|Written by||Dennis Cooper|
|Characters||David Brooks, Dean Corll, Elmer Wayne Henley|
|Date premiered||5 March 2008|
Jerk is a one-person puppet play by the American writer Dennis Cooper, made in collaboration with director Gisèle Vienne and performer Jonathan Capdevielle, based on Cooper's 1993 novel of the same name. It is based on the story of serial killer Dean Corll and his teenage accomplices David Brooks and Elmer Wayne Henley. The play develops the conceit that Brooks has learnt puppetry in prison and, as part of his rehabilitation, acts out the murders in which he participated via the use of glove puppets and ventriloquism. The performance also involved sections in which the audience read about the murders in pamphlets, entitled "Two Texts for a Puppet Play by David Brooks" that were distributed.
The production premiered on 5 March 2008 in Brest, France. The play was also performed in an English-language version at the South London Gallery as part of the Paris Calling season of performing arts, opening on 1 July 2009. Its performance included music by Peter Rehberg.
In his analysis of Jerk, theater scholar Jordan Schildcrout states, "The production becomes a meta-puppet show when the actor playing David is giving voice to the puppets playing the killers, who in turn give voice to the puppets playing the corpses... In the final scenario, though, David abandons his puppets and does all the voices, including his own, as a ventriloquist, not moving his lips, as if he is also losing his humanity, becoming increasingly inanimate. In the story, David is ultimately alone in a house of corpses, and in performance he is alone on an empty stage, with only lifeless puppets sharing the space."
- From the programme Paris Calling: A Franco-British Season of Performing Arts 09; see also Jerk on denniscooper.net and the Jerk page on Gisèle Vienne's website.
- See the Jerk page on Gisèle Vienne's website.
- See the SLG Events webpage.
- Schildcrout, Jordan (2014). Murder Most Queer: The Homicidal Homosexual in the American Theater. University of Michigan Press. pp. 171–172. ISBN 9780472072323.