K. K. Downing
K. K. Downing
Downing in 2009
|Birth name||Kenneth Downing Jr.|
|Born||27 October 1951|
West Bromwich, Staffordshire,
|Genres||Heavy metal, hard rock|
|Occupation(s)||Musician, songwriter, author|
Early life and career
Downing was born in West Bromwich, Staffordshire. He was kicked out of his home at 15 and dropped out of school soon afterwards. In the late 1960s, Downing discovered rock music and the guitar. He is a mostly self-taught guitarist. "He was heavily influenced by Jimi Hendrix, whom he was 'very quick to recognise as the future'". He was also influenced by John Mayall & the Bluesbreakers and Eric Clapton. Downing played on every Judas Priest album from Rocka Rolla to A Touch of Evil: Live.
Downing started his first band Stagecoach, a pop band, between the age of 17 and 18 with his second cousin Brian Badhams on bass guitar (now with The Elkie Brooks Band) and drummer Martin Philips. The trio "mainly jammed a few Cream songs and a few 12-bar blues". Downing played guitar with the band after winning a coin toss with his cousin Brian "in his bedroom to see who would play guitar or bass".
Playing style and technique
Downing has an aggressive, rock-influenced guitar style featuring solos and dual leads with fellow Judas Priest guitarist Glenn Tipton. His solos remained of this style for most of his career, but he incorporated various techniques into his playing over the years. As opposed to Tipton, his solos tended to incorporate a more raw, rough-edged sound, making use of techniques such as pinch harmonics, dive bombs, and tremolo picking, and often focus on speed, technical accuracy and melody. From Stained Class onward, Tipton came to be increasingly dominant in Judas Priest's songwriting, particularly on the more commercial tracks while Downing's role in the band started to diminish, especially as the former's songs comprised the vast majority of live setlists after 1980. In 1978, Tipton began to incorporate tapping into his playing, which Downing began to use as well. By 1990, both guitarists started to use the complex technique of sweep-picking, which can be notably heard on the title track of their 1990 album Painkiller. Both have continuously used these techniques ever since.
In Judas Priest's early years, Downing made common use of the wah-wah pedal, but began to limit his use of it in the late '70s. He had abandoned use of it by the mid-'80s, but saved it for live performances of the songs that originally featured it. The only time since then that he renewed use of it was in 1996, when vocalist Tim "Ripper" Owens joined the band, and they began to experiment with their music more than before. One of these experimentations was the renewal of wah-wah in Downing's playing, which can be heard on their 1997 album Jugulator. This experimentation was taken further on their next album with Owens, 2001's Demolition, but was once more abandoned when the band's former vocalist, Rob Halford, returned to the band. However, Downing used a wah-wah pedal on his last few tours with the band.
Leaving Judas Priest
Downing officially left Judas Priest on 20 April 2011. He explained, "There had been an on-going breakdown in working relationships between Amyself, elements of the band and management for some time." Downing stated that there were at least "21 reasons" why he decided to quit but refused to go into specific detail about them. He elaborated on his decision to leave Judas Priest, saying that he wasn't happy with the band's live performance and thought it could've been better. The band had since continued with Richie Faulkner as Downing's replacement.
Within the wake of Glenn Tipton's announcement of his Parkinson's disease diagnosis and his self-imposed retirement from touring in February 2018, Downing issued a statement saying that he was "shocked and stunned" that he wasn't approached to rejoin Judas Priest and was "officially and legally still a member of Judas Priest", despite not being present in the band. He now knows more clearly that he made the right choice to leave when he did and that his time in the band and value in terms of crafting the band's legacy "was and is unappreciated by more than one member." He reached out to the fans telling them that the decision to not approach him "was not a financial one." Faulkner, Halford and Hill stepped in to explain their side of the story, with Downing giving his response towards Hill.
Failing relations was the cause for Downing's departure and that Halford and Tipton's respective solo careers were another factor, which he deemed "a bit disruptive", explaining that Halford released two albums in 2010 and toured with his band, and also refused to write material for a five-track EP, which led him to leave the band. He doesn't regret his decision to leave Judas Priest, as he feels that "it had kind of run its course as it was", and also didn't inquire about coming back after Tipton stepped down from touring as Tipton's replacement was already announced before Downing knew about it, and would be willing to speak with the band if he was contacted on making his return as their guitarist again. Downing doesn't mean to cause any controversy, but was just disgruntled when he wasn't asked to rejoin Judas Priest and that it was wrong for them to not ask him back and would be willing to return to his original position if they had offered him an opportunity, and if approached under the right circumstances and being asked about it the right way.
Judas Priest's manager Jayne Andrews said via e-mail that the band had no comment on his views. When Downing decided to leave the band, he said, "I felt I was in crisis. Whether it sounds selfish or not, everything seems to go out of the window in a crisis." He found Tipton not easy to get along with, "If you were going to relate to him, you would do so entirely on his terms." He later explained that he sent two resignation letters, with the first one implying a smooth retirement from music and the second one being angrier, laying out all of his frustrations with specific parties, which he believes was the main reason why he wasn't asked to return to the band. The second letter was described as his "fuck off" letter, and even contemplated performing on the Epitaph World Tour even after backing out of it, but was too late as all of the information had already been revealed. According to Downing, drummer Scott Travis was the only member to contact him following his departure, but wasn't surprised; however, he was surprised that the other members did not. He thought that he was friends with all of the other members before his departure, he singled out Ian Hill as the one he was most disappointed in, and that Halford, Hill and Travis knew of his suffering towards the end of his duties in the band. Downing's decision to leave Judas Priest even shocked himself, saying that he made "an awful lot of sacrifices" and not receiving the respect he made in terms of his contributions in the band, recalling the early days in the 1960's, which he described as "tough".
Downing revealed another side of his story by saying that he contemplated departing Judas Priest when the touring for Painkiller concluded in 1991, citing internal conflicts within the band. He said that he composed a resignation letter, but ended up waiting towards the end of the tour; instead Halford announced his departure before he did, thinking that Halford found out about his contemplated dismissal, and that Tipton wanted to do a solo album. Downing then decided to remain in the band as a result. His decision to depart from Judas Priest "was a lot of things — it was an awful lot of things." The change in the industry to worldwide touring and performing live was a factor, and also not enjoying the live performances anymore. He would further touch basis on Tipton and Halford, saying that Tipton consumed alcoholic beverages before and during gigs, and that Halford read the lyrics through a teleprompter, feeling that Halford didn't connect with the fans. Downing then brought up drummer Scott Travis, saying that Travis was "understandably looking pretty bored every time I looked around at him. And so that was another factor." He then said that there's possibly "15 or 20 reasons" that he left the band. Downing felt disgruntled about not having the chance to contact the band on a possible return after Tipton announced his Parkinson's disease diagnosis, "because I felt that I would have been able to return, really, if there was gonna be at least stability and security in the music and the live shows. But having said that, it didn't happen, so I guess the writing's on the wall."
Former Judas Priest vocalist Tim "Ripper" Owens stepped in and said that Downing is telling the truth, "I was there. I saw things happen. I saw how it ran. I saw how the band ran. And I'm not complaining about it; I was treated great. But I did see how it was run. And from what I see, he's not lying about stuff; he's just telling the truth." He also said that Downing isn't upset that he's not a member of the band anymore, "this was before the book was written, but he wasn't in the band — he spoke great about everybody and especially Richie. So that's just the way it is."
Downing explains that Halford, Hill and Travis would've acknowledged the idea of bringing him back into the band. He went on to take credit for being the first one to bring in the Flying V guitar into heavy metal music. He then said that he was always in good terms with Halford, noting his departure in 1992 and being the one who brought him back in 2003, but feels that "everything's outside of his control, Ian's and Scott's. That's what I think." He reiterated by believing that there would've been an open possibility for the members to have him return, "if there wasn't something preventing them to do so." In spite of Hill's comments about Downing's departure, he said that Downing and the band have "parted company" musically, but explains that he had not been in contact with him "for the last couple of years because we've been so busy. But I think, musically, we've parted ways, really. Probably the less said, the better."
Downing's relationship with Judas Priest isn't "overly sweet at the moment. Nothing lasts forever. I started in the late '60s, so certainly guys from that time, we're not going to be around forever. Obviously, we're losing a lot of good friends along the way. It is the way it is." He said that an opportunity existed for him to return to the band, "and that has passed on." He expressed uncertainty if there would ever be another opportunity for him to rejoin the band, but did not rule it out in the future. Regarding his future, Downing said that if he doesn't rejoin Judas Priest, "then maybe it's best to just leave it there, really." He hopes that it could change at some point, but expressed doubt, feeling that "There might be a better position for me. Exactly what I don't know, really."
Hill said that he does not see a possibility for Downing to return to Judas Priest in the future, "it could stay like that, I think, at least for the foreseeable future."
Downing expresses dissatisfaction that Judas Priest does not allow him to "have any input in any way." At the time of his departure, he felt more energized than the other members on stage, "In fact, that is one of the reasons I quit. The band just seemed to have slowed down to a steady walk. Even Richie would do well to keep up with me if I rejoined." Downing then said that Travis, Faulkner and Andy Sneap "are not officially members of Judas Priest as they are on a wage." He would have no compromises if he had rejoined and would resume performing and be committed "just as I always was." Faulkner responded negatively.
Downing believes that his comments created the perception among fans that he expressed incessant complaints towards his former bandmates, "But I can only say what my understanding is at the time that I'm actually conducting an interview and what I actually believe. And that's the information I want to get over from me to the world." He credits his accomplishments and his relationship with the fans from around the world, and notes about Blabbermouth, praising their work, but notes that "their kind of technique or the way that they do things to grab attention sometimes puts the fans on the wrong footing to start with whereby some of the fans don't actually read the interview and the context that something was said in." Downing takes umbrage for some of the things that the band members have said to him in the early days that were hurtful, and feels that the comments about him not being missed by the fans and giving praise to Faulkner is "a slap at me, really, as though I was kind of slacking, if you wanna read it that way." Since his departure, the band had tried to remove him as co-director of Judas Priest, a position that he refuses to relinquish. Downing accepts Faulkner's position in the band; however, he holds him responsible for not offering him an opportunity to rejoin or being made aware that there was a vacant position for him. He takes offense that his name wasn't mentioned when Judas Priest was inducted into the Hall of Heavy Metal History in August 2018 at Wacken. He then elaborated on his comment about Faulkner, Travis and Sneap being on a wage by saying that Blabbermouth misquoted him by including Sneap, and only considers Halford, Hill and Tipton as "the partnership, the controlling partnership, the controlling company", and the "full and complete members of the band."
Downing says that he is a more able guitar player than Faulkner, in terms of performing the song "Sinner", which he says that he can perform better and is the "originator", "It would be better for the people, because they remember me doing it all of their lives, for God’s sakes, which is decades." He then added, "You can see me and Richie up there working and playing and performing pretty damn good together because I would make sure that we were ripping across that stage like there was no tomorrow." Although Downing has nothing against Faulkner, he has viewed him as a "clone" and a "look-a-like", expressing disappointment in the band's choice on his replacement. He then said that Faulkner's comments of his view on Downing's departure is "off the mark, really, for Richie to make comments about me; he's playing my songs and my riffs and all that, and it's a great opportunity for him. And I think he'd be best to leave it there, really, until we eventually get to have a meet and a chat and maybe we can have a beer together and it's all good. Because I don't want this to continue the way that it is. I would like to go forward, whatever's happened." When Downing first saw Faulkner, he felt that he was "kind of being cloned", and that Faulkner has the right to "portray his own image and ability to play the instrument the way that he does." When Tipton stepped down from touring, the same thing did not occur, and that Sneap doesn't look like Tipton in terms of appearance. Despite Downing's view on Faulkner's visual appearance, he never questioned his playing ability, and that Faulkner is more of a Les Paul guitar player, citing Zakk Wylde, Randy Rhoads and Michael Schenker among his influences, and doesn't recall being cited as an influence to Faulkner.
If Downing considered performing with Judas Priest again when asked about it under the right circumstances, either for a full-length tour or a one-off performance, "I'd be stepping up there with a new guitar partner", describing him and Faulkner as "a pretty good duo", but recalled the time Faulkner spoke about Downing's statement about not being invited back to the band. He would then say that Faulkner "should have been allowed to be his own person. And if he likes to play Gibson Les Paul's, then he should go on stage and play those and not be encouraged to play Flying V's and wear clothes like me and look like me and do all of that." He expresses difficulties that Faulkner is an "adequate successor" to his lineage within Judas Priest. Downing feels that Faulkner isn't filling in his role and is also performing Tipton's material as well, "and it all seems a bit strange to me. I don't really quite understand it."
Faulkner said that he has never spoken to Downing and thinks that he and the band hasn't had any contact with one another, but thinks that he speaks with the band's management, "Most of the stuff now is online. It seems that there's a lot online and not enough talking with each other. But who knows?" He speaks negative towards Downing's comments about his position in Judas Priest and the band members themselves, and that the band tries to not get involved in Downing's negative feelings to focus on touring and making new music, "but sometimes people lose their focus and pay more attention to that. But we don't really say a lot about it."
Musical side projects
In 2012, Downing was approached by Cleopatra Records to participate on the album, Who Are You? An All Star Tribute to the Who, a tribute album to the band The Who. Downing accepted the offer and performed guitar on the opening track, "Eminence Front", along with musicians John Wetton and Derek Sherinian. The album was released on 2 October 2012. Downing on participating on the record, "(I) feel honoured to pay tribute to such a great band". In addition, Downing has also guested on albums by other bands including Queensrÿche and Violent Storm.
In 2018, Downing, along with former Judas Priest members Tim "Ripper" Owens and Les Binks, and Armored Saint bassist Joey Vera were featured in a cover version of the popular song "Beyond the Realms of Death", fronted by guitarist Paul Crook's band Devilstar, to commemorate the 40th anniversary of Judas Priest's 1978 album Stained Class.
On 18 September 2018, Downing published his autobiography titled Heavy Duty: Days and Nights in Judas Priest via Da Capo Press. It was written by Downing himself along with Mark Eglinton. The memoir details everything from "the complex personality conflicts, the business screw-ups, the acrimonious relationship with fellow heavy metal band Iron Maiden, as well as how Judas Priest found itself at the epicenter of a storm of parental outrage that targeted heavy metal in the '80s", according to the book's synopsis. It also details Downing's role in Judas Priest, as well as his decision to leave the band in 2011.
Downing's first own house was a "tiny semi in Bloxwich". He has lived in Los Angeles and Florida and but no longer owns a home in Spain, but his main abode since 1985 remains Astbury Hall in Shropshire. It is in a very secluded area so he can (as stated in a 2007 interview) "really turn up [his] Marshalls really loud". Astbury Hall is also home to "one of England's finest championship golf courses",[attribution needed] a course created by Downing himself and where he has held publicised charity events. Sarah Lissimore, his former girlfriend, mounted a legal challenge for half of his Shropshire estate. This was based on his assertion, "I'd bet you'd love to be lady of this Manor, wouldn't you?" The High Court of Justice rejected the notion that this assertion could give rise to proprietary estoppel in favour of Lissimore.
In December 2013, it was announced that Downing would be teaming up with a property development finance provider, and golfer Darren Clarke, to help build luxury residential developments on Downing's Astbury estate.
Mr Downing, known as Ken, told the Shropshire Star: "We have had a fantastic season, things were going really well. We had plans for a hotel that we were doing really well with. Obviously there was a necessity for a funding element. "The company took out a short term mezzanine fund in early August to take us through to March. This was essentially to bring in professional architects and a team from London. Everything was in place as far as we were concerned. "Unfortunately about six weeks into the loan we were served a loan termination notice about technical breaches of the agreement. "We are at the moment looking to re-finance that loan. We were taken aback that the funder was not more flexible with us as partners. It was put up for sale for £10 million ($13.5 million) . Downing maintained that the development was financialy stable and viable as he was set to build a luxury holel for the Marriott Autograph collection and had hoped to host The English Open Championship on the estate's golf course.
Due to the circumstances surrounding his golf resort investment, Downing placed a share of his royalty rights for 136 Judas Priest songs for sale; the catalogue generates nearly £300,000 ($400,000) per year. Joint administrator Alastair Massey called the songs "a unique investment opportunity" from one of the "driving influences" of Judas Priest's success. In July 2018, Round Hill Music acquired the royalty rights to Downing's compositions; the catalogue's asking price was at least £10 million ($13.5 million). . He later explained about the sellings of his estate, his golf course and his royalty rights of 136 Judas Priest songs, "I'm in the process now of recovering everything else through the legal channels. I made a few rubbish business moves, but I can't complain really because I did okay. Lots of musicians end up with nothing really, but I had an evaluation on the estate worth in excess of £13 million. Quite a few million pounds worth of music royalties and other assets as well. I'm suing my lawyers for negligence. "
In March 2019, Shropshire Council's planning officers set Downing's estate to be transformed into a huge leisure complex including a leisure and spa building, two swimming pools, a farm shop, a function room, restaurant and spa, an outdoor lido pool, tennis courts, bowling greens, a new nine-hole golf course and an 18-hole putting green; with the addition of 300 wooden lodges. Local residents expressed concerns about the impact of the development on the nature of Eardington and added traffic on small nearby roads. The National Trust expressed their own worries of the work on the nearby Dudmaston Hall, but Shropshire Council's planning team decided that there were no grounds on which the development should be refused. Case Officer Richard Fortune said that the report recommending the application was approved, and that the extra traffic on the B4555 would be acceptable. He also noted that it would not generate a significant amount of trips compared to the already existing number of vehicles travelling along the highway. Fortune also said that Shropshire Council as highway authority "would need to demonstrate that the B4555 and surrounding highway network do not have the capacity to support a development of this nature. It is not considered a highway objection could be sustained on this basis." The impact of the volume of traffic on some junctions in Bridgnorth, most notably B4555/B4363 and Oldbury Road/Hollybush Road, have raised concerns. The report backing from the council's economic team claimed that the development could bring as much as £15 million ($19 million) of investment into the county. In a statement released from FCFM Group Limited in December 2018, they said that when they announced the plans at the time, they claimed that the development could be worth more than £3.5 million ($4.6 million) a year to the local economy.
Recognition and honors
Downing was ranked 23 on rock magazine Hit Parader's list of 100 greatest metal guitarists.
Downing has many guitars, among them:
- 1964 Gibson Flying V Limited Edition with Gibson PAF pickups (one out of 200)
- 1970 Gibson Flying V with Maestro vibrato bar (number 233 out of 500)
- 1969 Fender Stratocaster (White) with left-handed neck
- 1965 Fender Stratocaster (Sunburst)
- Custom Hamer Vector, Vector KK and KK Mini V guitars
- Hamer Flying V: Issued to KK during the World Vengeance Tour, Hamer would release the KK Downing Flying V for public sale in 1984, ending in 1985. KK's V featured a Floyd Rose Tremolo and a single Dimarzio humbucker.
- Hamer Mini V: KK owned a number of Mini Vs beginning in 1986 with a red and white one. He would go on to acquire a blue and black one in the tours to follow. Loosely based on the Hamer Scepter V, the Mini V sported a single dimarzio pickup and a Kahler Tremolo.
- ESP Custom V guitar
- Judas Priest Special V Handmade by Daniel R. Johnson (K. K.'s former touring guitar tech).
- KxK Custom Shop V K. K. Downing Model 2 guitar.
- Ovation Elite series Acoustic
- Since the '90s, K. K. has regularly used EMG 81/85 pickups in a lot of his guitars.
Amplifiers and effects
- DigiTech 1101 Preamp
- Marshall 9100 Power Amplifier.
- Marshall JMP-1 Preamp
- Mesa Boogie Dual Rectifier
- Rocktron Piranha Preamp
- Scholz Rockman Sustainer
- Marshall JMP Non master volume heads
- [MXR] Distortion +
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