Journey's End (Doctor Who)
|198b – "Journey's End"|
|Doctor Who episode|
Inside the TARDIS, Donna collapses near the Doctor's severed hand and transfer of energy begins.
|Directed by||Graeme Harper|
|Written by||Russell T Davies|
|Script editor||Lindsey Alford|
|Produced by||Phil Collinson|
|Executive producer(s)||Russell T Davies
|Incidental music composer||Murray Gold|
|Length||2nd of 2-part story, 65 minutes|
|Originally broadcast||5 July 2008|
"Journey's End" is the thirteenth and final episode of the fourth series of British science fiction television series Doctor Who, first broadcast on BBC One on 5 July 2008. It is the second episode of a two-part crossover story featuring the characters of spin-off shows Torchwood and The Sarah Jane Adventures, preceded by "The Stolen Earth". At 65 minutes in length, it was approximately 20 minutes longer than a standard revived series episode. It marked the final regular appearance of Donna Noble. It received mixed reviews, not matching the acclaim of "The Stolen Earth".
The episode continues from the end of "The Stolen Earth"; the Doctor (David Tennant) is regenerating inside the TARDIS. Once his body has healed, he halts the transformation by transferring the remaining energy into his severed hand (cut off during The Christmas Invasion). The TARDIS is captured by the Daleks and transported to the Crucible—the Dalek flagship. The Doctor and his previous companions Jack Harkness (John Barrowman) and Rose Tyler (Billie Piper) leave the TARDIS, but Donna Noble (Catherine Tate) is locked in. The Dalek Supreme orders the TARDIS to be destroyed; in the process, Donna collapses by the Doctor's severed hand. The energy stored in the hand forms a new Doctor who saves the TARDIS from destruction. Concurrently, Torchwood employees Gwen Cooper (Eve Myles) and Ianto Jones (Gareth David-Lloyd) find safety in an impenetrable time bubble; Sarah Jane Smith (Elisabeth Sladen) is saved from a Dalek extermination by Rose's ex-boyfriend Mickey Smith (Noel Clarke) and mother Jackie Tyler (Camille Coduri) and surrender themselves to get aboard the Crucible; and Martha Jones (Freema Agyeman) teleports to a castle near Nuremberg.
The Doctor and Rose are taken to Davros (Julian Bleach), creator of the Daleks. Davros explains that the twenty-seven stolen planets form a compression field which can cancel the electrical energy of atoms. The resulting "reality bomb" has the potential to destroy all matter in every universe; reality itself would be destroyed. After the device is tested, the Daleks receive two transmissions: Sarah, Mickey, Jack, and Jackie threaten to destroy the Crucible using a "Warpstar" that Sarah Jane had, and Martha threatens to use the Osterhagen Key—a last resort device which would destroy Earth. Their actions cause Davros to challenge the Doctor's reliance on his companions.
Before either plan can be instigated, the Supreme Dalek has everyone transported to the Crucible and right in front of Davros. Davros prepares to detonate the reality bomb before the TARDIS materialises in front of him. The clone Doctor and then Donna try to use a device that will refocus the reality bomb onto the Daleks, but Davros blasts them both with electricity and destroys the device. This causes Donna to become imbued with Time Lord knowledge that she gained during the clone Doctor's creation, and she disables the reality bomb with seconds to spare. The two Doctors help her disable the Daleks and relocate the missing planets, but the control panel is destroyed before Earth can be relocated. Motivated by Dalek Caan's prophecy of the Daleks' extinction, the new Doctor destroys the Daleks and the Crucible. The original Doctor offers to save Davros who refuses, labeling the Doctor as "the Destroyer of Worlds". The companions flee into the TARDIS and "tow" the Earth back into its original orbit with the aid of Sarah's supercomputer Mr Smith, her robotic dog K9, and the spatio-temporal rift in Cardiff.
In the dénouement of the episode, the Doctor parts ways with his companions: Sarah returns home to her son Luke; Martha and Mickey leave with Jack; and the Doctor returns Rose and Jackie to the parallel universe they were trapped in, in "Doomsday". The Doctor forces the other Doctor to stay in the parallel universe as punishment for committing genocide and to requite Rose's love, since the second Doctor is part human. That means he has only one heart, and will grow old and die along with Rose. After departing, Donna's human mind becomes overwhelmed by the Time Lord knowledge and starts to deteriorate. To save her life, the Doctor is forced to wipe her mind against her wishes, and explains to her mother Sylvia (Jacqueline King) and grandfather Wilfred Mott (Bernard Cribbins) that Donna must never remember him or anything that they did otherwise she will die. As the Doctor leaves, Wilfred promises that he will never forget the Doctor on his granddaughter's behalf.
The episode is the culmination of all four series of Doctor Who produced by Russell T Davies; dialogue in the episode refers to the events of "The Christmas Invasion", in which the Doctor had his hand amputated and regrown while fighting against the Sycorax and to the Ood prophectically calling Donna "Doctor-Donna" in "Planet of the Ood." The episode refers to Genesis of the Daleks; Davros mentions Sarah Jane's presence on Skaro at the creation of the race.
The fictional Dårlig Ulv Stranden (Norwegian: Bad Wolf Bay) seen at the end of "Doomsday" is revisited. The Doctor's reply to Rose's statement of love is specified to Rose but left unheard; Davies deliberately left the reply ambiguous when he wrote "Doomsday". Executive producer Julie Gardner stated on the "Doomsday" commentary and the Doctor Who Confidential special for "Journey's End" that the Doctor requited her love.
Davros' taunts give the Doctor a series of flashbacks of all the people in the revived series who died for or near him. Those include the humanoid Jabe ("The End of the World"), the Controller of Satellite 5 ("Bad Wolf"), Lynda Moss ("The Parting of the Ways"), Sir Robert MacLeish ("Tooth and Claw"), Mrs Moore ("The Age of Steel"), the majority of LINDA ("Love & Monsters"), the Face of Boe ("Gridlock"), Chantho ("Utopia"), Astrid Peth ("Voyage of the Damned"), Luke Rattigan ("The Poison Sky"), Jenny ("The Doctor's Daughter"), River Song ("Forest of the Dead"), and the Hostess ("Midnight") as well as Harriet Jones from the previous episode.
Davros refers to the Doctor as "The Destroyer of Worlds". The first reference to this phrase is from the novelisation of Remembrance of the Daleks, which states that the Daleks, in their own language, refer to the Doctor as Ka Faraq Gatri, which translates either as "Bringer of Darkness" or "Destroyer of Worlds".
In the episode "Victory of the Daleks", the Eleventh Doctor refers to the events of "The Stolen Earth"/"Journey's End" when he asks Amy to help him explain to Winston Churchill about the true nature of the Daleks. Mysteriously, Amy has no memory of these events. He later concludes in "Flesh and Stone", when faced with the cracks in the universe, that these Daleks were absorbed by the crack and erased from history. In "The Waters of Mars", Adelaide Brooke has a flashback to her childhood during the events of "The Stolen Earth"/"Journey's End".
The Doctor is surprised by the revelation that Sarah Jane has a son, Luke, which she dismisses by remarking "long story". She adopted him in "Invasion of the Bane". She had no child when the Doctor last saw her in "School Reunion". The Doctor and Luke meet each other in person in The Wedding of Sarah Jane Smith.
Despite the Tenth Doctor not changing his appearance during the regeneration depicted in this episode, it is revealed in 2013's "The Time of the Doctor" that this regeneration did in fact count towards the 12-regeneration limit established in The Deadly Assassin.
Russell T Davies started writing "Journey's End" in January 2008. A scene filmed showed the Doctor giving Rose's Doctor a small piece of "coral" from the TARDIS so that he could grow his own TARDIS. This was removed in the last edit of the episode, but was ultimately cut because the production team felt it made the Bad Wolf Bay scene "too long and complicated" and that producing another TARDIS should not be seen to be so easy. The clip was included on the Series 4 DVD boxset.
Another additional scene with Donna was cut from the final episode: "There was an additional Donna bit after this goodbye from the Doctor, which is when he goes outside into the TARDIS, we cut back into the kitchen, and there's a moment where Donna hears the TARDIS... there's a moment of realisation, and then she turns back round and carries on talking into the phone." Gardner considered this scene untruthful and too confusing, since Donna remembering would lead to her death, and since she didn't recognise the Doctor it wouldn't make sense to assume she would recognise the noise of the TARDIS.
This episode's original ending involved the Doctor, following the final scene where he is alone in the TARDIS, being alerted to something on the monitor and as he checks two Cybermen rise up behind him. This was supposed to lead directly into The Next Doctor, however Davies was convinced by Benjamin Cook (who was corresponding with Davies for the book Doctor Who: The Writer's Tale) to drop the scene as he felt that a cliffhanger was not appropriate after such a sad ending.
Castell Coch, situated minutes away from Doctor Who's Upper Boat Studios, is used as the German castle. The beach at Southerndown, a few miles west of Cardiff, is used once more as Norway's fictional Dårlig Ulv Stranden (Bad Wolf Bay).
Some exterior scenes, including various companions interacting with Daleks, were shot at Arcot Street, Penarth.
Mickey Smith and Jackie Tyler make their first appearances in Doctor Who since "Doomsday". K9 Mark IV (voiced by John Leeson) makes his first appearance since The Sarah Jane Adventures story The Lost Boy, and his first in Doctor Who since "School Reunion".
Former Blue Peter presenter Gethin Jones controlled one of the Daleks that escorts the human prisoners aboard the Crucible.[clarification needed] He previously played a Cyberman in "Rise of the Cybermen" and has made a cameo appearance as himself in Doctor Who spin-off The Sarah Jane Adventures in the episode "Invasion of the Bane".
One significant feature of this episode is the creation of another Doctor. Unlike the multiple Doctors of stories such as The Three Doctors, The Five Doctors and The Two Doctors, where his previous incarnations were played by actors or depicted in old footage, this Doctor is identical in appearance to the Tenth Doctor. In the accompanying Doctor Who Confidential for this episode, Davies explains "This is so busy and so mental and so epic and universal in scale that of course you need two Doctors to solve it." Phil Collinson, Graeme Harper, and David Tennant discuss the use of the double, a musician named Colum Regan who is a very good physical match for Tennant. Collinson explains that while with an unlimited budget they would use Tennant in every shot, "we only have a certain number of effects shots where you can see the two Doctors together, so we have to pick those carefully."
Harper is then shown directing a scene in which both Regan and Tennant are shown around the TARDIS console. Harper explains that in "two or three wide shots" they were able to use Regan and Tennant together. For the most part the double is used for scenes where one or the other Doctor is only seen from behind, or only an arm or back of the head is seen in a shot. The double has appeared in other episodes throughout the series. Over documentary footage showing the shooting of the scene where the new Doctor emerges from the TARDIS, Tennant describes the procedure for making an effects shot involving Tennant as both Doctors. The camera is locked in place while Tennant goes off and changes clothing, with Regan holding his place. A shot is made for reference with Regan, then another shot is made without Regan. This enables the shots to be merged during editing to create the effect of having David Tennant in two places in the same shot.
Broadcast and reception
The episode was screened free in Trafalgar Square in London as part of Pride London 2008; the third series finale was planned to be shown during the 2007 event, but was cancelled as a security measure. A teaser trailer was appended to promote the 2008 Christmas Special.
"Journey's End" was watched by 10.57 million viewers when broadcast on BBC1, giving it a 45.9% share of the total television audience. The episode was the most-viewed programme of the week; "Journey's End" is the first Doctor Who episode to receive this rank. It also received an Appreciation Index score of 91, equalling the record for the programme set by its predecessor "The Stolen Earth". A story on the BBC News website described fan reaction of the serials on the Digital Spy and Ain't It Cool News forums as "mixed".
"Journey's End" became the first Science fiction-based series to achieve a No.1 placing in the UK television ratings for 32 years (the last time being for the US series The Bionic Woman in July 1976).
The episode was premiered in Canada on 12 December 2008. Although the Canadian Broadcasting Corporation is credited as a co-producer, the CBC used a version used for international distribution that cut 21 minutes from the episode to fit it in a 60-minute timeslot with advertising. This edit removed numerous subplots as well as the final farewells by the various companions, as well as the final scene of the Doctor alone in his TARDIS. The CBC subsequently streamed the unedited version of the episode on its website.
The Telegraph's John Preston states that this episode of Doctor Who "[a]s usual...served up a lot more than mere excitement." He credits Doctor Who's success partly to its "richly defined characters behaving in readily identifiable ways." Also of The Telegraph, Sarah Crompton wrote that the episode was "exciting, incomprehensible, satisfying and slightly irritating all at the same time". Although Crompton said, "It was inevitable that the start would be an anti-climax", she praised the special effects and also noted that she would miss "the warmth and humour" that Tate brought to the series. Lucy Mangan in a humorous review for The Guardian that rewrites the dialogue between Tennant's and Cribbins' characters at the end as a discussion of the plot, described it as providing "something for everyone". In The Times, Andrew Billen called "Journey's End" "a spectacular finale that...gave the lie to the truism that more always, dramatically speaking, adds up to less."
Mark Wright of The Stage likens "Journey’s End" to "one big house of cards...[that] will come crashing down" if thought about too much. However, he had no problem with the resolution of "The Stolen Earth"'s cliffhanger and is critical of those who complain about feeling cheated by the lack of a regeneration. Though he expresses that he saw little need for Mickey and Jackie in this episode, he asserts that Donna had "the saddest end for a companion ever" and praises Davies for just managing to keep the plot together. He argues that as Davies "writes the emotions and big themes so well...blow logic and rational plot moments if they get in the way!" He compares Davies's writing style to "PT Barnum showmanship" and praises both the dark and light elements of the episode. He concludes that, if not overthought, the episode remains "an audacious, big, silly, often poignant season finale".
Writing for The Mirror, Jim Shelley is highly critical of this episode in his review, describing it as "[d]emented rather than dazzling". He was confused by the two Doctors played by David Tennant, saw little development in Donna across the series and was puzzled by the Doctor's attempt to save his arch-enemy, Davros. He claims that "amidst all the shrieking, shouting, and mock operatic bluster, [he was] sure [he] saw a kitchen sink thrown in for good measure. Riddled with scientific mumbo-jumbo, it was too chaotic and long-winded to be the classic farewell Russell T Davies promised." He argues that the plot "went haywire" and that "Rose and the two Tennants acted out a sort of twisted ménage à trois." In conclusion he states, "Tennant's cheeky chappie mannerisms made the show into an extraterrestrial EastEnders."
In Scotland's Daily Record, Paul English called the episode "yet another fizzing Doctor Who adventure" and said that "Writer and producer Russell T Davies makes TV with the epic feel of the movies. He gets more tension, humour and emotion into an hour of telly than many films manage in twice the time with double the budget." He lamented that "Journey's End" "lacked the goofiness" of the series' 2005 return, but concluded that the finale was "TV gold".
Dave Golder of SFX says "If, while your brain is telling you, 'This is crap!' your heart is still doing backflips then it's your kind of episode. 'Journey's End' is almost a two fingers up at technobabble; there's certainly tons of it in the episode, but it's largely irrelevant." He praises the action sequences and the portrayal of Davros, Donna, Rose and the Doctor, but remarks that the overcrowding of minor characters made parts of the script seem "underdeveloped" and describes the Daleks as mostly "[c]annon fodder". "[The] plot does hang together, but only just". Overall, he describes the episode as "exceptional" but "not perfect".
Ben Rawson-Jones of Digital Spy describes the episode as "a satisfying and epic crowdpleasing conclusion" to the series and particularly praises Tate and Donna's exit. He states the episode mixes poignant and haunting scenes with "'punch the air' moments and fan-pleasing twists." Noting the episode is "not entirely flawless", he is critical of the Daleks' seemingly "too convenient" demise, arguing that it undermines their menace. Writing for the Doctor Who blog on the Radio Times website, William Gallagher called "Journey's End" "event drama" and "party television". He stated that the resolution to the regeneration cliff-hanger left him feeling "a bit cheated", but praised the episode's characterisation, concluding that David Tennant "has been the best Doctor of them all" and that "Doctor Who is the best drama on TV: it's the one with most verve and spark and exuberant excitement." John Beresford of TV Scoop called the finale "just about the most exciting Doctor Who episode [he could] ever remember", and "a fantastically imaginative, exciting and action-packed finale to the fourth series." In 2009, SFX rated the Earth being towed as among the 25 Silliest Moments in Doctor Who, writing 'Judging from the shakes that ensue, it’s likely that millions more died from being bonked on the head by falling household objects than as a result of the Dalek invasion in the previous episode.'
Travis Fickett on IGN gave a negative review of this episode, claiming 'it misses the mark in almost every way' and 'plays like the most outrageous of fan fictions.' He claimed the 2nd Doctor and Doctor-Donna 'stretch credulity so far that it becomes translucent', and that 'it's sort of silly to even bring Rose back when you've got the episode stuffed with almost every other character from the series'. A poll conducted by Radio Times in 2015 found that readers voted the series four finale as the greatest finale of the show.
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|Wikiquote has quotations related to: Tenth Doctor|
- Journey's End on TARDIS Data Core, an external wiki
- "Journey's End" at the BBC Doctor Who homepage
- "Journey's End" at the Internet Movie Database
- "The Stolen Earth" / "Journey's End" at Doctor Who: A Brief History of Time (Travel)
- "The Stolen Earth" / "Journey's End" at the Doctor Who Reference Guide
- Shooting Script for "Journey's End"