Kalamandalam Krishnan Nair

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Kalamandalam Krishnan Nair
Born(1914-03-11)11 March 1914
Cheruthazham, Kannur, British India (present-day Kerala, India)
Died(1990-08-15)15 August 1990
Spouse(s)Kalamandalam Kalyanikutty amma
Awards1967: Sangeet Natak Akademi Award
1970: Padma Shri

Kalamandalam Krishnan Nair (11 March 1914 – 15 August 1990) was one of the most renowned Kathakali artists of any time, and arguably the greatest in the history of the four-century-old classical dance-drama from Kerala in southern India.[citation needed] He had fleshy, flexible and clean-cut facial features that were powerful to launch any emotion with amazing power and ease, and was intelligent enough to acquire and exhibit varied styles of Kathakali that were in vogue across Kerala during his lifetime.[1]

A Padma Shri and Sangeet Natak Akademi Awardee, [2] Krishnan Nair was a genuine all-rounder who had the caliber to emote any role in Kathakali and, what's more, add his signature flair to it. Even so, he was most widely celebrated for his playing of the virtuous and romantic pachcha (green-hued) roles like Nalan, Bhiman, Arjunan, Rukmangadan and Karnan.

A native of Cheruthazham in Kannur taluk of Kannur district in North Malabar, Kerala he was initiated into Kathakali in his early teenage years under the tutelage of Guru Chandu Panikker. By 19, he got noticed by Kerala Kalamandalam co-founder, poet Vallathol Narayana Menon, and inducted Krishnan Nair into his institute, then near Mulankunnathukavu, north of Thrissur in central Kerala. It was there that Krishnan Nair was trained under gurus of varied style—like Pattikkamthodi Ravunni Menon, Thakazhi Kunchu Kurup, Kavalappara Narayanan Nair and Mani Madhava Chakyar.

Krishnan Nair had his higher studies on Rasa-abhinaya (facial emotions which stressed on eye exercises) from the celebrated Kudiyattam maestro Natyacharya Māni Mādhava Chākyār, who too won the Padma Shri.[3] Krishnan Nair was deeply influenced by Shri. Chakyar.[4]

With his calibre to perform any challenging role and a flexible mindset that prompted him to occasionally do minor roles (with some new elements), Krishnan Nair was probably the pioneering Kathakali artiste who was a hardcore professional—in the sense that he was the arguably the first to dictate the rate for each of his performances. It was a watershed move in an art form that had huge feudal hangovers and its entailing element of servility that patrons expected from the artistes.

Krishnan Nair had a penchant for realistic portrayal of characters and situations that made him more popular in the Travancore belt of south Kerala. In fact, his outlandish style had made him a less acknowledged master in central and north Kerala—the very places that groomed his art in his early days.

Krishnan Nair's powerful style won him admirers.

Krishnan Nair, towards the second half of his life, had made Kodungalloor near Thrissur his home. [5]

He married Kalamandalam Kalyanikutty Amma. The Malayalam actor, Kalashala Babu was his son. Krishnan Nair died on Indian Independence Day, 15 August 1990, aged 76.

See also[edit]

References[edit]

  1. ^ "Unmatched range of expressions". The Hindu. Retrieved 13 August 2014.
  2. ^ "SNA Awardees' List". Sangeet Natak Akademi. 2016. Archived from the original on 30 May 2015. Retrieved 5 February 2016.
  3. ^ http://www.hindu.com/fr/2008/08/15/stories/2008081550640300.htm
  4. ^ Malayalam Literary Survey - Volume 13, Kerala Sahitya Akademi, 1991
  5. ^ The Hindu : In honour of the thespian couple