Jimmy McNulty

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Jimmy McNulty
The Wire Jimmy McNulty.jpg
First appearance"The Target" (2002)
Last appearance"–30–" (2008)
Created byDavid Simon
Portrayed byDominic West
Information
Aliases
  • Jimmy
  • McNutty
  • Bushy Top
GenderMale
Occupation
  • Major Crimes Unit Detective (Seasons 1–3, 5)
  • Baltimore City Homicide Detective (Seasons 1, 5)
  • Baltimore Marine Unit (Season 2)
  • Western District Patrolman (Season 4)
TitleDetective
Spouse(s)Elena McNulty (divorced)
Significant other(s)Beadie Russell
Rhonda Pearlman
ChildrenSean McNulty
Michael McNulty

James McNulty is a fictional character on the HBO drama The Wire, played by Dominic West.

McNulty is a detective in the Baltimore Police Department of Irish heritage. While a talented detective, McNulty's conceited belief that he is more intelligent than his peers, and his willingness to ignore the chain of command in pursuit of his own investigative projects, means that he regularly incurs the wrath of his superiors. When off the job, he has frequent problems involving alimony, alcoholism, child support, and unstable relationships. He is central to many of the successful high-end drug investigations that take place within the series.

McNulty is loosely based on Ed Burns, co-writer of the series.

Character storyline[edit]

McNulty grew up in the Lauraville neighborhood of Baltimore, Maryland. His father was an employee for Bethlehem Steel before being laid off in 1973. After a year of attending Loyola College in Maryland, McNulty joined the Baltimore Police Department when his girlfriend Elena (whom he later married) became pregnant, with his EOD (Entrance on Duty) being on April 5, 1994. In his first few years on the job, he proved himself to be an effective patrolman in the Western District under the command of Major Howard "Bunny" Colvin. After assisting Ray Cole in solving a homicide, he was promoted to detective and assigned to the Homicide Unit, where he was partnered with Bunk Moreland.

Season 1[edit]

Before the start of the series, McNulty has noticed that drug kingpin Avon Barksdale is expanding his organization's territory, and that his gang has successfully beaten several murder prosecutions. After Avon's nephew D'Angelo is acquitted thanks to witness tampering, McNulty goes over the head of his superior, Major William Rawls, and convinces Judge Phelan to call Deputy Commissioner Ervin Burrell and encourage further investigation of the Barksdales. Because of McNulty's efforts, the Barksdale detail is officially formed, initially consisting of Narcotics Lieutenant Cedric Daniels and detectives Kima Greggs, Ellis Carver, and Thomas "Herc" Hauk.

When Burrell asks his majors and shift lieutenants to send additional detectives for the investigative detail, McNulty himself is also assigned to the unit. Daniels and McNulty argue about how to handle the case at their first meeting: McNulty, after seeing an FBI drug sting, suggests surveillance and wiretaps, but Burrell has ordered Daniels to put together a quick and simple case to appease Phelan. Soon after the investigation begins, McNulty learns from his friend in the FBI, Special Agent Fitzhugh, that Daniels had been investigated for having a suspiciously large amount of liquid assets. His relationship with Daniels continues to be complicated by their mutual distrust.

The detail is assigned Assistant State's Attorney Rhonda Pearlman as a prosecutor, with whom McNulty is having a casual sexual relationship. McNulty is officially separated from his wife, who limits his contact with his two sons, Sean and Michael. While shopping with them one afternoon, McNulty spots Russell "Stringer" Bell, Avon Barksdale's second-in-command, and sends his sons to tail him and get his license plate number. When Elena finds out, she seeks an emergency order to stop him from seeing them. She is also angry that he continues to see Pearlman casually.

Working on the Barksdale detail, McNulty becomes friends with Lester Freamon, who had previously been exiled to the pawn-shop unit for thirteen years and four months for his insistence on charging a politically connected fence. Freamon often tries to temper McNulty's animosity towards Daniels. Frustrated that Barksdale's dealers do not use cell phones, they decide to clone the dealers' pagers instead. They also work together to convince Daniels to allow them to do better police work.

With the help of Kima, McNulty tracks down the elusive outlaw Omar Little, gaining his respect and cooperation. Omar agrees to testify against Marquis "Bird" Hilton, a Barksdale soldier. His assistance also leads to McNulty inadvertently solving one of Michael Santangelo's old cases; a grateful Santangelo in turn reveals that he is a mole for Rawls, who is looking for an excuse to fire McNulty. Kima introduces McNulty to her confidential informant, Bubbles. When she is shot in a buy-bust sting operation gone wrong, McNulty is guilt-ridden, though even Rawls assures him that the shooting is not his fault. McNulty has a frank discussion with Daniels in which he admits that the Barksdale case is no more than an exercise in intellectual vanity and an opportunity to demonstrate the BPD's shortcomings. Daniels tells him that everyone has known this all along but that the case has taken on meaning for those involved.

The detail succeeds in arresting Barksdale soldier Wee-Bey Brice for shooting Kima, Bird for murdering a state's witness, and both D'Angelo and Avon Barksdale. McNulty almost convinces D'Angelo to testify against Avon but, ultimately, D'Angelo takes a twenty-year prison sentence instead. When the Barksdale detail closes, Rawls reassigns McNulty to the marine unit, having learned from Sergeant Jay Landsman that this is precisely the BPD unit where McNulty does not want to go.

Season 2[edit]

While on harbor patrol, McNulty spots the body of a dead woman in the water. When Rawls argues the case is not in his jurisdiction, McNulty, spends three hours poring over wind and tide charts to prove the death occurred within city limits. When port authority officer Beadie Russell finds thirteen dead women in a shipping container on the Baltimore docks, McNulty again intervenes and, with the help of the medical examiner, proves that the deaths were not accidental: the air pipe to the container was deliberately closed off, and, with the help of a mining engineer, they are able to prove that the ship was within the city limits when it happened. The case is given to Bunk and Lester, who don't look forward to investigating these difficult cases.

McNulty unsuccessfully searches for the identity of the floater. He also finds himself under pressure from Bunk to find Omar, since Bird is about to go on trial. McNulty coerces Bubbles into tracking down Omar, who testifies against Bird. Meanwhile, McNulty signs an agreement that he will pay alimony to Elena, even though he believes his marriage is still salvageable. He resolves to give up alcohol and detective work, two of the main reasons for the breakup of his marriage. When Elena confirms the marriage is over, he grows despondent and relapses.

When Daniels's unit is re-formed to investigate stevedore union boss Frank Sobotka, Rawls refuses to allow McNulty to rejoin the team. McNulty seems to accept this with good grace, but tries to help the detail unofficially. Daniels persuades Rawls to let McNulty return by taking on the murders of the fourteen women. McNulty's first assignment is to go undercover as a client visiting a local brothel, much to the amusement of his colleagues. He also flirts with Russell, who has been assigned to Daniels' detail, though he seems to shy away from a relationship.

While on surveillance, McNulty watches Spiros Vondas, an associate of an underworld figure known as The Greek, sending a text message. He reasons that the time and location of the text could be used to retrieve it from the phone company's databases; it is from this message that the detail learns that the Greek had shut down his operations. After McNulty learns from Bubbles that Stringer Bell and Barksdale rival Proposition Joe are sharing territory, he begins investigating them on his own time, convinced that he can gather enough evidence to prompt Daniels to focus the Major Crimes Unit's attention on Stringer.

Season 3[edit]

McNulty continues to work with the MCU, but is disappointed that their target is not Bell. He begins looking into the Barksdales anyway, finding out about D'Angelo's death and Avon's early release. Investigating D'Angelo's death, he quickly realizes that D'Angelo was murdered. McNulty reconnects with Colvin to set up the Barksdale organization as the MCU's primary target. McNulty circumvents the chain of command again to set up the investigation, as Daniels is not interested in the quality of the unit's assigned case targets, blaming his rank in the department for his lack of case target interests. Angered by McNulty's attitude, Daniels tells McNulty that he'll be finished in the unit when Stringer is arrested.

McNulty begins a relationship with political consultant Theresa D'Agostino, but realizes that she is only interested in him physically and is pumping him for information about Colvin. Largely due to Freamon's work, the MCU implicates Bell, but he is murdered before McNulty can arrest him. After Avon is arrested, Daniels reevaluates his decision to get rid of McNulty, but he realizes he has no life outside his work and graciously declines Daniels' offer to keep him in the unit. He transfers to patrol in the Western District, which he remembers as the happiest time of his life, and begins a relationship with Russell.[1]

Season 4[edit]

McNulty moves in with Russell and her two children, and enjoys his life as a patrolman in the Western District under Ellis Carver. His beat includes the corner that Bodie works on behalf of drug kingpin Marlo Stanfield. Both Daniels and Administrative Lieutenant Dennis Mello ask McNulty to do investigative work in the district, but he declines. Mello is disappointed but Daniels realizes that McNulty has been able to get his life in order while working as a patrolman. Though other officers make arrests for statistical purposes, McNulty focuses on quality arrests. This is exemplified by the arrest of two burglars who were stealing from churches.

McNulty mentors Brian Baker, a younger patrol officer in the Western, whom he and Bunk end up referring to as "good police". He also significantly reduces his drinking, sometimes resolving to stay sober despite pressure from his friends. Bunk and Freamon are amazed and slightly dismayed at how much McNulty has changed, and Elena even expresses regret for having left him. McNulty soon begins to miss the MCU, and quietly begins getting closer to Bodie in the hopes of turning him into an informant against Marlo. After Stanfield lieutenant Monk Metcalf sees Bodie with McNulty, Bodie is killed as a precaution. McNulty feels guilty and rejoins the MCU, much to the delight of Freamon and Daniels. It is revealed during a scene shortly after Bodie's death that McNulty feels he "owes it to the kid".

Season 5[edit]

With the BPD scaled back due to Mayor Tommy Carcetti's budget cuts and the vacant murders unsolved, McNulty is despondent and falls back into old habits.[2][3] Shortly after being transferred back to Homicide, he visits the morgue and finds two county detectives arguing with the medical examiner and subsequently learns that pre-mortem and post-mortem strangulations are forensically indistinguishable. While investigating a probable overdose case with Bunk, McNulty tampers with the crime scene to make it seem that a struggle occurred. Over Bunk's protests, McNulty strangles and stages the corpse to make it appear as if a "serial killer" has come to Baltimore.[4][5]

McNulty sets out on his ruse in the hopes that the "case" secures more funding for Homicide and the Stanfield investigation. He doctors case files and plants evidence in order to link them together and create the impression of a serial killer targeting homeless men. When Landsman ignores the case, McNulty approaches reporter Alma Gutierrez of The Baltimore Sun, but only succeeds in the story getting printed in the middle of the paper instead of the front page. Bunk repeatedly warns McNulty against his self-destructive course; Lester, however, approves of the endeavor and suggests that it needs sensationalism to succeed.[6][7]

When McNulty finds that most dead homeless men are concentrated in the Southern District, Freamon puts him in touch with an old patrol partner there who agrees to tip them off when new bodies are found. Freamon also devises a plan to show maturation in their serial killer's pattern and acquires dentures to create bite marks on the victims, thus enhancing the media appeal for the story. While canvassing an area frequented by local homeless, McNulty complains that Landsman barely noticed his work on the case, but Freamon reminds him that if their plan works, the case will attract more interest and sloppiness could be their downfall. Upon returning home, McNulty is confronted by Russell over his drinking and philandering.

Upon finding a new body, McNulty mutilates the decedent to show bite marks and defensive wounds.[8] When investigating the "homeless killer", McNulty and Greggs travel to the FBI Academy in Quantico, Virginia for assistance. McNulty realizes that he can no longer falsify the murders on real corpses as there is too large a police presence, so he instead takes a mentally ill homeless man off the streets and stages a photograph of a murder to send to Sun reporter Scott Templeton, before taking the man to a homeless shelter in Richmond with fake identification.

McNulty has been voicing the killer in telephone calls to Templeton. After doing the voice analysis, the FBI provides McNulty and Greggs with a psychological profile of the homeless killer, inadvertently giving a near-perfect description of McNulty himself. Having his character flaws spelled out for him gives McNulty second thoughts about what he has done. He confesses his deception to Greggs, who in turn informs Daniels, now the BPD's Deputy Commissioner for Operations. Daniels and Pearlman subsequently meet with Acting Commissioner Rawls, State's Attorney Rupert Bond, and the mayor's office. Daniels and Rawls confront McNulty, informing him that this will be his last CID case.

The case is "solved" when McNulty encounters a mentally ill homeless man who has started using the modus operandi of the phony serial killer. McNulty brings the man, his final criminal, to justice. McNulty and Freamon then leave the police department. After attending a detective's wake (of sorts) in their honor, McNulty leaves the bar sober and returns home, where he and Russell have reconciled. The next day, McNulty returns to Richmond, finds the homeless man he had put there, and drives him back to Baltimore. On the way back, he stops his car, gets out and looks at the city, leading to the series-ending montage.

Critical response and analysis[edit]

Jim Shelley of The Guardian found the character to be "irresistibly charming, a classic anti-hero; a modern-day Rockford."[9] Jon Garelick of the Boston Phoenix remarked on how he is not totally the central character despite his actions starting most of the plotlines, and preferred other characters to his “one-dimensional functionality as the Dirty Jimmy of the series”.[10] Flak Magazine commented on how he seems to fit to a standard police character archetype ("He has poor impulse control. He's personally fearless and outspoken, and he bangs babes like a hunchback rings bells...") but ends up subverting the archetype by being self-destructive and “kind of a jerk”.[11] Salon.com described McNulty as "The heart, soul and oft-impaired nervous system of "The Wire"", again selecting him as a central character. Salon also chose McNulty's pride as his main character trait, saying that this aspect of his personality made him a successful investigator and a failure in most other aspects of his life.[12] Entertainment Weekly picked McNulty as offering one of the show's most wicked ironies: he is one of the characters you would expect to be on the side of law and order as a police detective but they describe him as a "boozing cop who pisses on authority and order."[13] An essay from Bowling Green State University explores how he displays “stereotypes of white macho masculinity” in a hegemonic sense, including callous sexual attitudes, alcohol abuse, and resistance to authority. It also states however that the traits are deconstructed later in the series as emotionally stunted and self-destructive.[14]

Origins[edit]

David Simon, the character's creator, has described his goal of presenting McNulty as ambiguous in his motivations. Based on his experiences with real detectives, he feels that most crime dramas present their police characters with the falsehood that they care deeply about the victims in the cases they are investigating. Simon states that in his experience a good detective is usually motivated by the game of solving the crime—he sees the crime as an "insult to his intellectual vanity" and this gives him motivation to solve it.[15]

The character was originally named Jimmy McArdle but because no one liked the name, executive producer Robert F. Colesberry suggested renaming him Jimmy McNulty (after his maternal grandmother). The McArdle surname would be reused for the character of "White Mike" McArdle in season 2. Dominic West's original audition tape for the part was recorded with him as the sole actor leaving spaces for the lines that would be spoken back to him. The producers were amused by the tape and agreed that they had to give him an audition.[16]

References[edit]

  1. ^ "Org Chart - The Law". HBO. 2004. Retrieved 2006-07-22.
  2. ^ Joe Chappelle (director); David Simon (story and teleplay), Ed Burns (story) (2008-01-06). "More with Less". The Wire. Season 5. Episode 1. HBO.
  3. ^ "The Wire episode guide - episode 51 More with Less". HBO. 2008. Retrieved 2008-01-22.
  4. ^ Ernest Dickerson (director); William F. Zorzi (story and teleplay), David Simon (story) (2008-01-13). "Unconfirmed Reports". The Wire. Season 5. Episode 2. HBO.
  5. ^ "The Wire episode guide - episode 52 Uncomfirmed Reports". HBO. 2008. Retrieved 2008-01-22.
  6. ^ Joy Kecken & Scott Kecken (directors); Chris Collins (story and teleplay), David Simon (story) (2008-01-20). "Not for Attribution". The Wire. Season 5. Episode 3. HBO.
  7. ^ "The Wire episode guide - episode 53 Not for Attribution". HBO. 2008. Retrieved 2008-01-22.
  8. ^ Dan Attias (director); Ed Burns (story and teleplay), David Simon (story) (2008-01-27). "Transitions". The Wire. Season 5. Episode 4. HBO.
  9. ^ Jim Shelley (2005-08-06). "Call The Cops". London: The Guardian. Retrieved 2006-07-12.
  10. ^ Jon Garelick (2004). ""A man must have a code" - listening in on The Wire". Boston Phoenix. Archived from the original on 2007-10-12. Retrieved 2006-07-12.
  11. ^ James Norton (2005). "The Wire vs. The Sopranos". Flak magazine. Retrieved 2006-07-12.
  12. ^ Dan Kois (2004). "Everything you were afraid to ask about "The Wire"". Salon.com. Archived from the original on 2006-11-19. Retrieved 2006-07-12.
  13. ^ Gillian Flinn (2004). "TV 2004 The 10 Best". Entertainment Weekly. Archived from the original on December 14, 2005. Retrieved 2006-07-12.
  14. ^ ""A Man Must Have a Code": A Contrast of Black and White Masculinity in The Wire". ResearchGate.
  15. ^ Ian Rothkerch (2002). "What drugs have not destroyed, the war on them has". Salon.com. Archived from the original on 2007-03-13. Retrieved 2006-07-22.
  16. ^ Alvarez, Rafael (2004). The Wire: Truth Be Told. New York: Pocket Books.