|Born||February 18, 1930|
Yonkers, New York
|Died||October 11, 1988 (aged 58)|
Henniker, New Hampshire
|Pen name||Jacob Hammer|
|Alma mater||Cornell University|
Black Mountain College
|Literary movement||Black Mountain poets|
Joel Lester Oppenheimer (Jacob Hammer) (February 18, 1930 – October 11, 1988) was an American poet associated with both the Black Mountain poets and the New York School. He was the first director of the St. Marks Poetry Project (1966–68). Though a poet, Oppenheimer was perhaps better known for his columns in the Village Voice from 1969 to 1984.
Life and work
Oppenheimer was born in Yonkers, New York, attended Cornell University for one year in 1948, spent less than one semester at the University of Chicago, and in 1950 enrolled at Black Mountain College in North Carolina. At Black Mountain, he studied with Paul Goodman and poet Charles Olson, became friends with Fielding Dawson and Ed Dorn, and worked in the school's print shop.
In his earliest poetry, Oppenheimer shows clearly the influence of William Carlos Williams, but he soon developed his own style. While at Black Mountain, Oppenheimer met and married his first wife, Rena Furlong. He left the school in January 1953 without taking a degree, eventually settling in New York and working in a print shop while continuing to write poetry.
His first publications were The Dancer (1951), as Jargon, no. 2, 1951, by The Sad Devil Press/Black Mountain College; The Dutiful Son (1956) by Jonathan Williams's Jargon Society, reprinted by LeRoi Jones's Totem Press in 1961, The Love Bit and Other Poems (1962), again with Totem. His satiric Western drama The Great American Desert was the first play produced by Robert Nichols, directed by Lawrence Kornfeld, who had been with the Living Theatre, at the Judson Poets' Theatre. It opened on November 18, 1961.
Oppenheimer's poetry has been collected in two volumes: Robert J. Bertholf (editor, introduction), Collected Later Poems of Joel Oppenheimer, with eleven drawings by John Dobbs, The Poetry Collection, 1997 and Names & Local Habitations (Selected Earlier Poems 1951–1972), editor Jonathan Williams, The Jargon Society, 1988.
He also published two nonfiction works, The Wrong Season (Bobbs-Merrill, 1973), about the New York Mets, and Marilyn Lives (Delilah, 1984), on Marilyn Monroe. Drawing from Life, posthumously published in 1997, gathered 92 columns written for the Village Voice. Library Journal wrote that Drawing from Life "emphasizes several favorite themes: baseball, politics, and the role of the changing seasons in our lives".
Don't Touch the Poet: The Life and Times of Joel Oppenheimer, by Lyman Gilmore, was published by Talisman Press in 1998.
- The Dutiful Son (Jonathan Williams / Jargon, 1956)
- The Great American Desert (Grove Press, 1961)
- The Love Bit and Other Poems (Totem Press / Corinth Books, 1962)
- In Time: Poems 1962-1968 (Bobbs Merrill, 1969)
- On Occasion (Bobbs Merrill, 1973)
- The Wrong Season (Macmillan Publishing Company, 1973)
- Pen's Eyes: Stories (Mulch Press, 1974)
- The Woman Poems (Bobbs Merrill, 1975)
- Acts (Preishable Press, 1976)
- Marilyn Lives! (Putnam Pub Group, 1981)
- Houses (White Pine Press, 1981)
- At Fifty: A Poem (St. Andrews Press, 1982)
- The Ghost Lover (Arthur Mann Kaye, 1983)
- New Spaces: Poems, 1975–1983 (Black Sparrow Press, 1985)
- Why Not (Press of the Good Mountain, 1985)
- Generations (Elaine Juska & Jordan Davies, 1986)
- Collected Later Poems of Joel Oppenheimer (State Univ at Buffalo Poetry Rare, 1997)