John Banville

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John Banville
John Banville (2019), Prague
John Banville (2019), Prague
BornWilliam John Banville
(1945-12-08) 8 December 1945 (age 73)
Wexford, Ireland
Pen nameBenjamin Black
OccupationNovelist
Screenwriter
LanguageHiberno-English[1]
ResidenceDublin[1]
Alma materSt Peter's College, Wexford
SubjectsActing, mathematics, mythology, painting, science
Notable worksDoctor Copernicus
Kepler
The Newton Letter
The Book of Evidence
Ghosts
Athena
The Untouchable
Eclipse
Shroud
The Sea
The Infinities
Ancient Light
Notable awardsJames Tait Black Memorial Prize
1976
Booker Prize
2005
Franz Kafka Prize
2011
Austrian State Prize for European Literature
2013
Prince of Asturias Award for Literature
2014
StellaItalia-Cav.png Ordine della Stella d'Italia
2017
Years active1970s—present
Website
www.john-banville.com

William John Banville (born 8 December 1945) is an Irish novelist, short story writer, adapter of dramas and screenwriter.[2] Though he has been described as "the heir to Proust, via Nabokov", Banville himself maintains that W. B. Yeats and Henry James are the two real influences on his work.[3][1]

Banville's work has led to many accolades, including the 1976 James Tait Black Memorial Prize, the 2005 Booker Prize, the 2011 Franz Kafka Prize, the 2013 Austrian State Prize for European Literature and the 2014 Prince of Asturias Award for Literature.[4] Elected a Fellow of the Royal Society of Literature in 2007, Italy made him a Cavaliere of the Ordine della Stella d'Italia (essentially a knighthood) in 2017.[5] He is a former member of Aosdána, having voluntarily relinquished the financial stipend in 2001 to another, more impoverished, writer.[6]

Born at Wexford in south-east Ireland, Banville published his first novel, Nightspawn, in 1971. A second, Birchwood, followed two years later. "The Revolutions Trilogy", published between 1976 and 1982, comprises three works, all of which reference renowned scientists in their titles: Doctor Copernicus, Kepler and The Newton Letter. His next work, Mefisto, had a mathematical theme. His 1989 novel The Book of Evidence, shortlisted for the Booker Prize and winner of that year's Guinness Peat Aviation award, heralded a second trilogy, three works which deal in common with the work of art. "The Frames Trilogy" is completed by Ghosts and Athena, both published during the 1990s. Banville's thirteenth novel, The Sea, won the Booker Prize in 2005. In addition, he publishes crime novels as Benjamin Black — most of these feature the character of Quirke, an Irish pathologist based in Dublin.

Banville is considered a contender for the Nobel Prize in Literature.[7][8] He lives in Dublin.[1]

Biography[edit]

William John Banville was born to Agnes (née Doran) and Martin Banville, a garage clerk, in Wexford, Ireland. He is the youngest of three siblings; his older brother Vincent is also a novelist and has written under the name Vincent Lawrence as well as his own. His sister Anne Veronica "Vonnie" Banville-Evans[9] has written both a children's novel and a memoir of growing up in Wexford.[10]

Banville was educated at CBS Primary, Wexford, a Christian Brothers school, and at St Peter's College, Wexford. Despite having intended to be a painter and an architect, he did not attend university.[11] Banville has described this as "A great mistake. I should have gone. I regret not taking that four years of getting drunk and falling in love. But I wanted to get away from my family. I wanted to be free."[12] Alternately he has stated that college would have had little benefit for him: "I don't think I would have learned much more, and I don't think I would have had the nerve to tackle some of the things I tackled as a young writer if I had been to university – I would have been beaten into submission by my lecturers."[13] After school he worked as a clerk at Aer Lingus, which allowed him to travel at deeply discounted rates. He took advantage of this to travel in Greece and Italy. He lived in the United States during 1968 and 1969. On his return to Ireland, he became a sub-editor at The Irish Press, rising eventually to the position of chief sub-editor.

Since 1990, Banville has been a regular contributor to The New York Review of Books. After The Irish Press collapsed in 1995,[14] he became a sub-editor at The Irish Times. He was appointed literary editor in 1998. The Irish Times, too, suffered severe financial problems, and Banville was offered the choice of taking a redundancy package or working as a features department sub-editor. He left. He's also a commited vegetarian.[15]

Writing[edit]

Banville published his first book, a collection of short stories titled Long Lankin, in 1970. He has disowned his first published novel, Nightspawn, describing it as "crotchety, posturing, absurdly pretentious".[16]

Banville has written three trilogies: the first, The Revolutions Trilogy, focused on great men of science and consisted of Doctor Copernicus (1976), Kepler (1981), and The Newton Letter (1982). He said he became interested in Kepler and other men of science after reading Arthur Koestler's The Sleepwalkers.[17] He realized that, like him, scientists were trying to impose order in their work.[17]

The second trilogy, sometimes referred to collectively as The Frames Trilogy, consists of The Book of Evidence (1989), with several of its characters being featured in Ghosts (1993); Athena (1995) is the third to feature an unreliable narrator and explore the power of works of art.

The third trilogy consists of Eclipse, Shroud and Ancient Light, all of which concern the characters Alexander and Cass Cleave.

Beginning with Christine Falls, published in 2006, Banville has written crime fiction under the pen name Benjamin Black. He writes his Benjamin Black crime fiction much more quickly than he composes his literary novels.[18] He appreciates his work as Black as a craft, while as Banville he is an artist. He considers crime writing, in his own words, as being "cheap fiction".[19] In a July 2008 interview with Juan José Delaney in the Argentine newspaper La Nación, Banville was asked if his books had been translated into Irish. He replied that nobody would translate them and that he was often referred to pejoratively as a West Brit.[20]

Banville is highly scathing of all of his work, stating of his books: "I hate them all ... I loathe them. They're all a standing embarrassment."[11] Instead of dwelling on the past he is continually looking forward, "You have to crank yourself up every morning and think about all the awful stuff you did yesterday, and how you can compensate for that by doing better today."[12] He does not read reviews of his work as he already knows — "better than any reviewer" — the places in which its faults lie.[21]

"Sometimes, in the middle of the afternoon if I'm feeling a little bit sleepy, Black will sort of lean in over Banville's shoulder and start writing. Or Banville will lean over Black's shoulder and say, "Oh that's an interesting sentence, let's play with that." I can see sometimes, revising the work, the points at which one crept in or the two sides seeped into each other".[22]

His typical writing day begins with a drive from his home in Dublin to his office by the river. He writes from 9 a.m. until lunch. He then dines on bread, cheese and tea and resumes working until 6 p.m., at which time he returns home.[1] He writes on two desks at right angles to each other, one facing a wall and the other facing a window through which he has no view and never cleans. He advises against young writers approaching him for advice: "I remind them as gently as I can, that they are on their own, with no help available anywhere".[1]

Style[edit]

Banville is considered by critics as a master stylist of English, and his writing has been described as perfectly crafted, beautiful, dazzling.[23] He is known for his dark humour, and sharp, wintery wit.[24] He has been described as "the heir to Proust, via Nabokov".[3]

Don DeLillo describes Banville's work as "dangerous and clear-running prose", David Mehegan of The Boston Globe calls him "one of the great stylists writing in English today", Val Nolan in The Sunday Business Post calls his style "lyrical, fastidious, and occasionally hilarious";[25] The Observer described The Book of Evidence as "flawlessly flowing prose whose lyricism, patrician irony and aching sense of loss are reminiscent of Lolita." Gerry Dukes, reviewing The Sea in the Irish Independent, hailed Banville as a "lord of language".[26]

Banville has said that he is "trying to blend poetry and fiction into some new form".[12] He writes in the Hiberno-English dialect and dreads this being lost if he were to move abroad as other Irish writers have done.[1]

Four of Banville's novels (and one of Black's) have featured the trope of a character's eyes darting back and forth "like a spectator at a tennis match".[27]

Influences[edit]

Banville said in an interview with The Paris Review that he liked Vladimir Nabokov's style; however, he went on, "But I always thought there was something odd about it that I couldn't quite put my finger on. Then I read an interview in which he admitted he was tone deaf."[13] Heinrich von Kleist is influential, Banville having written adaptations of three of his plays (including Amphitryon [de]), as well as using the myth of Amphitryon as a basis for his novel The Infinities.[28]

Banville has said that he imitated James Joyce as a boy: "After I'd read The [sic] Dubliners, and was struck at the way Joyce wrote about real life, I immediately started writing bad imitations of The [sic] Dubliners."[12] However, The Guardian reports: "Banville himself has acknowledged that all Irish writers are followers of either Joyce or Beckett — and he places himself in the Beckett camp."[24] He has also acknowledged other influences. During a 2011 interview on the program Charlie Rose, Rose asked, "The guiding light has always been Henry James?" and Banville replied, "I think so, I mean people say, you know, I've been influenced by Beckett or Nabokov but it's always been Henry James ... so I would follow him, I would be a Jamesian."[29][failed verification] Meanwhile, in a 2012 interview with Noah Charney, Banville cited W. B. Yeats and Henry James as the two real influences on his work.[1] Responding to the accusation that Fyodor Dostoevsky and Albert Camus were worthy comparisons, Banville said: "Dostoyevsky is such a bad writer it is hard to take him seriously... Ditto Camus".[1]

Philosophy[edit]

In 2011, he offered to donate his brain to The Little Museum of Dublin "so visitors could marvel at how small it was".[30]

He considers himself to be "incurably terrified of air travel", fearing "the plane going down amid the terrible shrieking of engines and passengers".[1]

On 21 August 2017, the RTÉ Radio 1 weekday afternoon show Liveline was discussing a report on Trinity College Dublin's use of 100,000 animals to conduct scientific research over the previous four years when a listener pointed out that Banville had previously raised the matter but been ignored. Banville personally telephoned Liveline to call the practice "absolutely disgraceful" and told the tale of how he had come upon some revolting women:[31]

I was passing by the front gates of Trinity one day and there was a group of mostly young women protesting and I was interested. I went over and I spoke to them and they said that vivisection experiments were being carried out in the college. This was a great surprise to me and a great shock, so I wrote a letter of protest to The Irish Times. Some lady professor from Trinity wrote back essentially saying Mr. Banville should stick to his books and leave us scientists to our valuable work. After that my late friend, [Lord Gahan,?][clarification needed] wrote another letter to The Times and he suggested well, if vivisection is not harmful and painful to animals, why don't the experimenters themselves volunteer to undergo the experiments? Why involve animals? It seemed to me an unanswerable question... I'm no expert on these matters. I claim no expertise but I'm told that vivisection is of no consequence, that you don't really need it, certainly not in this day and age, and I think if, as the vivisectionists assure us, the animals don't suffer, then why don't they volunteer themselves? It would be much better to have a human being to experiment on than an animal. [At this point the presenter questioned whether he really meant this]. No, I'm not being tongue-in-cheek! I'm absolutely serious! I mean why don't they conduct experiments on each other? Why bring animals in? ... We certainly should not be inflicting needless pain on innocent animals... If there's no pain, no distress... ask for human volunteers. Pay them money.

Asked if he received any other support for his stance in the letter he sent to The Irish Times, he replied:

"No... I became entirely dispirited and I thought, 'Just shut up, John. Stay out of it because I'm not going to do any good'. If I had done any good I would have kept it on. I mean, I got John Coetzee, you know, the famous novelist, J. M. Coetzee, I got him to write a letter to The Irish Times. I asked a lot of people. Oddly, I asked uh, uh, well I won't say who it was, but I asked an international anti-vivisection person, well no, an international animal rights person, to contribute, but he said that he wasn't actually against vivisection, which seems to me a very peculiar stance to take".

This for Banville was a rare intervention of its kind, revealing to the public a different side — as he acknowledged when the presenter asked him if he had a history of objecting to activities such as blood sport:

"I don't use my public voice to make protests. It was just on this one occasion it seemed that something could be done. The only effect it has had, as far as I can see, is that the following year there were about twice as many experiments. So much for the intellectual raising his voice in protest".

When the subject of eating meat was raised, Banville responded: "I don't".[31]

Bibliography[edit]

Banville has published novels, short stories, plays, non-fiction and book reviews.[32]

Novels[edit]

  • Nightspawn. London: Secker & Warburg, 1971
  • Birchwood. London: Secker & Warburg, 1973
  • The Revolutions Trilogy :
  • Mefisto. London: Secker & Warburg, 1986
  • The Frames Trilogy

Short stories[edit]

  • Long Lankin. London: Secker & Warburg, 1970; revised edition 1984

Plays[edit]

  • The Broken Jug. Oldcastle: Gallery, 1995 (after Heinrich von Kleist's play of that name)
  • Seachange. Unpublished (performed 1994 in the Focus Theatre, Dublin)
  • Dublin 1742. Unpublished (performed 2002 in The Ark, Dublin; a play for those between the ages of nine and fourteen)
  • God's Gift: A Version of Amphitryon by Heinrich von Kleist. Oldcastle: Gallery, 2000
  • Love in the Wars. Oldcastle: Gallery, 2005 (adaptation of Heinrich von Kleist's Penthesilea)
  • Todtnauberg. Radio play aired by the BBC in January 2006; later reissued as Conversation in the Mountains in 2008.[33] about the conversations between Paul Celan and Martin Heidegger (and his relationship with Hannah Arendt) at Todtnauberg in the Black Forest in Germany.

Non-fiction[edit]

  • Prague Pictures: Portrait of a City. London: Bloomsbury, 2003
  • Time Pieces: A Dublin Memoir. Dublin: Hachette Books, 2016

Book reviews[edit]

Year Review article Work(s) reviewed Notes
1994 Banville, John (2 November 1994). "War without peace". The New York Review of Books. 41 (18). pp. 4–6. Aksyonov, Vasily. Generations of winter. Translated by John Glad and Christopher Morris. Random House.
2004 Banville, John (1 May 2004). "Light but sound". The Guardian. Kundera, Milan (1984). The Unbearable Lightness of Being. Faber and Faber. On the twentieth anniversary of its publication
2007 Banville, John (28 June 2007). "The Family Pinfold". The New York Review of Books. 54 (11). pp. 20–21. Waugh, Alexander. Fathers and sons: the autobiography of a family.
2017 Banville, John (March 2017). "The Master by the Arno". Literary Review (451). James, Henry. The Portrait of a Lady.

Pseudonymous works[edit]

The following have been published as Benjamin Black:

  1. Christine Falls. London: Picador, 2006
  2. The Silver Swan. London: Picador, 2007
  3. A Death in Summer. London: Mantle, 2011
  4. Elegy for April. London: Picador, 2011
  5. Vengeance. London: Mantle, 2012
  6. Holy Orders. New York: Henry Holt, 2013
  7. Even the Dead. London: Penguin, 2016
  • The Lemur. London: Picador, 2008 (previously serialised in The New York Times)
  • The Black-Eyed Blonde. New York: Henry Holt, 2014 (a Philip Marlowe novel)[34]
  • Prague Nights. London: Penguin, 2017 (known to U.S. readers as Wolf on a String)
  • The Secret Guests, 2020

Screenwriting[edit]

Awards and honours[edit]

Year Prize Work Ref(s)
1973 Allied Irish Banks' Prize Birchwood [36]
1973 Arts Council Macaulay Fellowship Birchwood [36]
1975 American Ireland Fund Literary Award Doctor Copernicus [36]
1976 James Tait Black Memorial Prize Doctor Copernicus [36]
1981 Guardian Fiction Prize Kepler [36]
Allied Irish Bank Fiction Prize Kepler
American-Irish Foundation Award Birchwood
1984 Elected to the Irish arts association, Aosdána [37]
1989 Guinness Peat Aviation Award The Book of Evidence [36]
Booker Prize, shortlist The Book of Evidence [36]
1991 Premio Ennio Flaiano The Book of Evidence [38]
1997 Lannan Literary Award for Fiction The Untouchable [36][39]
2001 Voluntarily resigned from Aosdána to make way for another artist [6]
2003 Premio Nonino [it] [38]
2005 Booker Prize The Sea [36]
2006 Irish Book Awards Novel of the Year The Sea
2006 British Book Awards Author of the Year, shortlist The Sea [36]
2007 Royal Society of Literature Fellowship
Prix Madeleine Zepter [it]
Foreign Honorary Member of the American Academy of Arts and Sciences [40]
2009 Honorary Patronage of the University Philosophical Society at TCD
2010 Irish Book Awards, Irish Book of the Decade, shortlist The Sea [36]
2011 Franz Kafka Prize [41]
2012 Irish Book Awards, Novel category Ancient Light [42]
2013 Irish PEN Award [43]
2013 Austrian State Prize for European Literature [44]
2013 Irish Book Awards (Bob Hughes Lifetime Achievement Award) [45]
2014 Prince of Asturias Award for Literature [46]
2017 RBA Prize for Crime Writing Snow [??] [47]
2017 American Academy of Achievement's Golden Plate Award [48]
2017 StellaItalia-Cav.png Ordine della Stella d'Italia [5]

2005 Booker Prize[edit]

Banville won the Booker Prize in 2005 for The Sea, after having been on the short list in 1989 for The Book of Evidence. His later work was contending with novels by Kazuo Ishiguro, Julian Barnes, Ali Smith, Sebastian Barry and Zadie Smith.[49] The judges vote was split between Banville and Ishiguro, and Chairman of Judges John Sutherland cast the winning vote in favour of Banville.[49]

Earlier that year Sutherland had written approvingly of Ian McEwan's novel Saturday. Banville strongly criticized the work in The New York Review of Books. Banville later admitted that, upon reading Sutherland's letter in response to his review, he had thought: "[W]ell, I can kiss the Booker goodbye. I have not been the most popular person in London literary circles over the past half-year. And I think it was very large of Sutherland to cast the winning vote in my favour."[49]

Banville was noted for having written a letter in 1981 to The Guardian requesting that the Booker Prize, for which he was "runner-up to the shortlist of contenders", be given to him so that he could use the money to buy every copy of the longlisted books in Ireland and donate them to libraries, "thus ensuring that the books not only are bought but also read – surely a unique occurrence."[50][51]

When his The Book of Evidence was shortlisted for the 1989 Booker Prize, Banville said a friend, whom he described as "a gentleman of the turf", instructed him "to bet on the other five shortlistees, saying it was a sure thing, since if I won the prize I would have the prize-money, and if I lost one of the others would win ... But the thing baffled me and I never placed the bets. I doubt I'll be visiting Ladbrokes any time soon".[7]

2011 Kafka Prize[edit]

In 2011, Banville was awarded the Franz Kafka Prize.[52] Marcel Reich-Ranicki and John Calder featured on the jury.[53] Banville described the award as "one of the ones one really wants to get. It's an old style prize and as an old codger it's perfect for me ... I've been wrestling with Kafka since I was an adolescent" and said his bronze statuette trophy "will glare at me from the mantelpiece".[54]

Nobel Prize in Literature[edit]

Banville is considered a contender for the Nobel Prize in Literature.[7][8]

Private life[edit]

Banville married American textile artist Janet Dunham, and their two sons are now adults. They met during his visit to San Francisco in 1968 where she was a student at the University of California, Berkeley. Dunham described him during the writing process as being like "a murderer who's just come back from a particularly bloody killing".[49] They have separated.

Banville lives with Patricia Quinn, former head of the Arts Council of Ireland. They have two daughters together.

He lives in Dublin.[1]

See also[edit]

Notes[edit]

  1. ^ The Gallery Press published only 260 copies of this little book for children, with illustrations by Conor Fallon, in support of The Ark Cultural Centre for Children. As a result, used copies of The Ark can retail online at great expense; for example Number 52, signed by Banville and Fallon, became available for £500.[55]

Further reading[edit]

  • John Banville by Neil Murphy; Bucknell University Press (2018); ISBN 978-1-61148-872-2
  • John Banville by John Kenny; Irish Academic Press (2009); ISBN 978-0-7165-2901-9
  • John Banville, a critical study by Joseph McMinn; Gill and MacMillan; ISBN 0-7171-1803-7
  • The Supreme Fictions of John Banville by Joseph McMinn; (October 1999); Manchester University Press; ISBN 0-7190-5397-8
  • John Banville: A Critical Introduction by Rüdiger Imhoff (October 1998) Irish American Book Co; ISBN 0-86327-582-6
  • John Banville: Exploring Fictions by Derek Hand; (June 2002); Liffey Press; ISBN 1-904148-04-2
  • Irish University Review: A Journal of Irish Studies: Special Issue John Banville Edited by Derek Hand; (June 2006)
  • Irish Writers on Writing featuring John Banville. Edited by Eavan Boland (Trinity University Press, 2007).

References[edit]

  1. ^ a b c d e f g h i j k Charney, Noah (3 October 2012). "How I Write: John Banville on 'Ancient Light,' Nabokov and Dublin". The Daily Beast. Retrieved 20 March 2018. What is odd is that no one ever seems to notice that the two real influences on my work are Yeats and Henry James.
  2. ^ "John Banville." Dictionary of Irish Literature. Ed. Robert Hogan. Westport, Connecticut: Greenwood Press, 1996. ISBN 0-313-29172-1.
  3. ^ a b So, Jimmy (1 October 2012). "This Week's Hot Reads". The Daily Beast. Retrieved 1 October 2012.
  4. ^ "Archived copy". Archived from the original on 27 October 2014. Retrieved 26 October 2014.CS1 maint: Archived copy as title (link)
  5. ^ a b Doyle, Martin (25 October 2017). "John Banville is knighted by Italy". The Irish Times. Retrieved 25 October 2017.
  6. ^ a b "Former Members of Aosdána". Aosdána. Archived from the original on 14 October 2007. Retrieved 27 October 2007.
  7. ^ a b c Spain, John (29 September 2011). "Well-fancied Banville plays down talk of Nobel Prize". Irish Independent. Retrieved 29 September 2011.
  8. ^ a b "There is no better man than Banville for Nobel Prize". Irish Independent. 8 October 2011. Retrieved 8 October 2011.
  9. ^ "Vonnie Banville Evans".
  10. ^ Evans, Vonnie Banville (1994). The House in the Faythe. Dublin: Code Green. ISBN 978-1-907215-12-4.
  11. ^ a b "The Long Awaited, Long-Promised, Just Plain Long John Banville Interview". The Elegant Variation. 26 September 2005. Retrieved 26 September 2005.
  12. ^ a b c d Leonard, Sue (5 September 2009). "John Banville". Irish Examiner. Retrieved 5 November 2009.
  13. ^ a b "John Banville, The Art of Fiction No. 200". The Paris Review, No. 188, Spring 2009.
  14. ^ "The day the Press stopped rolling". Western People. 25 May 2005. Archived from the original on 5 February 2008. Retrieved 27 October 2007.
  15. ^ "Animal Testing". RTÉ Radio 1. 21 August 2017. When the subject of eating meat was raised (from about 3 minutes in), Banville responded: "I don't" (at exactly 3 minutes and 28 seconds).
  16. ^ Royle, Nicholas (12 January 2013). "The allure of the first novel". The Guardian. Retrieved 12 January 2013.
  17. ^ a b Bernstein, Richard (15 May 1990). "Once More Admired Than Bought, A Writer Finally Basks in Success". The New York Times.
  18. ^ "Is John Banville better than Benjamin Black?". Book Brunch. 3 August 2009. Retrieved 3 August 2009.
  19. ^ Tom Adair (19 January 2008). "Booker winner drawn by appeal of Black magic". The Age. Melbourne.
  20. ^ "Soy un poeta que escribe en prosa". La Nación (in Spanish). 19 July 2008. Retrieved 19 July 2008 – via forum calamaro.mforos.com.
  21. ^ Gekoski, Rick (28 March 2013). "Writing a book isn't supposed to be fun". The Guardian. Retrieved 28 March 2013.
  22. ^ Langan, Sheila (28 September 2011). "Banville on Black". Irish America (magazine). Retrieved 28 September 2011.
  23. ^ "Shroud". Random House. 2004. Archived from the original on 19 May 2011. Retrieved 27 October 2007.
  24. ^ a b c "John Banville". The Guardian. 22 July 2008. Retrieved 22 July 2008.
  25. ^ Nolan, Val (6 September 2009). "Banville shines with profound rendering of a parallel universe". The Sunday Business Post. Retrieved 6 September 2009.[permanent dead link]
  26. ^ Dukes, Gerry (28 May 2005). "John Banville: lord of language". Irish Independent.
  27. ^ "John Banville Spectates Tennis".
  28. ^ Miller, Laura (5 March 2010). "Oh, Gods". The New York Times. Retrieved 5 March 2010.
  29. ^ "Author John Banville gives insight into his alter ego, crime novelist Benjamin Black, and reflects on his writing process". Charlie Rose. 14 July 2011. Archived from the original on 2 November 2011.
  30. ^ Stein, Michelle (21 October 2011). "'Little Museum of Dublin' to open". The Irish Times. Irish Times Trust. Retrieved 21 October 2011.
  31. ^ a b Halpin, Hayley (21 August 2017). "'Why don't they volunteer themselves?': Trinity College criticised over animal testing - A total of 3,000 rats and 21,000 mice were used in Trinity College Dublin in 2016 alone". TheJournal.ie. Archived from the original on 21 August 2017. Note that the source's transcript is not exactly verbatim when compared to the actual radio recording.
  32. ^ "Bibliography". 27 November 2018. Archived from the original on 1 April 2019.
  33. ^ "Conversation in the Mountains – A Brief Q&A With John Banville". 1 July 2008. Archived from the original on 3 August 2008.
  34. ^ Williams, Tom (27 May 2013). "The Black-Eyed Blonde – Benjamin Black's new Philip Marlowe novel". Tom Williams' Blog: A blog by a biographer of Raymond Chandler and literary agent. Archived from the original on 26 September 2013. Retrieved 29 May 2013.
  35. ^ Seascape (TV 1994) on IMDb
  36. ^ a b c d e f g h i j k "Writers: John Banville". Retrieved 1 March 2012..
  37. ^ "Former Members of Aosdána". Aosdána. Archived from the original on 14 October 2007. Retrieved 27 October 2007.
  38. ^ a b "Benjamin Black is John Banville". BenjaminBlack.com. Retrieved: 2012-03-01.
  39. ^ "1997 John Banville: Lannan Literary Award for Fiction". Lannon Foundation. Retrieved: 2012-03-01.
  40. ^ "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved 17 May 2011.
  41. ^ Spain, John (26 May 2011). "Banville gets top book award". Irish Independent. Retrieved 26 May 2011.
  42. ^ Boland, Rosita (23 November 2012). "Banville wins novel of year at awards". The Irish Times. Retrieved 23 November 2012.
  43. ^ "John Banville to receive the 2013 Irish PEN Award for Outstanding Achievement in Irish Literature". Irish PEN. Retrieved 14 January 2013.
  44. ^ "John Banville erhält den Österreichischen Staatspreis für Europäische Literatur 2013". bmukk.gv.at (in German). 23 April 2013. Archived from the original on 25 April 2013. Retrieved 23 April 2013.
  45. ^ Mackin, Laurence (27 November 2013). "Roddy Doyle's 'The Guts' named novel of the year". The Irish Times. Retrieved 27 November 2013. John Banville was given the Bob Hughes Lifetime Achievement Award 2013, and a screened tribute to Seamus Heaney featured contributions from former US president Bill Clinton and writer Edna O'Brien, who called Heaney a "very deep and radical poet".
  46. ^ Manrique Sabogal, Winston (6 June 2014). "John Banville, Príncipe de Asturias de las Letras". El País. Retrieved 6 June 2014.
  47. ^ "El XI Premio RBA de Novela Policíaca recae en Benjamin Black con 'Pecado'". Lecturas (in Spanish). 8 September 2017. Retrieved 13 September 2017.
  48. ^ "John Banville Biography and Interview". www.achievement.org. American Academy of Achievement.
  49. ^ a b c d Brockes, Emma (12 October 2005). "14th time lucky". The Guardian. Retrieved 12 October 2005.
  50. ^ "Man Booker Prize: a history of controversy, criticism and literary greats". The Guardian. 18 October 2011. Retrieved 18 October 2011.
  51. ^ "A novel way of striking a 12,000 Booker Prize bargain". The Guardian. 14 October 1981. p. 14.
  52. ^ "John Banville awarded Franz Kafka Prize". CBS News. 26 May 2011. Retrieved 26 May 2011.
  53. ^ "Irish novelist wins Kafka prize". The Chronicle Herald. 27 May 2011. Retrieved 27 May 2011.
  54. ^ Flood, Alison (26 May 2011). "John Banville wins Kafka prize: Irish novelist given honour thought by some to be a Nobel prize augury". The Guardian. Retrieved 26 May 2011.
  55. ^ "The Ark". AbeBooks. 1996. Archived from the original on 31 March 2019.

External links[edit]

Benjamin Black

Articles