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Jennifer Lines

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Jennifer Lines is a Canadian theatre and television actress.

Lines graduated with a Bachelor of Fine Arts in Theatre from the University of Victoria.[1] She has starred in productions at the Arts Club Theatre,[2][3] Bard on the Beach,[4][5] Vancouver Playhouse[6] and the Belfry Theatre. She has played in Beyond Eden, The Amorous Adventures of Anatol, A Little Night Music and Hello Dolly at the Vancouver Playhouse.[1] Her stage credits for the Art Club include It's a Wonderful Life, The Real Thing, Here on the Flight Path and Sylvia.[1]

Lines has received several Jessie Richardson Theatre Award nominations. She was nominated for a Jessie Richardson Award in 2014 for the category of Outstanding Performance by an Actress in a Supporting Role for Small Theatre for her performance in Whose Life Is It Anyway? staged by Realwheels Theatre.[7] Lines has been fascinated by Shakespeare's plays since she was a young woman.[8]

Lines was praised by the Globe and Mail for her gender-bending portrayal of Horatio in the Bard on the Beach's 2013 staging of Hamlet.[9] The Georgia Straight has praised Lines for both her technical skill and for being "emotionally present" as an actress.[10] The Province calls Lines' performance "classic."[11] Vancouver Sun calls Lines one of "Vancouver's brightest stars of the theatre."[12]

Selected stage credits

References

Citations

  1. ^ a b c "Jennifer Lines". Touchstone Theatre. 10 May 2016.
  2. ^ "Theatre Review: It's a Wonderful Life" Vancouver Sun Retrieved January 16, 2009
  3. ^ "Jennifer Lines and Bob Frazer in the Arts Club Theatre Company's production of It's a Wonderful Life". Edmonton Journal. Retrieved 9 May 2016.
  4. ^ "Bard on the Beach: Fresh breeze blows through spirited study of Tempest" Vancouver Sun Retrieved January 16, 2009
  5. ^ Thorkelson, Erika. "Will's Wake: Love of Shakespeare alive and well 400 years after his death". Vancouver Sun. Retrieved 9 May 2016.
  6. ^ "A little night music" Georgia Straight Retrieved January 16, 2009
  7. ^ "Nominations for the 32nd Annual Jessie Richardson Awards". The Cultch. 23 May 2014. Retrieved 10 May 2016.
  8. ^ Thorkelson, Erika (30 March 2016). "Will's Wake: Love of Shakespeare Alive and Well 400 Years After His Death". Ottawa Citizen. Retrieved 9 May 2016.
  9. ^ a b Lederman, Marsha (9 July 2013). "A Superb Hamlet for Modern Times on Show at Bard on the Beach". The Globe and Mail. Retrieved 9 May 2016.
  10. ^ a b Thomas, Colin (27 June 2013). "Bard on the Beach's Twelfth Night is Heavy on Concept". The Georgia Straight. Retrieved 9 May 2016.
  11. ^ a b Barr, Catherine "Cat" (10 December 2012). "It's a Wonderful Life and Dean Paul Gibson Sparkle for the Holidays in Vancouver". The Province. Retrieved 9 May 2016.
  12. ^ Waber, Angelika (3 August 2015). "Ignore critics: Bard on the Beach is great". Vancouver Sun. Retrieved 10 May 2016.
  13. ^ Oliver, Kathleen (29 January 2015). "Après Moi and The List Provide a Glimpse Into Quebec's Vibrant Theatre Scene". The Georgia Straight. Retrieved 9 May 2016.
  14. ^ Rabinovitch, Andrea (13 November 2010). "Stylish Romp With a Deadly Outcome in Mimi or a Poisoner's Comedy". Vancouver Observer. Retrieved 9 May 2016.
  15. ^ "Much Ado About Nothing". Vancouver Plays. June 2010. Retrieved 10 May 2016.
  16. ^ Warner, Andrea (1 July 2010). "Antony and Cleopatra". The Writerly Life. Retrieved 10 May 2016.
  17. ^ Oliver, Kathleen (15 June 2009). "Bard on the Beach Creates a Giddy Comedy of Errors". The Georgia Straight. Retrieved 9 May 2016.
  18. ^ Thomas, Colin (3 July 2008). "Magic and Music at Heart of Meg Roe's Tempest". The Georgia Straight. Retrieved 9 May 2016.
  19. ^ Prokosh, Kevin (20 January 2007). "StoppardFest's Funny, Bracing Opener The Real Thing". Winnipeg Free Press. Retrieved 9 May 2016.
  20. ^ Bevington, David (2015). "Additions and Reconsiderations". Troilus and Cressida. Bloomsbury. p. 127. ISBN 9781472584731.
  21. ^ O'Connor and Goodland 2011, p. 126.
  22. ^ O'Connor and Goodland 2011, p. 177.
  23. ^ O'Connor and Goodland 2011, p. 220.
  24. ^ O'Connor and Goodland 2011, p. 36.
  25. ^ O'Connor and Goodland 2011, p. 169.
  26. ^ O'Connor and Goodland 2011, p. 77.
  27. ^ O'Connor and Goodland 2011, p. 342.
  28. ^ O'Connor and Goodland 2011, p. 352.
  29. ^ O'Connor and Goodland 2011, p. 117.
  30. ^ O'Connor and Goodland 2011, p. 360.
  31. ^ Goodland and O'Connor 2011, p. 209.
  32. ^ O'Connor and Goodland 2011, p. 161.

Sources