Juana Molina in Buenos Aires, 2009
|Birth name||Juana Rosario Molina|
|Born||October 1, 1961|
Buenos Aires, Argentina
Juana Rosario Molina (pronounced ['xwana mo'lina]; born October 1, 1961) is an Argentine singer, songwriter and actress, based in Buenos Aires. She is known for her distinctive sound, considered an exponent of folktronica, although it has also been described as ambient, experimental, neofolk, chill-out, indietronica, psychedelic, indie pop, and progressive folk.
The daughter of tango singer Horacio Molina and actress Chunchuna Villafañe, she achieved fame as a sketch comedy actress in the 1990s, first as a guest in various shows and in 1991 with her own show, Juana y sus hermanas. At the height of her popularity, she quit her job as an actress to pursue a career in music. Her debut album, Rara, was subsequently released in 1996, and panned by local critics who resented her departure from television. Dejected from the criticism, she moved to Los Angeles, where her music had been better received, and she familiarized herself with electronic instruments. She then returned to Buenos Aires to produce her second album, Segundo, incorporating the sonic elements she had learned. Each one of her following albums have added a new complexity to her music, which is characterized by layered loops of acoustic and electronic sounds.
Despite the initial negative reaction to her music in her home country, music critics have consistently championed Molina's body of work, praising her music and experimentation. In 2013, El País wrote, "she established herself as the star of the avant-garde sound of her country in the world." Writing for The Guardian, Robin Denselow called her the "one-time Queen of Latin chill" and wrote: "[she] has built up a global cult following as one of the most experimental musicians in Argentina."
Juana Molina was born to a family of artists in Buenos Aires, Argentina, on October 1, 1961. She is the eldest daughter of Horacio Molina, a tango singer, and Chunchuna Villafañe, an actress and model. She has a younger sister who has also worked as an actress and musician. The family lived in the central Buenos Aires barrio of Caballito. Her mother was a record collector, exposing her to various types of music. She began to learn to play the guitar at age 5. In 1967, Juana recorded her first song with her father, "Te regalo esta canción" ("I gift you this song"), as a gift to her mother for Mother's Day. Horacio Molina released the song as a single —without her young daughter knowing—which sold 45 thousand copies. She also performed the song live with her father on national television.
In 1976, the family left for Paris, France, due to the military dictatorship that overthrew president Isabel Martínez de Perón. While in Paris, she listened to what is now known as "world music" on French radio stations. In various interviews, Molina has recalled a visit to a Spanish hippie family friend who introduced her to Indian classical music, whose drones have had an enduring influence on her music. In 1981, Molina returned to Buenos Aires. To finance her architecture studies, she had various small jobs, including an unsuccessful experience as a backing vocalist in small bands.
As she could not make a living through music, Molina decided to find a job that paid well and did not consume much time. She decided on a career in television as the means to this end, and spent some months looking for a show that could use her services. She recorded a homemade audition tape for the studio and was offered a contract the same day. Molina began her television career in 1988 with the ATC show La noticia rebelde ("Rebel News", a word play on La novicia rebelde), where she would record one day a week and get paid for five. Her popular sketches parodied porteño women of various social classes. In October of the same year, Molina joined the cast of El mundo de Antonio Gasalla ("Antonio Gasalla's World"), led by comedy actor Antonio Gasalla. The show, which ran until 1990, further cemented her popularity as a sketch comedy actress and writer. The show was also performed live at the Teatro Gran Rex and in Mar del Plata.
The pinnacle of her success came with her own show, Juana y sus hermanas ("Juana and Her Sisters", a wordplay on Hannah and Her Sisters), which premiered in 1991. Molina became Argentina's most popular comedian, having her show syndicated to other Latin American countries. Molina was dubbed "the new Niní Marshall" by the press, and won two Martín Fierro Awards. A compilation album of songs by Molina featured in the show was released. In 1993 Molina became pregnant with her only child, Francisca, and had to suspend her show. Reflecting on her rapid rise to stardom and distance from the music career she had always wanted, the actress decided to cancel the show in 1994. She recalls: "There was a moment when I imagined myself watching MTV as a decrepit old woman (like MTV would last a lifetime), thinking 'I could have done that.' I pictured myself feeling an infinite grudge, hatred, envy."
Produced by Gustavo Santaolalla and recorded in 1995, Molina's debut album, Rara, was released in 1996. The album was poorly marketed; Micaela Ortelli of Página/12 wrote: "Never did an Argentine radio play a song from that album, – too pop to be folk and too folk, perhaps, to be radio material." Live shows were also problematic, as audiences expected her to act like on television. The album was better received in Los Angeles, United States, where Molina settled in 1998. Having learned how to record her music, she began to self-produce new material at the request of DreamWorks Records. Although the company ultimately did not sign her, these recordings would become Segundo, her second studio album. By 2000, she had finished recording the album and, back in Buenos Aires, she met Daniel Melero, who mixed the record. The music of Segundo was the result of Molina's new insights in timbre and her meeting with Alejandro Franov, who taught her "the endless sound possibilities that keyboards allow." Despite remaining virtually unknown her native country, Molina's music found success in Japan, and, to a lesser extent, in Europe. American musician David Byrne bought Segundo — intrigued by its artwork — and quickly became and admirer of the record. He contacted Molina, and she became the opening act of his American tour.
- Juana y sus hermanas (1991)
- A○○B (with Alejandro Franov) (2002)
- "Te regalo esta canción" / "Eso eres mamá" (with Horacio Molina) (1967)
- "Sálvese quien pueda" (2005)
- "Un día (Reboot Remix)" (2010)
- "Eras" (2013)
- "Cosoco" (2017)
- Denselow, Robin (November 7, 2013). "Juana Molina – review". theguardian.com. Retrieved November 1, 2014.
- Sender. "Juana Molina – Un Dia". Tiny Mix Tapes. Retrieved October 27, 2014.
- Kemp, Mark. "Un Dia : Juana Molina : Review". Rolling Stone. Wenner Media LLC. Archived from the original on October 19, 2008. Retrieved October 27, 2014.
- "Juana Molina". Buenos Aires Herald. Editorial Amfin S.A. 28 February 2015. Retrieved 11 April 2016.
- Lusk, John. "Review of Juana Molina – Un Dia". BBC Online. Retrieved October 27, 2014.
- Edwards, D.M. "Juana Molina: Un Dia". PopMatters. PopMatters Media. Retrieved October 27, 2014.
- Kergan, Wade. "Juana Molina". AllMusic. Rovi Corporation. Retrieved October 27, 2014.
- Irigoyen, Pedro (November 26, 2014). "La magia del indie en una tarde de río". Clarín. Clarín Group. Retrieved November 17, 2015.
O cuando Juana Molina, dorada por el último sol de la tarde, grababa pistas en vivo repitiendo la frase “one day, one day”, y sumergía hipnotizados en su folk progresivo.
- Vera Rojas, Yumber (January 14, 2013). "10 discos esenciales del indie latinoamericano en 2013" (in Spanish). El País. Retrieved November 1, 2014.
- Denselow, Robin (November 7, 2013). "Juana Molina – review". theguardian.com. Retrieved April 11, 2016.
- Escobar Páez, Fernando (September 16, 2013). "Juana Molina: 'La verdad es que me da como miedo la gente'" (in Spanish). El Telégrafo, Republic of Ecuador. Archived from the original on February 19, 2015. Retrieved February 19, 2015.
- Marseillan, Jimena (March 12, 2014). "Entrevista: Juana Molina" (in Spanish). Vomb. Retrieved February 19, 2015.
- Demetilla, Silvia. "Juana Molina: la revancha del español en UK" (in Spanish). Sapo de otro pozo. Retrieved February 20, 2015.
- "Juana Molina". Vivo en Argentina (in Spanish). TV Pública Digital. Radio y Televisión Argentina S.E. April 9, 2012. Retrieved February 19, 2015.
- Moreno, María (November 30, 2008). "Una magia modesta". Radar (in Spanish). Página/12. Editorial La Página S.A. Retrieved February 19, 2015.
- Ferreirós, Hernán (December 8, 2002). "La Dama Juana". Radar (in Spanish). Página/12. Editorial La Página S.A. Retrieved February 19, 2015.
- Tymorek, Guy (August 26, 2010). "Juana Molina: Argentine Enchantress". The Argentina Independent. Retrieved February 20, 2015.
- Inzillo, Humphrey (August 1, 2008). "Juana Molina "Casi no escucho música."". Rolling Stone Argentina (in Spanish). Publirevistas S.A. Archived from the original on February 19, 2015. Retrieved February 19, 2015.
- "Biografía" (in Spanish). Juana Molina – Sitio Oficial. Retrieved February 19, 2015.
- "Murió Norma Pons: los mejores momentos de una vedette que supo convertirse en actriz". La Nación (in Spanish). La Nación S.A. April 29, 2014. Archived from the original on February 19, 2015. Retrieved February 19, 2015.
- "Juana Molina Announces U.S. Tour this April". Guitar World. NewBay Media. March 19, 2014. Archived from the original on February 23, 2015. Retrieved February 22, 2015.
- Ortelli, Micaela (November 17, 2013). "Ser Juana". Radar (in Spanish). Página/12. Editorial La Página S.A. Retrieved February 22, 2015.
- "Juana Molina: Soy lo que soy". Todoshow (in Spanish). INFOnews. Conurbano on Line SA. Retrieved February 23, 2015.
- Espósito, Sebastián (29 December 2000). "Juana Molina da su Segundo paso". La Nación (in Spanish). La Nación SA. Retrieved 22 May 2016.
- "¿De qué sirve que me vaya bien en Japón?" (in Spanish). Los Andes. August 31, 2004. Archived from the original on March 4, 2016. Retrieved May 22, 2016.
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