Joan Field (April 28, 1915 – March 18, 1988) was an American violinist.
Biography and career
Joan Field was born in Long Branch, New Jersey. She began violin studies at the age of 5. She was a pupil of Franz Kneisel, Albert Spalding and Michel Piastro in the United States and spent 4 years in Paris during her teens studying with Marcel Chailley, Jacques Thibaud and George Enescu at the École Normale de Musique.
She made her debut in Town Hall in New York City in 1934. About that evening The New York Times wrote, "Miss Field's playing is that of a thoughtful, sensitive and fastidious musician." She went on to perform with major orchestras in the United States, including the American Symphony Orchestra, the Detroit Symphony, the St. Louis Symphony, the Boston Symphony, the Cincinnati Symphony, the Cleveland Orchestra, the Philadelphia Orchestra and the Washington Symphony; and five solo performances with the New York Philharmonic at Lewisohn Stadium and Carnegie Hall.
During the 1940s Field was a regular on the New York City music scene. She was concertmistress for the U.S. tour of the Ballet Russe de Monte Carlo during World War II, reprising that position for the original Broadway production of Brigadoon in 1947.
In 1944 she began a successful radio career at New York classical station WQXR, writing and producing more than 200 episodes of her own performance-interview program "Notes and Quotes" on Sunday afternoons and appearing as soloist and concertmistress of the Stromberg-Carlson string orchestra.
She made the first recording of the Charles Ives Sonata No. 1 for violin and piano along with the 3rd Sonata with pianist Leopold Mittman. She also gave first performances of the violin concertos of Nicolai Berezowsky, Mana Zucca and Dai-Keong Lee, and the first American performance of the Prokofiev Violin Sonata No. 2 in D.
Her annual Town Hall recital in 1956 elicited this commentary in The New York Times: "Miss Field is a rare combination, an extremely facile technician who also comprehends that the task of the performer is to make music rather than to set a new record for the track. It is true that in bravura playing Miss Field is by no means found wanting; but mere technique is never allowed to get in the way of the music." 
Field performed and recorded extensively in Europe during the 1950s and early 1960s, notably with expatriate American conductor Dean Dixon. Her instrument during those years was a 1698 "long pattern" Stradivarius once owned by Joseph Joachim "The Joachim Strad".. She also appeared as piano accompanist with string player colleagues.
- Dvorak Violin Concerto in a minor/ Beethoven Romances for Violin and Orchestra; Berlin Symphony, Artur Rother, Conductor TCS 18046
- Bruch Concerto #1 in g minor/Mendelssohn Concerto in e minor; Berlin Symphony, Rudolf Albert, Conductor. 6.41308 AG and n.t. 1968
- Bruch Concerto #1 in g minor/Spohr Concerto in a minor "Gesangszene"; Berlin Symphony, Rudolf Albert, Conductor. LT 6634 and TCS 18031
- Mozart Concerto #5 in A/ Mendelssohn Concerto in e minor; Berlin Symphony, Rudolf Albert, Conductor. TC 8044
- Charles Ives Sonatas 1 and 3 for violin and piano (with Leopold Mittman). LL 17
- "Joan Field in Debut". The New York Times. October 25, 1934.
- Russell McLauchlin (February 9, 1942). "Young Violinist Scores at Symphony Concert". The Detroit News. p. 1.
- J.D. Callaghan (February 9, 1942). "Miss Field's Violin Solo Is Hit of Evening". Detroit Free Press. p. 1.
- N.S. (August 1, 1938). "An American Bill by Philharmonic". The New York Times.
- "Joan Field, Concert Violinist, Finds Relaxation in Native Long Branch". The Shore Press. January 28, 1945.
- Helen Wells (August 6, 1954). "Gold Piano Looked Lovely, Sounded Tinny; FDR Agreed". The Miami Herald.
- "Joan Field to Make White House Appearance Tonight". Long Branch Daily Record. January 14, 1937. p. 1.
- Henry Cowell (April 1953). "Reviews of Records, The Musical Quarterly, Vol. 39, No. 2" 39. Oxford University Press: 323–325. JSTOR 739957.
- M.A.S. (January 9, 1945). "Barzin Presents Two New Concerti". The New York Times.
- Mac Smith (February 21, 1960). "She's Soloist For Symphony". Miami News. pp. 9 (in "Florida Living").
- Walter Powers (December 14, 1957). "Think You Got Troubles? Pity the 4 O'clock Morning Fiddler". Tampa Morning Tribune.
- J.B. (October 31, 1956). "Joan Field Heard in Violin Recital". The New York Times.
- Alberto Bachmann (1966). "An Encyclopedia of the Violin". Da Capo Press, Inc. p. 280.
- "Violinist Joan Field Sparkles in Concert". The Sarasota Herald-Tribune. March 28, 1959. p. 64.
- Frank Fox (August 13, 1954). "Beach Violinist Mixes Concerts and Kitchen In A Happy Blend". Miami Daily News.
- Charles Whited (May 28, 1988). "The day the music stopped - for all of us". The Miami Herald.
- Farga, Franz (1950). Violins and Violinists. Frederick A. Praeger. p. 223.
- Roth, Henry (1982). Master Violinists in Performance. TFH Publications. p. 278.
- Roth, Henry (1997). Violin Virtuosos From Paganini to the 21st Century. California Classics Books. p. 312. ISBN 1-879395-15-0.
- Oka Doner and Wolfson, Jr., Michelle and Mitchell (2007). Miami Beach: Blueprint of an Eden. HarperCollins. pp. 176–7. ISBN 978-0-06-134616-3.
New York Times articles:
"Music in Review", Oct. 25, 1934.
"Concert Planned For Native Music", July 18, 1938.
"An American Bill By Philharmonic", Aug. 1, 1938.
"Music Notes", Sept. 26, 1942.
"Barzin Presents Two New Concerti", Jan. 9, 1945.
"Joan Field In Violin Program", Mar. 7, 1945.
"Joan Field Gives A Violin Recital", Oct. 18, 1954.
"Joan Field Is Heard in Violin Program", Nov. 12, 1955.
"Joan Field Heard In Violin Recital", Oct. 31, 1956.