Self portrait (1789)
|Born||16 May 1761|
Trevellas, Cornwall, England
|Died||9 April 1807 (aged 45)|
Westminster, Middlesex, England
|Known for||Historical painting, portraits|
John Opie RA (16 May 1761 – 9 April 1807) was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions.
Life and work
Opie was born in Harmony Cottage, Trevellas, between St Agnes and Perranporth in Cornwall, UK. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (née Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve he had mastered Euclid and opened an evening school for poor children where he taught reading, writing and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry.
Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr John Wolcot (Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work.
In 1781, having gained considerable experience as a portraitist travelling around Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy; a portrait of a boy shown at the Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year, after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners.
Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany. He also received commissions to paint the Duke and Duchess of Gloucester, Lady Salisbury, Lady Charlotte Talbot, Lady Harcourt and other ladies of the court. Opie's residence at "Orange Court", Castle Street, Leicester Fields, was said to be "crowded with rank and fashion every day" and he was the talk of the town. In 1782 he first exhibited at the Royal Academy and in December of that year was married to Mary Bunn. The match, however, proved to be an unhappy one and they were eventually divorced in 1796 after her elopement.
Opie's work, after an initial burst of popularity, rapidly fell out of fashion. In response to this he began to work on improving his technique, while at the same time seeking to supplement his early education by the study of Latin, French and English literature, and to polish his provincial manners by mixing in cultivated and learned circles. In 1786 he exhibited his first important historical subject, the Assassination of James I, and in the following year the Murder of Rizzio, a work whose merit was recognized by his immediate election as associate of the Royal Academy, of which he became a full member in 1788. He painted five subjects for John Boydell's Shakespeare Gallery; and until his death, his practice alternated between portraiture and historical work. In May 1798 he married Amelia Alderson whom he had met at a party in Norwich, having gone to Norfolk to carry out some commissions for Thomas Coke at Holkham Hall. They lived at 8 Berners Street, where Opie had moved in 1791.
Opie painted many notable men and women including Mary Wollstonecraft, Samuel Johnson, Francesco Bartolozzi, John Bannister, Joseph Munden, Charles James Fox, William Betty, Edmund Burke, John Crome, James Northcote, Henry Fuseli, Thomas Girtin, Robert Southey, Samuel Parr, Elizabeth Inchbald and Mary Shelley; 508 portraits in all, mostly in oil, and 252 other pictures.
Teaching and writing
In 1805, Opie was appointed a Professor at the Royal Academy and from May 1806 gave a series of four lectures which were published as a book after his death, with a memoir by his widow Amelia Opie, in 1809. His students at the Academy included Henry Thomson. Opie was also known as a writer on art by his Life of Reynolds in Wolcot's edition of Matthew Pilkington's Dictionary of Painters and his Letter on the Cultivation of the Fine Arts in England, in which he advocated the formation of a national gallery,
Philip Beaver, c.1805
- Hendra, Viv (2007). The Cornish Wonder, A Portrait of John Opie. Truro: Truran. pp. 3, 165. ISBN 978-1-85022-216-3.
- "St Agnes". The Cornishman (105). 15 July 1880. p. 5.
- Earland 1911, pp. 1–8.
- Rogers, 1878, pp. 10-14
- Chisholm, Hugh, ed. (1911). "Opie, John". Encyclopædia Britannica. 20 (11th ed.). Cambridge University Press. p. 129.
- Earland 1911, p.26
- Earland 1911, pp.20-1
- Earland 1911, p.12
- Earland 1911, p.26; the artist's name is given as "Master Oppy".
- "Opie, John". Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900. pp. 230–233.
- Earland 1911, pp. 31–2
- Earland 1911, p.50
- Earland, 1911, p. 124.
- Dr. Samuel Johnson (Philip Mould Fine Paintings).
- Portrait of F. Bartolozzi (National Portrait Gallery, London).
- Portrait of J S Munden (National Portrait Gallery).
- Charles james Fox (Philip Mould Fine Paintings).
- William Betty as "The Young Roscius" (National Portrait Gallery, London).
- Opie, John Lectures on painting, delivered at the Royal Academy of Arts (London, Longman, Hurst, Rees and Orme, 1809).
- Hendra, Viv (2007). "The Funeral". The Cornish Wonder - A Portrait of John Opie. Truro: Truran. p. 173. ISBN 978-1-85022-216-3.
An exhaustive list of Opie's exhibited works, private commissions etc. can be found in Ada Earland's book "John Opie and his circle" (1911, p. 251 ff.).
- Cole's old English masters. Century Magazine/Volume 57/Issue 4/Cole's Old English Masters. John Opie. Wikisource.
- Edwards, B. B. & Bulfinch, S. G. Biography of self-taught men: with an introductory essay (Boston: J.E. Tilton and company, 1859) pp. 191–201.
- Tregellas, Walter Hawken. Cornish worthies: sketches of some eminent Cornish men and families, volume 2 (London: E. Stock, 1884) pp. 243–278.
- Earland, Ada. John Opie and his circle (London : Hutchinson & co., 1911).
- Rogers, John Jope. Opie and his works (London: P. and D. Colnaghi and co. etc., 1878).
- Simon, Robin. "Opie, John (1761–1807)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/20800. (Subscription or UK public library membership required.)
|Wikimedia Commons has media related to John Opie.|
- Profile on Royal Academy of Arts Collections
- John Opie on Artcyclopedia
- The Cornish wonder: John Opie R.A. (Official website of the book of the same name by Viv Hendra)
- 198 paintings by or after John Opie at the Art UK site
- John Opie on Artnet
- Portraits of: Maria Godsal; Young woman in a white dress; A young boy; A Boy with a Staff; A beggar boy (Philip Mould Fine Paintings - accessed 23 Feb 2011)