|Born||June 4, 1926|
|Died||April 10, 2015 (aged 88)|
Englewood, New Jersey, U.S.
|Resting place||Cedar Park Cemetery, Paramus, New Jersey|
|Education||The New School for Social Research|
|Occupation(s)||Actress, director, writer|
|Known for||Co-founding The Living Theatre|
Judith Malina (June 4, 1926 – April 10, 2015) was a German-born American actress, director and writer. With her husband Julian Beck, Malina co-founded The Living Theatre, a radical political theatre troupe that rose to prominence in New York City and Paris during the 1950s and 1960s. The Living Theatre and its founders were the subject of the 1983 documentary Signals Through The Flames.
Early life and education
Malina was born in Kiel, Germany, the daughter of Polish Jewish parents: her mother, Rosel (née Zamora), was a former actress, and her father, Max Malina, a rabbi in the conservative denomination. In 1929, at the age of 3, she immigrated with her parents to New York City.
Her parents helped her see how important political theatre was, as her father was trying to warn people of the Nazi menace and he left Germany with his family largely due to the rise of antisemitism there in the late 1920s.
Except for long tours, she lived in New York City until she moved in 2013 to the Lillian Booth Actors Home in Englewood, New Jersey. 1943 till 1945, Malina worked for Valeska Gert at the Beggar Bar. There she observed many of Gert's performances which influenced her later artistic approach. Interested in acting from an early age, she began attending the New School for Social Research in 1945 to study theatre under Erwin Piscator. Malina was greatly influenced by Piscator's philosophy of theatre which was similar to Bertolt Brecht's principles of "epic theatre" but went further in departing from traditional narrative forms. Piscator saw theatre as a form of political communication or agitprop ("Theatre interests me only when it is a matter of interest to society."); Malina, unlike Piscator, was committed to nonviolence and anarchism.
In 1963, they had to close the Living Theatre because of IRS charges (later proved false) of tax problems, and Malina and Beck were convicted of contempt of court, in part because Judith defended Julian wearing the garb of Portia from The Merchant of Venice – and tried to use a similar argument.
In 1969, the company decided to divide into three groups. One worked on the pop scene in London, another went to India to study traditional Indian theatre arts, and the third, including Malina and Beck, traveled in 1971 to Brazil to tour. They were imprisoned there on political charges for two months by the military government.
After Beck's death from cancer in 1985, company member Hanon Reznikov, who had become Malina's lover (they married in 1988), assumed co-leadership of the Living Theatre company. In 2007, it opened its own theater at 21 Clinton Street in Manhattan. In April 2008, Reznikov suffered a stroke, and while hospitalized, died of pneumonia on May 3 of that year at age 57.
Malina appeared occasionally in films, beginning in 1975, when she played Al Pacino's mother in Dog Day Afternoon. Using her for the role was Pacino's idea, said its director Sidney Lumet. Lumet recalled that contacting her was difficult because she had moved to Vermont. "I had no idea of what to expect," said Lumet. "I didn't even know whether she'd want to do a 'commercial' film. Well, let me tell you, she is an actress. Totally professional. She also had no money, and we had to pay her fare from Vermont, but she walked in and was perfect."
She also appeared in Pacino's Looking for Richard. Malina's other roles in cinema include Rose in Awakenings (1990) and Granny in The Addams Family (1991). She had major roles in Household Saints (1993) and the low-budget film Nothing Really Happens (2003). She appeared in an episode of the TV series The Sopranos in 2006 as a nun, the secret mother of Paulie "Walnuts" Gualtieri. Malina took part in Rosa von Praunheim's documentary New York Memories (2010) and in the documentary Love and Politics (2012) by Azad Jafarian. Von Praunheim's film premiered at the Berlin International Film Festival in 2010 and Azad's film premiered in 2012 at the Tribeca Film Festival. Malina also has a significant supporting role in the well-received film Enemies, A Love Story (1989). Some of Malina's artistic qualities were described by theater scholar Richard Schechner:
The thing about Judith Malina is that she is indefatigable, unstoppable, erupting with ideas. Malina is long-living, long-working, optimistic, and by the second decade of the 21st century girlish and old womanish at the same time. She survives and she bubbles, both.
Personal life and death
Malina met her long-time collaborator and husband Julian Beck in 1943 when she was 17 and he was a student at Yale University. Beck, originally a painter, came to share her interest in political theatre. In 1947, the couple founded The Living Theatre, which they directed together until Beck's death in 1985. Beck and Malina had "two offstage children", Garrick and Isha.
Malina's and Beck's marriage was non-monogamous. The bisexual Beck had a long-term male partner as did Malina. In 1988, she married her long-term partner Hanon Reznikov. They co-directed the Living Theatre's activity in the Middle East, Europe and the United States, until Reznikov's unexpected death in 2008.
Malina died in Englewood, New Jersey, on April 10, 2015.
Awards and honors
In 1996, Malina was awarded an honorary Doctor of Humane Letters (L.H.D.) degree from Whittier College. In 2007, she was awarded an honorary Doctor of Fine Arts degree from Lehman College. In 2008 she received the Ordem do Mérito Cultural from the government of Brazil.
- Entretiens avec le Living Théâtre (with Julian Beck and Jean-Jaques Lebel) (1969)
- We, The Living Theatre (with Julian Beck and Aldo Lastagmo) (1970)
- Paradise Now (with Julian Beck) (1971)
- The Enormous Despair, Diaries 1968–89 (New York: Random House, 1972)
- Le Legs de Cain: trois projets pilotes (with Julian Beck) (1972)
- Frankenstein (Venice Version) (with Julian Beck) (1972)
- Sette meditazioni sul sadomachismo politico (with Julian Beck) (1977)
- Living Heist Leben Theater (with Imke Buchholz) (1978)
- Diary excerpts Brazil 1970, Diary of Bologna 1977 (1979)
- Poems of a Wandering Jewess (book of poetry; Paris: Handshake Editions, 1982)
- The Diaries of Judith Malina: 1947–1957 (New York: Grove Press, 1984)
- Love & Politics (book of poetry; Detroit: Black & Red, 2001)
- The Piscator Notebook (London/NYC: Routledge, 2012)
- Full Moon Stages: Personal Notes from 50 Years in the Living Theatre (book of poetry; New York: Three Rooms Press, 2015)
- The Bachelor Party (1957) - Long-hair Village intellectual (uncredited)
- Narcissus (1958) - Narration (voice)
- Flaming Creatures (1963) - The Fascinating Woman
- Queen of Sheba Meets the Atom Man (1963)
- Après la Passion selon Sade (1968)
- Wheel of Ashes (1968) - Crazy Woman Preaching
- Candy (1968) - Bit Part
- Love and Anger (1969) - (segment "Agonia")
- Dog Day Afternoon (1975) - Mother
- No Picnic (1986)
- Radio Days (1987) - Mrs. Waldbaum
- The Secret of My Success (1987) - Mrs. Meacham
- China Girl (1987) - Mrs. Monte
- American Stories, Food, Family and Philosophy (1989)
- Enemies, A Love Story (1989) - Masha's Mother
- Awakenings (1990) - Rose
- The Addams Family (1991) - Grandmama
- Household Saints (1993) - Carmela Santangelo
- Men Lie (1994)
- The Deli (1997) - Vincenza Amico
- Music from Another Room (1998) - Clara Klammer
- Snow Day (2000) - Grammy
- Nothing Really Happens: Memories of Aging Strippers (2003) - Tillie Hirsch
- When in Rome (2010) - Umberto's Grandma
- New York Memories (2010) by Rosa von Praunheim
- The Forgiveness of Judith Malina (2019)
- 2003, induction into the American Theater Hall of Fame.
- 2008, annual Artistic Achievement Award from the New York Innovative Theatre Awards. This honor was presented to Malina by Olympia Dukakis on behalf of her peers and fellow artists of the Off-Off-Broadway community "in recognition of her unabashed pioneering spirit and unyielding dedication to her craft and the Off-Off-Broadway community".
- 2009, the Edwin Booth Award from the Doctoral Theatre Students Association of the City University of New York.
- Other awards include the Lola d'Annunzio award (1959); Page One Award (1960); Obie Award (1960, 1964, 1969, 1975, 1987, 1989, and 2007); Creative Arts Citation, Brandeis University (1961); Grand Prix du Théâtre des Nations (1961); Paris Critics Circle medallion (1961); Prix de L'Université de Paris (1961); New England Theater Conference Award (1962); Olympio Prize (1967); and a Guggenheim fellowship (1985).
- Lester, Elenore (October 13, 1968). "The Living Theater presents: Revolution! Joy! Protest! Shock! Etc.!; The Living Theater". The New York Times. Retrieved May 7, 2010.
- Weichselbaum, Lehman (January 18, 2011). "Judith Malina's 'Jewish Anarchist Play'". The Jewish Week. Archived from the original on March 3, 2016. Retrieved January 19, 2011.
- The Piscator Notebook by Judith Malina, Routledge, 2013, p. 3: "Germany fell upon evil days, and my father, foreseeing the disaster approaching for the Jewish people, emigrated with my mother and me, in 1929, to New York City." Text in Google Books
- Fliotsos, Anne; Wendy Vierow (2008). American Women Stage Directors of the Twentieth Century. University of Illinois Press. p. 258. ISBN 978-0-252-03226-4.
- Simonson, Robert (April 11, 2015). "Judith Malina, Founder of the Living Theatre, Dies at 88". Playbill. Retrieved December 24, 2022.
- Solomon, Alisa (April 13, 2015). "The 'Immortal' Judith Malina, 1926–2015". The Nation.
- Judith Malina in: A Memoir of Valeska Gert and the Beggar Bar, PAJ: A Journal of Performance and Art, Volume 41, Issue 3, Sep. 2019, p.1-16
- Valeska Gert in her autobiography I Am a Witch, 1968
- Judith Malina: The Piscator Notebook. London: Routledge Chapman & Hall 2012, p. 185
- Trousdell, Richard; Malina, Judith (January 1, 1988). "The Director as Pacifist-Anarchist: An Interview with Judith Malina". The Massachusetts Review. 29 (1): 22–38. JSTOR 25089945.
- Gary Botting, "The Living Theatre" in The Theatre of Protest in America (Edmonton: Harden House, 1972) 18
- "Hanon Reznikov, a Force Behind the Living Theater, Dies at 57". The New York Times. May 9, 2008.
- Lumet, Sidney; Rapf, Joanna (2006). Sidney Lumet: Interviews. University Press of Mississippi. p. 68.
- "Dog Day Afternoon 1975 Bringing sonnys mother". Metacafe.com. April 23, 2013. Archived from the original on October 7, 2017. Retrieved June 14, 2017.
- "Judith Malina, Founder of the Living Theater, Dies at 88", The New York Times, April 11, 2015.
- Robertson, Campbell (May 9, 2008). "Hanon Reznikov, a Force Behind the Living Theater, Dies at 57". The New York Times. Retrieved September 27, 2017.
- "Honorary Degrees | Whittier College". www.whittier.edu. Retrieved February 19, 2020.
- "Honorary Degree Recipients". Honorary Degree Recipients. Retrieved September 4, 2023.
- Judith Malina (February 5, 2016). Full Moon Stages: Personal notes from 50 years of The Living Theatre. Three Rooms Press. ISBN 9781941110256.
- "Theater honors put women in the spotlight". Old.post-gazette.com. June 7, 2007. Archived from the original on March 4, 2016. Retrieved June 14, 2017.
- 2008 IT Award Winners Announced Brian Scott Lipton, TheatreMania, September 23, 2008
- 2008 Honorary Awards Recipients Doug Strassler, New York Innovative Theatre Awards, September 15, 2008
- The Living Theatre official site
- Judith Malina at IMDb
- Judith Malina diaries, 1947-1959, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
- Living Theatre records, 1945-1991, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
- Judith Malina at the Internet Off-Broadway Database