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John Canoe Dancers Jamaica 1975 Dec ver06.jpg
Junkanoo (or "John Canoe") celebrants (Kingston, Jamaica, Christmas 1975)
GenreFolk festival, street festival, parade

Junkanoo is a street parade with music, dance, and costumes with origin in many islands across the English speaking Caribbean every Boxing Day (26 December) and New Year's Day (1 January). These cultural parades are predominantly showcased in the Bahamas where the music is also mainstreamed, and competition results are hotly contested,[1] There are also Junkanoo parades in Miami in June and Key West in October, where local black populations have their roots in the Caribbean. In addition to being a culture dance for Afro-North Carolinians[2] and the Garifuna people,[3][4] this type of dancing is also performed in The Bahamas on Independence day and other historical holidays.

Dances are choreographed to the beat of goatskin drums and cowbells.


The festival may have originated several centuries ago, when enslaved descendants of Africans on plantations in The Bahamas celebrated holidays granted around Christmas time with dance, music, and costumes. After emancipation the tradition continued and junkanoo evolved from simple origins to a formal, organised parade with intricate costumes, themed music and official prizes within various categories.

The origin of the word junkanoo is disputed. Theories include that it is named after a folk hero named John Canoe or that it is derived from the French gens inconnus (unknown people), as masks are worn by the revelers.[5] Douglas Chambers, professor of African studies at the University of Southern Mississippi, suggests a possible Igbo origin from the Igbo yam deity Njoku Ji referencing festivities in time for the new yam festival. Chambers also suggests a link with the Igbo okonko masking tradition of southern Igboland, which feature horned maskers and other masked characters in similar style to jonkonnu masks.[6] Similarities with the Yoruba Egungun festivals have also been identified.[7] However, an Akan origin is more likely because the celebration of the Fancy Dress Festivals/Masquerades are the same Christmas week (December 25–January 1) in the Central and Western Regions of Ghana and also John Canoe was in fact an existing Ahanta king and hero that ruled Axim, Ghana, before 1720, the same year the John Canoe festival was created in the Caribbean.[8] As Jeroen Dewulf pointed out, the term may have had a religious dimension, relating to the Akan deity Nyankompong, who was known in eighteenth-century English sources as John Company.[9]

According to Edward Long, an 18th-century Jamaican slave owner/historian, the John Canoe festival was created in Jamaica and the Caribbean by enslaved Akans who backed the man known as John Canoe. Canoe, an Ahanta from Axim, Ghana, was an ally soldier for the Germans, until one day he turned his back on them for his Ahanta people and sided with Nzima and troops in order to take the area from the Germans and other Europeans. The news of his victory reached Jamaica and he has been celebrated ever since that Christmas of 1708 when he first defeated Prussic forces for Axim. Twenty years later his stronghold was broken by neighbouring Fante forces aided by the military might of the British.

Ahanta, Nzima and Fante captives were taken to Jamaica as prisoners of war. The festival itself included motifs from battles typical of Akan fashion. The many war masks and war dance formations of Ahanta people became part of this celebration the world over, especially in the Caribbean. The elaborate masks and attire resemble Akan battledress with charms, referred to as a "Batakari".[10]

Djékanou is a town in central Ivory Coast. right in the middle of the Akan population of that country. It is a sub-prefecture of and the seat of Djékanou Department in Bélier Region, Lacs District. Djékanou is also a commune.


Many of the colonies Jonkonnu was prominent, The Bahamas, Jamaica, (as Jankunu), Virginia celebrated Jonkonnu.[6]

Historian Stephen Nissenbaum described the festival as it was performed in 19th-century North Carolina:

Essentially, it involved a band of black men—generally young—who dressed themselves in ornate and often bizarre costumes. Each band was led by a man who was variously dressed in animal horns, elaborate rags, female disguise, whiteface (and wearing a gentleman's wig!), or simply his "Sunday-go-to-meeting-suit." Accompanied by music, the band marched along the roads from plantation to plantation, town to town, accosting whites along the way and sometimes even entering their houses. In the process the men performed elaborate and (to white observers) grotesque dances that were probably of African origin. And in return for this performance they always demanded money (the leader generally carried "a small bowl or tin cup" for this purpose), though whiskey was an acceptable substitute.[11]

Example of Junkanoo costume December 2007

Popular culture[edit]

The Junkanoo parade has featured in movies including the James Bond film Thunderball (erroneously described as a local Mardi Gras-type festival), After the Sunset, and Jaws The Revenge, as well as in the season one episode "Calderone's Return (Part II)" of the 1984 television series Miami Vice, taking place on the fictitious island of St. Andrews.

A song titled “Junkanoo Holiday (Fallin’-Flyin’)” appears on Kenny Loggins’ 1979 album Keep The Fire. The song was written by Loggins. This song immediately follows the hit song "This Is It" on the album. “This Is It” has a fade ending that segues into “Junkanoo Holiday (Fallin’-Flyin’)”, omitting a complete break between the two songs.

In the thirteenth episode of the television show Top Chef: All-Stars, "Fit for a King", the contestants danced at a Junkanoo parade, learned about its history and competed to make the best dish for the Junkanoo King.


See also[edit]


  1. ^ Smith, Sloan (January 28, 2020). "Shell Saxon Superstars sweep 2019/2020 Junkanoo season". Eyewitness News. Nassau.
  2. ^ "Jonkonnu". Tryon Palace.
  3. ^ Hamburg, Ericka (December 23, 2007). "Free to dance - Belize's liberating Jonkonnu celebration recalls a slavery-era tradition". Los Angeles Times. p. 3. Retrieved 2020-12-27.
  4. ^ Scaramuzzo, Gene (April 28, 1989). "African-Caribbean Music Takes Off". The Times-Picayune. p. L21 – via NewsBank.
  5. ^ "The Joy of Junkanoo". The Islands of the Bahamas. The Bahamas Ministry of Tourism and Aviation. Retrieved 2020-12-27.
  6. ^ a b Chambers, Douglas B. (March 1, 2005). Murder at Montpelier: Igbo Africans in Virginia. University Press of Mississippi. p. 182. ISBN 1-57806-706-5.
  7. ^ Allsop, Richard (2003). The Dictionary of Caribbean English Usage. Jamaica: University of the West Indies Press. p. 776. ISBN 978-976-640-145-0.
  8. ^ "Fort Gross Frederiksburg, Princestown (1683)", Ghana Museums and Monuments Board.
  9. ^ Dewulf, Jeroen (December 2021). "Rethinking the Historical Development of Caribbean Performance Culture from an Afro-Iberian Perspective: The Case of Junkanoo". New West Indian Guide / Nieuwe West-Indische Gids. 95 (3–4): 223–253. doi:10.1163/22134360-bja10012. S2CID 237712750.{{cite journal}}: CS1 maint: date and year (link)
  10. ^ Long, Edward (1774). "The History of Jamaica Or, A General Survey of the Antient and Modern State of that Island: With Reflexions on Its Situation, Settlements, Inhabitants, Climate, Products, Commerce, Laws, and Government". T. Lowndes: 445–475. {{cite journal}}: Cite journal requires |journal= (help)
  11. ^ Nissenbaum, Stephen (1997). The Battle for Christmas. New York: Vintage Books. p. 285. ISBN 978-0679740384.

Further reading[edit]