His progress in music was so rapid that his father exhibited him as a piano prodigy. Having studied the violin under Clemente Ibarguren, he suddenly appeared as a violinist, and met with such success that in Germany he was compared to his famous countryman Sarasate. Likewise he attracted much attention as a composer, not only in Spain, but perhaps to even a greater degree in Germany, where he resided at different times for protracted periods. His works comprise: the operas Giovanni di Napoli (1903), Der Fackeltanz (1909) and Neró i Acté (1928) with his own libretto; the symphonic poem Nova Catalonia; at least three violin concertos; "Fantasia - Sonata" for guitar; a suite for violin and piano; a piano quartet, a string quartet, and a number of exquisite miniatures for violin and orchestra. He also made a completion-cum-arrangement of Beethoven's Violin Concerto in C, which otherwise only survives in its first 259 measures.
- Gesine Manuwald, Nero in Opera: Librettos as Transformations of Ancient Sources. (Tranformationen der Antike ; 24). Berlin: De Gruyter, 2013. ISBN 9783110317138. p.233-239.
- OCLC 803922605 describes a manuscript copy of his 3rd concerto, "iberico".
- OCLC 806389011 - published score of his piano quartet in F minor, Op.42, 1903
- digitized by Sibley Library here
- This article incorporates text from a publication now in the public domain: Gilman, D. C.; Thurston, H. T.; Colby, F. M., eds. (1905). "article name needed". New International Encyclopedia (1st ed.). New York: Dodd, Mead.
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