Johnny Pearson

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Johnny Pearson
Birth name John Valmore Pearson
Born (1925-06-18)18 June 1925
Origin Chesterfield, Derbyshire, England
Died 20 March 2011(2011-03-20) (aged 85)
Genres Pop, jazz, easy listening
Occupations Arranger, songwriter, orchestra leader
Instruments Piano
Years active c.1945–1990s
Labels Parlophone
Oriole
Pye
Penny Farthing
Page One
KPM
Associated acts Cilla Black
Sounds Orchestral

John Valmore Pearson (18 June 1925 – 20 March 2011),[1] known as Johnny Pearson, was a British composer, orchestra leader and pianist. He led the Top of the Pops orchestra for sixteen years, wrote a catalogue of library music, and had many of his pieces used as the theme music to television series.

Early years[edit]

Born in Chesterfield, Derbyshire[1] Johnny Pearson showed talent with the piano at an early age. By nine, he had won a scholarship with the London Academy of Music. Here he spent four years under English pianist, Solomon. In his teens, he would give classical recitals, but his true love at the time was jazz. His first band was the Rhythm Makers. During the second world war, Johnny Pearson served in the famous Royal Artillery Band and Orchestra at Woolwich. After World War II, he signed up and became one of the founding members of the Malcolm Mitchell Trio, before leaving in 1954 after Malcolm Mitchell broke up the group to start a solo career. During his time with the trio, Johnny Pearson toured England and Europe, playing the West End and theatres. The early Malcolm Mitchell Trio consisted of Malcolm Mitchell, Teddy Broughton and Johnny Pearson.

After leaving the Malcolm Mitchell Trio, Pearson turned his talents to British radio, as well as performing in the Peter York Concert Orchestra. By 1960, he was conducting the Romance in Rhythm Orchestra.[2] He recorded two singles for Parlophone, "Waterfall" in mid 1959, and "Theme from The L Shaped Room" in 1962. He was then offered a solo album deal with Oriole Records, which first teamed him up with John Schroeder. The Oriole album, Piano Sweet - Piano Wild was released in 1962 and was Johnny Pearson's first full vinyl album release. Also there was a 45 single released, "Ooh La La", in 1962 but this track and its b-side did not appear on the album. After the Oriole releases, Johnny Pearson continued to perform with various concert orchestras until 1964.

Working with Cilla Black[edit]

In early 1964, Johnny Pearson took part in helping launch the career of Cilla Black, a rising singer who had been spotted by The Beatles producer, George Martin. She had released her first 45 single, "Love of the Loved", in 1963, but it had charted only modestly despite having been written by John Lennon and Paul McCartney. A scout for George Martin had spotted the track "Anyone Who Had a Heart" after hearing the US singer Dionne Warwick's version. Originally the song was to have been recorded in the UK by Shirley Bassey, but George Martin saw the piece as being more suitable for Black's voice. Early in 1964, "Anyone Who Had a Heart" was recorded by Cilla Black at London's Abbey Road Studios, in an arrangement by Pearson which featured the use of bassoons. In February 1964, it entered the UK Singles Chart, reaching number 1 in the UK, Ireland and other parts of Europe. The Dionne Warwick version was also in the charts at the time, but Cilla Black's treatment used slightly different lyrics and a different arrangement.

Following the success of "Anyone Who Had a Heart", Pearson was invited to work on the next Cilla Black single, "You're My World", which was released in May 1964. This was also recorded at Abbey Road Studios, and again went to number 1 on the UK Singles Chart. Pearson also worked on other Cilla Black tracks, some of which featured on her album, Cilla Sings a Rainbow.

Sounds Orchestral[edit]

Sounds Orchestral was an idea by John Schroeder, who had moved from Oriole Records to become the label manager at Pye Records and was interested in producing and instrumental version of the US hit song "Cast Your Fate to the Wind". This had been suggested to him at the time by Pye staff member, Tony Reeves. As his project moved to fruition, Schroeder looked for a piano player. His efforts came about when he was reminded of Johnny Pearson from a few years earlier, after he heard him on Radio Luxembourg. Initially paid a session fee to record "Cast Your Fate to the Wind", Pearson was subsequently made a full partner in the Sounds Orchestral project.[3] "Cast Your Fate to the Wind" was a number 5 hit in the UK Singles Chart in early 1965.[4] Sounds Orchestral would end up recording some seventeen albums between 1965 and 1977. Some have subsequently been reissued on CD.

Top of the Pops[edit]

Pearson first came into contact with the BBC's Top of the Pops, in early 1965. Sounds Orchestral had just charted with "Cast Your Fate To The Wind", which featured on the first Top Of The Pops show. The following year, in 1966, Pearson took charge of the Top Of The Pops Orchestra. This would be a position he would fill for the next fifteen years, finally leaving the series in late 1981. Pearson's arrangement for the Top of the Pops Orchestra of Led Zeppelin's "Whole Lotta Love" was the theme tune to Top of the Pops for most of the 1970s. The last drummer to work with Pearson in "The Top Of The Pops Orchestra" was Peter Boita. Peter started with "The Top Of The Pops Orchestra" in 1977 and stayed until the orchestra's last performance after which the show's format was changed.

The Dusty Springfield TV Series[edit]

During 1966, as well as Top Of The Pops, Johnny Pearson worked and directed the orchestra for the Dusty Springfield shows which were recorded by the BBC, for television . Featuring Johnny Pearson directing a full 32 piece orchestra, there were a total of twelve episodes made. Six in 1966 and six in 1967. In recent years, the surviving nine episodes that remain, have been remastered and released as "Dusty Springfield Live at the BBC", on DVD.

KPM[edit]

In 1966, Johnny Pearson also started his long association with the KPM library record label. KPM was originally known as Keith Prowse Music. KPM would later became part of the EMI Group of companies but was able to retain its independence due to its specialist nature. Pearson's involvement with KPM was to last many years until 1978, which is when he switched over his music library efforts to Bruton Music. Johnny Pearson would however again later return to KPM during 1988.

Johnny Pearson's earliest contributions at KPM came in the form of contributing to KPM's in house orchestra, the Group-Forty Orchestra. KPM's Group-Forty Orchestra was an orchestra which existed between 1959 and 1966. Its role was to record background music for radio and television. From 1967, Johnny Pearson started appearing on many of KPM's music library recordings, in his own right.

The Carpenters[edit]

In October 1971, Johnny Pearson helped produce the BBC Television special, Carpenters: Live at the BBC, featuring the American musical duo of Karen and Richard Carpenter. It was broadcast the following month on British TV and elsewhere. In early 1973, Pearson was again contacted by Richard Carpenter to ask permission to use one of his songs, on the then forthcoming Carpenters LP, Now & Then. This track, originally titled "Autumn Reverie", first appeared on the 1968 KPM album, Gentle Sounds, and was retitled "Heather" by producer John Bettis in the Carpenters' version. Richard Carpenter apparently first heard the track as background music for a commercial for the US health food supplement maker, Geritol, and loved it straight away.[5] "Autumn Reverie" would also feature again on the 1974 Johnny Pearson LP Touch Me in the Morning and as background music on the British television series, All Creatures Great and Small (1978–90).

Johnny Pearson and his Orchestra[edit]

As leader of the Johnny Pearson Orchestra, he reached number 8 in the United Kingdom chart in early 1972 with "Sleepy Shores", the theme from the television series Owen, M.D.[6] (1971–73). The Johnny Pearson Orchestra, which as a musical project was begun in 1972, ran side by side with his other projects. At the time, these projects included working on albums with John Schroeder for Sounds Orchestral and also providing library music to Britain's KPM Records.

Instead of the slightly jazzy sounding, Sounds Orchestral albums, Pearson was offered a project for easy listening and romance music, based on the success of his "Sleepy Shores" hit. This time he teamed up with music executive Larry Page, who wanted to move his label Penny Farthing into the easy listening genre. The albums were released outside the UK in Europe, Australia, Canada and the US. In 1978, Larry Page decided to rename his Penny Farthing label to Rampage Records, to reflect a more modern outlook. One of the first singles and albums from the Rampage label, would be another of Pearson's international hits, the theme from All Creatures Great and Small.

Library and theme music[edit]

In the United Kingdom[edit]

Pearson was a successful composer of theme music for television series. Examples of his work included 3-2-1, The Rat Catchers, All Creatures Great and Small, Captain Pugwash, Monday Night Football, Mary Mungo & Midge and ITN's News at Ten (the last of which was titled "The Awakening", a piece otherwise known to American audiences as the main title theme to the 1964/1972 animated film Journey Back to Oz). He also wrote the Grampian Television start-up music "Sounds On" and the ATV startup theme "Midlands Montage", as well as music used during intervals between schools programmes on ITV.

In the United States[edit]

In the United States, Pearson's best-known composition is "Heavy Action", originally used as the theme to the BBC sports show Superstars, and subsequently adopted by ABC's Monday Night Football (the NFL's weekly nationally televised showcase) and the SFM Holiday Network. In 1989, Edd Kalehoff composed and recorded a new arrangement of this music for later seasons of Monday Night Football. His piece "Graveyard" was used in Ren and Stimpy. NFL Films has used many of his other compositions for its Super Bowl and other highlight films.

In Australia[edit]

In Australia, his best-known library music piece was "Power Drive," which was used as the theme for the 1969-75 police drama Division 4. This tune was also famous in the U.S. for use in some episodes of the 1967-70 cartoon series Spider-Man, as well as being the theme for Los Angeles station KNXT/KCBS-TV's afternoon movie series The Early Show for much of the 1970s and into the 1980s, as well as for their Saturday night movie show The Fabulous 52 from the late 1960s until the end of its run in 1974. The track "Sleepy Shores" was also used as incidental music in some of the courting scenes from the 1970s ABC TV drama series, Certain Women. Some of Johnny Pearson's library music was also used as background scene music for the Ten Network series, Prisoner. Also during late 2011, another Johnny Pearson track, And a Very Good Morning to You, from 1970, was used as a piece of background music, on the Nine Network series, Underbelly.

In the Netherlands[edit]

In the 1970s, Johnny Pearson composed the music score for the Dutch TV series Sil de Strandjutter, performed by his orchestra. Pearson's composition "Heather", as performed by the Carpenters, has served as the background music to the "Plaat & zijn Verhaal"-section ("A record and its story") at Radio Veronica, in which a song's lyrics are translated into Dutch and read by the DJ.

The 1980s and later[edit]

In late 1981, Johnny Pearson's tenure at BBC's Top Of The Pops came to an end, as the show had itself undergone a major reorganisation. By that time he had been associated with the programme for sixteen years. He was credited on the milestone 900th Top Of The Pops episode, in July 1981; his last credit with the show, was in late August 1981. After this, Pearson continued to work on independent projects and in 1982, released the instrumental album On Golden Pond through Larry Page's Page One Records.

In 1984, Pearson assembled another orchestra, the Johnny Pearson Studio Orchestra, and contributed to John Paul Jones' motion picture soundtrack, Scream For Help. Following this, during 1985, he worked on producing music for the BBC TV production drama Maelstrom. Notable on the recordings for Maelstrom is the track "Camellia Waltz", which was treated to sound like an old 78rpm record. Other tracks by Pearson for the series came from his work with KPM. In 1987, together with business partner Adrian Kerridge, Pearson negotiated the purchase of CTS Studios, in Wembley.[7] In 1988, he returned to the KPM record label and the recording of two new library CDs for the radio and television industry. Both were recorded at CTS Studios in Wembley, with Adrian Kerridge.

After the 1980s, Pearson made occasional live appearances as part of a quartet. During 1993, Johnny Pearson worked with Shirley Bassey on a new album recording. Titled "Shirley Bassey sings the songs of Andrew Lloyd Webber", this was recorded at the CTS Studios. With Johnny Pearson mainly conducting, the album was subsequently released through EMI. More recently, it has now been reissued on compact disc.

In 1996, Johnny Pearson recorded a CD of library music, for the radio and television industry, titled Simply Piano. This was followed in 2005 by another CD, Simply Piano 2.

Death[edit]

Johnny Pearson died at the age of 85, on 20 March 2011.

Discography[edit]

Johnny Pearson at one time had at least four different projects going at the same time: Sounds Orchestral, as pianist; Johnny Pearson and his Orchestra; work with KPM Records, with background music for radio and television; and as arranger with Top Of The Pops. Apart from his work with John Schroeder and Sounds Orchestral, at Pye during 1964-1975, his solo work included:

  • 1962 Piano Sweet - Piano Wild (Oriole PS40023)
  • 1967 Portrait Of The 20th Century (KPM Records UK)
  • 1970 Sounds Extravanganza (Aristocrat UK)
  • 1970 The Johnny Pearson Sound, Studio 70 Orchestra (A&M Records)
  • 1971 Heavy Action (Superstars)
  • 1972 Sleepy Shores
  • 1974 Touch Me in the Morning
  • 1975 In Love
  • 1976 Sil de strandjutter (original score from Dutch TV series)
  • 1976 Rodrigos Guitar Concerto (Australian reissue of Sleepy Shores)
  • 1977 If You Leave Me Now
  • 1978 All Creatures Great and Small (UK release)
  • 1980 Bright Eyes
  • 1981 I Remember that Summer
  • 1982 On Golden Pond (PAGE1 Records)

Compilations:

  • 1980 Thinking of You (Endeavour Records - Castle Australia)

All the above were released on 12" vinyl, and from 1972 to the late 1970s, on the Penny Farthing Label, with Larry Page producing. In Australia, Sleepy Shores and Touch Me in the Morning are on Festival Records. In Australia from 1976 to 1980, Johnny Pearson and his Orchestra were on M7 Records. M7 Records was the offshoot of the ATN7 Television network of Australia. In Japan, Pearson was on JVC Victor. Around 1989, multiple releases occurred to coincide with the abandonment of vinyl records and cassettes by the global record industry. Titles to be found included Themes and Dreams.

Compact disc releases[edit]

  • 1989 Themes and Dreams (President Records PRCD171) UK
  • 1989 Golden Instrumental Hits (Laserlight 15 171) German
  • 1991 Sleepy Shores (BR Music BR132-2) Europe
  • 1997 Best Of Johnny Pearson and Orchestra (Music Club MCCD304) UK
  • 1998 Breaking Up and Making Up (Music Collection Int ETDCD057) UK
  • 1999 Music and Romance (Disky Communications INS857162) Dutch
  • 2010 King of Elegant Piano (JVC Victor Japan VICP47025) Double CD

References[edit]

  1. ^ a b Spencer Leigh "Johnny Pearson: Composer, pianist and arranger who worked on ‘Top of the Pops’ during three decades", The Independent, 23 March 2011
  2. ^ John Martland Article Music Club Record Label 1997 - The Best Of Johnny Pearson and his Orchestra
  3. ^ John Schroeder, April 1991- Sequel Records Cast Your Fate Album CD reissue covernotes
  4. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 516. ISBN 1-904994-10-5. 
  5. ^ Interview with Richard Carpenter by Mike Ragogna, The Huffington Post, on 11 May 2009
  6. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 421. ISBN 1-904994-10-5. 
  7. ^ History of CTS Studios

External links[edit]