John Myers (photographer)

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John Myers (born 1944) is a British landscape and portrait photographer[1] and painter.[2] Between 1973 and 1981 he photographed mundane aspects of middle class life in the centre of England—black and white portraits of ordinary people and suburbia within walking distance of his home in Stourbridge.

Myers self-published this photography in books in 1974 and 1990; then only after renewed critical attention in 2011 were more books dedicated solely to his photography published.[3] His work was included in the international survey of photographers, The Photography Book (Phaidon Press, 2014). Since the early 1970s he has exhibited in the UK and Europe. His work is held in the collection of the Library of Birmingham, in the Arts Council Collection, and in the James Hyman Collection.

He later gave up photography for painting and had a solo exhibition in 2003 at Rugby Art Gallery and Museum.

Myers worked as a lecturer in fine art, then painting, from 1969 to 2001.

Life and work[edit]

Originally from Bradford, Myers has been based in the Black Country town of Stourbridge, in the West Midlands, since graduating from art school in Newcastle in 1969.[4]

His photographs between 1972 and 1979 were all made within walking distance of his home, mostly of people and places that he knew.[5] His self-published book from this period, Middle England (1974), contains black and white portraits of individuals and families,[4] which were also included in his first major exhibition at Ikon Gallery, Birmingham, in 2012.[6] His black and white photographs of "garages, TVs, electricity substations, new builds and his neighbours" in The World is not Beautiful: 1973–1981 (published 2017) were also made within walking distance of his house.[7] He has also extensively photographed British industry.[7]

Myers used a 4×5 large format Gandolfi camera[1][7] that takes some time to set up and to use. He has noted the influence of photographers August Sander, Lewis Hine, Walker Evans, Eugene Atget, and Diane Arbus.[1]

His photographic archive from 1972 to 1981 is held in the Library of Birmingham's photography collection.[8] The archive contains 134 of his portraits, mainly from 1973 to 1975; and roughly 160 photographs of aspects of the urban environment, from 1974 to 1981.[9]

Although his work is thoroughly English in feel, Myers was a contemporary of, and can be favourably compared to, American Landscape photographers including Stephen Shore, Lewis Baltz & Robert Adam[s]. Closely echoing minimalist sculpture, Myers' imagery pares landscape back to its most minimal, presenting environments, objects and buildings, which marginalise or exclude human presence and offer clear stylistic affinities with the work of Carl Andre[,] Dan Flavin, Donald Judd and Sol LeWitt. In addition to the photographs' conceptual purity, they also represent a remarkable and nostalgic panorama of Britain in the early 1970s.[10]

In 1976 Myers self-published a book and co-curated an exhibition of photographs by Harold Eugene Edgerton (1903–1990). Edgerton was the inventor of single and multi-flash stroboscopic photography and this was the first solo exhibition in Europe of his work.[11][12][13]

Myers gave up photography for painting.

He worked as senior lecturer in fine art at Stourbridge College of Art from 1969 to 1989; then senior lecturer in painting, and head of the MA in painting, at the University of Wolverhampton[2] from 1989 to 2001.[11]


Publications by Myers[edit]

  • Middle England: Twenty Four Photographs. Self-published, 1974. OCLC 228036416. With a preface by Paul David Lewis.
  • Seeing the Unseen, the High Speed Photography of Dr. Harold E. Edgerton. Self-published, 1976. Photographs by Harold Eugene Edgerton.
  • The Dudley Experience, De-Industrialisation, Unemployment and Enterprise in Dudley M.B.C. 1979–1983. Self-published, 1990.
  • John Myers: Middle England. Birmingham: Ikon, 2011. ISBN 978-1904864721. With an introduction by Jonathan Watkins and Pete James, and essays by Paul David Lewis, Eugenie Shinkle and Ian Jeffrey. Exhibition catalogue.
  • The World is not Beautiful: 1973–1981. Hatfield, Hertfordshire: University of Hertfordshire Galleries; Manchester: Cornerhouse, 2017. Edited by Matthew Shaul and Steven Adams. ISBN 978-0-9935912-2-8. Exhibition catalogue.
  • The Portraits. Bristol: RRB, 2018. ISBN 9781999727512. Edition of 458 copies.
  • Looking At The Overlooked. Bristol: RRB, 2018. Edition of 458 copies.

Zine by Myers[edit]

  • The End of Manufacturing. Southport: Café Royal, 2017. Edition of 350 copies.

Publications with contributions by Myers[edit]

Photography exhibitions[edit]

Solo exhibitions[edit]

  • John Myers 33 portraits, 14 boring photographs, 10 televisions, 8 sub stations, 6 houses, 3 furniture stores and one giraffe, Gallery of Photography, Dublin, February–March 2014.[14][15]
  • John Myers: The World is Not Beautiful – it is There, Art and Design Gallery, University of Hertfordshire, Hatfield, December 2016 – January 2017;[10] The Gateway Gallery, Luton Culture, Luton, February–April 2017.[7][16]

Group exhibitions[edit]

Exhibitions curated by Myers[edit]

Solo painting exhibition[edit]


Myers' work is held in the following collections:



  1. ^ a b c Phillips, Sarah (4 April 2012). "Photographer John Myers' best shot". The Guardian. Retrieved 26 March 2017.
  2. ^ a b c "John Myers… the world is not beautiful". Cornerhouse. 17 March 2017. Retrieved 26 March 2017.
  3. ^ "John Myers Looking at the Overlooked". British Journal of Photography. 12 December 2018. Retrieved 23 December 2018.
  4. ^ a b Jackson, Lorne (11 November 2011). "Another decade, another land". Birmingham Post. Birmingham. Retrieved 26 March 2017.
  5. ^ "John Myers: Middle England". Ikon Gallery, 15 August 2012. Retrieved 27 March 2017
  6. ^ "John Myers: Middle England". Ikon Gallery. Retrieved 26 March 2017.
  7. ^ a b c d e Smyth, Diane (3 March 2017). "The World is Not Beautiful – But It's There, by John Myers". British Journal of Photography. Retrieved 26 March 2017.
  8. ^ a b Seymour, Tom (9 January 2015). "Photographers rally together to protest proposed Library of Birmingham cuts". British Journal of Photography. Retrieved 28 March 2017.
  9. ^ a b John Myers. "Archive / Sales". Retrieved 28 March 2017.
  10. ^ a b "The World is not Beautiful – it is There Exhibition". University of Hertfordshire. Retrieved 27 March 2017.
  11. ^ a b c John Myers. "CV". Retrieved 27 March 2017.
  12. ^ a b c "Seeing the Unseen: Photographs and films by Harold E. Edgerton: 21 July — 5 September 2010". Ikon Gallery. Retrieved 27 March 2017.
  13. ^ a b c "Press Release: Seeing the Unseen: Photographs and films by Harold E. Edgerton" (PDF). Ikon Gallery. Retrieved 27 March 2017.
  14. ^ "John Myers: 33 portraits, 14 boring photographs, 10 televisions, 8 sub stations, 6 houses, 3 furniture stores and one giraffe". Gallery of Photography. Retrieved 27 March 2017.
  15. ^ Audley, Fiona (10 March 2014). "Exhibition capturing 1970s Birmingham goes on show". The Irish Post. Retrieved 27 March 2017.
  16. ^ "What's On > John Myers – The World Is Not Beautiful: The Hat Factory Arts Centre". Luton Culture. Retrieved 27 March 2017.
  17. ^ "2008 – Serpentine Photography 73". Arts Council Collection. Retrieved 28 March 2017.
  18. ^ "2008 – Unpopular Culture". Arts Council Collection. Retrieved 27 March 2017.
  19. ^ "Unpopular Culture: Grayson Perry selects from the Arts Council Collection" (PDF). Arts Council Collection. Retrieved 27 March 2017.
  20. ^ "Documentary photography stars in the Distinctly show". British Journal of Photography. 15 August 2018. Retrieved 17 June 2019.
  21. ^ "Fairy tales and new design in Rugby". BBC. Retrieved 31 March 2017.
  22. ^ "Myers, John". Arts Council Collection. Retrieved 28 March 2017.
  23. ^ "John Myers". James Hyman Collection. Retrieved 26 March 2017.
  24. ^ "Event Details". Birmingham Post. Birmingham. 11 November 2011. Retrieved 26 March 2017.
  25. ^ "Other material in the Archive". Library of Birmingham. Retrieved 26 March 2017.

External links[edit]