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|Birth name||Jorge Alberto Negrete Moreno|
|Born||3 January 1910|
Guanajuato, Guanajuato, Mexico
|Origin||Mexico City, Mexico|
|Died||5 December 1953 (aged 43)|
Los Angeles, United States
Jorge Alberto Negrete Moreno (Spanish pronunciation: [ˈxoɾxe neˈɣɾete]; 30 november – 5 December 1953) was a Mexican singer and actor.
Life and career
Negrete was born and in the city of Guanajuato and had two brothers and three sisters; His father was a Mexican Army Colonel who moved to revolutionary faction so called Northern Division (División del Norte) but around 1920 he quit his military career and moved with his family to Mexico City. There he found a whole different job: Math Teacher in several institutions such as the German College "Alexander Von Humboldt" where his sons David an Jorge Studied until junior high school (secundaria) that's why they were fluent in german language. Jorge Negrete learned other languages at Colegio Militar (military academy of Mexico): English, French, and italian. From an early age, Negrete demonstrated a great brilliance and rapidly became a prominent student in the eyes of his teachers.
At the age of thirteen, and because a teenager misbehavior his father David Negrete decided to enroll him in the military. He graduated with the rank of sub-lieutenant from El Colegio Militar, Mexico’s military academy. This was the place where his fascination for music developed. Not only did he develop an interest for music but his military training forged him a gallant presence and character which would later benefit him in his acting career. Negrete met and studied under José Pierson, a prestigious singing professor, who became fascinated the moment he heard Negrete sing. Pierson helped Negrete develop his talent for Opera which led him to become well known in the United States.
Handsome, with a very strong will and a trained, fascinating voice, he is still a top icon in Mexico, Spain and Latin America, more than 50 years after his death. His recording of "México Lindo y Querido" ("Beautiful and Beloved México"), his country’s unofficial anthem, is the best known recording of the song. His career is often compared to that of Pedro Infante, other of the most popular Mexican actor of the time. The public rivalry didn’t carry over to their private lives, as they were close friends until Negrete’s death.
He married twice, to famous actresses with whom he shared credits: Elisa Christy and María Félix. He also lived with his frequent co-star, for more than ten years. Gloria Marín co-starred in 10 out of his 44 films.
He started his career singing on the radio in 1931 in Mexico City singing operatic parts. In 1936 he signed with NBC Television for a TV program with Cuban and Mexican musicians. He returned to Mexico in 1937 to act in the film La Madrina Del Diablo ("The Devil's Godmother") and because of the success of the film he was able to sign for several more the next three years. In 1938 he starred in La Valentina with Elisa Christy and then in Juntos Pero No Revueltos.
After working in Havana and Hollywood he was called to act in ¡Ay Jalisco, No Te Rajes! ("Hey Jalisco, Don’t Back Down!") which made him an international Latin star and helped formulate the charro film genre. Filming this film he met Gloria Marín, starting their romance and the string of films they filmed together. He complemented his film career by singing rancheras with the trio Los Tres Calaveras and touring Latin America, singing concerts and making personal appearances. He was offered the main role in El Peñón de las Ánimas (The Rock of Souls) and wanted Marín to be his co-star. In spite of his protests, newcomer María Félix became his star and eventually his wife, although they at first despised each other while filming the film.
He was one of the founders, and the most important leader, of the Mexican Actors Association, succeeding Cantinflas as its chairman. In 1952, actress Leticia Palma became involved in the struggle between Cantinflas and Negrete over leadership of the union, with Palma campaigning actively for Cantinflas.
On January 2, 1953, Palma was "rescued" by Major Manuel González, who helped her get a taxi to safety while she was being pursued by an angry mob. The mob was led by Negrete, who was after Palma for having stolen documents regarding her contract violations. Palma filed assault charges on Negrete.
Eight days later, ANDA held a special assembly to judge Palma. Cantinflas argued on her behalf, attempting to negotiate a settlement. Negrete would allow nothing less than her expulsion from the union, and Palma likewise refused to withdraw the charge of assault. Just before the vote, a number of actresses left the room in protest. The remaining members voted in favor of expulsion, thus ending Palma's film career.
Death and aftermath
In 1953, during a business trip to Los Angeles, Negrete died of complications of hepatic cirrhosis, a disease that he suffered since 1937. According to his wishes, his body was flown back to, and buried in, Mexico City. He was forty-two years old.
Thousands of fans attended his funeral and followed the hearse to the cemetery, El Panteón Jardín, where he was buried in the actors' corner. On December 5, the anniversary of his death, fans still pay tribute to "El Charro Cantor" ("Singing Cowboy") at his tomb, and television and radio stations stage marathons of his films and songs.
The centennial of his birth was commemorated in 2011. Several tribute concerts and presentations took place throughout Mexico and some European countries with Hispanic culture and heritage.
Parents of Jorge were Emilia Moreno Anaya and David Negrete Fernández. He descended from outstanding Mexican liberal military men, including Miguel Negrete, who participated in the Battle of Puebla. His siblings were named Consuelo, Emilia, Teresa, David and Rubén.
Elisa Christy gave birth to his daughter Diana (his only child), Jorge has five grand children, Déborah, Diana, Rafael, Liliana and Lorenzo. Rafael and Lorenzo are professional singers and use the Negrete last name for their artistic name.
His stepson was actor Enrique Álvarez Félix.
- El Rapto (The Kidnapping) (1953)
- Reportaje (Reporting) (1953)
- Dos tipos de cuidado (Two Careful Fellows) (1953)
- Hechos uno para el otro (Made for Each Other) (1953)
- Tal para cual (To each his own) (1952)
- Un Gallo en corral ajeno (The Rooster in the wrong Chicken house) (1952)
- Los Tres alegres compadres (The Three Merry Pals) (1952)
- Hay un niño en su futuro (There is a child in your future) (1952)
- Siempre tuya (Forever Yours) (1952)
- Lluvia roja (Red Rain) (1950)
- La Posesión (The Possession) (1950)
- Teatro Apolo (Apollo Theatre) (1950)
- Una Gallega en México (A Galician in Mexico)(1949)
- Jalisco canta en Sevilla (Jalisco Sings in Seville) (1949)
- Allá en el Rancho Grande (Out On the Big Ranch) (1949)
- Si Adelita se fuera con otro (If Adelita went out with another) (1948)
- Gran Casino (great casino) (1947)
- El Ahijado de la muerte (Death's godson) (1946)
- En tiempos de la inquisición (In the Times of the Inquisition) (1946)
- No Basta ser charro (It's not enough to be a cowboy) (1946)
- Canaima a.k.a. El Dios del mal (The God of Evil) (1945)
- Hasta que perdió Jalisco (Until Jalisco lost) (1945)
- Me he de comer esa tuna Mexico (I have to eat this tuna) a.k.a. El día que me quieras (The day that you love me) (1945)
- Camino de Sacramento (Road to Sacramento) (1945)
- Cuando quiere un mexicano (When a Mexican loves) a.k.a. La Gauchita y el charro (The little [Argentinian] cowgirl and the [Mexican] cowboy) (1944)
- El Rebelde (The Rebel) (1943)
- Una carta de amor (A Love Letter) (1943)
- Tierra de pasiones (Land of Passions) (1943)
- Aquí llegó el valentón a.k.a. El Fanfarrón (here came the brave) (1943)
- El Jorobado a.k.a. Enrique de Lagardere (The Hunchback) (1943)
- El peñón de las ánimas (the rock of souls) (1942)
- Así se quiere en Jalisco (This is how One Loves in Jalisco) (1942)
- Historia de un gran amor (Story of a Great Love) (1942)
- Cuando viajan las estrellas (When Travel the Stars) (1942)
- Sed, sangre y sol (Thirst, Blood and Sun) (1942)
- Fiesta (party) (1941)
- ¡Ay Jalisco, no te rajes! (Jalisco, Don't Back Down!) (1941)
- Una Luz en mi camino (A Light on My Way) (1939)
- Juntos, pero no revueltos (Together, Not Mixed) (1939)
- El Cementerio de las águilas (The Cemetery of the Eagles) (1939)
- Juan sin miedo (1939) (Fearless John)
- Perjura (Perjurer) (1938)
- Caminos de ayer (Roads of Yesterday) (1938)
- La Valentina (1938)
- La Madrina del diablo (The Devil's Godmother) (1937)
- "Brief biography". Archived from the original on October 27, 2009. Retrieved June 28, 2005. (Spanish)
- Jorge Negrete on IMDb
- "Sites and events about Negrete". Archived from the original on October 27, 2009. Retrieved October 11, 2010.
- "Spanish fan club". Archived from the original on October 27, 2009. Retrieved October 11, 2010.
- Jorge Negrete at Find a Grave
- La Historia Detras del Mito de Jorge Negrete [The Story Behind the Myth of Jorge Negrete] (Television production) (in Spanish). Mexico: TV Azteca. 2006. Event occurs at 0:56.
YouTube title: Jorge Negrete/La historia detras del mito.