Noreen Jean Craigie
7 March 1911
|Died||13 December 1999 (aged 88)|
Hampstead, London, England
|Occupation||Documentary film director, screenwriter and feminist|
(m. 1933; div. 1933)
(m. 1938; div. 1948)
Jill Craigie (born Noreen Jean Craigie; 7 March 1911 – 13 December 1999) was one of Britain's earliest women's documentary makers. Her early films are notable because of their socialist and feminist politics, but her career as a film-maker has been "somewhat eclipsed" by her marriage to the Labour Party politician Michael Foot (1913–2010), whom she met during the making of her 1946 film The Way We Live. She was a British documentary filmmaker, screenwriter and feminist.
Craigie's engagement in feminist issues came from reading Sylvia Pankhurst's The Suffragette Movement in the early 1940s. After this she attended a gathering of suffragettes to lay flowers on the statue of Emmeline Pankhurst. She was struck by suffragettes' story and began interviewing them and starting to lay the groundwork for a documentary of the movement. This never materialized due to the complicated internal politics of the suffrage movement post-campaign. Much of this correspondence can be found in her archives. In latter years Craigie became an authority on the suffragette movement, holding a large collection of feminist literature in Britain, with pamphlets dating back to John Stuart Mill. In 1979, she also wrote an introduction to a reprint of Emmeline Pankhurst's My Own Story, first published 1914.
Her subsequent films depicted her socialist and feminist leanings and dealt with left-wing topics such as child refugees, working conditions for miners, and gender equality. After directing five films and writing two others, Craigie retired from the film business for almost forty years, returning to make a single film for BBC television.
Craigie was one of the scriptwriters of Trouble in Store, Norman Wisdom's film debut, which screened in December 1953. The film broke box-office records at 51 out of the 67 London cinemas in which it played. After writing the first draft of the script, Craigie reportedly asked that her name be removed from the credits after learning of Wisdom's participation.
Craigie had a daughter, Julie, from her first marriage. She and Michael Foot had no children together, but enjoyed family life with Julie and, later, her four children. They lived in a flat in Hampstead, north London, and in a cottage in Ebbw Vale, Wales. While living in Hampstead, Craigie worked as an Air Raid Precaution Warden during World War II.
In 1998, a biography of the late Hungarian-born writer Arthur Koestler by David Cesarani alleged that Koestler had been a serial rapist and that Craigie had been one of his victims in 1951. Craigie confirmed the allegations. In a 2009 biography, Koestler: The Indispensable Intellectual, Michael Scammell countered that Craigie was the only woman to go on record that she had been raped by Koestler, and had done so at a dinner party more than fifty years after the event. Claims that Koestler had been violent were added by Craigie later, although Scammell concedes that Koestler could be rough and sexually aggressive.
- Make-Up (1937), actress
- Looking Through Glass (1943), script
- The Flemish Farm (1943), screenwriter (credited as "Jill Dell")
- Out of Chaos (1944), writer and director
- London Terminus (1944), script
- The Way We Live (1946), writer and director
- Children of the Ruins (1948), director
- Blue Scar (1949), writer and director
- To Be a Woman (1951), writer, director and producer
- The Million Pound Note (1953), screenwriter
- Trouble in Store (1953), uncredited screenwriter
- Windom's Way (1957), screenwriter
- Who Are the Vandals? (1967), director
- Two Hours from London (1995)
Craigie's films were recognised for their "ability to bring out the best in 'ordinary people'" and the "political commitment". Philip Kemp commented more directly on the political content of Craigie's films, noting that her films were an "example of filmmaking as activism, the creative and political processes intertwining and advancing each other that even the Soviet filmmakers of the 1920s had only rarely achieved."
- Craigie, Jill (1997). "Political Blood Sport". In Goodman, Geoffrey (ed.). The State of the Nation: The Political Legacy of Aneurin Bevan. London: Gollancz. pp. 88–105. ISBN 0-575-06308-4.
- Craigie, Jill (1955). "I Call This a National Calamity". Tribune. 28 October 1955.
- Craigie, Jill (1962). "Pilkington: A Second Chance for Television". Tribune. 6 July 1962.
- Macnab, Geoffrey (1993). J. Arthur Rank and the British Film Industry. Routledge. ISBN 0-415-07272-7.
- Rollyson, Carl (2005). To Be a Woman: The Life of Jill Craigie. Aurum Press. p. 31. ISBN 1-85410-935-9.
- "BFI Screenonline: Craigie, Jill (1911–1999) Biography". www.screenonline.org.uk. Retrieved 11 October 2019.
- "JILL CRAIGIE 1911–1999". Jill Craigie. Retrieved 11 October 2019.
- "Index entry". FreeBMD. ONS. Retrieved 7 March 2010.
- Murphy, Gillian E. (8 July 2019). "Jill Craigie and her suffragette film". The International Association for Media and History. Retrieved 11 October 2019.
- "Craigie, Jill (1914–1999), director". The National Archives. Retrieved 11 October 2019.
- Owen, Ursula (March 2000). "An appreciation: Jill Craigie, 1914–99". Women's History Review. 9 (1): 9–11. doi:10.1080/09612020000200237. ISSN 0961-2025.
- Easen, Sarah. "Craigie, Jill". British Film Institute.
- Kynaston, David (2009), Family Britain 1951–1957, Bloomsbury, p. 353, ISBN 978-1-4088-0083-6.
- Vallance, Tom (15 December 1999), "Obituary:Jill Craigie", The Independent.
- "Women force removal of Koestler bust". BBC. 29 December 1998. Retrieved 19 July 2009.
- Garner, Clare (15 December 1999). "Jill Craigie - Britain's pioneering female film-maker - dies at 85". The Independent. Retrieved 10 December 2019.
- Rollyson, Carl E. (Carl Edmund) (2005). To be a woman : the life of Jill Craigie. London: Aurum. pp. 78–79. ISBN 1854109359. OCLC 52785451.
- Enticknap, Leo (1999). The Non-Fiction Film in Britain, 1945–51 (unpublished PhD thesis). University of Exeter.