Jewelry design

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Rendering of a jewelry design before going to the jeweler's bench
Fabricated Copper and Nugold Earrings

Jewelry design is the art or profession of planning, rendering, and/or fabricating, one of a kind, studio multiples, or production jewelry. This ancient practice of the goldsmith or metalworker that has evolved into a multi-billion-dollar industry that produces wearable objects in rare and common metals as well as other organic and inorganic materials. Jewelry design products often fall under the category of "functional art;" objects that that can be worn or used - although its function is primarily decorative.

Before an article of jewelry is created, design concepts are rendered followed by detailed technical drawings generated by a jewelry designer, a professional who is trained in the architectural and functional knowledge of materials, fabrication techniques, composition, wearability and market trends.

Traditional hand-drawing and drafting methods are still utilized in designing jewelry, particularly at the conceptual stage, but a shift is taking place to computer-aided design programs like Rhinoceros 3D and Matrix. Whereas the traditionally hand illustrated jewel is typically translated into wax or metal directly by a skilled craftsman, a CAD model is generally used as the basis for a CNC cut or 3D printed 'wax' patter to be used in the rubber molding or lost wax casting processes.

Once conceptual/ideation is complete, the design is rendered and fabricated using the necessary materials for proper adaptation to the function of the object. For example, 24K gold was used in ancient jewelry design because it was more accessible than silver as source material. Before the 1st century many civilizations also incorporated beads into jewelry. Once the discovery of gemstones and gem cutting became more readily available, the art of jewelry ornamentation and design shifted. The earliest documented gemstone cut was done by Theophilus Presbyter (c. 1070 - 1125), who practiced and developed many applied arts and was a known goldsmith. Later, during the 14th Century, medieval lapidary technology evolved to include cabochons and cameos.

Early jewelry design commissions were often constituted by nobility or the church to honor an event or as wearable ornamentation. Within the structure of early methods, enameling and repoussé became standard methods for creating ornamental wares to demonstrate wealth, position, or power. These early techniques created a specific complex design element that later would forge the baroque movement in jewelry design.

As an object of fashion, it is interesting to note that jewelry design has remained relatively constant over the years. The fundamental references, production techniques, and materials from ages ago are still being used to this day. Yet the recent rapid developments in technology and machinery have allowed artists easier alternatives to some of the old methods. These advancements have also transformed the significance and social weight jewelry holds.

The twentieth century is where this rudimentary change in the public’s attitude towards jewelry design and function is most apparent. Traditionally jewels were seen as sacred and precious; however, notably beginning in the 1900s, jewelry has started to be objectified. Additionally, no one trend can be seen as the history of jewelry design for this time period. Throughout the twentieth century jewelry design underwent drastic and continual style changes: Art Nouveau (1900-1918), Art Deco (1919-1929), International Style & organicism (1929-1946), New Look & Pop (1947-1967), Globalization, Materialism, and Minimalism.[1] Jewelry design trends are highly affected by the economic and social states of the time. The boundaries of styles and trends tend to blur together and the clear stylistic divisions of the past are harder to see during the twentieth century.

The history of jewelry, craft vs. high art, and the jewelry market are just a few subjects that contemporary jewelry designers are working with today. Jewelry design is always continuous and fluid while simultaneously timeless.


  1. ^ Cappellieri, Alba (2010). Twentieth-century Jewelry: From Art Nouveau to Contemporary Design in Europe and the United States. ISBN 978-88-6130-532-8.