José Zúñiga (artist)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

José Zúñiga (born 1937) is a Mexican painter whose work has been exhibited both in Mexico and abroad. His work has been recognized by membership in the Salón de la Plástica Mexicana.[1]

Zúñiga was born in the Carmen Alto neighborhood of the city of Oaxaca in 1937. In 1943, he moved with his family to Mexico City where he attended middle school, and then studied electronics at a vocational school. However, at age twenty one, he decided to study at the Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" because of his interest in drawing. One of his teachers, Benito Messeguer, urged him to devote himself to painting. Shortly after, he began exhibiting his work in Mexico and abroad.[2]

In 1969 he work received two acquisition awards from the national painting competition sponsored by CONCANACO. In 1970, he won first place in painting at the annual competition of the Salón de la Plástica Mexicana, whose technical council he joined in 1971.[2]

From 1972 to 1975 he was in Europe on a grant from the French government to study at the School for Decorative Arts in Paris. While in Europe, he traveled to countries such as Italy, Spain, England, Germany, Greece, Turkey, the former Yugoslavia and the Netherlands. He also created two murals, one at the Rohner studio in 1973 and one called “Homage to Pablo Neruda” in Sardinia. He received a second grant to return to Paris from 1980 to 1982 to write a thesis called “La pintura mural Mexicana y sus aportes contemporaneous en otros paises,” related to his interest in urban art.[2]

During his career, he has continued to exhibit individually both in Mexico and abroad, as well as teach at La Esmeralda, where he was director from 1991 to 1993. His works can be found in public and private collections such as those of the Museo de Arte Moderno and the Musée National d'Art Moderne in Paris.[2]

Zúñiga is a neo figurative painter, but he considers himself a colorist first. He starts with figurative outlines but there are abstract elements. His work is generally influenced by pre Hispanic colors and lines.[2]


  1. ^ "Lista de miembros". Salón de la Plástica Mexicana. Archived from the original on October 16, 2013. Retrieved October 18, 2013.
  2. ^ a b c d e Guillermo Tovar de Teresa (1996). Repertory of Artists in Mexico: Plastic and Decorative Arts. III. Mexico City: Grupo Financiero Bancomer. p. 444. ISBN 968 6258 56 6.