|This article does not cite any sources. (December 2015)|
He was born on Long Island as John McLaughlin. He was given the last name of Sex soon after moving to New York City. He attended the School of Visual Arts in New York City, where he knew Keith Haring and Jean-Michel Basquiat. He often used the print studio there to create punk-style posters for downtown bands, and later for himself. He exhibited some of his word-based art at the "Beyond Words" show at the Mudd Club (alongside artists such as Keith Haring, Kenny Scharf, and Futura 2000; and performers Iggy Pop, Fab Five Freddy and Alan Vega), and at the "New York / New Wave" exhibition at P.S.1, both in 1981. He soon met Klaus Nomi and Joey Arias in the downtown New York scene and gave up painting, finding he could better express himself in performance.
Sex died from AIDS-related complications on October 24, 1990, aged 34. John's longtime partner, Wilfredo Vela, also succumbed to similar complications just four years later.
Career as performance artist
After early work as a gay stripper, John Sex became an alternative performance artist, creating a character based on an exaggerated, cheesy Las Vegas lounge singer / MC. First along with other SVA graduates and students and Club 57 "Sex developed a persona that simultaneously masked and amplified his polymorphous self, elaborating a mythinc yet parodic rock-star figure of mercurial presence" (Frank & McKentie, 1987). His "Acts of Live Art" series there brought performance art into the club context. He was able to further refine the combination of performance art, drag act, gay go-go dancer, cabaret singer, lounge MC, etc. as a performance art dancer who performed at such legendary New York clubs as Club 57, the Pyramid Club, Danceteria, The Palladium, Paradise Garage and Andy Warhol's Underground. His famous backup singers, The Bodacious TaTa's were often mistaken for drag queens but always consisted of female singers and dancers including Micki French, Wendy Wild, April Palmieri and Myra Schiller. His costumes were designed by the famous Katy K, who occasionally sat in with the TaTa's. John used to claim the surname Sex was an Americanization of his family's original name, Sexton, but in fact it was created for him by fellow performers Joey Arias and Klaus Nomi early in his career "during a period of rampant promiscuity" (Hagar). For the 1986 gay parade in New York City, he organized and helped build a float called the Go-Go Stars float which had go-go dancers from various night clubs go-go dancing on it. He performed "Hustle with My Muscle" in the 1988 film Mondo New York. His last public performance was at the club Mars in New York in 1989. He recorded a four song E.P for Sire Records, produced by Mark Kamins and Ivan Ivan, as well as 12" singles and music videos for his songs "Rock Your Body" and "Hustle with the Muscle." Mr. Sex's trademark was his long, blond hair which stood straight up, and which he claimed was kept erect by a combination of Dippity-do, Aqua Net, egg whites, beer, and semen. He also dressed in flamboyant costumes. He owned a python named Delilah that was often included in his cabaret act, and was a friend of artist Andy Warhol. Sometimes he would leave the python on stage and come down into the audience and wrestle with patrons of the club.
- In Touch magazine #77 March 1983 Portfolio of photographs of John Sex and interview with John Sex (Peter Berlin on front cover)
- Frank, Peter and McKenzie, Michael New, Used and Improved NY: Abbyville Press, 1987 ISBN 9780896596504
- Hager, Steven. Art After Midnight: The East Village Scene, St. Martin’s Press, NY, 1986.
- Musto, Michael. Downtown, Vintage Books, NY, 1986.
- Warhol, Andy; Hackett, Pat (ed.). The Andy Warhol Diaries. New York: Warner Books, 1989.