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John Lanchbery

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John Arthur Lanchbery OBE (15 May 1923 – 27 February 2003) was an English-Australian composer and conductor, famous for his ballet arrangements. He served as the Principal Conductor of the Royal Ballet from 1959 to 1972, Principal Conductor of the Australian Ballet from 1972 to 1977, and Musical Director of the American Ballet Theatre from 1978 to 1980.[1][2][3] He continued to conduct regularly for the Royal Ballet until 2001.[4]

Lanchbery was widely considered (including by Nureyev) to be the greatest ballet conductor of his time,[2] and to be ‘a conductor and music director of unmatched experience’ who was ‘directly responsible for raising the status and the standards of musical performance'.[1] Maina Gielgud, Artistic Director of Australian Ballet, stated that "He [Lanchbery] is not only the finest conductor for dance of his generation and probably well beyond".[1] One critic wrote that ‘the music was always on its best behaviour’ when Lanchbery was conducting.[2] He was also famous for his re-adaptation of canonical works.[2][1]

Early life[edit]

Lanchbery was born in London on 15 May 1923, where he began violin lessons and music composition when he was eight years of age.[2][1] He was educated at Alleyn's School,[2] where he formed a collaborative partnership with Peter Stanley Lyons[5] who was later a famous chorister, and with Kenneth Spring who was the founder of the National Youth Theatre and whose composer mother encouraged Lanchbery's musical talent.[6] Lanchbery was in 1942 awarded the Henry Smart Composition Scholarship to the Royal Academy of Music, where he studied under Sir Henry Wood until his studies were interrupted by the war, during which he served in the Royal Armoured Corps, after which Lanchbery returned to the RAM to study for two more years before he returned to Alleyn's School as a music master. He was declined the job of Alleyn's School's Director of Music, and subsequently worked for a music publisher.[2][1]

Musical career[edit]

Conductor of London Metropolitan Ballet and Sadler's Wells Theatre Ballet: 1948–1959[edit]

Lanchbery was recommended to apply for the post of Conductor of the Metropolitan Ballet.[7] He obtained the position and made his debut with them at Edinburgh in 1948.[1] Two years later the orchestra collapsed for lack of funds. However, working with choreographer Celia Franca, Lanchbery wrote The Eve of St Agnes (the story was based on John Keats' poem of the same name), one of the first commissioned ballets to be shown on BBC television.[1] He composed film scores for Eric Robinson[2] before joining the Sadler's Wells Theatre Ballet (later the Royal Ballet touring company) in 1951, with whom he proceeded to orchestrate, in 1953, the first professional ballet choreographed by Kenneth MacMillan: Somnambulism whose music was composed with music by Stan Kenton. Lanchbery also orchestrated The House of Birds (La Casa de los Pájaros) in 1955, with original music by Federico Mompou.

Principal Conductor of Royal Ballet: 1959–1972[edit]

Lanchbery served as Principal Conductor of the Royal Ballet from 1959 from 1972.[2] He arranged the music for the ballet La fille mal gardée, to choreography by Frederick Ashton, for the Royal Ballet in 1960. The pastiche score for Ashton's La fille mal gardée included music by Donizetti, Martini, Rossini, and Peter-Ludwig Hertel, as well as material composed by Lanchbery himself.[2] The music for the famous Clog Dance, originally by Hertel, was used for many years as a theme tune for Home This Afternoon on BBC radio.[1] In 1960 the dancer Rudolf Nureyev staged The Kingdom of the Shades scene from Marius Petipa's ballet La Bayadère for the Royal Ballet, and Lanchbery was commissioned to create a new arrangement of Ludwig Minkus's music. Eventually he would create a new version of the complete score.

In addition to the revenue from his recordings, Lanchbery had his income supplemented by the copyright he earned from his orchestral arrangements, which were used by ballet companies all over the world. With Ashton, he composed The Two Pigeons; A Month in the Country; The Dream; and one of the most critically acclaimed ballet versions of A Midsummer Night's Dream.

In 1966 Rudolf Nureyev asked Lanchbery to reorchestrate Ludwig Minkus's score for the ballet Don Quixote.

Although he resigned from the position of Director of the Royal Ballet in 1972, he continued to conduct regularly for the company until 2001.[4]

Principal Conductor of Australian Ballet: 1972–1977[edit]

Notable successes for Lanchbery included the arrangement of the Liszt music for Kenneth MacMillan's stormy multi-act Mayerling, which premiered at Covent Garden in 1978, and the arrangement of the Franz Lehár score for the first full-length ballet production of The Merry Widow for the Australian Ballet in 1976. In 1971, he composed the music for the ballet film The Tales of Beatrix Potter.[1] His sources were many and varied, including the operas of Michael William Balfe and Arthur Sullivan.[8] He also arranged the music and conducted the orchestra for Nijinsky in 1980.

Lanchbery was the first to convert operas into ballets (The Tales of Hoffmann, The Merry Widow, Die Fledermaus),[1] and he also wrote music for some British films of the 1950s, including Deadly Nightshade (1953) and Colonel March Investigates (1955). He was involved in The Turning Point (1977), starring Mikhail Baryshnikov and Leslie Browne, and his score for Evil Under the Sun (1982) was based on songs by Cole Porter, a memorable rendition of "You're The Top" by Diana Rigg. He also wrote scores for two silent film classics: D. W. Griffith's The Birth of a Nation and John Ford's The Iron Horse.[7]

Director of American Ballet Theatre: 1978–1980[edit]

The American Ballet Theatre used 14 Lanchbery arrangements between 1962 and 2002:[3] he was the Musical Director of the Company between 1978 and 2002. Their productions included his arrangement, for Natalia Makarova, Minkus's La Bayadère in 1980. Lanchbery arranged more than 30 pieces by Franz Liszt[1] for Macmillan's Mayerling, which premiered at Covent Garden in 1978. Nureyev staged the full-length La Bayadère for the Paris Opera Ballet in 1992, which proved to be his final production before his death. Minkus's score was presented in its original orchestration for Nureyev's version, the parts having been obtained from the Mariinsky Theatre's library by Nureyev himself. Nureyev photo copied the score himself, which were poorly done with entire parts of the pages cut off. This required Nureyev to call upon Lanchbery to fix the passages of the score that were missing, but always staying true to Minkus's original intentions. [2] Nureyev considered Lanchbery to be the greatest ballet conductor of his time.[9]

Visiting conductor[edit]

In addition to London, Australia, and Sweden, Lanchbery was a guest conductor at many of the world's leading opera houses, including Paris, Stockholm, Rio de Janeiro, New York and Houston. He also toured Japan, Russia and China.[2] He received honours from Russia and Sweden.[7]


Lanchbery was the first non-Soviet conductor to receive the Bolshoi Medal. He also received the Carina Ari Medal[3] and the Queen Elizabeth II Coronation Award, Britain's highest professional award.[1] In 1990 he was appointed an Officer of the Order of the British Empire.[2][1]

Personal life[edit]

Lanchbery married a Sadler's Wells principal Elaine Fifield in 1951. They had a daughter, Margaret Lanchbery, and divorced in 1960: Elaine died in 1999.[7] Lanchbery became an Australian citizen in 2002, making his home in Melbourne, where he died on 27 February 2003. He was survived by his daughter, Margaret, of Melbourne, and his companion, Thomas Han.[2][3]

He was a member of the Garrick Club.[10]


Some of the most popular ballets are arrangements of works written for a different purpose. Perhaps the best-known is Alexander Glazunov's arrangement of Frédéric Chopin's piano music into the ballet Les Sylphides. Another famous example is La boutique fantasque, an arrangement of Gioachino Rossini's music by Ottorino Respighi in 1919. However, Lanchbery was the most successful and prolific arranger of music for ballet.

Lanchbery's works included supporting tertiary students: during a 1976 visit to Australia, Lanchbery conducted the 27th Intervarsity Choral Festival choir performing Rossini's Petite messe solennelle and Gaudeamus igitur in Hobart.[11]


  1. ^ a b c d e f g h i j k l m n "Obituary of John Lanchbery, The Guardian". The Guardian. 28 February 2003. Retrieved 22 August 2014.
  2. ^ a b c d e f g h i j k l m n "Obituary of John Lanchbery, The Telegraph". The Daily Telegraph. 1 April 2003. Retrieved 22 August 2014.
  3. ^ a b c d Anderson, Jack (28 February 2003). "New York Times, John Lanchbery". The New York Times.
  4. ^ a b "Royal Opera House, People, John Lanchbery".
  5. ^ Obituary of Peter Stanley Lyons, Rutland and Stamford Mercury, Friday, 20 April 2007
  6. ^ John Lanchbery, 'Ken Spring obituary', Edward Alleyn Club Magazine (Spring 1998).
  7. ^ a b c d e f g h i j Nadine Meisner (3 March 2003). "Obituary: John Lanchbery". The Independent. Archived from the original on 6 September 2009. Retrieved 21 June 2009.
  8. ^ Sullivan's contribution included "O turn thine eyes away" from The Beauty Stone.
  9. ^ Rodney Stenning Edgecombe: "It had been [Frederick] Ashton's good fortune to have Constant Lambert as his mentor in his early career, but his later years were dominated by a musical butcher called John Lanchbery." The Edinburgh Companion to Shakespeare and the Arts edited by Mark Thornton Burnett, Adrian Streete, Ramona Wray. Edinburgh University Press, 2011: page 211
  10. ^ Garrick Club, London, Official Newsletter, 2011
  11. ^ "The 27th Intervarsity Choral Festival: HOBART, 8 May–24 May 1976". Archived from the original on 9 March 2015. Retrieved 27 January 2015.


  • "John Lanchbery". Times Online Obituary. London. 28 February 2003. Retrieved 21 June 2009.

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