A kalasha, also spelled kalash or kalasa (Sanskrit: कलश; kalaśa, literally "pitcher, pot"), is a metal (brass, copper, silver or gold) pot with a large base and small mouth, large enough to hold a coconut. Sometimes "Kalasha" also refers to such a pot filled with water and topped with a coronet of mango leaves and a coconut. This combination is often used in Hindu rites and depicted in Hindu iconography. The entire arrangement is called Purna-Kalasha (पूर्णकलश), Purna-Kumbha (पूर्णकुम्भ), or Purna-ghata (पूर्णघट). Each of these names literally means "full or complete vessel" when the pot is referred to as the Kalasha (to avoid confusion, this article will refer to the pot as Kalasha and the entire arrangement as Purna-Kalasha). Sometimes the Kalasha is filled with coins, grain, gems, gold, or a combination of these items instead of water. The coronet of 5, 7, or 11 mango leaves is placed such that the tips of the leaves touch water in the Kalasha. The coconut is sometimes wrapped with a red cloth and red thread; the top of the coconut (called Shira – literally "head") is kept uncovered. A sacred thread is tied around the metal pot. The Shira is kept facing the sky. The Kalasha is viewed as an auspicious object in Jainism. The Kalasha is used as a ceremonial object as well as a decorative motif in Indian art and architecture. The Kalasha motif was used in decorating bases and capitals of pillars from the 5th century.
The Purna-Kalasha is considered a symbol of abundance and "source of life" in the Vedas. Purna-Kumbha is preeminently a Vedic motif, known from the time of Rigveda. It is also called Soma-Kalasha, Chandra-Kalasha, Indra-Kumbha, Purnaghata, Purna-Virakamsya, Bhadra ghata, or Mangala ghata. It is referred to as "overflowing full vase" (purno-asya Kalasha) in the Vedas.<ref'The Abode of Mahashiva: Cults and Symbology in Jaunsar-Bawar in the Mid Himalayas by Madhu Jain Contributor O. C. Handa Published 1995 Indus Publishing 199 page>'s ISBN 81-7387-030-6 p. 171 "Drona Parva,11, 29"</ref>
The Kalasha is believed to contain amrita, the elixir of life, and thus is viewed as a symbol of abundance, wisdom, and immortality. The Kalasha is often seen in Hindu iconography as an attribute, in the hands of Hindu deities like the creator god Brahma, the destroyer god Shiva as a teacher, and the goddess of prosperity Lakshmi.
The Purna-Kalasha is believed to be a symbol of auspiciousness embodying either Ganesha, remover of obstacles, or his mother Gauri, the goddess of household bounty or Lakshmi. The Purna-Kalasha is worshipped in all Hindu festivities related to marriage and childbirth, as a mother goddess or Devi. In this context, the metal pot or Kalasha represents material things: a container of fertility - the earth and the womb, which nurtures and nourishes life. The mango leaves associated with Kama, the god of love, symbolize the pleasure aspect of fertility. The coconut, a cash crop, represents prosperity and power. The water in the pot represents the life-giving ability of Nature.
Sometimes, a silver or brass face of the Goddess is attached over the coconut of the Purna-Kalasha. In this form, the Purna-Kalasha symbolizes the Goddess as the manifestation of mother earth with her water, minerals, and vegetation. This method of Kalash pooja (worship) has come in for Vishnu in household functions too.
Other intrepretations of the Purna-Kalasha associate with the five elements or the chakras. The wide base of metal pot represents the element Prithvi (Earth), the expanded centre - Ap (water), neck of pot - Agni (fire), the opening of the mouth - Vayu (air), and the coconut and mango leaves - Akasha (aether). In contexts of chakras, the Shira (literally "head") - top of the coconut symbolizes Sahasrara chakra and the Moola (literally "base") - base of Kalasha - the Muladhara chakra.
A kalash is placed with due rituals on all important occasions. It is placed near the entrance as a sign of welcome. It is also used in a traditional manner while receiving holy personages.
The Kalasha is included in the Ashtamangala lists of both the Svetambara and Digambara sects of Jainism. Two eyes are depicted around the Kalasha, symbolising right faith and right knowledge. It is used for religious and social ceremonies. It is used in temples when certain images are being worshipped. When one enters a new home it is customary to carry the kalasha on the head reciting mantras. This ceremony is performed to welcome grace and happiness into the new home. They first appear in stone in the Kushan Empire period (65-224 AD).Symbol of auspiciousness.
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