Josephine Baker in her famous banana costume.
|Born||Freda Josephine McDonald
3 June 1906
St. Louis, Missouri, U.S.
|Died||12 April 1975
|Cause of death||Cerebral hemorrhage|
|Residence||Roquebrun, Languedoc-Roussillon, France|
|Occupation||Dancer, singer, actress, civil rights activist, spy|
|Partner(s)||Robert Brady (1973–75)|
|Children||12; including Jean-Claude Baker|
|Genres||Cabaret, music hall, French pop, French jazz|
|Labels||Columbia, Mercury, RCA Victor|
Josephine Baker (3 June 1906 – 12 April 1975) was an American-born French dancer, singer, and actress who came to be known in various circles as the "Black Pearl," "Bronze Venus" and even the "Creole Goddess". Born Freda Josephine McDonald in St. Louis, Missouri, Josephine Baker became a citizen of France in 1937. She was fluent in both English and French.
Baker was the first black woman to star in a major motion picture, Zouzou (1934) or to become a world-famous entertainer. Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the Civil Rights Movement. In 1968 she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King, Jr.'s assassination. Baker turned down the offer. She was also known for assisting the French Resistance during World War II, and received the French military honor, the Croix de guerre and was made a Chevalier of the Légion d'honneur by General Charles de Gaulle.
- 1 Early life
- 2 Career
- 3 Civil rights activism
- 4 Personal life
- 5 Later years and death
- 6 Legacy
- 7 Film credits
- 8 See also
- 9 References
- 10 Bibliography
- 11 External links
She was born as Freda Josephine McDonald in St. Louis, Missouri, the daughter of Carrie McDonald. Her estate identifies vaudeville drummer Eddie Carson as her natural father; Carson abandoned Baker and her mother.
Carrie and Eddie had a song-and-dance act, playing wherever they could get work. When Josephine was about a year old they began to carry her onstage occasionally during their finale.
Her street-corner dancing attracted attention, and she was recruited for the St. Louis Chorus vaudeville show at the age of 15. She headed to New York City during the Harlem Renaissance, performing at the Plantation Club and in the chorus of the groundbreaking and hugely successful Broadway revues Shuffle Along (1921) with Adelaide Hall and The Chocolate Dandies (1924). She performed as the last dancer in a chorus line. Traditionally the dancer in this position performed in a comic manner, as if she were unable to remember the dance, until the encore, at which point she would perform it not only correctly but with additional complexity. Baker was billed at the time as "the highest-paid chorus girl in vaudeville".[unreliable source?]
Paris and rise to fame
Baker sailed to Paris, France, for a new venture, and opened in "La Revue Nègre" on 2 October 1925, at the Théâtre des Champs-Élysées. In Paris, she became an instant success for her erotic dancing, and for appearing practically nude on stage. After a successful tour of Europe, she broke her contract and returned to France to star at the Folies Bergère, setting the standard for her future acts.
Baker performed the 'Danse sauvage,' wearing a costume consisting of a skirt made of a string of artificial bananas. Her success coincided (1925) with the Exposition des Arts Décoratifs, which gave birth to the term "Art Deco", and also with a renewal of interest in non-western forms of art, including African. Baker represented one aspect of this fashion. In later shows in Paris, she was often accompanied on stage by her pet cheetah, Chiquita, who was adorned with a diamond collar. The cheetah frequently escaped into the orchestra pit, where it terrorized the musicians, adding another element of excitement to the show.[unreliable source?]
In addition to being a musical star, Baker also starred in three films which found success only in Europe: the silent film Siren of the Tropics (1927), Zouzou (1934) and Princesse Tam Tam (1935). She also starred in Fausse Alerte in 1940.
At this time she also scored her most successful song, "J'ai deux amours" (1931). She became a muse for contemporary authors, painters, designers and sculptors, including Langston Hughes, Ernest Hemingway, F. Scott Fitzgerald, Pablo Picasso, and Christian Dior.
Under the management of Giuseppe Pepito Abatino, a Sicilian former stonemason who passed himself off as a count, Baker's stage and public persona, as well as her singing voice, were transformed. In 1934, she took the lead in a revival of Jacques Offenbach's opera La créole, which premiered in December of that year for a six-month run at the Théâtre Marigny on the Champs-Élysées of Paris. In preparation for her performances, she went through months of training with a vocal coach. In the words of Shirley Bassey, who has cited Baker as her primary influence, "... she went from a 'petite danseuse sauvage' with a decent voice to 'la grande diva magnifique'... I swear in all my life I have never seen, and probably never shall see again, such a spectacular singer and performer."
Despite her popularity in France, Baker never attained the equivalent reputation in America. Upon a visit to the United States in 1935–36, she was met with lukewarm audiences. Her star turn in the Ziegfeld Follies generated less than impressive box office numbers, and she was replaced by Gypsy Rose Lee later in the run. Time magazine referred to her as a "Negro wench". She returned to Europe heartbroken.
Baker returned to Paris in 1937, married a Jewish Frenchman, Jean Lion, and became a French citizen. They were married in the French town of Crèvecœur-le-Grand. The wedding was presided over by mayor Jammy Schmidt.
Work during World War II
In September 1939, when France declared war on Germany in response to the invasion of Poland, Baker was recruited by Deuxième Bureau, French military intelligence, as an "honorable correspondent". Baker collected what information she could about German troop locations from officials she met at parties. She specialized in gatherings at embassies and ministries, charming people as she had always done, while gathering information. Her café-society fame enabled her to rub shoulders with those in the know, from high-ranking Japanese officials to Italian bureaucrats, and to report back what she heard. She attended parties at the Italian embassy without raising suspicions and gathered information.:182–269
When the Germans invaded France, Baker left Paris and went to the Château des Milandes, her home in the south of France. She housed friends who were eager to help the Free French effort led by Charles de Gaulle and supplied them with visas. As an entertainer, Baker had an excuse for moving around Europe, visiting neutral nations such as Portugal, as well as some in South America. She carried information for transmission to England, about airfields, harbors, and German troop concentrations in the West of France. Notes were written in invisible ink on Josephine's sheet music.:232–269
Later in 1941, she and her entourage went to the French colonies in North Africa. The stated reason was Baker's health (since she was recovering from another case of pneumonia) but the real reason was to continue helping the Resistance. From a base in Morocco, she made tours of Spain. She pinned notes with the information she gathered inside her underwear (counting on her celebrity to avoid a strip search). She befriended the Pasha of Marrakesh, whose support helped her through a miscarriage (the last of several). After the miscarriage, she developed an infection so severe it required a hysterectomy. The infection spread and she developed peritonitis and then septicemia. After her recovery (which she continued to fall in and out of), she started touring to entertain British, French, and American soldiers in North Africa. The Free French had no organized entertainment network for their troops, so Baker and her friends managed for the most part on their own. They allowed no civilians and charged no admission. To this day, veterans greatly remember her performances.
In Cairo, Egypt's King Farouk asked her to sing; she refused because Egypt had not recognized Free France and remained neutral. However, she offered to sing in Cairo at a celebration of honor for the ties between Free France and Egypt, and asked Farouk to preside, a subtle indication of which side his officially neutral country leaned toward.
In 1949, a reinvented Baker returned in triumph to the Folies Bergere. Bolstered by recognition of her wartime heroics, Baker the performer assumed a new gravitas, unafraid to take on serious music or subject matter. The engagement was a rousing success, and reestablished Baker as one of Paris' preeminent entertainers.
In 1951 Baker was invited back to the US for a nightclub engagement in Miami. After winning a public battle over desegregating the club's audience, Baker followed up her sold-out run at the club with a national tour. Rave reviews and enthusiastic audiences accompanied her everywhere, climaxed by a parade in front of 100,000 people in Harlem in honor of her new title: NAACP's "Woman of the Year." Her future looked bright, with six months of bookings and promises of many more to come.
An incident at the Stork Club interrupted and overturned her plans. Baker criticized the club's unwritten policy of discouraging black patrons, then scolded columnist Walter Winchell, an old ally, for not rising to her defense. Winchell responded swiftly with a series of harsh public rebukes, including accusations of Communist sympathies (a serious charge at the time). The ensuing publicity resulted in the termination of Baker's work visa, forcing her to cancel all her engagements and return to France. It was almost a decade before US officials allowed her back into the country.
In January 1966, Fidel Castro invited Baker to perform at the Teatro Musical de La Habana in Havana, Cuba at the 7th anniversary celebrations of his revolution. Her spectacular show in April broke attendance records. In 1968, Baker visited Yugoslavia and made appearances in Belgrade and in Skopje.
In her later career, Baker faced financial troubles. She commented, "Nobody wants me, they've forgotten me"; but family members encouraged her to continue performing. In 1973 she performed at Carnegie Hall to a standing ovation. In 1974 she appeared in a Royal Variety Performance at the London Palladium, and then at the Monacan Red Cross Gala, celebrating her 50 years in French show business. Advancing years and exhaustion began to take their toll; she sometimes had trouble remembering lyrics, and her speeches between songs tended to ramble. She still continued to captivate audiences of all ages.
Civil rights activism
Although based in France, Baker supported the American Civil Rights Movement during the 1950s. When she arrived in New York with her husband Jo, they were refused reservations at 36 hotels because she was black. She was so upset by this treatment that she wrote articles about the segregation in the United States. She also began traveling into the South. She gave a talk at Fisk University, a historically black college in Nashville, Tennessee, her subject being "France, North Africa And The Equality Of The Races In France".
She refused to perform for segregated audiences in the United States, although she was offered $10,000 by a Miami club. (The club eventually met her demands). Her insistence on mixed audiences helped to integrate live entertainment shows in Las Vegas, Nevada, then one of the most segregated cities in America.[unreliable source?] After this incident, she began receiving threatening phone calls from people claiming to be from the Ku Klux Klan but said publicly that she was not afraid of them.
In 1951, Baker made charges of racism against Sherman Billingsley's Stork Club in Manhattan, where she alleged that she had been refused service. Actress Grace Kelly, who was at the club at the time, rushed over to Baker, took her by the arm and stormed out with her entire party, vowing never to return (although she returned on 3 January 1956 with Prince Rainier of Monaco). The two women became close friends after the incident.
When Baker was near bankruptcy, Kelly offered her a villa and financial assistance (Kelly by then was princess consort of Rainier III of Monaco). (However, during his work on the Stork Club book, author and New York Times reporter Ralph Blumenthal was contacted by Jean-Claude Baker, one of Josephine Baker's sons. Having read a Blumenthal-written story about Leonard Bernstein's FBI file, he indicated that he had read his mother's FBI file and, using comparison of the file to the tapes, said he thought the Stork Club incident was overblown.)
Baker worked with the NAACP. Her reputation as a crusader grew to such an extent that the NAACP had Sunday 20 May 1951 declared Josephine Baker Day. She was presented with life membership of the NAACP by Nobel Peace Prize winner Dr. Ralph Bunche. The honor she was paid spurred her to further her crusading efforts with the "Save Willie McGee" rally after he was convicted of the 1948 beating death of a furniture shop owner in Trenton, New Jersey. As Josephine became increasingly regarded as controversial, many blacks began to shun her, fearing that her reputation would hurt their cause.
In 1963, she spoke at the March on Washington at the side of Rev. Martin Luther King, Jr. Baker was the only official female speaker. While wearing her Free French uniform emblazoned with her medal of the Légion d'honneur, she introduced the "Negro Women for Civil Rights." Rosa Parks and Daisy Bates were among those she acknowledged, and both gave brief speeches.
After King's assassination, his widow Coretta Scott King approached Baker in the Netherlands to ask if she would take her husband's place as leader of the American Civil Rights Movement. After many days of thinking it over, Baker declined, saying her children were "too young to lose their mother".
Baker was married four times. Her first marriage was to American Pullman porter Willie Wells when she was 13 years old. The marriage was reportedly very unhappy and the couple divorced a short time later. Another short-lived marriage followed to Willie Baker in 1921; she retained Baker's last name because her career began taking off during that time, and it was the name by which she became best known. In 1925 she began an extramarital relationship with the Belgian novelist Georges Simenon.
In 1937 Baker married Frenchman Jean Lion. She became a French citizen and became a permanent expatriate. She and Lion separated before he died.
She married French composer and conductor Jo Bouillon in 1947, but their union also ended in divorce. She was later involved for a time with the artist Robert Brady, but they never married. Her adopted son Jean-Claude Baker describes his mother as a bisexual, having had relationships with men and women. In her later years, Baker converted to Roman Catholicism.
During Baker's work with the Civil Rights Movement, she began adopting children, forming a family she often referred to as "The Rainbow Tribe". Josephine wanted to prove that "children of different ethnicities and religions could still be brothers." She often took the children with her cross-country, and when they were chez Château des Milandes, she arranged tours so visitors could walk the grounds and see how natural and happy the children in "The Rainbow Tribe" were. Baker raised two daughters, French-born Marianne and Moroccan-born Stellina, and ten sons, Korean-born Jeannot (or Janot), Japanese-born Akio, Colombian-born Luis, Finnish-born Jari (now Jarry), French-born Jean-Claude and Noël, Israeli-born Moïse, Algerian-born Brahim, Ivorian-born Koffi, and Venezuelan-born Mara. For some time, Baker lived with her children and an enormous staff in a castle, Château des Milandes, in Dordogne, France, with her fourth husband, Jo Bouillon.
Later years and death
Baker was back on stage at the Olympia in Paris in 1968, in Belgrade in 1973, at Carnegie Hall in 1973, at the Royal Variety Performance at the London Palladium in 1974, and at the Gala du Cirque in Paris in 1974. On 8 April 1975, Baker starred in a retrospective revue at the Bobino in Paris, Joséphine à Bobino 1975, celebrating her 50 years in show business. The revue, financed notably by Prince Rainier, Princess Grace, and Jacqueline Kennedy Onassis, opened to rave reviews. Demand for seating was such that fold-out chairs had to be added to accommodate spectators. The opening night audience included Sophia Loren, Mick Jagger, Shirley Bassey, Diana Ross, and Liza Minnelli.
Four days later, Baker was found lying peacefully in her bed surrounded by newspapers with glowing reviews of her performance. She was in a coma after suffering a cerebral hemorrhage. She was taken to Pitié-Salpêtrière Hospital, where she died, aged 68, on 12 April 1975. She received a full Roman Catholic funeral which was held at L'Église de la Madeleine. The only American-born woman to receive full French military honors at her funeral, Baker's funeral was the occasion of a huge procession. After a family service at Saint-Charles Church in Monte Carlo, Baker was interred at Monaco's Cimetière de Monaco.
Place Joséphine Baker in the Montparnasse Quarter of Paris was named in her honor. She has also been inducted into the St. Louis Walk of Fame, and on 29 March 1995, into the Hall of Famous Missourians. The Piscine Joséphine Baker is a swimming pool along the banks of the Seine in Paris named for her.
Two of Baker's sons, Jean-Claude and Jarry (Jari), grew up to go into business together, running the restaurant Chez Josephine on Theatre Row, 42nd Street, New York. It celebrates Baker's life and works.
Château des Milandes, a castle near Sarlat in the Dordogne, was Josephine Baker's home where she raised her twelve children. It is open to the public and displays her stage outfits including her banana skirt (of which there are apparently several). It also displays many family photographs and documents as well as her Legion of Honour medal. Most rooms are open for the public to walk through including bedrooms with the cots where her children slept, a huge kitchen, and a dining room where she often entertained large groups. The bathrooms were designed in art deco style but most rooms retained the French chateau style.
- In 2006, Jérôme Savary produced a musical, A La Recherche de Josephine – New Orleans for Ever (Looking for Josephine). The story revolved around the history of jazz and Baker's career.
- In 1991, Baker's life story, The Josephine Baker Story, was broadcast on HBO. Lynn Whitfield portrayed Baker, and won an Emmy Award for Outstanding Lead Actress in a Miniseries or a Special—becoming the first Black actress to win the award in this category.
- In 2002, played by Karine Plantadit in Frida.
- Josephine Baker appears in her role as a member of the French Resistance in Johannes Mario Simmel's 1960 novel, Es Muss Nicht Immer Kaviar Sein (C'est pas toujours du caviar).
- The 2004 erotic novel Scandalous by British author Angela Campion uses Baker as its heroine and is inspired by Baker's sexual exploits and later adventures in the French Resistance. In the novel, Baker, working with a fictional black Canadian lover named Drummer Thompson, foils a plot by French fascists in 1936 Paris.
- Her influence upon and assistance with the careers of husband and wife dancers Carmen De Lavallade and Geoffrey Holder are discussed and illustrated in rare footage in the 2005 Linda Atkinson/Nick Doob documentary, Carmen and Geoffrey.
- Diana Ross famously portrayed Josephine Baker in both her Tony Award-winning Broadway and television show An Evening with Diana Ross. When the show was made into an NBC television special entitled The Big Event: An Evening with Diana Ross, Ross further embellished her role as Josephine. She worked for years to make a feature film of her life; to no avail. Diana considers it a "lost dream".
- In 1986, Helen Gelzer portrayed Josephine on the London stage for a limited run in the musical Josephine - ‘a musical version of the life and times of Josephine Baker’ with book, lyrics and music by Michael Wild. The show was produced by Josephine Baker’s longtime friend Jack Hocket in conjunction with Premier Box-Office and the musical director was Paul Maguire. Gelzer also recorded a studio cast album titled, "Josephine".
- The italo-belge francophone singer composer Salvatore Adamo pays tribute to Josephine Baker with the song "Noël Sur Les Milandes" (album: Petit Bonheur – EMI 1970).
- Beyoncé Knowles has portrayed Baker on various accounts throughout her career. During the 2006 Fashion Rocks show, Knowles performed "Dejá Vu" in a revised version of the Danse banane costume. In Knowles's video for "Naughty Girl", she is seen dancing in a huge champagne glass à La Baker. In I Am... Yours: An Intimate Performance at Wynn Las Vegas, Beyonce lists Baker as an influence of a section of her live show.
- In the 1997 animated film Anastasia, Baker appears with her cheetah during the musical number "Paris Holds the Key (to Your Heart)".
- A character clearly based on Baker (topless, wearing the famous "banana skirt") appears in the opening sequence of the 2003 animated film Les Triplettes de Belleville.
- A character loosely based on Baker is featured in an episode of Hogan's Heroes titled, "Is General Hammerschlag Burning?", which originally aired on 18 November 1967. The character, Kumasa (played by Barbara McNair), is a chanteuse based in Paris. She later reveals herself to be Carol Dukes, a high school classmate of Sergeant James Kinchloe (Ivan Dixon), on whom she had a secret crush.
- A German submariner mimics Baker's Danse banane in the film Das Boot.
- In 2010, Keri Hilson portrayed Baker in her single "Pretty Girl Rock".
- Artist Hassan Musa depicted Baker in a series of paintings called Who needs Bananas?
- In 2011, Sonia Rolland portrayed Baker in the film Midnight in Paris.
- Josephine Baker was heavily featured in the 2012 book Josephine's Incredible Shoe & The Blackpearls by Peggi Eve Anderson-Randolph.
- In July 2012, Cheryl Howard opened in The Sensational Josephine Baker, written and performed by Howard and directed by Ian Streicher at the Beckett Theatre of Theatre Row on 42nd Street in New York City, just a few doors down from the restaurant "Chez Josephine", run by two of her children.
- In July 2013, Cush Jumbo's debut play Josephine and I premieres at the Bush Theatre,London It was re-produced in New York City at The Public Theater's Joe's Pub from 27 February to 5 April 2015. <http://www.publictheater.org/en/Public-Theater-Season/Josephine-and-I/>
- La Sirène des tropiques (1927)
- Le pompier des Folies Bergères (1928), short subject
- Zouzou (1934)
- Princesse Tam Tam (1935)
- Fausse alerte (1940)
- Moulin Rouge (1941)
- An jedem Finger zehn (1954)
- Carosello del varietà (1955)
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- Rose, Phyllis. (1991). Jazz Cleopatra: Josephine Baker in Her Time. Vintage. ISBN 0-679-73133-4
- Rosette, Bennetta Jules. (2006). Josephine Baker: Image and Icon. Reedy Press. ISBN 1-933370-02-5
- Schroeder, Alan. (1989). Ragtime Tumpie. Little, Brown, an award-winning children's picture book about Baker's childhood in St. Louis and her dream of becoming a dancer.
- Schroeder, Alan. (1990) Josephine Baker. Chelsea House. ISBN 0-7910-1116-X, a young-adult biography.
- Theile, Merlind. "Adopting the World: Josephine Baker's Rainbow Tribe" Spiegel Online International, 2 October 2009.
- Wood, Ean. (2002). The Josephine Baker Story. Sanctuary Publishing. ISBN 1-86074-394-3
|Wikiquote has quotations related to: Josephine Baker|
|Wikimedia Commons has media related to Josephine Baker.|
- Official website
- Les Milandes- Josephine Baker's castle in France
- Josephine Baker at AllMusic
- Josephine Baker at the Internet Broadway Database
- Josephine Baker at the Internet Movie Database (self)
- Josephine Baker at the Internet Movie Database (character)
- A la recherche de Joséphine, official Josephine Baker website
- A Josephine Baker photo gallery
- "Discography at Sony BMG Masterworks". Archived from the original on 27 September 2007.
- Photographs of Josephine Baker
- The electric body: Nancy Cunard sees Josephine Baker (2003)—review essay of dance style and contemporary critics
- Guide to Josephine Baker papers at Houghton Library, Harvard University
- Josephine Baker Photographs collections at the University of Missouri–St. Louis