|High sound of jingles, plus some have a skin with a lower sound.|
|Riq, Buben, Dayereh, Daf, Tambourine, Frame drum|
The kanjira, khanjira, khanjiri or ganjira, a South Indian frame drum, is an instrument of the tambourine family. As a folk and bhajan instrument, it has been used for many centuries. It was modified to a frame drum with a single pair of jingles by Manpoondia Pillai in the 1880s, who is credited with bringing the instrument to the classical stage. It is used primarily in concerts of Carnatic music (South Indian classical music) as a supporting instrument for the mridangam.
Similar to the Western tambourine, it consists of a circular frame made of the wood of the jackfruit tree, between 7 and 9 inches in width and 2 to 4 inches in depth. It is covered on one side with a drumhead made of monitor lizard skin (specifically the Bengal monitor, Varanus bengalensis, now an endangered species in India), while the other side is left open. The frame has a single slit which contain three to four small metal discs (often old coins) that jingle when the kanjira is played.
The kanjira is a relatively difficult Indian drum to play, especially in South Indian Carnatic music, for reasons including the complexity of the percussion patterns used in Indian music. It is normally played with the palm and fingers of the right hand, while the left hand supports the drum. The fingertips of the left hand can be used to bend the pitch by applying pressure near the outer rim. It is not tuned to any particular pitch, unlike the mridangam or the ghatam.
Normally, without tuning, it has a very high pitched sound. To get a good bass sound, the performer reduces the tension of the drumhead by sprinkling water on the inside of the instrument. This process may have to be repeated during a concert to maintain a good sound. However, if the instrument is too moist, it will have a dead tone, requiring 5–10 minutes to dry. Tone is also affected by external temperature and moisture conditions. Performers typically carry a couple of kanjiras so that they can keep at least one in perfectly tuned condition at any given time.
- Packiri Shunmugam Pillai
- Dakshinamurthy Pillai
- G. Harishankar
- Bangalore Amrit
- C.P.Vyasa Vittala
- V. Selvaganesh
- T S Nandakumar
- B. Shree Sundarkumar
- N. Ganesh Kumar
- Pete Lockett
- Satyapal Maharaj
- Prema Kasturi; Chithra Madhavan (2007). South India heritage: an introduction. East West Books (Madras). p. 593. ISBN 978-81-88661-64-0.
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- Anand S. Khati (1998). National parks of India. Pelican Creations International. p. 323. ISBN 978-81-86738-00-9. Retrieved 30 December 2012.
- Bruno Nettl; Alison Arnold (1998). The Garland Encyclopedia of World Music: South Asia : the Indian subcontinent. Taylor & Francis. pp. 357–. ISBN 978-0-8240-4946-1.
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- N. Scott Robinson; OhioLINK Electronic Theses and Dissertations Center (2013). Tradition and Renewal: The Development of the Kanjira in South India.
- Sruti. 268-273. P.N. Sundaresan. 2007. p. 272.
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