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Joseph Fennimore

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Joseph Fennimore
Background information
Born (1940-04-16) April 16, 1940 (age 84)
Manhattan, New York, United States

Joseph Fennimore (born 16 April 1940) is an American composer, pianist and teacher best known for his works for piano and chamber ensembles, ranked by Pulitzer Prize-winning critic Philip Kennicott as “one of this country’s finest composers.” [1] His music has been performed and broadcast worldwide and included in the Metropolitan Opera Studio and New York City Ballet repertories.[2][3]

Early life and education

Joseph Fennimore was born in Manhattan’s Bellevue Hospital. He began formal music studies in upstate New York at the Schenectady Conservatory of Music, his principal teacher being its founder and director, Joseph G. Derrick, graduate of the New England Conservatory in the piano class of Ethel Newcomb, Theodor Leschetizky’s first American assistant. In his twelfth year Fennimore was chosen to perform a piano concerto with the Schenectady Symphony Orchestra at that city’s historic Proctor’s Theater. The first Fennimore compositions to be performed publicly were choral works presented in 1957 by the Scotia-Glenville Choralaires, under Carl M. Steubing, which annually toured the northeast.

Fennimore was one of eight high school juniors to participate in the Eastman School of Music’s experimental accelerated program in Rochester, New York, during which the first year of his baccalaureate was completed over the summer months before and after his senior year in high school. The first summer he studied piano with guest teacher Eugene List; the second summer he studied with Eastman piano chair Cecile Genhart, who would become one of his chief musical influences. It was in the fall of 1958 that Fennimore met fellow Eastman freshman, the pianist Gordon Hibberd, who has been his life partner ever since.

Genhart arranged summer piano studies for Fennimore with retired Eastman faculty member Sandor Vas; Vas enlisted Hildegarde Lasell Watson to become Fennimore’s patron; in 1962 she arranged Fennimore’s visit to and audition for composer and critic Virgil Thomson, who urged him to move to New York City. Upon graduating from Eastman that year with a B.M. degree with distinction and a performer’s certificate, Fennimore entered the Juilliard School of Music in Manhattan that autumn as a student of Rosina Lhévinne, receiving an M.S. degree from Juilliard in 1965 with the Loeb and Van Cliburn Alumnae Awards.

Career

Fennimore, an ASCAP composer, at first interspersed composing with other musical activities ranging from performing as concert and recital soloist (encouraged by Bedford Pace III, director of public relations in North America for the British Tourist Authority) in America, Japan and Europe, to assistant conducting on Broadway for music director and arranger Buster Davis, writing music criticism pseudonymously[4] and co-founding, with Gordon Hibberd, and directing (1972–76) the Hear America First concert series that was broadcast nationally on National Public Radio. He also taught piano at Princeton University as well as piano, piano literature and music literature at the College of St. Rose in Albany, New York. Since the early 1970s he has devoted his energies more exclusively to his compositional efforts, new works introduced and often performed by mezzo-soprano Joyce Castle, cellist Ted Hoyle, harpsichordist Elaine Comparone and pianists Larry Graham, Dennis Helmrich,Jeffrey Middleton, Dan Teitler, Marthanne Verbit and Juana Zayas.

Honors and awards

Among Fennimore’s citations are the Loeb Memorial Award and Van Cliburn Award (both from Juilliard for post-graduate study); the Hour of Music Award from the Colony Club of New York, which he won in 1964; and first prize in piano in the National Federation of Music Club’s Young Artist Competition in 1965. This last award brought Fennimore four years of management from the federation, which included a United States Information Agency-sponsored tour of Japan and dozens of concerts throughout the United States, especially in the south, where he received the Kentucky Colonel and Arkansas Traveler awards from the governors of those states. He also received a Rockefeller grant (with renewal); a Fulbright grant (with renewal) in 1967-69, which enabled him to study with Harold Craxton, O.B.E., in the United Kingdom; and first prize in Barcelona’s Concurso Internacional Maria Canals in 1969. In addition, since 1976 he has been recipient of annual ASCAP awards.[5] In 2013 Fennimore received a citation from the New York State Music Teachers Association recognizing his “outstanding contributions as a performer, master teacher, coach and world-renowned performer.”

Personal life

Long maintaining one home in Manhattan and another in upstate New York, Fennimore and Gordon Hibberd were among the first tenants at the landmark Westbeth Artists Community Housing in Greenwich Village.[6] They currently reside in Albany.

Compositional overview

Fennimore’s music, especially that featuring the keyboard, is often of a technical sophistication and chromatic complexity that stretch the Western tonal tradition it rises from; such exotica as Cathay and Sea of Sand, evoking Chinese and Middle Eastern idioms respectively, similarly expand on it in a “continual metamorphosis” of his style.[7] At the same time, his reworkings of Schumann’s A-minor sonata for violin and piano and Tchaikovsky’s second piano concerto (premiered in 1986 by the Chicago Symphony Orchestra under James Levine) remain loyally romantic.[8] Beyond a nostalgic or “bittersweet” lyricism often commented on,[9] an additional distinguishing component of Fennimore’s style is an elevated wittiness and “seriously playful sport”[10] exemplified by his satiric take on language instruction, the song cycle Berlitz: Introduction to French, and Foxtrot, a fanciful tribute to bygone popular musical genres.

Principal compositions

Opera

  • Eventide and Apache Dance, two one-acts (1975); libretti by the composer after short stories by James Purdy

Orchestral

  • Concerto Piccolo for piano and small orchestra (1962)
  • Cello Concerto (1974)
  • Echoes for mezzo-soprano, tenor and small orchestra (1974)
  • Sunset for large orchestra (1980)
  • Crystal Stairs for piano and orchestra (1986)
  • Tenor Concerto for trombone and orchestra (2003); for cello and orchestra (2004)

Chamber Works

  • Sonata for clarinet and piano (1968)
  • Duo for oboe and piano (1973)
  • First sonata for cello and piano (1974)
  • Rhapsody for unaccompanied violin (1974)
  • Quartet (after Vinteuil) for clarinet, viola, cello and piano (1976)
  • Spring Sonata for flute and piano (1977)
  • Swann in Love for viola, cello or violin and piano (1978)
  • Sextet for woodwind quintet and piano (1980)
  • Siyum HaSefer for violin, viola, cello, oboe/English horn, clarinet, piano and percussion (1981)
  • Second sonata for cello and piano (1982)
  • Sea Lullaby for Fr. horn, trombone or cello and piano (1990)
  • Hotel Trio for violin, cello and piano (1992)
  • Sea of Sand for violin, cello, flute, oboe, harpsichord, percussion and countertenor or mezzo-soprano (2002)
  • Duo for oboe and piano or harpsichord (2002)
  • Molinos de Viento for violin, cello and piano or harpsichord (2003)
  • Spring Sonata for violin or flute and piano (2007)
  • Second sonata for violin and piano (2007)
  • Ravel Trio for violin, cello and piano (after Ravel’s Sonata in Four Parts for violin and cello) (2009)

Piano Solo

  • First sonata (1964)
  • Fantasy (1964)
  • Sonatina (1965)
  • Second sonata (1965)
  • Third sonata (1965; rev. 2014)
  • Variations on a Theme of Beethoven (1966)
  • Fourth sonata (1967)
  • Bits and Pieces (1969)
  • Songs and Dances (1969)
  • Channel One (1973)
  • Armistice: MAPW (march), Sans Souci, Ebenholz und Elfenbein (1975–77)
  • Foxtrot: Blues, An Old Soft Shoe (1977)
  • Titles Waltz (after Max Steiner) (1978)
  • The Hen’s Snuffbox (1979)
  • The Woolworth Man (1979)
  • Crystal Stairs (1982)
  • Romances, book 1, numbers 1-15 (1990-2004)
  • Waltz: The Lady Is Not a Tramp (1996; rev. 2000)
  • The Studio (2000)
  • Romances, book 2, numbers 16-24 (2005–13)
  • Escorial (for piano or harpsichord) (2004)
  • Cathay (2005)
  • Tourmaline (for piano or harpsichord) (2005)
  • Sonatinella (2006)
  • Five Rivers (2007)
  • Three Pieces: Fandango, In the Middle, Habanera (2009)
  • Fifth sonata (2012)
  • Monuments: Dover A.F.B., Mesa Verde, Arlington (2013)
  • Sixth sonata (2013)

Piano, four hands

  • Eight Waltzes, book 1 (1958–74)
  • Eight Waltzes, book 2 (1958–75)
  • Crystal Stairs (1980)
  • Tarantella (1980)
  • Hotel Trio (2001)

Choral works

  • Timor et Tremor (1972)
  • Cynic’s Song (1972)
  • Three Psalms (1976)
  • O Loving Heart (after Louis Moreau Gottschalk) (1977)

Song cycles or groups

  • Berlitz: Introduction to French (1971); text from Berlitz: French for Travelers
  • Songs from Shakespeare (1973)
  • Three Songs for November (1975); text by Herbert Martin
  • Party Songs (1976); text by composer
  • A Song and Four Prayers (1976); text by Herbert Martin
  • Inscape (1977); text by Gerard Manley Hopkins
  • A Musical Offering (1979); text by Donald Richie
  • Ruthless Rhymes (1994; rev. 2005); text by Harry Graham
  • Six Songs- No. 1. Winterlove No. 2. May Weeps for Her Child No. 3. The Snow Grew out of the Sky last Night No. 4. Infant Joy No. 5. Now Death has Shut Your Eyes No. 6. My Heart

Transcriptions and arrangements

  • Piano Concerto No. 2, Op. 44, by Pyotr Ilyich Tchaikovsky (amended) (1963; rev. 1986, 2012)
  • Sonata in A Minor for Violin and Piano, Op. 105, by Robert Schumann (transcribed for cello and piano) (1975; rev. 2008)

Further reading

References

  1. ^ Kennicott, Philip (2009). "Five Romances" (PDF). Liner notes to Fennimore: Cathay, Tourmaline, 5 Romances,Jeffrey Middleton, piano. Albany Records TROY1123. {{cite web}}: Italic or bold markup not allowed in: |work= (help)
  2. ^ Ericson, Raymond (25 February 1972). "Met Studio Gives a Song Program". The New York Times.
  3. ^ Emery, Ron (15 July 1988). "Martins Impresses Composer". Times Union. Albany, New York.
  4. ^ Jane Bucci Stewart (unattrib.), “Curriculum Vitae,” Music of Joseph Fennimore (brochure), 1984
  5. ^ Joseph Dalton, “A Melodic Life,” Times Union (Albany, N.Y.), 22 October 2004.
  6. ^ Joseph Dalton, “A Melodic Life,” Times Union (Albany, N.Y.), 22 October 2004.
  7. ^ Kennicott, Philip (2009). "Five Romances" (PDF). Liner notes to Fennimore: Cathay, Tourmaline, 5 Romances, Jeffrey Middleton, piano. Albany Records TROY1123.
  8. ^ John von Rhein, “Fennimore’s Tchaikovsky Project Finally to See the Light of Debut,” Chicago Tribune, 3 July 1986.
  9. ^ E.g.: Colin Clarke, “Jeffrey Middleton Plays Fennimore,” Fanfare, November–December 2009; Scott Cantrell, “Dramatic to Dreamy: Recent Releases,” Kansas City Star, 19 May 1990; Robert C. Marsh, “Fennimore’s Opera Preview Shows Promise,” Chicago Sun-Times, 6 July 1986; Tim Page, “Music: St. Luke’s Chamber,” New York Times, 21 October 1983.
  10. ^ von Rhein, “American Works for Piano Duo,” Chicago Tribune, 24 August 2003.


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