Joan Baez (album)
|Studio album by Joan Baez|
|Recorded||Manhattan Towers Hotel Ballroom, New York, July 1960|
|Joan Baez chronology|
Joan Baez is the self-titled debut album by folk singer Joan Baez. The album was recorded in the summer of 1960 and released the same year. The original release featured 13 traditional folk songs, later reissues included 3 additional songs.
Though Baez was reportedly offered a contract with Columbia at the time, she chose to go instead with the independent Vanguard label, hoping for increased artistic license. Baez recorded the album in the summer of 1960 when she was nineteen. Most of the songs featured only Baez' vocals and guitar, with a second guitar (played by Fred Hellerman, of The Weavers), added to some songs. Despite the lack of strings and horns, backup singers and hit singles, the album went gold, although it did not make the Billboard 200 chart until 1962, following the success of her second album, Joan Baez, Vol. 2. Joan Baez peaked at number 15 and spent 140 weeks on the chart.
It took four nights. We were in some big, smelly ballroom at a hotel on Broadway, way up by the river. We couldn't record on Wednesday nights because they played bingo there. I would be down there on this dirty old rug with two microphones, one for the voice and one for the guitar. I just did my set; it was probably all I knew. Just put 'em down. I did "Mary Hamilton" once, that was it. That's the way we made 'em in the old days. As long as a dog didn't run through the room or something, you had it.—Kurt Loder, Rolling Stone, issue no. 393
In 2001, Vanguard reissued Joan Baez with new liner notes and three previously unreleased songs. (Between 2001 and 2005, they reissued remastered versions of Baez' thirteen original albums with the label.)
In his Allmusic review, music critic Bruce Eder gave the album five out of five stars, commenting that the purity of the sound was notable at the time. He wrote of the album "Baez gives a fine account of the most reserved and least confrontational aspects of the folk revival, presenting a brace of traditional songs (most notably "East Virginia" and "Mary Hamilton") with an urgency and sincerity that makes the listener feel as though they were being sung for the first time"
All songs are traditional arranged Joan Baez except where noted.
- "Silver Dagger" – 2:32
- "East Virginia" – 3:44
- "Fare Thee Well (10,000 Miles)" (Traditional, arranged David Gude) – 3:22
- "House of the Rising Sun" – 2:56
- "All My Trials" – 4:41
- "Wildwood Flower" – 2:37
- "Donna Donna" (Sholom Secunda, Aaron Zeitlin; English lyrics Arthur Kevess, Teddi Schwartz) – 3:15
- "John Riley" – 3:54
- "Rake and Rambling Boy" – 1:59
- "Little Moses" – 3:31
- "Mary Hamilton" (Child No. 173) – 5:58
- "Henry Martin" (Child No. 250) – 4:15
- "El Preso Número Nueve" ("The Ninth Prisoner") (Roberto Cantoral) – 2:48
Reissue bonus tracks
- James E. Perone (October 17, 2012). The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations. Praeger. ISBN 978-0313379062.
- Jerome Rodnitzky (2013). "Chapter 3 - Joan Baez: The Classic 1960s Folk Heroine". In George Plasketes. Please Allow Me to Introduce Myself: Essays on Debut Albums. Ashgate. ISBN 978-1409441762.
- Tom Moon (August 4, 2008). 1,000 Recordings to Hear Before You Die. Workman Publishing Company. p. 39. ISBN 978-0761139638.
- Loder, Kurt (April 14, 1983). ""Joan Baez: The Rolling Stone Interview". Rolling Stone.
- Eder, Bruce. "Joan Baez > Review". Allmusic. Retrieved August 4, 2011.