Joseph Angelo D'Allesandro III
December 31, 1948
Pensacola, Florida, U.S.
(m. 1967; div. 1969)
(m. 1970; div. 1978)
Joseph Angelo D'Allesandro III (born December 31, 1948) is an American actor and Warhol superstar. Having also crossed over into mainstream roles like mobster Lucky Luciano in The Cotton Club, Dallesandro is generally considered to be the most famous male sex symbol of American underground films of the 20th century, as well as a sex symbol of gay subculture.
Dallesandro starred in the 1968 film produced by Andy Warhol, Flesh, as a teenage street hustler. Rolling Stone in 1970 declared his second starring vehicle, Trash, the "Best Film of the Year", making him a star of the youth culture, sexual revolution and subcultural New York City art collective of the 1970s. Dallesandro also starred in 1972's Heat, another Warhol film that was conceived as a parody of Sunset Boulevard.
He was born in Pensacola, Florida, to Joseph Angelo D'Allesandro II, who was in the U.S. Navy. His mother, Thelma Testman, was 16 years old. By the time Joe III was five years old, his mother was serving fifteen years in a Federal Penitentiary for interstate auto theft.
Dallesandro and his brother Bobby were taken to New York by their father, who worked as an electrical engineer. Both boys were eventually placed into the Angel Guardian Home in Harlem, prior to being fostered by a couple in Brooklyn. The family later moved to North Babylon, Long Island. The senior D'Allesandro would visit them about once a month at their foster parents' home.
Dallesandro was initially content living with his foster parents, but later reportedly began to resent them, thinking that they were preventing him from living with his father.
Dallesandro began acting out, and became aggressive. He repeatedly ran away from his foster home until his birth father finally relented and allowed Joe to live with him. At age 14, Dallesandro and his brother moved to Queens to live with their paternal grandparents and their father.
At age 15, he was expelled from school for punching the school principal, who had reportedly insulted his father. After this, he began hanging out with gangs and stealing cars. In one such instance, Dallesandro panicked and smashed the stolen car he was driving through the gate of the Holland Tunnel. He was stopped by a police roadblock and was shot once in the leg by police who mistakenly thought he was armed. Dallesandro managed to escape being caught by police, but was later arrested when his father took him to the hospital for his gunshot wound. He was sentenced to Camp Cass Rehabilitation Center for Boys in the Catskills in 1964.
Underground film career
Dallesandro met Andy Warhol and Paul Morrissey in 1967 while they were shooting Four Stars, and they cast him in the film on the spot. Warhol would later comment "In my movies, everyone's in love with Joe Dallesandro."
Dallesandro played a hustler in his third Warhol film, Flesh (1968), where he had several nude scenes. Flesh became a crossover hit with mainstream audiences, and Dallesandro became the most popular of the Warhol stars. New York Times film critic Vincent Canby wrote of him: "His physique is so magnificently shaped that men as well as women become disconnected at the sight of him."
As Dallesandro's underground fame began to cross over into the popular culture, he appeared on the cover of Rolling Stone in April 1971. He was also photographed by some of the top celebrity photographers of the time: Francesco Scavullo, Annie Leibovitz, Richard Avedon.
Dallesandro appeared in Lonesome Cowboys (1968), Trash (1970), Heat (1972), Andy Warhol's Frankenstein, and Andy Warhol's Dracula (both 1974), also directed by Morrissey. These last two films were shot in Europe. After filming was complete, he chose not to return to the U.S. He appeared in Serge Gainsbourg's Je t'aime moi non plus (France, 1976), which starred Gainsbourg's wife, British actress Jane Birkin.
Dallesandro continued to star in films made mainly in France and Italy for the rest of the decade, returning to the U.S. in the 1980s. He made several mainstream films during the 1980s and 1990s. One of his first notable roles was that of 1920s gangster Lucky Luciano in Francis Coppola's The Cotton Club (1984). Working with manager/attorney Stann Findelle, his career enjoyed a resurgence.
He had roles in Critical Condition (1987) opposite Richard Pryor, Sunset (1988) with Bruce Willis and James Garner, Cry-Baby (1990) with Johnny Depp, Guncrazy (1992) with Drew Barrymore, and Steven Soderbergh's 1999 film The Limey. He has also worked in television. In 1986, he co-starred in the ABC drama series Fortune Dane. The series lasted only five episodes. Dallesandro has also made guest appearances on Wiseguy, Miami Vice, and Matlock.
The Teddy Award, an honor recognizing those filmmakers and artists who have contributed to the further acceptance of LGBT people, culture and artistic vision, was awarded to Joe in February 2009. A biography, Little Joe: Superstar by Michael Ferguson was released earlier in 2001, and a filmed documentary, Little Joe (2009), was released with Dallesandro serving as writer and producer. His adopted daughter, Vedra Mehagian, also served as a producer of the film.
In 2018 he starred as himself in Uli Lommel's Factory Cowboys: Working with Warhol. The film was based on Lommel's own biography and partly on Dallesandro's memories of the period during which he worked with Andy Warhol.
He married his first wife, Leslie, the daughter of his father's girlfriend, in 1967. Their son, Michael, was born December 19, 1968. The marriage was dissolved in 1969. His second marriage was to Theresa ("Terry") in 1970. Their son, Joseph A. Dallesandro, Jr., was born November 14, 1970. The couple divorced in early 1978. In 1987, Dallesandro was married a third time, to Kimberly ("Kim"). Dallesandro has a grandson and a granddaughter by his son Michael, as well as a grandson by his son Joseph.
In popular culture
- In Lou Reed's song, "Walk on the Wild Side", about the characters Reed knew from Warhol's studio, The Factory, the verse about Dallesandro used his nickname, Little Joe.
- A Warhol photograph of the crotch bulge of Dallesandro's tight blue jeans is on the famous cover of the Rolling Stones album Sticky Fingers. Dallesandro explained to biographer Michael Ferguson, "It was just out of a collection of junk photos that Andy pulled from. He didn't pull it out for the design or anything, it was just the first one he got that he felt was the right shape to fit what he wanted to use for the fly;" the first editions of that album cover physically incorporated a functional metal zipper fly into the photo.
- The 1980s British band The Smiths used a still photograph of Dallesandro from the film Flesh as the cover of their eponymous debut album.
- Norwegian pop band Briskeby had a 2005 single called "Joe Dallesandro".
|1967||Four Stars||College Wrestler||Alternative title: The 24 Hour Movie|
|1968||San Diego Surf||Joe|
|1968||The Loves of Ondine||College Wrestler|
|1968||Flesh||Joe, the hustler||Alternative title: Andy Warhol's Flesh|
|1968||Lonesome Cowboys||Little Joe||Alternative title: Ramona and Julian|
|1970||Trash||Joe Smith||Alternative title: Andy Warhol's Trash|
|1973||Andy Warhol's Frankenstein||Nicholas, the stableboy||Alternative title: Flesh for Frankenstein|
|1974||Blood for Dracula||Mario Balato, the Servant||Alternative title: Andy Warhol's Dracula|
|1974||The Gardener||Carl, the Gardener||Alternative titles: Garden of Death, Seeds of Evil|
|1975||The Climber||Aldo, the Climber||Alternative title: L'ambizioso|
|1975||Black Moon||Brother Lily|
|1975||Savage Three||Ovidio Mainardi||Alternative title: Fango bollente|
|1975||Season for Assassins||Pierro Giaranaldi||Alternative title: Il tempo degli assassini|
|1976||Je t'aime moi non plus||Krassky||Alternative title: I Love You, I Don't or I Love You ... Neither Do I|
|1976||La Marge||Sigismond||Alternative title: The Streetwalker|
|1978||Safari Rally||Joe Massi||Alternative title: 6000 km di paura|
|1978||Killer Nun||Dr. Patrick Roland||Alternative titles: Suor Omicidi|
|1980||Madness||Joe Brezzi||Alternative title: Vacanze per un massacro|
|1982||Queen Lear||Joseph Kunz, the father|
|1984||The Cotton Club||Charles "Lucky" Luciano|
|1984||Miami Vice||Vincent "Vinnie" DeMarco,||Episode: "One Eyed Jack"|
|1986||Fortune Dane||'Perfect' Tommy Nicautri||5 episodes|
|1987||Miami Vice||Alfredo Giulinni||Episode: "Down for the Count: Part 2"|
|1987||Wiseguy||Paul 'Pat the Cat' Patrice||5 episodes|
|1988||The Hitchhiker||Gerard||Episode: "Fashion Exchange"|
|1988||Double Revenge||Joe Halsey|
|1989||The Hollywood Detective||Eddie Northcott||Television movie|
|1990||Matlock||Bobby Boyd||2 episodes|
|1990||Almost an Angel||Bank Hood Leader|
|1991||Inside Out||Richard||Segment: "The Diaries"|
|1991||Wild Orchid II: Two Shades of Blue||Jules|
|1992||Love Is Like That||Boss|
|1994||Sugar Hill||Tony Adamo|
|1995||Theodore Rex||Rogan||Direct-to-video release|
|1998||L.A. Without a Map||Michael|
|1999||The Limey||Uncle John||Credited as Joe Dallessandro|
|2000||Beefcake||Cameos, old footage|
|2002||Pacino Is Missing||Sal Colletti|
|2008||3 Stories About Evil||Jean Maries||Short film|
- Morris, Gary (January 13, 2000). "Book Review: Little Joe, Superstar: The Films of Joe Dallesandro". Bright Lights Film Journal. Retrieved September 30, 2019.
- Watson 2003, p. 22
- Watson 2003, p. 23
- Watson 2003, p. 1962
- Watson 2003, pp. 237–238
- "Interview with Joe Dallesandro". Manner of Man (4). December 2013.
- Greenberg, Jan; Jordan, Sandra (March 25, 2009). Andy Warhol, Prince of Pop. Random House. p. 120. ISBN 978-0-307-51306-9.
- Hawkins, Joan (2000). Cutting Edge: Art-Horror and the Horrific Avant-garde. University of Minnesota Press. p. 197. ISBN 978-1-4529-0430-6. Retrieved September 20, 2019.
- Borhan, Pierre (October 1, 2007). Man to Man: A History of Gay Photography (1st ed.). Vendome Press. p. 78. ISBN 978-0-8656-5186-9.
- Ferguson, Dr. Michael (2003). Idol Worship: A Shamless Celebration of Male Beauty in the Cinema (2 ed.). STARbooks Press. p. 162. ISBN 978-1-8918-5548-1.
- Joe Dallesandro at IMDb
- "Factory Cowboys: Working with Warhol". Crew United. Retrieved February 8, 2021.
- Ferguson & Dallesandro 1998, p. 82
- Lyons, Tina (March 1998). "Joe Dallesandro,1998". Index Magazine (13). Retrieved November 18, 2012.
- Ferguson & Dallesandro 1998, pp. 19–20
- O'Brien, Glenn (July 6, 2009). "Joe Dallesandro". Interview. Retrieved November 18, 2012.
- Roberts, Chris (2004). Lou Reed: Walk On The Wild Side: The Stories Behind the Songs. Hal Leonard Corporation. p. 44. ISBN 978-0-6340-8032-6.
- "Album Cover Joe". Joedallesandro.com. Archived from the original on July 13, 2011. Retrieved October 7, 2010.
- Grønstad, Asbjørn; Vagnes, Oyvind (2010). Cover Scaping: Discovering Album Aesthetics. Museum Tusculanum Press. p. 104. ISBN 978-8-7635-0774-5.
- Fagerheim, Freddy S.; Rune Jensen (December 1, 2005). "Sex-ikon er gull for Briskeby" [Sex icon is gold for Briskeby]. Norwegian Broadcasting Corporation (in Norwegian). Retrieved February 8, 2021.
- Ferguson, Michael; Dallesandro, Joe (1998). Little Joe, Superstar: The Films of Joe Dallesandro. Companion Press. ISBN 978-1-8891-3809-1.
- Watson, Steven (2003). Factory Made: Warhol and the Sixties. Pantheon Books. ISBN 978-0-6794-2372-0.
- Official website Offline February 2020
- Joe Dallesandro at IMDb
- The New York Times profile
- "Joe Dallesandro Home Movies" video
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