Jesse Ed Davis

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Jesse Edwin Davis
Birth nameJesse Edwin Davis III
Born(1944-09-21)21 September 1944
Norman, Oklahoma, United States
Died22 June 1988(1988-06-22) (aged 43)
Venice, Los Angeles, California, United States
GenresRock, Blues
Occupation(s)Session musician, Sideman
InstrumentsElectric guitar, Slide guitar
Years active1950s–1980s
Associated actsTaj Mahal, Gene Clark, John Lennon, Leonard Cohen, George Harrison, Jackson Browne, John Lee Hooker

Jesse Edwin Davis (September 21, 1944 – June 22, 1988) was a Native American guitarist. He was well regarded as a session artist.[1] His death in 1988 was attributed to a drug overdose.[2]

Early life and education[edit]

Davis was born in Norman, Oklahoma. His father, Jesse Ed Davis II, was Comanche, and his mother's side was Kiowa. His father was an accomplished artist known for his "true Indian" painting style; his works were exhibited in the capitol in Oklahoma City.[citation needed]

Davis began his musical career in the late 1950s in Oklahoma City and surrounding cities with John Ware (later a drummer for Emmylou Harris), John Selk (later a bass player for Donovan), Jerry Fisher (later a vocalist with Blood, Sweat & Tears), Mike Boyle, Chris Frederickson, drummer Bill Maxwell (later with Andrae Crouch and Koinonia) and others.[citation needed]

He graduated from Northeast High School in 1962.[citation needed] Davis graduated with a degree in English Literature from the University of Oklahoma; He liked to quote Socrates and Plato.[3] By the mid-1960s he quit school and went touring with Conway Twitty.[citation needed]


Davis eventually moved to California. For eight years, he lived in Marina del Rey with his companion, Patti Daley, and her son, Billy. Through his friendship with Levon Helm, he became friends with Leon Russell, who introduced him to recording session work.[citation needed]

Davis joined Taj Mahal and played guitar and piano on Mahal's first three albums. He played slide, lead and rhythm, country and even jazz during his three-year stint with Mahal, making an appearance with the band as a musical guest in The Rolling Stones Rock and Roll Circus.[4]

After Mahal's 1969 album Giant Step, Davis turned to session work for David Cassidy, Albert King, Willie Nelson and others.[citation needed] In 1970, he played on and produced Roger Tillison's only album for Atco Records, a division of Atlantic. Davis and Tillison − both Oklahoman − were joined at the Record Plant by Bobby Bruce (fiddle), Larry Knechtel (organ and harmonica), Stan Szelest (piano); Billy Rich (bass); Jim Keltner (drums) and Sandy Konikoff (percussion); Don Preston and Joey Cooper were vocal accompanists. Roger Tillison's Album was recorded live. It was finally released on CD by Wounded Bird Records in 2008, with Davis playing electric guitar, bottleneck (slide) guitar and banjo.[citation needed] The Woody Guthrie song "Old Cracked Looking Glass" has become a standard for Oklahoma bands.[citation needed]

In 1971, Davis recorded his first solo album after Atco Records signed a contract with him to record two albums with the label. The first was the album Jesse Davis (1971), which featured backing vocals by Gram Parsons and performances by Leon Russell and Eric Clapton, among others.[citation needed]

Davis was close friends with Gene Clark. In 1971, he played on and produced Clark's second solo album, White Light, and provided lead guitar on Clark's album No Other in 1974. At Jackson Browne´s debut in 1972, he played the solo on "Doctor My Eyes".

After guesting with Russell on Bob Dylan's 1971 single "Watching the River Flow", Davis went on to work with George Harrison, performing at the ex-Beatle's 1971 Concert for Bangladesh extravaganza at Madison Square Garden, along with Ringo Starr, Billy Preston, Russell, Keltner, Clapton and others.[5]

Two more solo albums followed: in 1972 Ululu, which included the original release of Harrison's "Sue Me, Sue You Blues"[citation needed], and in 1973 Keep Me Comin, occasionally listed as Keep On Coming. Around this time, Davis began playing with John Lennon, for whom he played lead guitar on the albums Walls and Bridges (1974) and Rock 'n' Roll (1975). In addition, Davis was a guest performer on other albums by former Beatles: Harrison's Extra Texture (1975) and Starr's Goodnight Vienna (1974) and Ringo's Rotogravure (1976).[citation needed]

In the late summer and fall of 1975, he performed with the Faces as second guitarist throughout their final US tour.[citation needed]

Davis continued to work as a session player. In addition to the artists listed above, Davis contributed to albums by Eric Clapton, Rod Stewart, Keith Moon, Steve Miller, Guthrie Thomas, Harry Nilsson, Ry Cooder, Neil Diamond, Rick Danko, Van Dyke Parks and others. He played on Leonard Cohen's Death of a Ladies' Man (1977), produced by Phil Spector.[citation needed]

In 1977, he moved to Hawaii; In 1981, he returned to Los Angeles "broke and ravaged by drug and alcohol addiction".[3] In and out of clinics, Davis disappeared from the music industry for a time, spending much of the 1980s dealing with alcohol and drug addiction. Throughout the ten years he was with Patti Daley, they never married. In the following years he married twice.[citation needed] While married to his second wife,[citation needed] in 1985 he formed and played in the Graffiti Band, which coupled his music with the poetry of the Native American activist John Trudell.

In the spring of 1987, the Graffiti Band performed with Taj Mahal at the Palomino Club in North Hollywood, California. At this show, George Harrison, Bob Dylan and John Fogerty got up from the audience to join Davis and Mahal in an unrehearsed set which included Fogerty's "Proud Mary" and Dylan's "Watching the River Flow", as well as classics such as "Blue Suede Shoes", "Peggy Sue", "Honey Don't", "Matchbox" and "Gone, Gone, Gone".[citation needed]


Davis collapsed and was pronounced dead in Venice, California, on June 22, 1988. Police stated his death appeared to be the result of a drug overdose.[6] He was 43 years old.

In 2002, he was posthumously inducted into the Oklahoma Jazz Hall of Fame.


With Junior Markham & The Tulsa Review[edit]

  • "Let 'em Roll Johnny / Operator Operator" (Uptown Records, 1967)
  • "Black Cherry / Gonna Send You Back to Georgia" (Uptown Records, 1967)

With Taj Mahal[edit]

As leader[edit]

  • Jesse Davis (Atco Records, 1971)
  • Ululu (Atco Records, 1972)
  • Keep Me Comin or Keep On Coming (Epic Records, 1973)
  • Bonus Record (An exclusive interview in Los Angeles with KMET-FM's B. Mitchel Reed - Jesse "Ed" Davis talks about his background, his music and his new album, Epic Records, 1973)

As sideman[edit]


  1. ^ Simmonds, Jeremy. The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches. p. 235.
  2. ^ Ask the Globe. Boston Globe, October 21, 1988.
  3. ^ a b MARK ARAX and PAUL FELDMAN OBITUARIES : Backed Up Major Artists : Jesse Ed Davis, 43; Noted Rock Guitarist June 24, 1988. L.A. Times
  4. ^
  5. ^
  6. ^ "Drug Overdose Blamed In Death of Guitarist". The Oklahoman. July 25, 1988. Archived from the original on March 6, 2017. Retrieved March 6, 2017.

External links[edit]