Jean Ingelow by Elliott and Fry
17 March 1820|
Boston, Lincolnshire, United Kingdom
|Died||20 July 1897
Kensington, London, United Kingdom
|Occupation||Poet and novelist|
Jean Ingelow (17 March 1820 – 20 July 1897) was an English poet and novelist. She also wrote several stories for children.
Born at Boston, Lincolnshire, she was the daughter of William Ingelow, a banker. As a girl she contributed verses and tales to magazines under the pseudonym of Orris, but her first (anonymous) volume, A Rhyming Chronicle of Incidents and Feelings, which came from an established London publisher, did not appear until her thirtieth year. This was called charming by Tennyson, who declared he should like to know the author; they later became friends.
Jean Ingelow followed this book of verse in 1851 with a story, Allerton and Dreux, but it was the publication of her Poems in 1863 which suddenly made her a popular writer. This ran rapidly through numerous editions and was set to music, proving very popular for English domestic entertainment. Her work often focused on religious introspection. In the United States, her poems obtained great public acclaim, and the collection was said to have sold 200,000 copies. In 1867 she edited, with Dora Greenwell, The Story of Doom and other Poems, a collection of poetry for children
At that point Ingelow gave up verse for a while and became industrious as a novelist. Off the Skelligs appeared in 1872, Fated to be Free in 1873, Sarah de Berenger in 1880, and John Jerome in 1886. She also wrote Studies for Stories (1864), Stories told to a Child (1865), Mopsa the Fairy (1869), and other stories for children. Ingelow's children's stories were influenced by Lewis Carroll and George MacDonald. Mopsa the Fairy, about a boy who discovers a nest of fairies and discovers a fairyland while riding on the back of an albatross) was one of her most popular works (it was reprinted in 1927 with illustrations by Dorothy P. Lathrop). Anne Thaxter Eaton, writing in A Critical History of Children's Literature, calls the book "a well-constructed tale", with "charm and a kind of logical make-believe." Her third series of Poems was published in 1885.
Ingelow's poems, collected in one volume in 1898, were frequently popular successes. "Sailing beyond Seas" and "When Sparrows build in Supper at the Mill" were among the most popular songs of the day. Her best-known poems include "The High Tide on the Coast of Lincolnshire" and "Divided".
Many, particularly her contemporaries, have defended her work. Gerald Massey described The High Tide on the Coast of Lincolnshire as "a poem full of power and tenderness"  and Susan Coolidge remarked in a preface to an anthology of Ingelow's poems, "She stood amid the morning dew/ And sang her earliest measure sweet/ Sang as the lark sings, speeding fair/ to touch and taste the purer air". "Sailing beyond Seas" (or "The Dove on the Mast") was a favourite poem of Agatha Christie, who quotes it in two of her novels, The Moving Finger and Ordeal by Innocence.
Still, the larger literary world largely dismissed her work. The Cambridge History of English and American Literature, for example, wrote: "If we had nothing of Jean Ingelow’s but the most remarkable poem entitled Divided, it would be permissible to suppose the loss [of her], in fact or in might-have-been, of a poetess of almost the highest rank.... Jean Ingelow wrote some other good things, but nothing at all equalling this; while she also wrote too much and too long." Some of this criticism has overtones of dismissiveness of her as a female writer: " Unless a man is an extraordinary coxcomb, a person of private means, or both, he seldom has the time and opportunity of committing, or the wish to commit, bad or indifferent verse for a long series of years; but it is otherwise with woman."
There have many parodies of her poetry, particularly of her archaisms, flowery language and perceived sentimentality. These include "Lovers, and a Reflexion" by Charles Stuart Calverley and "Supper at the Kind Brown Mill", a parody of her "Supper at the Mill", which appears in Gilbert Sorrentino's satirical novel Blue Pastoral (1983).
It is no longer fashionable to criticise poetry for the use of dialect.
|Library resources about
|By Jean Ingelow|
|Wikiquote has quotations related to: Jean Ingelow|
- Works by Jean Ingelow at Project Gutenberg
- Mopsa the Fairy at A Celebration of Women Writers
- The Prince's Dream
- Mike Ashley, "Ingelow,Jean", in the St. James Guide To Fantasy Writers, ed. David Pringle, St. James Press, 1996, ISBN 1-55862-205-5,(p. 299-300).
- Eaton, Anne Thaxter (1969). Meigs, Cornelia, ed. A Critical History of Children's Literature. Macmillan Publishing co. pp. 200–201. ISBN 0-02-583900-4.
- Preface to Poems by Jean Ingelow, Volume II, Roberts Bros 1896 kindle ebook ASIN B0082C1UAI
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Ingelow, Jean". Encyclopædia Britannica (11th ed.). Cambridge University Press.
|Wikimedia Commons has media related to Jean Ingelow.|
- Jean Ingelow biography & selected writings at gerald-massey.org.uk
-  works at the On-line Books site
- Index Entry for Jean Ingelow at Poets' Corner
- Sheet Music of selected historical arrangements of her poetry
- Works by Jean Ingelow at Project Gutenberg
- Works by or about Jean Ingelow at Internet Archive
- Works by Jean Ingelow at LibriVox (public domain audiobooks)
- Jean Ingelow at Library of Congress Authorities, with 71 catalogue records
- Golden Gale (all six of her novels and more)