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Keston's best known acting performance may be his portrayal of Gehn, the complex villain from the video game Riven: The Sequel to Myst (1997). The character has developed a cult following. (A short scene in which Keston is heard singing "O Sole Mio" is hidden in the game, in a type of file known as an Easter egg. It was unscripted—filmed while Keston gave an impromptu performance when waiting between takes.)
In 1968, John Keston appeared with Juliet Prowse in the original West End (London) production of Neil Simon's Sweet Charity at the Prince of Wales Theatre, in the role of Vittorio Vidal, receiving billing directly below the title. The show was conceived, staged and choreographed by Bob Fosse (who also made significant but uncredited contributions to the book). Keston appears on the cast album of that production. He once recalled his audition for Neil Simon, who was bringing the hit show to London from Broadway. Being a trained singer, Keston wanted to be taken seriously as an actor. When asked if he could sing, he said, "A bit." He was taken aside for his vocal audition, gave an excellent performance, and got the job.
Charity was his only West End credit; he had previously appeared in London productions of Sleeping Beauty, House of Cards, The Ideal Husband, Private Lives, and Billy. He also toured in the revue Fol-De-Rols. British television appearances included Department S, Lord Byron, and U.F.O.
For a time, Keston made a living as a model; his print ads appeared in such magazines as Stern.
In 1974, Keston travelled to Washington, D.C. with the Royal Shakespeare Company's touring production of Sherlock Holmes, directed by Frank Dunlop, with artistic director Trevor Nunn. The company commenced its tour on 7 October at Kennedy Center's Eisenhower Theatre. A month later, the show began previews at Broadway's Broadhurst Theater, opened on 12 November, and ran 471 performances. It received four Tony nominations and two Tony awards. It gave Keston his sole Broadway credit for his performance as Sir Edward Leighton.
(It was the eighth time that particular play—co-written by Sir Arthur Conan Doyle—was produced on Broadway, the first time being in 1899; it has not played on Broadway since. The full title of the play is Sherlock Holmes: Being a hitherto unpublished episode in the career of the great detective and showing his connection with the STRANGE CASE OF MISS FAULKNER.)
Keston continued his career in the US as a performing artist, appearing in summer stock, cabaret, and opera engagements. He also portrayed the photographer Alfred Stieglitz in a film.
Keston wrote, produced and performed a one-man show, Expressions of Aging. This two-act play with music reflects his love of history, acting, music, and the English language, on the theme of growing old. He performs selections from it to this day. The first act is straight acting—no music. Keston relates autobiographical episodes of his early days as an actor, when he would dash to the theatre by train with just enough time to make up. Then, in full view of the audience—and in almost no time—he puts on a dash of make-up, applies a wig and beard with spirit gum, and slips into a nightgown, to become the historian John Aubrey in his late life. Speaking in an English accent, Aubrey tells tales, complains about his ailments, and relates court gossip.
The second act is musical, performed with a piano accompanist. Poems, selections from Gerald Finzi's A Young Man's Exhortation, and other songs about the transition from youth to old age make up the act. Keston is a tenor, and employs his voice to cry out with a characteristically tremulous passion, to poignant effect.
Eventually, Keston and his family settled in Bemidji, Minnesota, where he had been recruited by Dr. Fulton Gallagher to teach voice in the music department of Bemidji State University. During his career there, he was the preferred vocal instructor for many talented and ambitious students, many of whom went on to become accepted into graduate programs at the country's most prestigious music conservatories.
He appeared as The Jester in annual Madrigal Dinners, presented by The Bemidji Choir and The Chamber Singers under the direction of choral conductor Paul Brandvik. This role included the performance of Shall I, Mother, Shall I, a work by Brandvik for three choirs and tenor soloist. It tells the passion story from the viewpoint of a little child.
Keston presented voice recitals, performed with the Bemidji Opera Society both in full opera productions and in Opera Night (a sort of opera revue with Italian food), and continued to present his one-man show in the region. In addition to teaching private voice lessons, he gave classes in foreign diction for singers and assisted students with their voice recitals.
He wrote a thesis on composer Gerald Finzi, whose natural treatment of spoken cadence in his melodies appealed to Keston. His declamatory style of singing—appropriate for a Shakespearean actor—is well suited to Finzi's works.
While at BSU, he became increasingly serious about his running, and, between classes, sometimes trained by running up the five flights of stairs at Bangsberg Hall, the school's music and theatre facility.
On 30 September 2001, at age 76, he set a world age record when he ran a 3:22:59 marathon in the Portland Marathon. This was after a comeback following an accident that may have ended his running career. On 2 April 2005, at age 80, he ran the 15k in 59:00. In 1996, at age 71, he barely missed becoming the only runner over age 70 to break 3 hours in the marathon, as he posted a 3:00:58 at the 1996 Twin Cities Marathon. At age 78 he set a world age record for 12-kilometers in the Bloomsday Run. At age 80, he set an American record in his division of the mile run at the USA Masters Indoor Track and Field Championship (Jacksons Track, Nampa, Idaho), running it in 6:48.02, to beat Paul Spangler's 1979 record of 7:04.20. In 2005, he ran times in two USA Track & Field events which are pending as world records (as of 14 August).
On 14 May 2005, Keston became the oldest sub-7 miler in history by running the mile in 6:48:2 in the Fountain of Youth Masters Mile at Canby High School, Canby, Oregon. This beat by more than a minute the previous indoor record set by American Henry Sypniewski, who, at age 81, ran the mile in 7:51:9 in June 2000. This was reported in the 15 May 2005 issue of Runners World. At this event, he also set a world record for the 3000m, running it in 13:30:77. It is not known at the time of this writing whether these record have been officially certified, or whether the event is world-record qualifying.
He holds the half-marathon M80 world record, running it in 1:39:27 on 15 April 2005, at the sixth annual Earth Day Half Marathon in St. Cloud, Minnesota.
He often sings the American and Canadian national anthems at running events, at the starting line just before the race begins, and is a popular invitee to races nationwide. He also presents lectures at these events, speaking about his experiences and challenges as a Masters athlete.
He holds the current, ratified M75 American records for 5000 meters, and 10,00 meters. He holds many other US and world age records, and continues to compete in marathons and other track and field events. He began running at age 55 to combat mild hypertension.
The USA Track & Field inducted him into the USATF Masters Hall of Fame in 2001.
Keston is still running at age 92.
Keston served in the Royal Air Force during World War II.
He became a US citizen in 1995, and lives in Sunriver, Oregon with his wife Anne. He is currently working on a memoir, with the working title Expressions of Aging. His son John is a musician and teacher. He also has a daughter, Pamela.
He has another son, Richard, and three sons from a previous marriage: Philip, Michael and Tony.