John Rothenstein

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Portrait of Sir John Rothenstein C.B.E. 1938 by Sir William Rothenstein 1872-1945 Presented by Lady Dynevor through the Friends of the Tate Gallery 1974

Sir John Knewstub Maurice Rothenstein CBE (11 July 1901 – 27 February 1992) was a British arts administrator and art historian.


John Rothenstein was born in London in 1901, the son of Sir William Rothenstein. The family was connected to the Bloomsbury Set. John Rothenstein studied at Worcester College, Oxford, and became friends with T. E. Lawrence. He shared rooms with novelist William Gerhardie.[1]

After serving as Director of Leeds City Art Gallery, he was appointed Director of Sheffield City Art Galleries (1932-38) where he oversaw the establishment and opening of the Graves Art Gallery. From 1938–64 Rothenstein was Director of the Tate Gallery in London.[2] Rothenstein's directorship — the longest to date — was one of the most successful. The Tate's annual purchase fund could not compete with those of US institutions, so few works of modern foreign art were added to the collection. However, he wrote, "Picasso is a Proteus, the prodigiously gifted master of all styles and media".[3]

According to Richard Cork, one of Rothenstein's errors was failing to purchase Henri Matisse's The Red Studio when it was offered to the Tate Gallery for a few hundred pounds in 1941.[4]

Art historian Douglas Cooper began an open campaign to have Rothenstein dismissed by the trustees, which led to an incident in which Rothenstein punched Cooper in the face.[4][5][6]

Rothenstein documented the lives of all the major (and many still overlooked) British artists in his Modern English Painters, which has earned him the title of 'The Vasari of British Art' (like Vasari's pioneering Lives, it was revised and reprinted within the author's lifetime).[7]

The Tate began hosting temporary exhibitions during this period, organised by the Arts Council of Great Britain, including the major 1960 retrospective of Picasso. Rothenstein acquired such contemporary works as R.B. Kitaj's Isaac Babel Riding with Budyonny from the artist's first major show at Marlborough Fine Art in 1963.[8]

An annual lecture named in his honour now takes place at Tate Britain.[9]


Rothenstein was appointed Commander of the Order of the British Empire (CBE) in the 1948 King's Birthday Honours,[10] and knighted in the 1952 New Year Honours.[11][12]

On 19 February 1965 he was installed as the Rector of the University of St Andrews and received an honorary Doctor of Laws.[13]


  • The Life and Death of Conder (1938) J. M. Dent & Sons Ltd. London
  • Modern English Painters (3 vols., 1952–74)
  • The Tate Gallery, 'The World of Art Library' series. Thames & Hudson (1962)
  • Autobiography: Summer's Lease, 1901-1938 (1965); Bright Day, Hideous Night, 1939-1965 (1966)
  • The Artists of the 1890's (1928) George Routledge & Sons Ltd. London


  1. ^ Dido Davies, "William Gerhardie: A Biography"
  2. ^ "No. 34519". The London Gazette. 10 June 1938. p. 3725.
  3. ^ Rothenstein, John, The Moderns and their World (introduction), Phoenix House, London 1957, p. 16[ISBN missing]
  4. ^ a b John Richardson, The Sorcerer's Apprentice: Picasso, Provence, and Douglas Cooper. University of Chicago Press, 1999; ISBN 978-0-226-71245-1, pp. 158-64.
  5. ^ Sir John Rothenstein profile Archived 29 August 2008 at the Wayback Machine,; accessed 30 July 2014.
  6. ^ John Rothenstein profile Archived 27 November 2010 at the Wayback Machine, Dictionary of Art Historians; retrieved 21 August 2010.
  7. ^ Edward Chaney,"The Vasari of British Art: 'Sir John Rothenstein... and the Importance of Wyndham Lewis", Apollo, vol. 132, no. 345 (November 1990), pp. 322-26 and idem,'Lewis and the Men of 1938: Graham Bell, Kenneth Clark, Read, Reitlinger, Rothenstein and the Mysterious Mr Macleod: A Discursive Tribute to John and Harriet Cullis', The Journal of Wyndham Lewis Studies, Vol. 7 (2016), pp. 34-147.
  8. ^ Edward Chaney, "Warburgian Artist: R.B. Kitaj, Edgar Wind, Ernst Gombrich, and the Warburg Institute", Obsessions: R.B. Kitaj 1932-2007, eds. C. Kugelmann, E. Gillen and H. Gasner (Jewish Museum Berlin, 2012), p. 98 [1]
  9. ^ Rothenstein profile Archived 29 August 2008 at the Wayback Machine,; accessed 28 July 2014.
  10. ^ "No. 38311". The London Gazette (Supplement). 4 June 1948. pp. 3373–3374.
  11. ^ "No. 39421". The London Gazette (Supplement). 28 December 1951. p. 2.
  12. ^ "No. 39480". The London Gazette. 29 February 1952. p. 1192.
  13. ^ "Upholding political ends of a free society". The Glasgow Herald. 20 February 1965. Retrieved 20 June 2017.

External links[edit]

Cultural offices
Preceded by Director of the Tate Gallery
Succeeded by
Academic offices
Preceded by Rector of the University of St Andrews
Succeeded by