences is clear. In 2006, Chou composed and sang the theme song for Fearless, a movie released in major theatres in most English-speaking countries, though the impact to his fame has been minimal. His role in Curse of the Golden Flower (limited release) marks his acting debut in North America. Despite having a supporting but important role in the story's plot, the North American version of the official posters only featured a view of his back, greatly contrasting the Asian versions where his face and name were clear and placed between the leading actor and actress. Although Chou is still far from being well known to English audiences, this movie has brought him international exposure. Chou gained further exposure to western audiences in his starring role as crimefighter Kato in January 2011's The Green Hornet.
In November 2014, Chou confirmed his relationship with model Hannah Quinlivan. The pair had been dating since 2010, but Hannah had been working as Jay's employee as a clothing shop assistant since she was 14 (2007). In December 2014, Chou announced that he would marry Hannah Quinlivan on his 36th birthday.
The two eventually had their wedding planned by Sarah Haywood in England. It took place in Selby Abbey of North Yorkshire on 17 January 2015, one day before Chou's birthday. The following reception was held at Castle Howard. A private wedding ceremony open to friends and family occurred on 9 February in Taipei. A third reception, this time in Australia, was held in March. According to Chou's official Facebook page, the couple has been registered for marriage since July 2014. On 13 July 2015, Jay Chou's agency confirmed that Quinlivan gave birth to a girl by Caesarian section.
Additionally, Jay Chou's marriage at Castle Howard in England gained the castle's website around 50 million more viewers. The manager of Castle Howard's website added Chinese translations for the Asian tourists that want to know more about Castle Howard.
- Jay (2000)
- Fantasy (2001)
- The Eight Dimensions (2002)
- Ye Hui Mei (2003)
- Common Jasmin Orange (2004)
- November's Chopin (2005)
- Still Fantasy (2006)
- On the Run (2007)
- Capricorn (2008)
- The Era (2010)
- Exclamation Mark (2011)
- Opus 12 (2012)
- Aiyo, Not Bad (2014)
- Jay Chou's Bedtime Stories (2016)
|2003||Hidden Track||尋找周杰倫||Himself||Cameo appearance|
|2005||Initial D||頭文字D||Takumi Fujiwara||Main lead|
|2006||Curse of the Golden Flower||滿城盡帶黃金甲||Prince Jai (Prince Yuanjie (王子元杰 Wángzǐ Yuánjié))||Supporting role|
|2007||Secret||不能說的秘密||Jay – Ye Xiang Lun – 葉湘倫||Main lead; First self-directorial debut film; director, writer and producer|
|2008||Kung Fu Dunk||功夫灌籃||Fang Shi Jie – Fong Sai Kit – 方世傑||Main lead|
|2009||The Treasure Hunter||刺陵||Qiao Fei||Main lead|
|2010||True Legend||蘇乞兒||God of Wushu / Drunken God 武神||Supporting role|
|2011||The Green Hornet||青蜂俠||Kato||Main lead; First Hollywood debut film|
|2012||The Viral Factor||逆戰||Jon Wan 萬飛||Main lead|
|2013||The Rooftop||天台 / 天台爱情||Wax 浪子膏||Main lead; director, screenwriter and producer|
|2016||Kung Fu Panda 3||功夫熊貓3||Master Monkey||Mandarin Chinese Voice-Over|
|2016||Now You See Me 2||出神入化2 / 惊天魔盗团2||Li||Supporting role|
|1999||Thyme Fried Fish||百里香煎魚||Musician|
|2010||Pandamen||熊貓人||Detective Leo Lee
|Mr.J Channel||MR.J頻道||Himself – Host|
- a.^ Examples of Chou's Chinese style R&B: "East Wind Breaks" (東風破), "Hair Like Snow" (髮如雪), "Faraway" (千里之外). Examples of Chinese style rock: "Nunchucks" (雙截棍), "Dragon Fist" (龍拳), "Golden Armor" (黃金甲).
- b.^ Examples of sound effects used in Chou's music: ping pong balls in "Class2 Grade3" (三年二班), touch-tone phone dialing in "Blue Storm" (藍色風暴), helicopter blades in "My Territory" (我的地盤), dripping rain in "You Can Hear" (妳聽得到), and radio static noise in "Nocturne" (夜曲).
- c.^ Examples of Oriental-style lyrics by Vincent Fang: "Shanghai 1943" (上海一九四三), "Wife" (娘子), and "Chrysanthemum Flower Platform" (菊花台).
- d.^ Examples of romantic lyrics by Vincent Fang: "Love Before Anno Domini" (愛在西元前), "Nocturne" (夜曲), "Common Jasmin Orange" (七里香), and "Perfectionist" (完美主義).
- e.^ Vincent Fang's lyrics discuss war in "The Last Campaign" (最後的戰役) and "Wounds That End War" (止戰之殤), the Bible in "Blue Storm" (藍色風暴), sports in "Bullfight" (鬥牛) and "Class2 Grade3" (三年二班), and martial arts in "Nunchucks" (雙截棍) and "Ninja" (忍者).
- f.^ Examples of Vivian Hsu's work: "Adorable Woman" (可愛女人), "Tornado" (龍捲風), and "Simple Love" (簡單愛).
- g.^ Examples of romantic lyrics by Jay Chou: "Black Humor" (黑色幽默), "Silence" (安靜), "Iron Box Of An Peninsula" (半島鐵盒), "Fine Day" (晴天), "Excuse" (藉口), "Black Sweater" (黑色毛衣), and "White Windmills" (白色風車).
- h.^ "Snail" (蝸牛) and "Listen To Mother's Words" (聽媽媽的話).
- i.^ Golden Melody Awards: "...the Chinese pop music industry's equivalent of the Grammy Awards in the US are held annually to award professionals making music in Mandarin, Taiwanese, Hakka and any of Taiwan's Aboriginal languages."
- j.^ A similar book was published in Japanese, titled Grandeur de D major – Jay Chou Photo Essay (ISBN 4-901873-50-4).
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I love competing with myself because I feel that this will force me to improve as a singer. For one, I would definitely love to win more awards
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