Jazz (Queen album)
|Studio album by|
|Released||10 November 1978|
|Studio||Mountain, Montreux and Super Bear, Berre-les-Alpes, France|
|Length||44:39 (LP and Remastered 2011 CD)|
53:20 (1991 Hollywood Records Reissue CD)
|Singles from Jazz|
Jazz is the seventh studio album by the British rock band Queen. It was released on 10 November 1978 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker, the album artwork was suggested by Roger Taylor, who previously saw a similar design painted on the Berlin Wall. The album's varying musical styles were alternately praised and criticised. It reached number two in the UK Albums Chart and number six on the US Billboard 200.
"Mustapha" is a song written by Freddie Mercury. It was released as a single in 1979.
The lyrics consist of English, Arabic, Persian and possibly a number of invented words. Some understandable words are "Mustapha", "Ibrahim" and the phrases "Allah, Allah, Allah we'll pray for you", "salaam alaykum" and "alaykum salaam".
In live performances, such as the performance on Live Killers, Mercury would often sing the opening vocals of "Mustapha" in place of the complex introduction to "Bohemian Rhapsody", going from "Allah, will pray for you" to "Mama, just killed a man...". He also sung the intro before launching the band into "Hammer to Fall", as seen on We Are the Champions: Final Live in Japan. However, from the 1979 Saarbrucken Festival to the South American Game Tour, the band performed an almost full version of the song, with Mercury at the piano.
"Fat Bottomed Girls"
"Fat Bottomed Girls" was written by Brian May with lead vocals shared by Mercury and May, who sings lead on the chorus. On stage Mercury sang the entire song, with Roger Taylor and May doing harmonies. Both guitar and bass are played in drop-D tuning for this song, a rarity for Queen.
"Jealousy" was penned by Mercury and features May playing his Hallfredh acoustic guitar. The guitar had been given a replacement hardwood bridge, chiselled flat, with a small piece of fret wire placed between it and the strings, which lay gently above. The strings produce the "buzzing" effect of a sitar. This effect had already been used on "White Queen (As It Began)", from Queen II. All vocals were recorded by Mercury.
"Bicycle Race" is a complex composition by Mercury. It features several modulations, unusual chord functions, a meter change (4/4 to 6/8 and back), and a programmatic section (a race of guitars emulating the bicycle race).
"If You Can't Beat Them"
"If You Can't Beat Them" is another hard rock composition by John Deacon and a live favourite for the band in the late 1970s. It is one of the few songs by Deacon where May plays all the guitars.
"Let Me Entertain You"
"Let Me Entertain You" was written by Mercury, directed towards the audience. The line "we'll sing to you in Japanese" is a reference to May's Teo Torriatte, from A Day at the Races (1976). The song also contains a reference to their tour manager, Gerry Stickells with the line "Hey! If you need a fix, if you want a high, Stickells will see to that." And then, on the very next line, Mercury mentions Queen's record labels at the time (Elektra, and EMI) with the line "With Elektra and EMI; we'll show you where it's at!". The idea of a guitar riff in parallel sixths was re-used later in the Innuendo track, "The Hitman".
"Dead on Time"
"Dead on Time", written by May, features some of the fastest and most aggressive guitar work by its composer, as well as intense drumming by Taylor. The song contains two high belts by lead singer Freddie Mercury that top at C♯5. Performed at high tempo for Queen, it was considered by fans to be an ideal live number, but was curiously never played in concert; May would only incorporate snippets of it in his guitar solos during the Jazz Tour and The Works Tour.
The song resembles "Keep Yourself Alive" from Queen's self-titled debut album. In the last chorus, the words "keep yourself alive" are sung, and in the lyrics attached to the album, those words are written in capitals.
The song ends with the sound of a thunderbolt, followed by Mercury screaming "You're dead!" The thunderbolt was actually recorded by May on a portable recorder during a vicious thunderstorm. The album's liner notes credit the thunderbolt to God.
"In Only Seven Days"
"In Only Seven Days" is Deacon's other songwriting contribution on the album. Deacon also played acoustic and electric guitar on this song. It was the B-Side on "Don't Stop Me Now".
"Dreamer's Ball" is Brian May's tribute to Elvis Presley, who died one year before the album was released. The arrangement for the concert version was completely different, with May and Taylor doing vocal brasses.
"Fun It" is a funk track with a disco vibe by Taylor, where both he and Mercury shared the vocals. Taylor did the lead vocals, while Mercury was backup. Taylor used Syndrum pads and played most of the instruments. It can be seen as a precursor to "Another One Bites the Dust", especially with the intro of this track.
"Leaving Home Ain't Easy"
"Leaving Home Ain't Easy" is a ballad by May, who also sang all the vocals (lead and harmony). His voice was sped up for the bridge.
"Don't Stop Me Now"
"Don't Stop Me Now" was written by Mercury. It was a top ten hit single in the UK and is one of Queen's most famous songs. May's only input is a short guitar solo and backing vocals. The song was used in the famous bar scene of the motion picture Shaun of the Dead. In addition, the BBC show Top Gear named it the top song in a viewer poll of Top Ten driving songs. Google also used the song for their Google Doodle to commemorate Mercury's 65th birthday on 5 September 2011.
"More of That Jazz"
"More of That Jazz", written by Taylor, is loop based and Taylor plays most instruments and sings all vocals, reaching some very high notes (peaking on an E5). The outro also contains short clips from many songs on the album, including "Dead on Time", "Bicycle Race", "Mustapha", "If You Can't Beat Them", "Fun It", and "Fat Bottomed Girls".
A bicycle race with nude women was held to promote the album and the "Fat Bottomed Girls"/"Bicycle Race" single. A poster of the start of the race was included with copies of the LP. The American release did not include the poster, but did include an order form for it. A smaller portion of the poster image also used as an alternate single cover for "Bicycle Race".
A small version of the poster was included with the Crown Jewels box set.
Four singles were released from the album:
- "Bicycle Race"/"Fat Bottomed Girls (edit)" – Elektra E45541; released December 1978.
- "Bicycle Race" and "Fat Bottomed Girls" were released in 1978 as a double A-side; the band staged a famous nude, all-female bicycle race to promote the single. The bicycle race took place on 17 September 1978 at Wimbledon Stadium in London. The picture sleeve showed a rear view of one of the ladies on her bicycle, but a pair of red panties were painted on to avoid public outcry. Legend has it that the band borrowed the bicycles from a store ("Halfords", according to the liner notes), but upon returning them were informed that they would have to purchase all the seats, as they had been used in an improper manner (i.e. without clothing).
- "Mustapha" was released in 1979 only in Bolivia, Spain, Yugoslavia and Germany. Its B-side was "Dead on Time" ("In Only Seven Days" in Yugoslavia).
- "Don't Stop Me Now"/"More of That Jazz" – Elektra E46008; released February 1979.
- "Don't Stop Me Now" was released in 1979; its B-side was "In Only Seven Days" ("More of That Jazz" in the US and Canada).
- "Jealousy"/"Fun It" – Elektra E46039; released April 1979.
- "Jealousy" was released in 1979 in the US, New Zealand, Brazil, USSR, and Canada; its B-side was "Fun It" ("Don't Stop Me Now" in USSR, on a blue flexi disc).
|Christgau's Record Guide||C+|
|Encyclopedia of Popular Music|||
|The Rolling Stone Album Guide|||
Reviewing for Rolling Stone in 1979, Dave Marsh panned Jazz as "more of the same dull pastiche" from Queen, who he said displayed "elitist notions" with some of their musical choices and lyrics. Marsh said "Fat Bottomed Girls" treated women "not as sex objects but as objects, period (the way the band regards people in general)", and finished by famously tagging Queen "the first truly fascist rock band". Mitchell Cohen of Creem gave another negative review, calling Jazz "absurdly dull" and filled with "dumb ideas and imitative posturing". Village Voice critic Robert Christgau said the album was not wholly bad, even finding "Bicycle Race" humorous, although he said Queen sounded like the band 10cc "with a spoke, or a pump, up their ass".
In a retrospective assessment, Stephen Thomas Erlewine of AllMusic described it as "one of their sleekest albums." He cited that the album's diversity and exaggeration made it "more fun than any of their other albums." Alexis Petridis wrote in The Guardian, "Jazz was hysterical in every sense of the word, but the music press comprehensively failed to get the joke, particularly in the US". In 2006, Jim DeRogatis of the Chicago Sun-Times included it in his list of "The Great Albums," describing it as "a genre-hopping tour of diverse musical styles" and concluded that "What ultimately keeps me coming back to the album, however, is that ambiguous sexual energy running through all 13 tracks; the fact that each of them boasts more hooks than some bands have on an entire album, and the inviting sonic density of it all."
When Loudersound ranked every Queen album from best to worst, Jazz came fourth, as they felt it presented "some of the most satisfying moments in Queen's career." In a similar list of the band's greatest albums, Ultimate Classic Rock placed Jazz in third position. "Whenever discussions take place about Queen's incredible string of classic albums throughout the late '70s," they wrote, "1978's 'Jazz' is the one that often seems to get the shortest shrift, but tucked away behind its unusually nondescript cover art lies one of the band's finest albums. Never mind the reliable hit single double-whammy provided by 'Fat Bottomed Girls' and 'Bicycle Race,' 'Jazz' is astonishingly deep with underrated Queen gems, ranging from Mercury's Eastern-spiced wig-out 'Mustapha,' to Deacon's head-banging beast 'If You Can't Beat Them, Join Them,' to Taylor's infectious disco tune 'Fun It'."
Rolling Stone subsequently featured it on their list of 10 Classic Albums Rolling Stone Initially Panned, indicating they now regarded the album as a "classic." They poked fun at Marsh's original negative review of the album, quipping, "Sometimes a reviewer just seems to have a really, really low opinion of a band, which seems to be the case with Dave Marsh and Queen."
On 8 November 2010, record company Universal Music announced a remastered and expanded reissue of the album set for release in March 2011. This was part of a new record deal between Queen and Universal Music, which meant Queen's association with EMI Records would come to an end after almost 40 years. All Queen albums were remastered and reissued in 2011. The deluxe edition contains five additional tracks on a separate EP. The second batch of albums (the band's middle five albums) were released in June 2011. The extra tracks included the single version of "Fat Bottomed Girls", an instrumental version of "Bicycle Race", a version of "Don't Stop Me Now" with "long lost guitars", a live version of "Let Me Entertain You", and an early acoustic take of "Dreamer's Ball".
The 2011 reissue corrected the tape glitch at the beginning of "Fat Bottomed Girls" which had been present on all previous compact disc editions of the album (as well as 1997 compilation album Queen Rocks), however it also added a previously unused kick-drum part to the track "Jealousy", making the track sound drastically different from all previous releases.
All lead vocals by Freddie Mercury unless noted.
|2.||"Fat Bottomed Girls"||Brian May||Mercury with Brian May||4:14|
|5.||"If You Can't Beat Them"||John Deacon||4:15|
|6.||"Let Me Entertain You"||Mercury||3:01|
|7.||"Dead on Time"||May||3:23|
|8.||"In Only Seven Days"||Deacon||2:30|
|10.||"Fun It"||Roger Taylor||Roger Taylor with Mercury||3:29|
|11.||"Leaving Home Ain't Easy"||May||May||3:15|
|12.||"Don't Stop Me Now"||Mercury||3:29|
|13.||"More of That Jazz"||Taylor||Taylor||4:12|
|14.||"Fat Bottomed Girls" (1991 bonus remix by Brian Malouf)||4:22|
|15.||"Bicycle Race" (1991 bonus remix by Junior Vasquez)||4:59|
|1.||"Fat Bottomed Girls" (Single Version)||3:23|
|2.||"Bicycle Race" (Instrumental)||3:09|
|3.||"Don't Stop Me Now" (With long-lost guitars)||3:34|
|4.||"Let Me Entertain You" (live at the Montreal Forum, November 1981)||2:48|
|5.||"Dreamer's Ball" (Early acoustic take, August 1978)||3:40|
|6.||"Bicycle Race" (Promo Video)||3:02|
|7.||"Fat Bottomed Girls" (Live at the Milton Keynes Bowl, June 5th 1982)||4:26|
|8.||"Let Me Entertain You" (Live at the Budokan, Tokyo, April 1979)||2:47|
Track numbering refers to CD and digital releases of the album.
- Freddie Mercury – vocals, piano
- Brian May – guitars, vocals
- Roger Taylor – drums, vocals, percussion, electric guitar, bass
- John Deacon – bass, guitars
- Queen, Roy Thomas Baker - producers
|Australia (Kent Music Report)||15|
|Austrian Albums Chart||8|
|Canadian Albums Chart||13|
|Dutch Albums Chart||3|
|French Albums Chart||7|
|German Albums Chart||5|
|New Zealand Albums Chart||20|
|Norwegian Albums Chart||6|
|Swedish Albums Chart||6|
|UK Albums Chart||2|
|US Billboard 200||6|
|Belgian Albums (Ultratop Wallonia)||167|
|Austria (IFPI Austria)||Gold||25,000*|
|Switzerland (IFPI Switzerland)||Platinum||50,000^|
|United Kingdom (BPI)||Gold||100,000^|
|United States (RIAA)||Platinum||1,000,000^|
* Sales figures based on certification alone.
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tight guitar/bass/drums heavy-metal clichés...
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which continues to mix the group's noted pop works...
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...it was a curious album that found Queen traveling deeper into stadium rock...
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includes lyrics of all non-bonus tracks except "Fat Bottomed Girls", "Don't Stop Me Now"
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